Tagged: John Stewart

Marc Alan Fishman: “Beware My Bubbles…” Green Lantern’s Plight!

It’s been no surprise to my readers (hey everyone!) that I’ve been on something of an animation jones, something fierce. Well, with Young Justice successfully binged on, Netflix suggested I check out a little known show… Justice League. Bruce Timm’s multi-parter masterpiece was the first time the significant seven (pre New52, Flashpoint, Final Crisis, but post Crisis, ya dig?) were assembled to face off against the biggest baddies of the DCU. Mongul, Despero, Faust and Hades, Gorilla Grodd, and yes: Ocean Master (sorta). To be clear: I’ve seen the show. Often. But something has always troubled me about it. That trouble? John Stewart… the milquetoast affirmative action Green Lantern.

Bruce Timm, Paul Dini, and their well-crafted production staff assembled an amazing septuplet. The holy trinity: Batman, Superman, and Wonder Woman. The best B-Listers money can buy: Green Lantern and the Flash. And for clean up… Martian Manhunter and Hawkgirl. On paper, it all makes sense. Deuces are wild; Supes and J’Onn are the aliens adopting Earth, Diana and Shayera rep all of lady kind, Flash is choas to GL’s order, and Batman is Batman. I’m only going to focus on our representative Lantern for the sake of clarity.

I fully acknowledge, welcome, and love that Timm “went to the bench” to recruit Stewart. Hal Jordan is, was, and will likely always be the poster child of the corps. But in addition to not being another white hero, John Stewart as depicted in the animated series was inherently the anti-Jordan. Where Hal is a known hot-headed cocky flying codpiece, Stewart is a level-headed jarhead who fills out the ranks of the League to make plans and execute them. It’s fun to denote that our Flash in this series is also Wally West. Fitting then that Timm and team flips the script on the original Brave and the Bold. Where Hal was the cocky to Barry Allen’s careful, Wally is clearly the team’s impulsive recruit. But I digress.

What pains me to no end are the continual choices made throughout the show in regards to John Stewart’s character, both in and out of the space pajamas. We’re given no intro to him. He merely shows up, starts barking orders, and firing bubbles and beams (which I’ll be dedicating a whole block of prose to momentarily). With apparently less personality than anyone else on the team, the post-pilot reintroduction of the ring slinger offers us up a civilian Stewart: in a three-quarter length leather trenchcoat, walking through an urban neighborhood, while light funk/jazz twinkles away in the background score. You can practically hear the honkies checking off each box on the black character checklist. The episode in question (“In Blackest Night”) riffs on the destruction of Xanshi from 1988’s Cosmic Odyssey, but swaps Stewart’s pulpy pride for a soldier’s guilt for wanton destruction. Spoiler alert: it was all a plot by the Manhanters. Big robot fight. The day is saved when John recites the oath of the Green Lanterns really heroically. Guilt? Gone.

From here, Stewart was an also-ran. Aside from the now-quippy Caped Crusader, Stewart was often relegated to wet-blanket status. Torn between constant chiding of Wally, or hitting on Shayera. Late in the series, Stewart will have dated Vixen (because, black people, natch), but ultimately land Hawkgirl as his bae. They fight a lot. But, you know. They make a cool mixed-race Hawk-kid in the Batman Beyond universe. All this lovey-dovey stuff? It’s what they passed for dynamic character development. Whereas every other original Leaguer would eventually get a truly deep and amazing moment (Batman with Ace on the swings, Superman vs. Anti-Life Darkseid, Shayera’s betrayal, et al) John’s mostly left to knock boots and make bubbles.

And what of those bubbles?! For the life of me, I’ll never understand if Timm and company had budget issues or something. Because John Stewart, in ownership of the most powerful weapon in the universe, would only muster beams and bubbles to serve his purpose. In the comic, Stewart ring slings with the best of them – with Hal once describing his constructs being literally built from their interior structures out due to Stewart’s civilian life as an architect. But in his animated life, John is relegated to clearly the simplest solution, always. They even make a latent potshot at it during Unlimited where a de-aged Stewart (donning Kyle Rayner’s crabmask) builds intricate and cool constructs to battle bravely with. Obviously in the future, he loses his imagination. It’s a low-down dirty shame, kiddos, I tell you what.

Ultimately, this is one of the nittiest picks I could have droned on about, but it was on my mind. The opportunity to break the mold came and went with John Stewart in Justice League. It’s a shame that over the course of five seasons, they simply couldn’t aspire to do more than the absolute basics. And now, with a new League being formed for film… I can’t help but be worried.

In brightest day, or blackest night,
I expected more from John Stewart’s light.
Let those who disagree flame me bright…
Beware my comments, Marc Fishman’s right!

Martha Thomases: Not For Kids Anymore

Thomases Art 130329As Blondie says, “Dreaming is free.”

Which is lucky for me, because I have a rather frantic week, and not a lot of original ideas for a column. Sure, I could write about the John Stewart scandal (or non-scandal, depending on which rumor you believe,), but I am late to that party. I could write about some obscure book that deserves more attention, but I am behind in my reading.

My sub-conscious came through for me.

Last night, I had one of my recurring dreams in which I still work for DC. Sometimes in these dreams I no longer work for DC, but sneak into an office and pretend I do. And sometimes, I even wear clothes. I can’t remember which of these scenarios was at play this time, but I remember getting a memo from Jenette Kahn about some new publishing initiative.

In my dream, I ran to my son, the genius writer, about the opportunity this afforded us. We had two ideas worth pursuing.

The first, and more interesting, was a graphic novel about an upper-middle-class teenage white girl in Georgia in the 1980s who is, unbeknownst to her or anyone else, the reincarnation of Mohammed Ali. I don’t think we should let the fact that Ali is still alive get in the way of the fact that this would be awesome.

However, since my subconscious apparently has no literary taste, in my dream I urged we concentrate our attention on an on-going series, The Legion of Jimmy Olsen. It would be like the Legion of Super-Heroes, but set in the present, not the future, and feature all the different characters Jimmy has morphed into over the years. You would have your Turtle Boy, your giant, your caveman Beatle, even your girl.

All at the same time.

I would buy that series in a heartbeat. Wouldn’t you?

The New 52 doesn’t have a lot of Jimmy in it. There isn’t even much Lois Lane. They show up to take pictures or report on some Superman exploit or another, but that’s about it. Grant Morrison had Jimmy doing a bit more, as a friend to Clark.

Even Grant couldn’t work in any Turtle Boy.

As the comics audience has aged, publishers have tried to respond with more mature offerings. They don’t think their readers need a character like Jimmy with whom to identify. Today’s superhero reader, they think, needs stories where the universe is at stake every single issue.

This is a shame, because we could use somewhat less constant cosmic apocalypse, and a bit more whimsy.

And gorillas.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

 

Dennis O’Neil: Resurrection

O'Neil Art 130328Spring is sprung

The grass is riz

I wonder where the boidies is…

Ah. Spring.

No matter that if you live in the midwest there may be snow on the ground, and if there isn’t, there was recently. It is, dammit, spring! What you gonna believe, Skippy – your eyes or the calendar?

And to herald spring, here comes one of my favorite holidays – Easter. You know the story: humanity’s savior gets crucified, chills in a tomb for three days, comes out and starts a religion. If you’re into comparative mythology. you can find that similar things happened to earlier deities, including Adonis, Osiris, and Mithra. The myths, and their attendant holidays, celebrate something real – the emotions,including hope, that we desperate humans experience when the long gloom of winter goes away and life returns to the Earth. Our ancestors tended to give phenomena they didn’t understand names and identities. Maybe that tendency still exists in their descendants.

Do we feel that you can’t keep a good god down?

Then what about comic book characters? They seem to have difficulty staying dead, too. I have personally participated in the demise of four that I can immediately remember, all of whom popped out of the afterlife in one form or another, and they’re only a few entries in a rather long list that includes some of the biggies: Superman, Captain America, Robin the Boy/Teen Wonder version two. And then there are the lesser but still prominent characters, including Cap America’s young pal Bucky, Elektra, and one of my personal favorite supporting cast members, Batman’s butler Alfred. (Full disclosure: Alfred wasn’t really dead, only, you know, deadish. For two years.)

And why do I feel compelled to include a spear-carrier who died and stayed dead? We’re talking Larry Lance, the detective husband of the original Black Canary. We gave him a one panel funeral in Justice League of America, sent his widow off to another universe and sweet love with Green Arrow, and forgot about him. Maybe I’ve given Larry a paragraph as a service to serious trivia freaks.

But Larry wasn’t even a superheroes and superheroes who die are our subject, so back to them. DC Comics has recently killed two prominent costumed good guys and raised a bit of a stink in the doing. The (late) characters are (were?) yet another incarnation of Batman’s youthful sidekick, Robin, and, evidently, John Stewart, the African American Green Lantern. What’s notable about the Robin is that he is (was) the first of his ilk who was Batman’s biological son. John Stewart? The stakes are a bit higher: he was one of the earliest of comics’ superdoers who wasn’t a white guy and for a time, he was pretty much the only Green Lantern in the DC Universe. I’d say that as fictional beings go, he’ll be missed. (The Robin? No idea.)

But will John (and Robin?) stay deceased? Well, they’re not gods, not exactly (though they are first cousins to the mythological deities). Will they return? History may be nodding its head yes, but I’ll content myself with a shrug.

FRIDAY: Martha Thomases

SATURDAY: Marc Alan Fishman

 

Martha Thomases: My Green Lantern Problem

If I’m reading their website correctly, DC Entertainment currently publishes three different Green Lantern titles, not counting the animated series tie-in. There is also a Red Lantern comic. The last several company-wide crossovers involved the Green Lantern Corps as major players.

It’s too much.

Don’t get me wrong. I like Green Lantern. I vividly remember when I bought my first copy. I was about eight years old (which would make it 1961, for those of you keeping score), and felt very grown up. I thought Green Lantern, being a science-based character, was much more intellectual than Superman or Batman at the time, with their dog pals and mischievous imps. Hal Jordan wasn’t a millionaire playboy nor an alien. He was a test pilot. He had a job.

A decade later, when Denny O’Neil and Neal Adams took over the title, I was mesmerized. They were using a character (one whom, by this time, I realized didn’t have much to do with science) in a comic book to express a point of view on the world in which I lived. How amazing was that?

By the time my son was reading comics, there were several Green Lanterns. He loved them. He especially liked Green Lantern: Mosaic, which featured John Stewart trying to assist a world that had a variety of intelligent life forms, immigrants from dozens of worlds. It seemed like a metaphor for life in New York, but I don’t know if that’s why he liked it so much.

I guess I’m trying to say that Green Lantern is a concept that different people, at different stages of their lives, can enjoy. A man (or woman) with a strong will, and a ring that can manifest that will, is a wonderful vehicle for imagination. With the introduction of the idea of the Green Lantern Corps, 3600 strong, each patrolling a different sector of the universe, the reader can see how different personalities affect the way the ring works. Some shoot green rays, some make green weapons, some create helpers. The stories are limited only by the imaginations of the creative teams.

Still, the heart of the stories was Hal Jordan. The supporting cast included fellow Lanterns Guy Gardner, Kyle Rayner, and the previously mentioned John Stewart. Sometimes one of them would replace Hal as the main Lantern for sector 2814 (that is, Earth).

Since the introduction of The New 52 last fall, the cast has expanded quite a bit. There are Lanterns of other colors of the rainbow, representing other emotions. Each color has 3600 champions (except orange, which is avarice, and its ring holder took all the other rings because, you know, avarice). The stories involving these characters, and the Guardians of the Universe who created the Corp, span all three books.

Believe me, I understand that this may be the direction that the creative teams want. They may enjoy having the cosmos as a canvas, and they may think that having different species as characters is a wonderful opportunity to comment on the human condition. If this is the case, I don’t think they’re succeeding.

I can’t keep up with everybody. Even worse, I don’t care.

I want some stories to take place on Earth. I want to see Carol Ferris, and not in her Star Sapphire costume. I want to watch John Stewart as an architect. I want to see how artist Kyle Rayner meets his magazine deadlines. I want to see Guy Gardner with Ice. Even better, I’d like to see story ideas that haven’t happened yet, but that engage me with situations with which I can relate.

I want to see humans. More to the point, I want to see human stories.

SATURDAY: Marc Alan Fishman, Gone Fishing

SUNDAY: John Ostrander, Friend to the Chickens

 

Mike Gold: The Great Comic Book Retro-Expansion

Last week I bitched and moaned about how we’ve turned our backs on comics that can be appreciated by readers of all ages in order to follow the money that kids ain’t got and some adults might have. I also tied this into continuity impenetrable to newcomers that is spread over about a hundred dollars’ worth of monthly product. I can be snotty that way.

In just the past couple of years, we have seen something of a return to comics that can be enjoyed by readers young and old. Publishers can’t help the self-consciousness suffered by Baby Boomers and some Gen-Xers, but today’s new middle-agers were raised without much of the stigma us old folks suffered during the Wertham rage. So, I am now taking it upon myself to point out a few titles that work for a general audience that is fearless enough to read comic books on the bus, be it to work or to school.

I’ve been quite impressed with Dynamite’s Zorro Rides Again, written by Matt Wagner and drawn (now) by John K. Snyder III. That’s quite a pedigree, and their work lives up to it. You do not have to be steeped in a century of Zorrodom to understand what’s going on: it’s all about a revolutionary with a sword on a horse who fights Spanish oppression in the name of the people of California. Solid action, great storytelling, and an even greater story. You can’t go wrong here; it’s a damn fine book.

Image Comics has been running a little superhero series called Savage Dragon for almost 20 years now – the main series is up to issue 180, for crying out loud – and there’s a reason why writer/artist/creator Erik Larson’s work has endured: it deserves to. Yeah, it’s all about a big hyper-muscled green-scaled head-finned superhero; what’s it to you? It’s chock full of solid characterization and mayhem alike. I think it appeals to the same sort of 11 year old that found Marvel Comics so accessible and so exciting a couple generations ago as well as to older readers get a solid comic book experience that isn’t fraught with sturm und drang. The real old farts will be reminded why we liked comics in the first place without having to hit up 50ccs of nostalgia.

The real surprise here comes from DC Comics. While all the focus and attention has been on the New 52, a line too interconnected and too continuity convoluted to access the broader spectrum of readers, over on the West Coast their editorial operation has been publishing a nice little self-contained universe of superheroes in a continuity that had its roots in a teevee series cancelled long ago. The book is called Batman Beyond Unlimited and for those who are unfamiliar with the proto-show it’s The Old DC Universe – The Next Generation… except some members of the original generation (Bruce Wayne, Kal-El) are still around.

There’s three different series going on in this giant-sizedish monthly: Batman Beyond, Superman Beyond, and Justice League Beyond. The latter group has Superman (the original, a man out of his time), Batman (Terry McGinnis, although Bruce Wayne is still around and more cranky than ever), Warhawk – the son of Hawkgirl and John Stewart, as well as contemporary versions of Green Lantern, The Atom and others. They back-fill the origins while remaining constant with previously established continuity, but – and this is why it works – you don’t need to be Mark Waid to understand who’s who, what’s what, and how everybody got that way. Available as weekly downloads in individual series titles or in the Batman Beyond Unlimited monthly, by avoiding the grim and gritty wallowing in apocalyptic hopelessness, this is a title that can be enjoyed by all but the most anal-retentive cynic.

And when was the last time I wasn’t the most anal-retentive cynic?

THURSDAY MORNING: Dennis O’Neil and the Trilogy Trend

THURSDAY AFTERNOON: Mike Baron’s Bat Fan?

MICHAEL DAVIS: Why I Still Like the New 52!

Because Marc Alan Fishman doesn’t.

A few days ago Marc wrote that he doesn’t like the New 52 and he took me to task over a few things I wrote in my Why I Like The New 5 article last week.

It seems that Marc, or he who is Dead To Me, or simply Dead To Me as I now call him, doesn’t think DC went far enough with the reboot.

I said in my article that I liked a lot of the books but what I really liked about the New 52 is that DC had the balls to do it in the first place. I also said that as fans of the DCU it would be hard to satisfy everyone with the massive undertaking.

A lot of people hate the New 52. I get that. It’s easy to hate from the sidelines. I do it, you do it, everybody does it. My point was, love it or hate it you have to respect the people that put it all on the line to do it. A lot of people don’t think that matters because to them it sucks and it will always suck because change is bad.

Change sucks. The DC comic reboots sucks. I suck for liking the DC comic reboots. And let me not forget to the GOP, Obama sucks.

Mar…  I mean Dead To Me, thinks the reboot was an easy out. He thinks DC didn’t go far enough.

Really? Let’s see how you would have rebooted the DCU. You who are Dead To Me. Here’s how I would have done it.

Batman

I’d make Batman black and call him Black-Man. He became Black-Man because his parents were shot in a drive-by on their way to Yale where they were both professors of Black History. Oh, I bet you thought his parents were walking in the projects looking for some drugs or some other stereotypical black bullshit storyline.

No! In my DCU there will be no stereotypes.  So Leroy Washington son of Ray Ray and Shaiqua Washington becomes Black-Man!

The Justice League

I’d make the Justice League black and call them the Malcolm X-Men.

Hawkman

I’d make Hawkman black and call him Black Hawkman.

Black Canary

What do you think I’d do? I mean, duh.

Green Lantern

I’d make GL black. His name will be John Stewart and his secret identity will be a talk show host.

The Flash

I’d keep the Flash white. I mean a black guy with super speed? Ron Paul would have a field day with that. “If you have ever been robbed by a black teen-aged male, you know how unbelievably fleet-footed they can be.” Ron Paul said that. Now just imagine if the Flash was black. Nah; I’m keeping Barry Allen a white guy but I’m making him a teen-age criminal who robs people and runs away.

Aquaman

He would stay white too. Everyone knows black people don’t swim…duh.

Wonder Woman

I’d make WW my flagship book. Why make it my flagship book? To make it clear Michael Davis’ DCU avoids racial and any other stereotypical depictions.For my reboot, I’d make Wonder Woman black. Hell ,in my book she’s already a black woman. She doesn’t take any shit and she’s got a banging booty.

So, Dead To Me, where is your DC reboot? My reboot only features classic characters and it’s taken me 10 years to come up with this new universe. Yes, I started 10 years ago when it was crystal clear to all in the industry that I was going to become head of DC.

After waking up I decided to work on the universe anyway and I’m glad I did because it has certainly come in handy today wouldn’t you say? Yes, 10 years of hard work, research, toil and trouble. I lost a wife with my unwavering commitment to redoing the DCU. Well, actually I was going to call it the MDCU but that’s beside the point.

The point is this type of universe building or rebuilding takes some serious balls not serious eggs like you wrote in your column when you thought you were being clever and used Spanish…wrongly.

It’s obvious you don’t regard research as something you need to do when you create something.

Eggs? Really?

So. I await your universe. If you think it’s so easy let’s see you put the time and effort into it and in 10 years we can talk about it. Or you can knock something out by next week because you don’t have the discipline to take the time to do it right.

I’ll leave you what I would do with DC’s biggest character and the biggest challenge for any DC universe do over, the Man Of Steel…

Superman

I would make Superman black and call him Icon.

WEDNESDAY: Mike Gold kicks it up a notch

DC Comics March 2012 Solicitations

titi_cv50-291x450-5401614We hold in our hands the covers for DC Comics this March. As a child of four can plainly see, these comics have been hermetically sealed in a CGC 9.8 slab, and they’ve been kept in a #2 mayonnaise jar under a giant pile of Christmas tinsel since noon today.

What do we have worth noting? The first fill-in artist on Justice League, although Gene Ha is certainly no slouch in that department. We also have new writers on Firestorm and Green Arrow, new backups in Justice League and Action Comics, and the DC 52 hits lucky number 7.

Shall we see who is the fariest of them all? Oh indeedy, let’s do!

As usual, spoilers may lurk beyond this point.

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MARC ALAN FISHMAN: Just Kill Kyle Rayner

Typing that title hurt. A lot. It’s been stated here time and again: I am a Kyle Rayner fan. Here I sit, sarcasm sitting in its glass jar next to me, legitimately about to make the argument that my favorite character in comics be given a dirt nap… and I don’t mean the Steve Rogers–Bruce Wayne dirt nap kiddos. I mean the Gwen Stacy sleep of the pulpy gods. But why, you ask, would I suggest such a fate to the character that inspired this bearded bloke to make comics himself? I paraphrase Dr. Denis Leary:

“Elvis Presley should have been shot in the head back in 1957. Somebody should’ve walked up behind Elvis in ‘57 with a 44 magnum, put the barrel of the gun right up to his brainstem and just pulled the trigger, so you can remember Elvis in a nice way. Wouldn’t it be nice to remember Elvis thin, with a big head of hair? Maybe that gold lame suit. Wouldn’t that be nice? Because how do you remember Elvis? You know how you remember Elvis. He was found in the toilet with his pants around his ankles and his big fat hairy sweaty king of rock and roll ass exposed to the world and his final piece of kingly evidence floating in the toilet behind him!”

And as I look on the career of Kyle, since 2005, I see a fat Elvis, crapping on the pot.

Kyle Rayner was brought into the fold of DC Comics in January of 1994. After they wrote off Hal Jordon as a villain-turned-martyr, they introduced new blood into the comic. Kyle represented everything Hal didn’t. He was timid, indecisive, and anything but fearless. All he was, was a kid with an amazing imagination. A kid given the ultimate toy, and a universe to save. For lack of a better M.O., Kyle Rayner was DC’s Spider-Man. An everykid being shown that with great power rings comes great responsibility. It was a bold move. And over ten years he was given free reign to learn, and grow. I grew with him. Kyle joined the Justice League (during the fantastic Morrison run), and became the POV character we could get behind. While Batman, Superman, and Wonder Woman were the serious heroes, Kyle was the kid who could still yell “cool!” Simply put, with Kyle Rayner, DC had the bold and inventive reboot they’re so desperate to have now.

In 2005, Dan DiDio and Geoff Johns decided that the comic book world had enjoyed too much of this “modern” era and declared the silver age be reborn! Hal Jordan was resurrected, and with it took every last ounce of thunder Kyle had mustered in his 10 year tenure as the torch bearer. This is the moment folks, where, had I the will power, I would politely take Rayner’s ring and hurl it into the sun. Ever since “Rebirth” Rayner has floundered, flopped, and died a slow and pitiful character death. Ask ole’ Geoff or Dan, and I’m sure they’d feed you a brilliant line on how he’s still “relevant and as awesome as ever!”… Let’s go to the tape!

Since 2005, Kyle Rayner has… uh… got chummy with Guy Gardner… and… became Ion until they gave that to another alien we’ve since forgotten about… and … uh… got taken into Parallax for an issue… put on a blue lantern ring for a day… oh! And at some point his mom died, and he lost 17 girlfriends. Some died. Some blew up. Others turned out to have daddy issues. Ain’t it riveting?

Simply put, with Hal as the lead green meanie, Kyle fails to matter in the great scheme of things. As Barry Allen came back put Wally West out of a job, so too, does Kyle remain a waste of ink. The whole concept of legacy is so strong at DC (far more than Marvel…), but with the reboot, and continual Geoff Johning of the multiverse… legacy is fast becoming nothing more than an MMO title.

And so, this September, DC rebooted its entire universe. With Hal continuing to be the star of the flagship series (mainly because he was the star in a wonderful flop of a film this summer…), and John Stewart (affirmative action at it’s best!) and Guy Gardner (because we all love angry Irish guys, right?) over on GL Corpse (pun intended), what was Kyle given to do? Well, with GL: New Guardians… He’s the top banana in an adventure that will undoubtedly:

1. Have him shack up with a random space chick. And then she’ll die.

2. Have him wear a plethora of rings, resulting in him changing costumes 10 more times.

3. Remove any semblance of his character, and have him shout various generically heroic things as he saves the day.

4. At some point, he’ll mention all the good things he’s done as a Green Lantern, reminding us Raynernauts that he mattered there, for a while.

5. He’ll grow a bitchin’ half-beard.

I’ve been through the first two issues of the series. I’ve yet to be impressed. It’s like a cattle call for all the last two years worth of Lantern D-listers, all brought together for yet-another-unforeseen-prophetic-battle. Rayner will end up working with Bleez (the slutty Red Lantern), Arkillo (the tongue-less Kilowog of the Sinestro Corps), the Orange jelly-bean thing from Larfleeze’s lantern, Fatality (the only character in the DCU to have even less to do since Kyle Rayner’s original run on GL), an Indigo Lantern (who we still know nothing about, nor care about at this point) and Saint Walker (all will be well, and have some milk!).

Two issues in and nothing has happened. Seriously. 40 pages of content that has seemingly set up a single final splashpage of him in some kind of White-Lantern getup. As if we haven’t seen that before?

Ultimately, if DC wanted to ‘shake things up’ with their reboot, it was the perfect time to shed some dead weight. Since the love affair with all things Silver Age is still in full swing, the world simply doesn’t need a Kyle Rayner. And as one of his biggest fans, I’d much rather have seen him retire his ring for a desk job… instead of continuing to not-matter in the grand scheme of things. He could take a seat next to Wally, and they could simply wait until the next crisis. Or until someone recalls why he mattered in the first place.

SUNDAY: John Ostrander

DC Comics November Solicitations

Because you demanded it, true beli– no wait, that’s the other guys.

But we’re here with the solicitations for DC Comics for Novemeber, coming soon to a Previews catalog near you. The New 52 keep rolling along, and we have the Sergio Aragones version of Batman immortalized in a statue.

So let’s take a look!

Details? Yes, we have details…

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If I rebooted the Justice League: Flash, Green Lantern, Hawkwoman, Martian Manhunter

If I rebooted the Justice League: Flash, Green Lantern, Hawkwoman, Martian Manhunter

According to a friend I trust, when the trailers for the Green Lantern movie appeared, kids asked, “Why did they make Green Lantern a white guy?”

That’s not a joke like “Paul McCartney was in a band before Wings?” It’s because, to folks under thirty, this is the Justice League:

But this is DC’s reboot:

How many ways is it awful? The short list:
  1. Instead of being a team of individuals, they look like they go to the same tailor.
  2. Aquaman is one of my favorite characters, but he shouldn’t be part of the core League. He should only appear when a case involves the seas.
  3. Cyborg is great in the Titans, but he doesn’t have a distinct role in the League unless they turn him into a brilliant scientist. Also, his name is generic—it’s like calling a character Robot. Give him back to the Titans.
  4. One woman? Are you kidding me? Humanity is 51% female, and there’s one woman in the core team?
So, what would my reboot look like?
  1. GMiss Martian photoreen Lantern is John Stewart, a black man who is the one and only Green Lantern of Earth. In the reboot, he’s the guy that Katma Tui (instead of Abin Sur to make it clear that the ring can go to anyone who is worthy) chose to wield the ring.
  2. The Flash, in something like the iconic uniform, is Ricky Estrada, a Mexican-American man with the personality of Wally West.
  3. Hawkwoman is Shayera Hol, a Thanagarian cop who comes to Earth in pursuit of an alien crook. Her partner, Katar Hol, is killed, and their ship is destroyed, so she stays on Earth for longer than was planned, and comes to love the planet.
  4. The Martian Manhunter always seemed goofy to me: a green version of Superman who can change shape and gets weak in the presence of fire? Use Miss Martian instead.
  5. The Wonder Woman from my previous “If I rebooted…” post.
  6. The Batman from my previous “If I rebooted…” post.
  7. The Superman from my previous “If I rebooted…” post.
A fundamental principle should apply to characters like Green Lantern and Hawkwoman: Heroes should be unique—unless someone offers a lot of money to make a movie or TV show about a variant like Supergirl or Batgirl.