Tagged: Justice League

Nathan Fillion & Tim Daly join heroic cast of Justice League: Doom

Primetime television stars Nathan Fillion and Tim Daly, the reigning voices of Green Lantern and Superman, respectively, join an exciting group of actors reprising their famed cartoon roles in Justice League: Doom, an all-new entry in the popular series of DC Universe Animated Original Movies due in early 2012 from Warner Home Video.

Justice League: Doom finds Superman, Wonder Woman, Flash, Green Lantern, Martian Manhunter, Cyborg and Batman on their heels when a team of super villains discover and implement the Dark Knight’s “contingency plans” for stopping any rogue Justice League member. The story is inspired by Mark Waid’s much-heralded JLA: Tower of Babel.

Fillion, the star of ABC’s hit TV drama Castle, made his debut as Green Lantern/Hal Jordan in the recent Green Lantern: Emerald Knights. Fillion made his initial DCU bow as the voice of Steve Trevor in the 2008 hit Wonder Woman.

Currently headlining the cast of ABC’s popular Private Practice, Daly originated the title character’s voice in the landmark cartoon, Superman: The Animated Series. He has reprised the role in two DCU films: the 2009 extravaganza Superman/Batman: Public Enemies and the 2010 thriller Superman/Batman: Apocalypse.

In addition to current primetime stars Fillion and Daly, the cast is a grand reunion of the original group of actors who provided the voices of the Justice League for the cartoon of the same name and its follow-up, Justice League Unlimited. Reprising their roles are Kevin Conroy (Batman: The Animated Series) as Batman, Michael Rosenbaum (Smallville, Breaking In) as Flash, Susan Eisenberg (Superman/Batman: Apocalypse) as Wonder Woman and Carl Lumbly (Alias) as J’onn J’onzz/Martian Manhunter. Bumper Robinson (A Different World, Transformers: Animated) joins the cast as Cyborg.

The Justice League faces two sets of villainous teams in the film – The Royal Flush Gang and a sextet of notable evildoers. The latter group includes three voice acting alumni of the Justice League animated series: Phil Morris (Smallville, Seinfeld) as Vandal Savage, Olivia d’Abo (The Wonder Years) as Star Sapphire, and Alexis Denisof (Angel) as Mirror Master. Also opposing our heroes are Carlos Alazraqui (Reno 911) as Bane, Paul Blackthorne (The Dresden Files) as Metallo, and Claudia Black (Farscape, Stargate SG-1) as Cheetah.

David Kaufman (Danny Phantom) also reprises his Justice League role of Jimmy Olsen.

The film is executive produced by Bruce Timm (Batman: Year One), and directed by Lauren Montgomery (Batman: Year One), who is also credited as producer alongside Alan Burnett (Batman: The Animated Series). Justice League: Doom is the final script from the late Dwayne McDuffie (All-Star Superman, Justice League: Crisis on Two Earths). Casting and dialogue direction is once again in the capable hands of Andrea Romano (Batman: Year One, SpongeBob SquarePants).

Warner Home Video will premiere the Justice League: Doom trailer during its presentation at New York Comic Con on Friday, October 14 from 3:00-4:00 p.m. in the IGN Theater. Also premiering during that session will be the Catwoman animated short that is attached to Batman: Year One, the next DC Universe Animated Movie (streeting October 18).

Ken Lashley Original Star Wars Art (In The Shape Of A VW)

This is a high price for original art– on the other hand, you can drive the artwork home.

Volkswagen of America presents the one-of-a-kind Star Wars edition 2012 Passat TDI® Clean Diesel featuring hand-drawn illustrations from the complete Star Wars saga, drawn by comic book artist Ken Lashley (Justice League of America, The Flash, X-Men, Legion of Super Heroes and the DCnU Blackhawks) which is being auctioned on eBay. In celebration of the September launch of Star Wars The Complete Saga on Blu-ray, Lucasfilm is asking fans to Use the Force for Good to support Stand Up To Cancer (SU2C).   SU2C funds groundbreaking cancer research that will get new therapies to patients quickly and save lives.  As part of that campaign, Lucasfilm has partnered with eBay to create this exclusive auction, allowing fans to bid on rare and exciting Star Wars items and experiences.

Lashley went through about 35 Sharpie markers drawing on the thing, and yes, it’s been covered in sealant. Here’s Ken drawing the VW at SDCC:

[youtube]http://www.youtube.com/watch?v=KXzLwxoDuJ8[/youtube]

Bidding ends today, and is currently around $25000. The biggest drawback? It’s going to be hell to frame. And yes, it even does this:

[youtube]http://www.youtube.com/watch?v=R55e-uHQna0[/youtube]

If I rebooted Wonder Woman

If I rebooted Wonder Woman

This is the Wonder Woman I would choose:

She’s from Legends of the DCU: Crisis on Infinite Earths #1. The designer solved a problem that’s defeated every other attempt to fix her costume: he turned the eagle symbol into something that both holds up her costume and suggests armor.

I dunno who suggested that costume, but I suspect the writer, Marv Wolfman, suggested she look Middle-Eastern. It makes sense. In classical literature, the island of the Amazons has been located in Libya and Asia Minor.

While I like the skirt, I would be tempted to give her pants. And there’s something to be said for a longer skirt like the one she first wore:

File:SensationComics.jpg

There was an excellent analysis of Wonder Woman, “Wonder Woman, Delineated” at Fractal Hall, a site that’s no longer on the web. The writer proposed:

So, what makes her work?

A) Truth. Truth truth truth truth truth.
B) The hunt.
C) Magical gadgets
D) Super-strong, super-fast.

Factor A is more subtext than explicit, but I think it’s fair to say that any Wonder Woman story has to have a theme of honesty or a counter-theme of dishonesty to it.

Part of what I admired about the Fractal Hall analyses of superheroes was the way they began with the essential differences in genres: Superman is a science fiction character, Wonder Woman is a fantasy character, and the Batman is what they called a crime character, but I would call a mystery character. The worlds of Superman, Batman, and Wonder Woman are so different that they should only meet when the Justice League gathers.

Will Shetterly is the creator of [[[Captain Confederacy]]], the author of [[[Dogland]]], and the co-creator of [[[Liavek]]] with his wife, Emma Bull.

Warner Home Video to unveil Catwoman animated short, first ‘Justice League: Doom’ footage at NYCC

Warner Home Video, Warner Premiere, DC Entertainment and Warner Bros. Animation proudly present an action-packed hour of first looks at DC Universe Animated Original Movies properties on Friday, October 14 from 3:00-4:00 p.m. at New York Comic Con.

Central to the panel will be the premiere of the animated short Catwoman, starring Eliza Dushku (Buffy the Vampire Slayer, Dollhouse) as the voice of title character. The 15-minute short will be included on the release of Batman: Year One, which streets October 18 on Blu-ray, DVD, for Download and On Demand.

The panel will also include the very first footage to be seen from Justice League: Doom, the highly-anticipated next entry in the ongoing series of DC Universe Animated Original Movies.

The panelists, which include the ultimate voice of Batman, Kevin Conroy, DCU executive producer Bruce Timm and casting/dialogue director Andrea Romano, will offer a glimpse into the 2012 DC Universe Animated Original Movies slate, give away some exclusive prizes to inquisitive audience members, and quite possibly welcome a few surprise guests to the stage.

An autograph session with the panelists will immediately follow the panel.

All Pulp Interviews: Moonstone’s Return of the Monsters – Nancy Holder

All Pulp Interviews: Moonstone’s Return of the Monsters – Nancy Holder

Cover: Dan Brereton

This Halloween, Moonstone heads back to their monstrous roots with the Return of the Monsters Event. Return of the Monsters features four stand-alone tales of pulp’s mightiest heroes facing off against some classic monsters. One of those titles is Domino Lady vs. the Mummy by co-writers Nancy Holder and Bobby Nash with art by Rock Baker and Jeff Austin. All Pulp sat down with Nancy Holder about this upcoming book.

All Pulp: Tell us a little about yourself and your pulp interests.

Nancy Holder: I absolutely love pulp fiction. I grew up reading a lot of comic books—I had subscriptions to so many! I loved Tarzan, Justice League, and lots of DC. I also read the scary ones even though they completely freaked me out. I loved Kolchak (and still do, to this day.) I love the resurgency of pulp fiction. You have to give it your all as a writer or it’s just a watery pastiche. I love feeling that engaged with what I’m doing.

Cover: Uwe Jarling

AP: Your story, co-written with Bobby Nash, for the Return of the Monsters Halloween event is called Domino Lady Vs. The Mummy. What can we expect from this titanic throw down?

NH: Bobby is so amazing and wonderful. I love Bobby. Let’s put it this way—our mummy’s a female. And our “Ardath Bey” is a female. I guess it’s no surprise that a dame like the Domino Lady has many, er, admirers.

Domino Lady doesn’t usually delve into the supernatural. So this is a very cool departure for her.

Art: Rock Baker & Jeff Austin

AP: Domino Lady Vs. The Mummy has a pulp hero battling a classic monster, a combination that even though done in some regards hasn’t ever really been done the way Moonstone is doing it with the Return of the Monster event. What do these genres have in common and how do they differ in ways that complement each other?

NH: Moonstone gets how much people love the pulpy feel of some kinds of fiction—adventure, horror, romance. That’s why I love to write for them. Moonstone writers are writing love stories to the flat-out investment readers in the 30’s had in this kinds of stories. One of my favorite movies of all time is Karloff’s THE MUMMY. That is one classy, scary movie. I’ve watched it a gazillion times and it never fails to thrill me. The Domino Lady is an anomaly in pulp fiction—smart and sassy, an adventuress and a sex goddess, but not a superhero per se. All she’s got is some knockout drops (and powder, but she uses that sparingly), a shiny silver gun, and some great gams to use in her battle against evil. But when you’re Domino Lady that’s all you need.

AP: The Return of the Monsters Halloween event brings back several classic monster archetypes to Moonstone’s lineup. How does this version of the Mummy compare and contrast to previous versions of the character?

Art: Rock Baker and Jeff Austin

NH: This mummy is all female—a true “femme fatale.” As ambitious and ruthless as other Karnakian incarnations. She spends a fortune in moisturizers. That’s a joke.

AP: What appeals to you about pulp heroes battling classic monsters? What was it that excited you about pitting the Domino Lady against a mummy?

NH: I love writing Domino Lady and as I mentioned, I loved that Karloff version of the Mummy. Lucky for me, Bobby was as enthusiastic as I was.

AP: You’ve been spearheading the Domino Lady’s comic book adventures for Moonstone. What’s ahead for the book and character?

NH: Domino Lady is teaming up with Sherlock Holmes and going to Egypt again. And of course there’s a guy for her to love up… I can’t wait for people to see it. It’s a two-parter and it’s going to be a stunner.

Art: Rock Baker and Jeff Austin

AP: What, if any, existing pulp, monster, or comic book characters would you like to try your hand at writing?

NH: The Crypt Keeper! More Kolchak. I’d love to do Vampirella.

AP: What does Nancy Holder do when she’s not writing?

NH: Sleeps. Actually, I’m a devoted mom and I love all that that entails. I also teach in the Stonecoast MFA in Creative Writing Program offered through the University of Southern Maine. I love it.

AP: Where can readers find learn more about you and your work?
https://www.facebook.com/nancyholderfans
https://www.facebook.com/holder.nancy
http://www.nancyholder.com/.
I’m on facebook and I tweet. @nancyholder.
https://www.facebook.com/crusadeseries
https://www.facebook.com/wickedseries
https://www.facebook.com/wolfspringschronicles

AP: Any upcoming projects you would like to mention?

NH: I’m writing a lot of young adult dark fantasy these days. I work with another partner, Debbie Viguié. Our second book in our Crusade series, DAMNED, is out now. UNLEASHED, will come out on November 22—two days before Thanksgiving. I’m stuffing my turkey with the first draft.

AP: Thanks, Nancy.

NH: Thank you!!!

Domino Lady vs. the Mummy is solicited in August Previews for an October in store release.

DC Comics December Solicitations

We hold in our hands the covers for DC Comics this December. As a child of four can plainly see, these envelopes have been hermetically sealed. They’ve been kept in a #2 mayonnaise jar under Wikipedia’s porch since noon today.

Shall we? Surely!

As usual, spoilers may lurk beyond this point.

(more…)

MARC ALAN FISHMAN: Oh Boy! Comics!

Hello all. Welcome back to my angry little corner of the interwebosphere. Last week I bitched and moaned about variant covers… and well, you all agreed with me. Thank you. Not that we’ll see that stop mind you, but at least I know I’m not alone when I scoff. I know everyone this week has the DCnU on the brain. But honestly? I’m tired of it. Some books are amazing (Action Comics, Animal Man), some are profoundly underwhelming (Justice League, JLI), and some defy all logic for being printed (Voodoo. I know it’s not out yet, but come on.). Six months from now, when 1/3 of these comics are poop-canned, will anyone be surprised? Nope. DC has never shied away from gimmicks. So enjoy the ride. But I digress. Instead of adding to the tidal wave of blather about DC this week, I want to talk about something far more important. I want to talk about my son.

This past Tuesday, September 13th, my wife and I got our 20-week ultrasound. Breaking tradition (we’re totally into SPOILER ALERTS) we decided to find out the sex of our baby. I can’t tell a lie (ok, I can, but for the sake of argument… I won’t.) – I wanted a boy. And right there, in blue and black, my little guy waved hi to me. It was an experience I’ll never forget. The fear, the joy, all of it combined in that little hospital room. My best friends (Matt of Unshaven Comics and his lovely wife, Amy) are two weeks ahead of Kathy and me. They found out last week they are having a boy too. Thus the scions of Unshaven Comics will be here in January/February of 2012. When they enter this world, there’s no way to escape it: comic books will be an integral part of their lives. The question is… what comics will be?

Growing up, my parents didn’t read to me. I don’t have a single memory of my parents sitting by my bedside reading Goodnight Moon. My folks aren’t readers, honestly. It’s never bothered me. I myself don’t consider reading all that much of a hobby. Every moment I’m awake I’m generally working. For my employer. For Unshaven Comics. For ComicMix. For my wife. For your wife. Confession time kids. The only time I read (and 99% of the time we’re talking comic books here) I’m on the can. Only an idiot like me would try to be double productive when I’m pooping. Why just defecate when I can be entertained at the same time?!

All this being said though, I’ve made it a point to myself to share the joy of the written word (and the drawn picture) with my son. The escapism, imagination, and craft of a good book, or good comic for that matter is something I want my son to enjoy as early in his life as possible. Not just cause his daddy loves it mind you… Because in this day and age where 140 characters has come to represent a complete thought, stopping to read even 20 pages of muscly guys punching other muscly guys is better than the ADD-riddled alternative. The TV, the computer, the cellphone? All have a place in my son’s life, but it’s not going to be the end-all-be-all for his entertainment needs.

So what’s my evil master plan? First and foremost, Daddy is gonna read Fishy 2.0 all of Unshaven Comics. I yearn for the day my son is on the playground and an exchange goes something like this:

Random snot-nosed other kid: Superman would beat the Hulk!

Lil’ Fishman: And Liberty’s Torch would beat Superman!!

Random snot-nosed other kid: Who’s that?

Lil’ Fishman: Just the coolest super-est hero that ever lived! Duh! (Little Fishy then proceeds to detail all he knows about his Dad’s super-hero creations. Soon, the entire elementary school is ready for The Samurnauts… and I’m a millionaire.)

All ego-stroking aside, when introducing my future son to comic books, the plan is simple: What Dad reads, the son shall read as well. As soon as possible, I want to introduce my son to great “all-ages” books like Tiny Titans (or essentially anything by Art and Franco) and a little Archie. As he grows up, I’ll open up my collection to him. If he’s receptive to it, I’ll proudly read just about any book I own with him.

Obviously I’ll turn on my parental V-chip to ensure the content is kid-appropriate. But one thing that I’m a huge proponent of is not shielding my eventual child from the world. I’ve never smoked a cigarette. Simply put, child rearing scares the hell out of me. Last night I read for an hour about baby poop, how to help a child say his first word, and how to look for warning signs if baby is gonna spray you when changing a diaper. But when it comes to entertaining my son, there’s no question. The entire world of comic books is open to him. I’ll start small, and simple, and slowly introduce him to all the great genres – be it superhero, western, sci-fi, horror, love, fantasy, pulp, noir, and maybe even a little of all of it (i.e. GrimJack). Ultimately, my son will gain his own identity, and I know it’s my job then to nurture it, and let him find his own way. Even if he ends up liking the X-Men. God help me.

I’ve never been drunk. I’ve never taken an illegal drug. And my parents never once had to sit me down to explain any of it. I watched what I wanted to watch. I read what I wanted to read. And they were always quick to explain to me anything that was confusing or “adult.” I intend to do the same. Does that mean my son will read the Watchmen at 8? Probably not alone, but his dad will gladly read it with him. He’ll learn about history through the lens of fiction. It will create a curiosity about the world… and I can’t think of a better way to help my son learn, grow, and come into his own.

And when he turns 16, I’ll lend him The Pro. That outta’ keep him… interested.

SUNDAY: John Ostrander

MARTHA THOMASES: Confessions of an iPad Comics Virgin

Is that all there is?

I finally downloaded a few comics onto my iPad using the updated Comixology app. I mean, I’m on record as being a lover of comics on paper, as well as the comic book shops that sell them. However, I’m also a big fan of prose on paper, as well as the bookstores that sell them, and I love my Kindle, so I thought I should give the new delivery system a try.

Previously, I’d noticed a flaw in the iPad design as far as visual entertainment goes. The screen is too shiny. Reading a book on the iBook app is more difficult for me than reading a book on the Kindle because of the glare (the Kindle has a matte finish). It’s even more distracting when watching a movie. However, I enjoy having a movie downloaded if I’m flying somewhere, and I might also enjoy having a virtual stack of comics.

I started by scouting out the free comics, because what if I didn’t like it? And I wanted something I hadn’t read already, so my previous opinion wouldn’t influence me. My son loves Robert Kirkman, and I was a fan of the TV show, so I downloaded the first issue of The Walking Dead.

It was a good choice. The app was easy to use, even for an old fart like myself, and I enjoyed my experience.

So last week, when there was a shipment glitch at New York comic shops, and I couldn’t get two of the books I wanted at any of my local stores by Saturday, I went online and paid for content. Reading Detective Comics and Stormwatch was, oddly, more difficult than reading the indie comic with lower production values. The lettering was hard to read, too small, and when I made the image bigger, I lost the flow of the page.

Did I lose some strength in my optic nerves? I went back to read Walking Dead again (and why can’t you go back to the beginning with one touch?), and that still worked well for me.

Still the color of the DC books was brilliant, and there were no ads. There were also no letters pages or other DC editorial material. For my $2.99, I got my story, and that’s it.

As it happens those two books have a reasonable amount of story. If I’d read Justice League #1 in that format, I would have been irked.

Will I buy more? Maybe back issues, because I’d rather have the stuff on my computer than in storage. Or if I’m away on a long trip, where I’m unfamiliar with the local comic book shops. Or if it’s the middle of the night and I don’t want to get dressed and go walking the streets, looking for Superman (or, I suppose, Mr. Goodbar).

But otherwise? I’m sticking with paper, at least for the near term. I like my comics with some social interaction. I like folding back the cover – and watching the true collectors freak out.

There aren’t that many occasions when I can feel eight years old again, and reading comics lets me do it once a week. So I’ll stay with the format from last century for as long as I can.

Martha Thomases, Dominoed Daredoll, really really really liked the new Animal Man.

SATURDAY: Marc Alan Fishman

MIKE GOLD: Superman’s Return To Superman

Looking back at the past week’s columns here on ComicMix, I’ve noticed a lot of folks are kind of upset about DC’s New 52. Perhaps upset isn’t the right word. Perhaps “untrusting” is more appropriate.

This has been mirrored in the various conversations I’ve had with folks in the past week – fans, pros, casual readers, advertising executives, media moguls, relatives, and the rest of the usual folks who clutter my life and cut into my valued reading time. Nobody seemed very happy about The New 52; some thought it insane. Most were checking it out, and simple curiosity will inflate sales figures for a while. Then these books will live or die on their strengths and weaknesses, as it should be, and in DC’s ability to maintain a publicity campaign that isn’t catering strictly to the established Comic Book Donut Shop.

I can’t say I’ve read all of the first week’s output, nor am I likely to. I’m not overwhelmed by the concept – been there, done that, right down to the “52” bit. But some of the stuff I’ve read was pretty good, and I thought I should peep up about it.

Heading that list is Action Comics volume 2 number 1. I picked this one up because I’m a huge fan of artist Rags Morales; I’ve been such since he first walked into DC’s offices and I’m very glad to have had the opportunity to work with him a few times. His Superman did not disappoint, not in the least. It has an energy and a determination that lends itself well to this incarnation.

Writer Grant Morrison, on the other hand, has had a mixed career at DC. I loved – and I mean “stop reading this and go buy it” loved – Zenith, his series for 2000AD. Some of his DC work has been really good, some not so much, and a little bit of it incomprehensible. But he’s always worth the effort.

Dismissing the parts of The New 52 that are little more than stupid marketing tricks – relaunches are never as good as simply doing it better – Grant and Rags used an interesting starting point for the new adventures of the ol’ Man of Steel. They used as their starting point the original mid-1930s Superman. They placed that character into our contemporary environment, and presumably are going on from there. This is not the new, angry, ballsy, tits to the wind Superman. This is the original angry, ballsy, tits to the wind Superman. And I think it’s good stuff.

I say “I think” because this issue of Action Comics is exactly like the other New 52 issues I’ve read in that it is a very quick read, light on story and burdened with all the problems of introducing a new series. I would have appreciated at least twice as much “story” in this story, although it has more than Justice League #1, which would give your average single day’s newspaper comic strip a run for its money.

This rather significant element aside, what we got wasn’t as much of a reboot as a restoration. This is a good thing.

I promised myself I wouldn’t comment on the more contemporary atrocity that is one of the new Superman costumes, but clearly I lied to me. Yeah, dumping the external red shorts is okay; they were stupid. A nod to their design source, the circus strongman. But by wearing blue jeans and a swell contemporary belt and a short sleeved shirt, the new stuff makes Superman’s cape look ridiculous.  It looks like a bib worn backwards. But Superman without his cape is like the American flag without the stars, and no matter how silly capes look and how they destroy verisimilitude Superman’s cape is part of the deal. Maybe they can fuss with it a bit.

Superman is the crux of the DC Universe, and DC has to make him work for the 21st Century in order to make The New 52 work. This first issue came maybe two-thirds of the way there.

That’s pretty good. Better than I expected.

THURSDAY: Dennis O’Neil

MARC ALAN FISHMAN: Variant Variety Ain’t the Spice of Life

When my mother asked me why I was buying up all the comics I could, I made an attempt to satisfy her underlying problem. “I’m not wasting my money, Mom, these comics are worth money!” She bought that. Years later, she asked me when I was going to sell them and enjoy the tidy profit. Wouldn’t you know it? All those copies of Night Man and Mantra weren’t worth the paper they were printed on. And my Walgreens copy of Cyberforce: Bloodstryke? Nary a nickel would be given to me by any one aside from maybe Marc Silvestri. Had I been smart enough, I would have picked up the holo-foil variant cover, and nabbed me a dime.

You see kiddos, when I got into comics, the ‘Variant’ cover ruled the land. In the go-go-nineties, when people suddenly thought comic books were highly coveted collectables, the publishers followed suit by releasing a veritable tidal wave of ‘comicas con variantas.’ Short supply equaled high demand, and before you know it… even your next-door neighbor (who can’t tell Batman from Man-Bat) is collecting comic books. Me personally? I couldn’t care less. Have a seat. Get comfy. Let me pull out my jar of poetry wax. It’s time to polish up the Rant-O-Tron 5000.

Collectables by and large bother me. The idea that you would purchase a toy, a poster, a print, or a talking rubber fish all with the notion that it’d eventually mint you a tidy profit seems ludicrous to me. Toys are meant to be played with. Art is meant to be displayed. And those talking rubber fish? They’re meant to be in RVs in the south.

The same goes for comic books. Maybe I’m alone in this sentiment (and I hope in fact that I’m not) but comic books are meant to be read. Comic books as collectables just irks me a bit. Scratch that. Comic book collectors who don’t enjoy the medium for anything other than the potential profit? They irk me.

Unlike commemorative plates, baseball cards, or Hollywood memorabilia, comic books are made with the intent to entertain. Writers sat at typewriters concocting amazing fantasies for their fictitious creations. Artists slaved over their drawing boards meticulously adding nuance, detail, and action to the written word. And a literal team of other players had their hands in the pot… from the letterers, colorists, inkers, designers, and editors who spent their work week fretting over deadlines to eventually put their book on a store shelf… and you don’t even take the time to read it? Next time do me a favor, buy a limited edition Billy Bass.

But Marc, you protest, what about those smart people who minted thousands upon thousands for their rare Action Comics #1, or Detective Comics #27? What about them, indeed. Neither were a “Holo-Foil Sketch Blank Autographed Variant.” And 75 years from now, if you think your copy of the “B” cover of Justice League 2011 will be worth thousands of dollars more than the standard “A” cover… well, you are welcome to dance on my grave if it’s true.

Suffice to say, I’ve never bought a comic strictly for the purpose of profiting. And for those who do, while I don’t deny you the right to spend your money however you see fit: I scoff at you on principle alone.

For the publishers who produce them, it must seem like a brilliant idea. In John Ostrander’s piece a few weeks back, we learned that the comic book market is such that the publishers don’t sell to the consumers. They sell to retail shops who in turn sell to us. So their spin-off squeeze play is nothing more than an attempt to hike up sales a bit more. Dynamite alone must produce an Alex Ross variant every other week, for every other book they publish. In turn the shops might feel compelled to order enough of the base book to “earn” those packed-in variants, and in-turn mark them up for sale to the saps, err, collectors who come into their stores. I love Alex Ross’s work kids, I do. But they day I’m chasing down a Green Hornet Year One Sketch Cover Variant C, break a NASCAR Jeff Gordon plate across my face. Before anything else, a comic is there to be read and enjoyed.

Agree? Disagree? You know the drill. Let me have it below.

SUNDAY: John Ostrander