Tagged: Justice League

COMIC VETERAN BRIAN AUGUSTYN DEBUTS ‘MR. GABRIEL’ IN COMMANDER XMAS SPECIAL!

This year, Jay Piscopo and his company Nemo Publishing have released yet another COMMANDER XMAS SPECIAL featuring great takes on Piscopo’s character by various writers and artists!  Also in this issue, a new comic and character is introduced by well known Comics Veteran Brian Augustyn!   Read on about Brian’s great new pulp character, MR. GABRIEL!

ALL PULP: First, thanks for joining All Pulp today, Brian.  Share a little about yourself, both professionally and personally.

BRIAN AUGUSTYN: Thanks for having me. Let’s see, I was born in Chicago, where I grew up and caught the comics bug in the 1960s.   Never lost the bug, either. Discovered mystery and science-fiction paperbacks too–and grew up a full media fanatic.  I did a bit of the fanzine scene, and so on, did my own crude comics, and experimented with story and story telling.

In the 80s I was part of the independent comics boom (following the Teenage Mutant Ninja Turtles), working friends Paul Fricke and Scott Baederstadt on a book called Trollords. Had a lot of fun there and that led me to DC in 1987, where I worked as

an editor for almost ten years. Edited Flash, Wonder Woman, The Justice League franchise and a lot more. Started writing for them too, eventually producing “Gotham By Gaslight, the first of what DC began calling “Elseworlds,” alternative takes on the major heroes–finding, hopefully, fresh perspectives and fun comics.

I went freelance in 96 and have written, Flash, JLA Year One (both with Mark Waid), and Crimson, and Out There, both with Humberto Ramos for Wildstorm/Cliffhanger.

I’ve written several hundred comics, some YA novels, story books, game scenarios and mortgage checks since then.

I’m married, have two almost grown daughters and live in Arizona at the moment.

AP:  You’re involved in the Commander Xmas online book that Nemo Publishing and

Jay Piscopo are known for around this time every year.   You’re introducing an original character.  Tell us about Mr. Gabriel.  Who is he, what’s his mission/purpose, etc.?

BA: Mr. Gabriel might be a supernatural/celestial being, though he seems to be human in every way. Let’s just say that he gets things done and saves people in mysterious ways. His mission is to help those in need or distress. In my mind, he shows up when most needed–though how he knows is part of his mystery. He’s known in New York, so people in trouble do seek him out, including the NYPD. Gabriel does not carry a gun, and probably won’t engage in fisticuffs very often, but is capable, diligent, and pretty unstoppable when he starts work. He’s a tall, solid, handsome guy in a Mitchum-esque

way, and favors white suits, fedoras and trench coats.

AP:   And the story he appears in in the Xmas special, what can you share about that?
BA: It’s Christmas Eve 1935, a young couple is visiting NYC and are mysteriously attacked. The husband is shot, the wife goes missing and an enormous blizzard shuts the city down. The clock is ticking because the woman is pregnant, due to deliver at any moment, and the plummeting temps and blinding snow put her and the baby in terrific danger. But, Mr. Gabriel is on the case and has a soft spot for baby’s born on Christmas.

AP:   What appeals to you about the pulp type characters?  Mr. Gabriel is obviously in that camp, but what about that sort of story appeals to you as both a writer and a fan?

BA:  In general, I have been a fan of pulp style fiction since discovering the paperback reprints of Doc Savage in the 60s. I love genre fiction, from detective stories, space opera sci-fi, even westerns. I like high action stories with large, colorful characters. Obviously, that’s what I’ve done for 30 years in comics, and now I’m happily stretching my prose muscles. Some of the most popular modern genre fiction from Dan Brown’s DaVinci Code novels, to Lee Child’s Reacher series, Preston & Child’s Pendergast novels, and so on and on, prove that fan interest in this kind of material is high.

AP:   Christmas stories are interesting creatures, every genre has one.  What about a Pulp Christmas story you think  makes it stand out from other Christmas stories?
BA: Good question. I think Christmas stories are sentimental by necessity and pulp-style writing allows free reign to writing emotion that more “serious” fiction might avoid. I want the reader to be thrilled, wowed and maybe choke up a little even.

 

AP:   Why would a modern audience want to read Mr. Gabriel?  What appeal does a

character set in the past have for readers today?

BA: Nostalgia for a simpler time? Fondness for potboiler thrillers? A search for heroes? A good way to escape into a fun place for a while?

Probably all of the above and much more. I promise that reader a thoughtful, caring and resilient hero solving problems with wit, determination and maybe some magic.

 

AP:   What are the future plans for Mr. Gabriel?  Any other Pulpy projects you’re working on?

BA:  I have plotted a Mr. Gabriel novel, which I plan to start writing soon. The amazing Jay Piscopo has been very encouraging and supportive in pointing me in this direction. It’s like I’m rediscovering my craft all over again.

I want to start writing a lot more prose (genre) fiction, so I’m also planning some stories with other heroes and settings as well. Not sure where I’ll place any of that, but I am excited to write them all the same.

 

AP:  Brian, thanks so much for your time!  Merry Christmas!

BA:  Thank you Tommy. Hope you enjoy the special. Merry Christmas!

Justice League: Doom to Debut at the Paley Center for Media in February

Warner Home Video, MTV Geek and The Paley Center for Media proudly present the World Premiere of Justice League: Doom, the next entry in the popular, ongoing series of DC Universe Animated Original Movies, in New York on February 13, 2012. Filmmakers and members of the voice cast will attend the event for red carpet media interviews and a post-screening panel discussion.

A limited number of free tickets are available for the general public. Fans in the New York City area wishing to receive free tickets to the NY event on Feb. 13 must RSVP via email to JLDoomNY@yahoo.com. Email RSVPs should include the fan’s first and last name, and a valid email address.

Tickets to the event will be distributed on a “first come, first served” basis. MTV Geek will also be giving away special seating for the event.

Justice League: Doom finds Superman, Wonder Woman, Flash, Green Lantern, Martian Manhunter, Cyborg and Batman on their heels when a team of super villains discover and implement the Dark Knight’s “contingency plans” for stopping any rogue Justice League member. The story is inspired by Mark Waid and Howard Porter’s much-heralded JLA: Tower of Babel.

The film features the voices of Nathan Fillion (Castle) as Green Lantern, Tim Daly (Private Practice) as Superman, and a grand reunion of actors who provided the voices of the Justice League for the cartoon of the same name and its follow-up, Justice League Unlimited, including Kevin Conroy (Batman: The Animated Series) as Batman, Michael Rosenbaum (Smallville, Breaking In) as Flash, Susan Eisenberg (Superman/Batman: Apocalypse) as Wonder Woman and Carl Lumbly (Alias) as J’onn J’onzz/Martian Manhunter. Bumper Robinson (A Different World, Transformers: Animated) joins the cast as Cyborg. The cast features three villainous alumni of the Justice League animated series: Phil Morris (Smallville, Seinfeld) as Vandal Savage, Olivia d’Abo (The Wonder Years) as Star Sapphire, and Alexis Denisof (Angel) as Mirror Master. Also opposing our heroes are Carlos Alazraqui (Reno 911) as Bane, Paul Blackthorne (The Dresden Files) as Metallo, and Claudia Black (Farscape, Stargate SG-1) as Cheetah. David Kaufman (Danny Phantom) also reprises his Justice League role of Jimmy Olsen.

The filmmaking team includes executive producer by Bruce Timm, director Lauren Montgomery, producer Alan Burnett and dialogue/casting director Andrea Romano. Justice League: Doom is the final DC Universe film script from the late Dwayne McDuffie.

Voice cast members and filmmakers will be announced as confirmed for the event. The Paley Center for Media is located at 25 West 52nd Street, New York, NY.

Produced by Warner Premiere, DC Entertainment and Warner Bros. Animation, the all-new Justice League: Doom arrives February 28, 2012 from Warner Home Video as a Blu-Ray™ Combo Pack and DVD, On Demand and for Download. Both the Blu-Ray™ Combo Pack and DVD will include an UltraViiolet™ Digital Copy.

 

 

Justice League: Doom Coming in February

BURBANK, CA (Dec 12, 2011) – Earth’s greatest super heroes face foes on all fronts – using a plan initiated from within – in the all-new Justice League: Doom, the next entry in the popular, ongoing series of DC Universe Animated Original Movies. Produced by Warner Premiere, DC Entertainment and Warner Bros. Animation, the all-new, PG-13 rated film arrives February 28, 2012 from Warner Home Video as a Blu-Ray™ Combo Pack ($24.98 SRP) and DVD ($19.98 SRP), On Demand and for Download. Both the Blu-Ray™ Combo Pack and DVD will include an UltraViiolet™ Digital Copy,

Justice League: Doom finds Superman, Wonder Woman, Flash, Green Lantern, Martian Manhunter, Cyborg and Batman on their heels when a team of super villains discover and implement the Dark Knight’s “contingency plans” for stopping any rogue Justice League member. The story is inspired by Mark Waid’s much-heralded “JLA: Tower of Babel.”

 

Primetime television stars Nathan Fillion (Castle) and Tim Daly (Private Practice), the reigning voices of Green Lantern and Superman, respectively, join a group of eight actors reprising their famed Justice League cartoon roles. Fillion made his debut as Green Lantern/Hal Jordan in the recent Green Lantern: Emerald Knights, and took his initial DC Universe movie bow as the voice of Steve Trevor in the 2008 hit Wonder Woman. Daly originated his role as Superman’s voice in the landmark cartoon, Superman: The Animated Series. He has reprised the role in two DC Universe films: the 2009 extravaganza Superman/Batman: Public Enemies and the 2010 thriller Superman/Batman: Apocalypse.

The grand reunion of actors who provided the voices of the Justice League for the cartoon of the same name and its follow-up, Justice League Unlimited, includes Kevin Conroy (Batman: The Animated Series) as Batman, Michael Rosenbaum (Smallville, Breaking In) as Flash, Susan Eisenberg (Superman/Batman: Apocalypse) as Wonder Woman and Carl Lumbly (Alias) as J’onn J’onzz/Martian Manhunter. Bumper Robinson (A Different World, Transformers: Animated) joins the cast as Cyborg.

The Justice League faces two sets of villainous teams in the film – The Royal Flush Gang and a sextet of notable evildoers. The latter group includes three voice acting alumni of the Justice League animated series: Phil Morris (Smallville, Seinfeld) as Vandal Savage, Olivia d’Abo (The Wonder Years) as Star Sapphire, and Alexis Denisof (Angel) as Mirror Master. Also opposing our heroes are Carlos Alazraqui (Reno 911) as Bane, Paul Blackthorne (The Dresden Files) as Metallo, and Claudia Black (Farscape, Stargate SG-1) as Cheetah.

David Kaufman (Danny Phantom) also reprises his Justice League role of Jimmy Olsen.

The film is executive produced by Bruce Timm (Batman: Year One), and directed by Lauren Montgomery (Batman: Year One), who is also credited as producer alongside Alan Burnett (Batman: The Animated Series). Justice League: Doom is the final DC Universe film script from the late Dwayne McDuffie (All-Star Superman, Justice League: Crisis on Two Earths), who passed away in February 2011. Casting and dialogue direction is once again in the capable hands of Andrea Romano (Batman: Year One, Justice League).

Justice League: Doom has all the classic ingredients of a great super hero film – a cavalcade of dynamic villains, internal strife amongst our heroes, treacherous twists and turns, and a cast that brings together some of today’s popular primetime television actors with many of the fans’ favorite voices from the original series,” said Hersin Magante, Warner Home Video Marketing Director, Family & Animation. “I think fans will embrace Dwayne’s McDuffie’s final DCU script, particularly as it has been nuanced by Bruce Timm and the Warner Bros. Animation team. Warner Home Video is proud to distribute Justice League: Doom as the next DC Universe Animated Original Movie.” (more…)

DC Comics March 2012 Solicitations

titi_cv50-291x450-5401614We hold in our hands the covers for DC Comics this March. As a child of four can plainly see, these comics have been hermetically sealed in a CGC 9.8 slab, and they’ve been kept in a #2 mayonnaise jar under a giant pile of Christmas tinsel since noon today.

What do we have worth noting? The first fill-in artist on Justice League, although Gene Ha is certainly no slouch in that department. We also have new writers on Firestorm and Green Arrow, new backups in Justice League and Action Comics, and the DC 52 hits lucky number 7.

Shall we see who is the fariest of them all? Oh indeedy, let’s do!

As usual, spoilers may lurk beyond this point.

(more…)

“Justice League: Doom” on DVD February 28

Earth’s greatest super heroes face foes on all fronts – using a plan initiated from within – in the all-new [[[Justice League: Doom]]], the next entry in the popular, ongoing series of DC Universe Animated Original Movies. Produced by Warner Premiere, DC Entertainment and Warner Bros. Animation, the all-new, PG-13 rated film arrives February 28, 2012 from Warner Home Video.

Justice League: Doom finds Superman, Wonder Woman, Flash, Green Lantern, Martian Manhunter, Cyborg and Batman on their heels when a team of super villains discover and implement the Dark Knight’s “contingency plans” for stopping any rogue Justice League member. The story is inspired by Mark Waid’s much-heralded “JLA: Tower of Babel.” The trailer for the movie is here.

Primetime television stars Nathan Fillion (Castle) and Tim Daly (Private Practice), the reigning voices of Green Lantern and Superman, respectively, join a group of eight actors reprising their famed Justice League cartoon roles. Fillion made his debut as Green Lantern/Hal Jordan in the recent Green Lantern: Emerald Knights, and took his initial DC Universe movie bow as the voice of Steve Trevor in the 2008 hit Wonder Woman. Daly originated his role as Superman’s voice in the landmark cartoon, Superman: The Animated Series. He has reprised the role in two DC Universe films: the 2009 extravaganza Superman/Batman: Public Enemies and the 2010 thriller Superman/Batman: Apocalypse.

(more…)

MARC ALAN FISHMAN: What I’m NOT Thankful For

I hope everyone’s Thanksgiving holiday was amazing. I myself hosted festivities for the first time in our new home. It was here, in 2011 where Marc Alan Fishman finally graduated from the kiddie table. Looks like all it took was making a meal for 10 people, in my own home. But with the assistance of my fantastic in-laws, and even more fantastic(ly pregnant) wife… we done pulled off a doosy. After last week’s lov-in, I unbuckled my belt, let my gut out, and took stock in those things that didn’t quite make me a happy camper. Sure, my initial articles covered some of those (The X-Men, Barry Allen, and Hal Jordon to name a few)… but here we are, nearing the end of the year. What exactly happened that cause my beard to stand on end? Let the hatespew begin!

Epic Events of Extremely Excessive Inanity

To be truly fair, I could spend the entirely of this editorial tearing DC and Marvel both for their predilection to create crappy crossover events. But let’s boil it down to the brass tacks, shall we? Simply put, these money-sucking whores create bloated wastes of ink and paper, all based on the idea that “everything you know will change.” This of course, preys on our fan-boy fear of being left behind. And it would seem over the course of the Aughts, such as they were, the Big Two have perfected their scheme:

Create a main book where all the bullet point action takes place. A few not so significant people will die. One or two major ones might kick it too. A great evil rises up. It looks insurmountable. Then a legion of the most marketable heroes get some brilliant form of upgrade, or a lost and forgotten hero comes back from the dead, or some other deus ex machina reveals itself in the nick of time for one last issue of double page Photoshopped explosions. What follows is generally seven to twenty seven epilogues setting up the next six months of editorial mandated character changes.

But it’s never just that one main title now, is it? These mega-loads of mega-suck bleed into the entire continuity of issues. Soon every book you’d normally pick up features the event-du-jour’s nom de plum across its masthead. What follows is generally exposition taken from bullet point A before bullet point B from the main series. Not reading that series? Well, I guess it sucks to be you. I was loving, L-O-V-I-N-G Matt Fraction’s Incredible Iron Man series until Fear Itself. And for four issues straight, all the world building he’d done was cast aside so I could follow Tony into Asgard to get drunk, swear, and make some action-figure-waiting-to-happen weapon variants for random heroes to use. Did I follow Fear Itself? No. Thanks for wasting my time, money, and love of the Iron Man book.

Don’t think for a second DC skates by here either, kiddos. Those cash-craving carnivores did one worse; they let the deus ex machina implode their entire line of comics. Flashpoint, by and large, will sit in my collection next to Countdown to Final Crisis as a testament to everything wrong with comic books today. “But why did you keep buying them, if you hated them so much?” Well… One – I’m a masochist. Two – the series promised to feature at least one or two characters I’d normally not get to read about. Three; – I didn’t want to come out of the other side confused as to why everything changed. Flashpoint even had the nerve to release wave after wave of mini-series to take us around this “Age of Not Quite Apocalypse.” And while Batman: Knight of Vengeance delivered an amazing Elseworlds tale, it was just that… An Elseworlds tale. Slap any title card you wanted on the cover, Dan, Geoff, and Jim. We all knew it should have said “Flash Point Over There and Distract The Fanboys While We Hit The Reset Button.”

4/5ths of the DCNu

And since we’re on the subject… the next thing that ground my gears was the rebooting of the DC Universe itself. I give credit where credit is due. It was a bold move that in fact did raise awareness, sales, and general levels of hope amongst the comic book readers of the world. But by and large, it was all smoke pellets and Mirror Masters.

Let’s face facts. Superman, Wonder Woman, the JLA, and Aquaman all got the reboots needed to make them matter again. Batman and Green Lantern may have gotten shiny new #1s on their books, but didn’t reboot a damned thing. Batgirl got to disappoint the handicapped community (not that the book is bad mind you, but still…), and a plethora of bad ideas were hurled out with hopes any of it would stick. What we’re left with is a mangled mess of a few fantastic books littered amongst total garbage. All the solid character-building moments that gave DC a strong legacy and continuity were thrown out with the bath water in hopes that a #1 and a power-cycle would somehow make comic books appeal to the masses who aren’t reading comic books. Guess what? Sales may have increased, but not by that much. Walk out on the street today, and ask a passer-by who OMAC, Voodoo, or Captain Atom are. Don’t be surprised when they need to Google it.

It’s still too early to say exactly what impact this reboot is going to make. Suffice to say, I hardly believe I’ll be telling my son “Oh yeah, in 2011, it all changed. DC created the new paradigm by which all comic books were created.” More likely? “Oh yeah, in 2011 DC rebooted everything, because they figured they’d move more issues if they had #1 on them. Superman turned out really good. I kind of forgot everything else.”

The Fallacy of Death in Comics

If 2011 has taught us nothing else, then we should all learn this: Death is meaningless in comic books. In the long-long ago, in a time and place far far away from here… dying meant dying. No mysterious body swaps. No time-bullets. No psuedo-science backtracking. Dead meant dead. In 2011, Marvel iced the Human Torch, Bucky Barnes (again…), and Thor (again, again). Human Torch didn’t even stay chilled long enough to be missed. With Fantastic Four #600, his mighty resurrection (as predicted by just about everyone) came to pass. In Fear Itself, Bucky and Thor each bit the dust. Who here is man enough to say they’ll stay that way for 365 days? With The Avengers movie hitting megaplexes next summer, I doubt Mr. Odinson will be resting for even a fortnight. Oh, and it looks like the Phoenix force is coming back too. As it stands, I can’t even tell you for sure who is alive and who isn’t. Only Ultimate Peter Parker seems to be the most likely candidate for a spot next to Gwen Stacy of the 616 in the land of the “neva’ coming back.” And thanks largely to Flashpoint, DC was able to kill off whole portions of their catalog, with the promise to thaw them out the second sales dip. Did someone say JSA?

Goodbye 2011. May 2012 boast less deaths and less events. See you next week, when my column resets back to #1.

SUNDAY: John Ostrander

MARTHA THOMASES: More For The Gift-Giving Challenged

I don’t know about you guys, but I could use a laugh. One would think comics would be a great place to look for laughs, since, you know, they’re called “comics.”

And yet…

But I don’t want to bitch and moan about stuff that’s not funny. I’d rather celebrate what is. Different people find different things amusing, but I suspect that at least one thing on this list will do it for you.

Here, for your entertainment pleasure and in no particular order, are some really funny books, done in the graphic novel format.

Kyle Baker is one of my favorite humans. There isn’t a book he’s done that doesn’t thrill me. The Cowboy Wally Show made me laugh so hard I couldn’t breathe. And if you want to know how he does it, you could do worse than track down How to Draw Stupid and Other Essentials of Cartooning, which is more hilarious than any educational book needs to be.

Another funny guy who works in the comic book business is Evan Dorkin. And luckily, Dark Horse has published a collection of his flagship series, Milk and Cheese.

Howard Chaykin is a known more for his elegant drawing style, his brilliant use of page design, and his sharp insight into the dark side of human society. I, however, love his sense of humor, which I first discovered in American Flagg. I mean, the man made up a character named Pete Zarustica. I’m in love.

Another comics genius known primarily for brilliant use of the medium and his expansive and cosmic intelligence is Alan Moore. He’s funny, too! One of his first series, D. R. and Quinch, is available in a collected edition. It’s like, totally amazing.

Am I stuck on English language humor? Maybe. It is the language I speak and the language in which I form thoughts. That said, I am no cultural imperialist. For example, the Japanese series, What’s Michael, is my idea of brilliant. There are more than a dozen collections, but this Dark Horse edition is a good place to start. Warning: It probably helps to live with a cat.

Believe it or not, there was a time when there was no Internet and people got their news from newspapers, and, when they wanted other points of view, from alternative weekly newspapers. These papers were great places to find brilliant comics, starting with Jules Feiffer in the Village Voice (also syndicated to “normal” newspapers). After a few decades, there were syndicates for these cartoonists, and, today, it’s possible to buy collections of two of my favorites. You don’t have to be queer to laugh at Dykes to Watch Out For, but you do have to be able to recognize that “political correctness” started out as a left-wing joke. If you followed my advice and bought The Complete Wendel you’re familiar with this meme. Ripped from the same pages, and long before The Simpsons, Matt Groening was giving us a guided tour of hell. The nuclear family and all its intermeshed relationships were never so radioactive.

The comics page in daily newspapers is still alive, if not always well. If you miss your laugh a day, you can catch up with excellent compilations. I’m always happy to read Get Fuzzy and would enjoy a whole bunch of them together. And one of the great, and most hilarious, strips of all time is now in one big book. It’s enough to make a person love alligators.

Some jokes are universal, and then there are inside jokes. They not only make us laugh but they also make us feel understood. For us comic fans, I recommend Fred Hembeck who was a regular feature in The Comics Buyers Guide. His work is really dense, and really funny. I also adore Keith Giffen, for his Justice League, his Legion of Substitute Heroes, especially when he’s working on Ambush Bug with Robert Loren Fleming.

I’m sure I’ve left out some brilliant work, but you could do worse than start here when the holiday cheer gets you down.

SATURDAY: Marc Alan Fishman

DC Comics February 2012 Solicitations

We hold in our hands the covers for DC Comics this February. As a child of four can plainly see, these comics have been hermetically sealed in a CGC 9.9 slab, and they’ve been kept in a #2 mayonnaise jar under a giant stack of returned copies of Holy Terror since noon today.

What do we have worth noting? The new look of Darkseid, and we’re far enough into the new 52 books that it’s time for Batman to start crossing over in all of them. Plus Mara Jade, the red-haired assassin who fell in love with her blond-haired man she was sent to kill– oh, I’m sorry, that’s from Star Wars. This is Mera in a jade outfit. Our mistake.

Shall we? Surely!

As usual, spoilers may lurk beyond this point.

(more…)

Sean Taylor’s Show Me A Hero only $.99 for Nook

Sean Taylor’s Cyber Age Adventures opus, Show Me A Hero is now available for the Nook at the low price of $.99. You can learn more at http://www.barnesandnoble.com/w/show-me-a-hero-sean-taylor/1103852669?ean=2940011330957&itm=8&usri=sean%2Btaylor

“That’s 500+ pages of my short stories from Cyber Age Adventures and iHero Entertainment for less than a measly buck,” said Taylor in his press release.

Here’s what some of the critics said about Sean Taylor’s Show Me A Hero:

“…More fully-rounded, more realistic and, as a direct result, more human than all but the best superhero comic book work.”
—From the introducton by Dwayne McDuffie

“Sean Taylor’s stories focus less on the obvious trappings of the genre, instead homing in on the conflicted, flawed human beings for whom greater-than-mortal powers don’t convey greater-than-mortal morality.”
—Tom Brevoort, Executive Editor, Marvel Comics

“Show Me a Hero delivers a series of stories that are dangerous, intriguing, fun and lathered with that sense of character readers will be sure to love. Once you’re done reading, you’ll know you read a well-crafted, fully rounded piece of work.”
—Dan Jurgens, author of The Death of Superman

“Hitting a heavy beat on the ’human’ in superhuman, Taylor’s stories pulse with a visceral reality. The biggest villains his heroes face might be their own bad habits; their greatest challenges are working through relationships—not surviving the battle. Show Me a Hero lives in the place where modern fiction meets mythology.”
—Barbara Randall Kesel, author of Alien vs. Predator, WildC.A.T.s, Rogue Angel: Teller of Tall Tales

“’Show me a hero and I will write you a tragedy.’ Sean Taylor takes F. Scott Fitzgerald to heart in a selection of stories that reveal the high price even super heroes often pay to do the right thing. If there are any tears in these riveting tales— and, I’m afraid, there are—they do not diminish the courage of Taylor’s champions or the power of his writing. These are the quiet pains that stay with the readers and, hopefully, help them appreciate the heroes in their own lives.”
—Tony Isabella, author of 1000 Comic Books You Must Read, Star Trek: The Case of the Colonist’s Corpse

“I’ll sum it up as simply as I can: you’re going to care. That’s what Sean does with his characters and the stories they inhabit. He makes you care.”
—Erik Burnham, author of A-Team: War Stories, Ghostbusters Infestation, Nanover, Civil War Adventures

“Show Me a Hero is not about powers, costumes or catchy code names. It’s about heart and soul, and the choices that make heroes out of ordinary lives.”
—Bryan J.L. Glass, author of Mice Templar, Thor: First Thunder

“A lot of writers talk about trying to introduce superheroes into the real world, but Sean Taylor does it better than most. Perhaps because his stories don’t just have plot, they have a point. They’re not about a series of circumstances and events, but about how those circumstances and events make the people living through them feel. You may not like every story in Show Me A Hero, but I defy you to finish one and be indifferent. You may love them or hate them, be inspired or unsettled, but they’re going to get inside your head and gut and make you think and feel.”
—Paul Storrie, author of Gotham Girls, Justice League Unlimited, Captain America: Red, White & Blue

“Sean Taylor’s work is gripping, sincere and relevant.”
—Dwight MacPherson, author of The Surreal Adventures of Edgar Allan Poo, American McGee’s Grim

“Full of dynamic action and a range of intriguing characters, Sean Taylor gracefully delivers moments of dimension and depth in his stories that explore what being heroic is truly about.”
—Stephen Zimmer, author of the Rising Dawn Saga and Fires in Eden Series

“What will certainly surprise new readers of Sean Taylor’s work is how mature and entertaining the story lines are, not to mention the amount of realism he injects into each and every one of his characters. If you’re on the fence about super hero fiction—if you think it’s just kid stuff—then pick up Show Me A Hero and find out how glad you’ll be to learn you were wrong.”
—Tom Waltz, Editor, IDW Publishing; author of Silent Hill: Sinners Reward, Gene Simmons Zipper

“Instead of the all-powerful visitor from another planet or the millionaire with crimefighting devices that cost more than my house, Taylor shows us a more human hero—and more often than not, a less than perfect one. Show Me A Hero reminds us that heroes come in all shapes and sizes as it takes us down the less traveled path to see just what defines a hero.
—Bobby Nash, author of Evil Ways, Lance Star: Sky Ranger, Deadly Games!

“Guaranteed to pull at your emotions—a must read!”
—Shane Moore, author of the Abyss Walker series

“Show Me a Hero is a great mix of super hero stories that appeal to every reader—dark, sweet, strong and funny, each story has a unique take on the super hero setting. Taylor has done a fantastic job, enticing me every step along the way to draw me into the worlds and become passionate about the characters.”
—Christina Barber, author of Seely’s Pond and Spirits of Georgia’s Southern Crescent

“Sean Taylor’s stories are in-your-face, emotional, and immediate. In this collection, he examines from all angles the odd yet undeniable impulse that drives some people to put on a costume and fight crime in the streets. No kid stuff here—this is serious, intelligent drama and deep, human introspection spiced with plenty of action and intensity (and often a nice twist along the way). Well worth your time.”
—Van Allen Plexico, author of Assembled! and the Sentinals series

Sean Taylor’s Show Me A Hero is published by New Babel Books and is available for the Nook at the low price of $.99. You can learn more at http://www.barnesandnoble.com/w/show-me-a-hero-sean-taylor/1103852669?ean=2940011330957&itm=8&usri=sean%2Btaylor

To learn more about Sean Taylor, visit his website at http://www.taylorverse.com/.

MARC ALAN FISHMAN: Just Kill Kyle Rayner

Typing that title hurt. A lot. It’s been stated here time and again: I am a Kyle Rayner fan. Here I sit, sarcasm sitting in its glass jar next to me, legitimately about to make the argument that my favorite character in comics be given a dirt nap… and I don’t mean the Steve Rogers–Bruce Wayne dirt nap kiddos. I mean the Gwen Stacy sleep of the pulpy gods. But why, you ask, would I suggest such a fate to the character that inspired this bearded bloke to make comics himself? I paraphrase Dr. Denis Leary:

“Elvis Presley should have been shot in the head back in 1957. Somebody should’ve walked up behind Elvis in ‘57 with a 44 magnum, put the barrel of the gun right up to his brainstem and just pulled the trigger, so you can remember Elvis in a nice way. Wouldn’t it be nice to remember Elvis thin, with a big head of hair? Maybe that gold lame suit. Wouldn’t that be nice? Because how do you remember Elvis? You know how you remember Elvis. He was found in the toilet with his pants around his ankles and his big fat hairy sweaty king of rock and roll ass exposed to the world and his final piece of kingly evidence floating in the toilet behind him!”

And as I look on the career of Kyle, since 2005, I see a fat Elvis, crapping on the pot.

Kyle Rayner was brought into the fold of DC Comics in January of 1994. After they wrote off Hal Jordon as a villain-turned-martyr, they introduced new blood into the comic. Kyle represented everything Hal didn’t. He was timid, indecisive, and anything but fearless. All he was, was a kid with an amazing imagination. A kid given the ultimate toy, and a universe to save. For lack of a better M.O., Kyle Rayner was DC’s Spider-Man. An everykid being shown that with great power rings comes great responsibility. It was a bold move. And over ten years he was given free reign to learn, and grow. I grew with him. Kyle joined the Justice League (during the fantastic Morrison run), and became the POV character we could get behind. While Batman, Superman, and Wonder Woman were the serious heroes, Kyle was the kid who could still yell “cool!” Simply put, with Kyle Rayner, DC had the bold and inventive reboot they’re so desperate to have now.

In 2005, Dan DiDio and Geoff Johns decided that the comic book world had enjoyed too much of this “modern” era and declared the silver age be reborn! Hal Jordan was resurrected, and with it took every last ounce of thunder Kyle had mustered in his 10 year tenure as the torch bearer. This is the moment folks, where, had I the will power, I would politely take Rayner’s ring and hurl it into the sun. Ever since “Rebirth” Rayner has floundered, flopped, and died a slow and pitiful character death. Ask ole’ Geoff or Dan, and I’m sure they’d feed you a brilliant line on how he’s still “relevant and as awesome as ever!”… Let’s go to the tape!

Since 2005, Kyle Rayner has… uh… got chummy with Guy Gardner… and… became Ion until they gave that to another alien we’ve since forgotten about… and … uh… got taken into Parallax for an issue… put on a blue lantern ring for a day… oh! And at some point his mom died, and he lost 17 girlfriends. Some died. Some blew up. Others turned out to have daddy issues. Ain’t it riveting?

Simply put, with Hal as the lead green meanie, Kyle fails to matter in the great scheme of things. As Barry Allen came back put Wally West out of a job, so too, does Kyle remain a waste of ink. The whole concept of legacy is so strong at DC (far more than Marvel…), but with the reboot, and continual Geoff Johning of the multiverse… legacy is fast becoming nothing more than an MMO title.

And so, this September, DC rebooted its entire universe. With Hal continuing to be the star of the flagship series (mainly because he was the star in a wonderful flop of a film this summer…), and John Stewart (affirmative action at it’s best!) and Guy Gardner (because we all love angry Irish guys, right?) over on GL Corpse (pun intended), what was Kyle given to do? Well, with GL: New Guardians… He’s the top banana in an adventure that will undoubtedly:

1. Have him shack up with a random space chick. And then she’ll die.

2. Have him wear a plethora of rings, resulting in him changing costumes 10 more times.

3. Remove any semblance of his character, and have him shout various generically heroic things as he saves the day.

4. At some point, he’ll mention all the good things he’s done as a Green Lantern, reminding us Raynernauts that he mattered there, for a while.

5. He’ll grow a bitchin’ half-beard.

I’ve been through the first two issues of the series. I’ve yet to be impressed. It’s like a cattle call for all the last two years worth of Lantern D-listers, all brought together for yet-another-unforeseen-prophetic-battle. Rayner will end up working with Bleez (the slutty Red Lantern), Arkillo (the tongue-less Kilowog of the Sinestro Corps), the Orange jelly-bean thing from Larfleeze’s lantern, Fatality (the only character in the DCU to have even less to do since Kyle Rayner’s original run on GL), an Indigo Lantern (who we still know nothing about, nor care about at this point) and Saint Walker (all will be well, and have some milk!).

Two issues in and nothing has happened. Seriously. 40 pages of content that has seemingly set up a single final splashpage of him in some kind of White-Lantern getup. As if we haven’t seen that before?

Ultimately, if DC wanted to ‘shake things up’ with their reboot, it was the perfect time to shed some dead weight. Since the love affair with all things Silver Age is still in full swing, the world simply doesn’t need a Kyle Rayner. And as one of his biggest fans, I’d much rather have seen him retire his ring for a desk job… instead of continuing to not-matter in the grand scheme of things. He could take a seat next to Wally, and they could simply wait until the next crisis. Or until someone recalls why he mattered in the first place.

SUNDAY: John Ostrander