If you can’t wait to see Iron Man 3 and are lining up for the 12:01 a.m. IMAX screening on May 3, know that you will be rewarded with an exclusive one-sheet. The artwork is by Jock, the British artist better know for Vertigo’s The Losers than he is Marvel heroes. This is a three-way collaboration between Marvel Studios, IMAX and Mondo.
Marvel’s Iron Man 3 pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test hismettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?
Starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale with Jon Favreau and Ben Kingsley, Marvel’s “Iron Man 3” is directed by Shane Black from a screenplay by Drew Pearce & Shane Black and is based on Marvel’s iconic Super Hero Iron Man, who first appeared on the pages of Tales of Suspense #39 in 1963 and had his solo comic book debut with The Invincible Iron Man #1 in May of 1968.
Iron Man 3 is presented by Marvel Studios in association with Paramount Pictures and DMG Entertainment. Marvel Studios’ President Kevin Feige is producing and Jon Favreau, Louis D’Esposito, Charles Newirth, Victoria Alonso, Stephen Broussard, Alan Fine, Stan Lee and Dan Mintz are executive producers. The film releases May 3, 2013, and is distributed by Walt Disney Studios Motion Pictures.Watch the new trailer on Tuesday exclusively on iTunes Movie Trailers!
The International Association of Media Tie-In Writers is pleased to announce the Scribe Award nominees for 2013.
Acknowledging excellence in this very specific skill, IAMTW’s Scribe Awards deal exclusively with licensed works that tie in with other media such as television, movies, gaming, or comic books. They include original works set in established universes, and adaptations of stories that have appeared in other formats and cross all genres. Tie-in works run the gamut from westerns to mysteries to procedurals, from science fiction to fantasy to horror, from action and adventure to superheroes. Gunsmoke, Murder She Wrote, CSI, Star Trek, Star Wars, Shadowrun, Resident Evil, James Bond, Iron Man, these represent just a few.
The Scribe Awards are presented at ComicCon San Diego.
IAMTW congratulates the following nominees:
ORIGINAL NOVEL Darksiders The Abomination Vault – Ari Marmell Pathfinder City of the Fallen – Sky Tim Pratt Mike Hammer Lady, Go Die! – Mickey Spillane and Max Allan Collins Star Trek The Persistence of Memory – David Mack Star Trek Rings of Time – Greg Cox Tannhäuser Rising Sun, Falling Shadows – Robert Jeschonek Dungeons and Dragons Online Skein of Shadows – Marsheila Rockwell
ADAPTED NOVEL Poptropica Astroknights Island – Tracey West
Clockwork Angels – Kevin Anderson Batman: The Dark Knight Legend – Stacia Deutsch Batman: The Dark Knight Rises – Greg Cox
AUDIO Dark Shadows Dress Me in Dark Dreams – Marty Ross Dark Shadows The Eternal Actress – Nev Fountain Doctor Who Companion Chronicles Project Nirvana – Cavan Scott and Mark Wright
The winners in each category will be announced during a ceremony at the 2013 Comic-Con International, held July 18-21 in San Diego, California.
The International Association of Media Tie-In Writers has announced their Scribe Award nominees for 2013.
Acknowledging excellence in this very specific skill, IAMTW’s Scribe Awards deal exclusively with licensed works that tie in with other media such as television, movies, gaming, or comic books. They include original works set in established universes, and adaptations of stories that have appeared in other formats and cross all genres. Tie-in works run the gamut from westerns to mysteries to procedurals, from science fiction to fantasy to horror, from action and adventure to superheroes. Gunsmoke, Murder She Wrote, CSI, Star Trek, Star Wars, Shadowrun, Resident Evil, James Bond, Iron Man, these represent just a few.
The Scribe Awards are being presented in July at ComicCon International.
ORIGINAL NOVEL
Darksiders: The Abomination Vault by Ari Marmell
Pathfinder: City of the Fallen Sky by Tim Pratt
Mike Hammer: Lady, Go Die! by Mickey Spillane and Max Allan Collins
Star Trek: The Persistence of Memory by David Mack
Star Trek: Rings of Time by Greg Cox
Tannhäuser: Rising Sun, Falling Shadows by Robert Jeschonek
Dungeons and Dragons Online: Skein of Shadows by Marsheila Rockwell
ADAPTED NOVEL
Poptropica: Astroknights Island by Tracey West
Clockwork Angels by Kevin Anderson
Batman: The Dark Knight Legend by Stacia Deutsch
Batman: The Dark Knight Rises by Greg Cox
AUDIO
Dark Shadows: Dress Me in Dark Dreams by Marty Ross
Dark Shadows: The Eternal Actress by Nev Fountain
Doctor Who Companion Chronicles: Project Nirvana by Cavan Scott and Mark Wright
In case you missed it, there will be a third Iron Man film next month. The publicity machine has been releasing images and clips to make sure you know.
Marvel’s Iron Man 3 pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?
Starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale with Jon Favreau and Ben Kingsley,Marvel’s Iron Man 3 is directed by Shane Black from a screenplay by Drew Pearce & Shane Black and is based on Marvel’s iconic Super Hero Iron Man, who first appeared on the pages of Tales of Suspense #39 in 1963 and had his solo comic book debut with The Invincible Iron Man #1 in May of 1968.
In Marvel’s Iron Man 3, Tony Stark/Iron Man finds his world reduced to rubble by a malevolent enemy and must use his ingenuity and instincts to protect those closest to him as he seeks to destroy the enemy and his cohorts.
I love tiny things. Love them. Tiny things, filled with tiny details. This is why, somewhere in my closet, I have a box of random tiny dollhouse items that I’ve bought in various places or made myself, despite not ever having owned a dollhouse or the dolls that would accompany it. (My dolls were either baby-sized or tiny. Polly Pocket, anyone?) I have tiny newspapers and books that open; tiny jars of fake Necco Wafers and peppermint sticks; tiny wrapped “Christmas presents;” tiny forks and knives and mugs…I can’t resist them, because they’re just so intricate and cute. And tiny!
It’s also why I own and dote on a tiny Chinese dwarf hamster. Well, okay, so I’ve had bigger pets, too, but anyone who reads Twitter knows Bitty Miss Izzy is like my spirit animal or something, and I am perpetually unable to get over how tiny and cute she and her little paws and little nose and little ears are, which is why I am always photographing and filming her.
Aside from the general cuteness of tiny things, I think a main reason I like them is because of the astounding amount of detail that they frequently manage to include, despite size; and as a geek, I’m more than a little inclined to obsess over detail, and particularly the (haha) tiniest details. I like intricacy. And let’s be honest here – I’m not alone. Most geeks are a bit detail-obsessed. Whether it’s every detail of a beloved character’s fictional life or a beloved fictional world, or every detail of a replica convention costume or collectible item, or every detail of minutia about the real-life production process of a favorite show, or trilogy, or what-have-you, we geeks are all about the details.
And being a geek, you know what I really find fascinating? When geekness combines with detailed tininess and produces amazing, awesome, and sometimes useful things. Here are some of my favorites this week:
Via the wonder of 3-D printing (how much do I want a 3-D printer and a3-D printing pen? So much) I give you: tiny Winterfell.
] from the beautiful, amazing Game of Thrones opening credits. Look at it! Look!! It’s made of plastic and preciousness and precision. It’s under 10 square inches! I want one. (I also adore the entirety of the opening creditof that show, which feature a clockwork map of the story’s locations that is so tiny and intricate and beautiful and clever that it won an Emmy. You can read a cool piece about how the credits are done here.)
But lest you think that 10 square inches is anything special, there’s also this 3-D printed Wing Commander spaceship that is the diameter of a human hair. (Also, did you know there was a Wing Commander movie starring Freddie Prinze, Jr.? I didn’t! Apparently it was terrible.) A human hair! That’s almost too ridiculously tiny to be real, and yet, there it is, in incredible detail, just ready to be accidentally snorted up someone’s nose while they’re eyeing it up close. It’s adorbs, and I want one, even if I’d lose it immediately. I also see great promise for a nano-printer, in that it could conceivably be used to produce tiny bits for a myriad of helpful scientific or medical things, or even to produce an incredibly tiny Iron Man. You know which one I’d use it for first.
Speaking of robotics, how about this little Festo BionicOpter? Granted, it’s not quite as cute or small as a tiny Winterfell or Wing Commander plane, but it does have the benefit of being potentially a bit more useful. It’s an arm-sized quadcopter that “looks and moves like a dragonfly,” and “despite its complexity, the highly integrated system can be operated easily and intuitively via a smartphone.” Wow. I’m kind of in awe. Watch the video; it’s pretty cool. It also makes me wonder how long it’s going to take Festo (or other quadcopter folks) to make even smaller quadcopters. (Or, in a more sinister vein than the dreamy music of the BionicOpter video would have us thinking, how long until we’re going to be seeing things like the heat-sensing, eye-scanning electric shock spider robots of Minority Report? Eep!)
Despite the possible sinister applications of making technological things smaller (and that sort of thing has been around for years in the spy world, where we have things like the key ring spy camera and the DocuPen scanner, I think the current possibilities of the technology that allows things like the above to be made tiny and real is pretty amazing, and am curious to see what the miniaturization geniuses will come up with next.
Also, I think it’s amusing that we live in an age where miniaturization can also be used for practical jokes. I’m ordering my Micro Spy Remote as we speak. So don’t be too distressed if your TV mysteriously starts changing channels on its own next time I come to visit; and until next week, Servo Lectio!
BURBANK, Calif. (April 8, 2013) – Following in the footsteps of the record-breaking Marvel Studios’ release, Marvel’s The Avengers, production on the highly anticipated release, Marvel’s Captain America: The Winter Soldier has commenced in Los Angeles, Calif., with production also including locations in Cleveland, Ohio, and Washington D.C. Directing the film is the team of Anthony and Joe Russo (Welcome to Collinwood) from a screenplay written by Christopher Markus (Captain America: The First Avenger) & Stephen McFeely (Captain America: The First Avenger). Marvel’s Captain America: The Winter Soldier returns Chris Evans (Captain America: The First Avenger, Marvel’s The Avengers) as the iconic Super Hero character Steve Rogers/Captain America, along with Scarlett Johansson (Marvel’s The Avengers, Iron Man 2) as Black Widow and Samuel L. Jackson (Marvel’s The Avengers, Iron Man 2) as Nick Fury. In addition, film icon Robert Redford has joined the all-star cast as Agent Alexander Pierce, a senior leader within the S.H.I.E.L.D. organization. Captain America: The Winter Soldier is set for release in the U.S. on April 4, 2014.
Captain America: The Winter Soldier will pick-up where Marvel’s The Avengers left off, as Steve Rogers struggles to embrace his role in the modern world and teams up with Natasha Romanoff, aka Black Widow, to battle a powerful yet shadowy enemy in present-day Washington, D.C.
Based on the ever-popular Marvel comic book series, first published in 1941, Marvel’s Captain America: The Winter Soldier features an outstanding supporting cast that includes Sebastian Stan (Captain America: The First Avenger, Black Swan) as Bucky Barnes/Winter Soldier, Anthony Mackie (The Hurt Locker, Million Dollar Baby) as Sam Wilson/Falcon, Cobie Smulders (Marvel’s The Avengers, How I Met Your Mother) as Agent Maria Hill, Frank Grillo (Zero Dark Thirty) as Brock Rumlow and Georges St-Pierre (“Death Warrior”) as Georges Batroc. Rounding out the talented cast are Hayley Atwell (Captain America: The First Avenger) as Peggy Carter, Toby Jones (Captain America: The First Avenger, The Hunger Games) as Arnim Zola, Emily VanCamp (The Ring 2, Revenge) as Agent 13 and Maximiliano Hernández (Marvel’s The Avengers, Thor) as Agent Jasper Sitwell.
Marvel Studios’ President Kevin Feige is producing the film. Executive producers on the project include Alan Fine, Louis D’Esposito, Victoria Alonso, Michael Grillo and Stan Lee. The creative production team on the film includes director of photography Trent Opaloch (Elysium, District 9), production designer Peter Wenham (21 Jump Street, Fast Five), editors Jeffrey Ford, A.C.E. and Mary Jo Markey, A.C.E. (Star Wars: Episode 7, The Perks of Being a Wallflower) and three time Oscar-nominated costume designer Judianna Makovsky (The Hunger Games, Harry Potter and the Sorcerer’s Stone).
Marvel Studios’ upcoming release schedule includes Iron Man 3 on May 3, 2013, and Thor: The Dark World on November 8, 2013. The studio most recently produced the critically acclaimed Marvel’s The Avengers, which set the all-time, domestic 3-day weekend box office record at $207.4 million. The film, which shattered both domestic and international box office records, is Disney’s highest-grossing global and domestic release of all time and marks the studio’s fifth film to gross more than $1 billion worldwide.
In the summer of 2011, Marvel successfully launched two new franchises with Thor, starring Chris Hemsworth, and Captain America: The First Avenger, starring Chris Evans. Both films opened #1 at the box office and have grossed over $800 million worldwide combined. In 2010 Iron Man 2, starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Scarlett Johansson, Sam Rockwell, Mickey Rourke and Samuel L. Jackson as Nick Fury took the #1 spot in its first weekend with a domestic box office gross of $128.1 million.
In the summer of 2008, Marvel produced the summer blockbuster movies Iron Man and The Incredible Hulk. Iron Man, in which Robert Downey Jr. originally dons the Super Hero’s powerful armor and stars alongside co-stars Terrence Howard, Jeff Bridges, Shaun Toub and Gwyneth Paltrow, was released May 2, 2008, and was an immediate box office success. Garnering the number one position for two weeks in a row, the film brought in over $100 million in its opening weekend. On June 13, 2008, Marvel released The Incredible Hulk, marking its second number one opener of that summer.
Hey ComicMix readers. Gossip Gal here and today’s my biggest news day ever! Thanks to my many sources, I’ve just heard the most delicious tidbits – and what kind of Gossip Gal would I be if I didn’t share them with my loyal devotees? So widen those eyes, prepare to be surprised, and read on.
Marvel Comics Launches The Young 21!
Earlier this morning, a spokesman for Marvel Comics excitedly announced a bold new “initiative” being launched by the company next Wednesday. The “Young 21,” as the revamp of current Marvel comics is being dubbed, will wipe the slate of continuity-laden past comics stories clean and allow for writers and artists to created a fresh and more easily understood “superhero universe” that new readers can enjoy.
“All the guys were sitting around in the office one day,” Marvel spokesman Mr. C. Howe revealed, “and no one could think of any new stories for our beloved flagship characters. I mean, they’ve already Done All The Things, pretty much. So we were stumped. Then one of our marketing consultants had the idea to “throw out” everything that has happened to The Avengers, The X-Men, the Fantastic Four, and all of our other famous characters since the launch of Marvel Comics, and begin their stories again, looking at where each of them was at twenty-one, when many were just starting out on their paths to greatness. It was genius!”
Mr. Howe continued, outlining the way The Young 21 will be structured. “Well, we don’t want to alienate any of our past and present fans,” he said, “so these will still be the characters you know and love. But their stories will be streamlined to get rid of any character development past writers may have attempted that proved generally unpopular, and there will be changes to make them more relatable to today’s readers. For instance, the X-Men will get an all-new costume! And one of the Avengers may now be gay – you never know! A few beloved characters may lose important relationships with parents or long-established significant others to story changes, but the hot new storylines will be more than enough to make up for any sense of betrayal and loss
“The new series will also look at some of our female characters in a different and more exciting light,” Mr. Howe reported. “For instance, what was Sue Storm like at twenty-one? Well, she was a bit more stimulating than her usual motherly place in the Fantastic Four would have us believe. Readers who have come to love her for her caring role in the lives of the FF won’t believe the wild times she had with Victor von Doom and Namor back in the day in this re-launch series.” The whole first issue of the new FF takes place pool-side, and you’d better believe you haven’t seen Sue like this before. We’re also taking a new look at Kitty Pryde, who was, frankly, a bit boring in our past stories. But her updated look and attitude is going to WOW new readers. Our best creators, Dan, Dave, Jason, Scott, Bill, and Joe have all assured us that female readers in particular are really going to identify with this fresh take.”
My sources report that the first issues of The Young 21 will hit comic book stores April 10, ComicMix fans – so be sure to report in at GossipGal.com and let me know what you think. And now for another bit of exciting news…
Robert Downey Jr. is Iron Man!
At a press conference outside of his recently-acquired Malibu home, Robert Downey Jr. announced today that he actually is, in real life, the superhero called “Iron Man.” “Yes, it’s true,” he stated, while twirling a pair of purple shades idly between his fingers. “The movies are based on a true story: I am Iron Man. I can’t deny it any more, not after so many people have pointed it out. I mean, they’re always saying how I am Iron Man. How could anyone not believe it, with all that? I really don’t know why I thought I could hide it in the first place. But I’m done hiding now. I’ll say it loud and I’ll say it proud: this country owes its safety to me.”
When questioned as to why, if this was true, no one had ever seen an actual Iron Man flying or walking around except in the movies and at fan conventions, Downey replied, “Well, we had to change things for the movies to make it believable to the unenlightened masses. But in real life, I didn’t go through nearly as many design changes. The suit sprang as if fully formed from the genius that is my intellect, and because I am a futurist (like my fictional counterpart), I looked ahead far enough during my earliest designs to go straight for a stealth suit. So when I’m using the suit, I’m practically invisible if I want to be. Also, I can be wearing the suit, and people will only see me. Like, I’m wearing it right now, but you can’t see it. That’s how stealth my suit is. But really; no one watching a movie would have believed that.”
When further questioned as to why no one had ever heard of a single superheroic deed performed by a real-life Iron Man, Downey replied: “Well obviously it’s a government conspiracy. Like the moon landing.”
Well well, ComicMix readers, there’s a bit of news that can hardly be believed; but truth or fiction, we here at Gossip Gal Central wouldn’t object to Mr. Downey using a stealth suit to pay us a visit, if you know what we mean. And now, for a little bit of local oddity to round out your day:
Rare Book Collector Scammed Into Buying ‘Encyclopedia Deadpoolica’!
Ms. Fannie Mae Richards, well-known rare book dealer of West Hollywood, was distressed after her quest to obtain one of the only full sets of actual paper encyclopedias still in existence was thwarted by an unknown vandal who had apparently defaced every page of every book in the set before selling the set via Craigslist.
“Every single cover looks like this,” she said, dismayed, while gesturing to a book cover in which “Britann” had been crossed out and replaced with “Deadpool.” “What does that even mean?”
Ms. Richards was also puzzled by the contents of the books. “All of the pages contain messy, incomprehensible ‘edits,’ she said. The W volume is particularly strange.” She showed this correspondent the entry for “weasel,” over which someone had written, “Skinny nerdy dude with glasses who builds neat gadgets. They go whoosh bang boom,” and drawn a rough sketch of a bespectacled face with short, somewhat spiky hair. Flipping to another page, she displayed the entry for ‘wolverine,’ over which someone had written, in varying sizes and colors, BUB BUB BUB BUB BUB until the entire page was covered. In the bottom right corner, in tiny letters, was written, “SNIKT BOOM BUB!”
“I don’t understand any of this,” Ms. Richards complained, clearly distraught by the damage that had been done to the hallowed texts, “but I really want my five dollars back.”
Sounds like a Craigslist mischief-maker is in our midst, ComicMix fans, so buy cautiously and don’t get scammed!
That’s all the news that’s fit to share today. But knowing this town, I’ll have more for you very, very soon.
In case you fast-forward through the commercials, here’s the first television spot since the Super Bowl teaser for May’s Iron Man 3.
[youtube]http://youtu.be/VcZdrfDeJTo[/youtube]
For those still unfamiliar with the first installment in Phase two of the Marvel Cinema Universe, here’s the official statement from Walt Disney:
Marvel’s Iron Man 3 pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?
Starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale with Jon Favreau and Ben Kingsley,Marvel’s Iron Man 3 is directed by Shane Black from a screenplay by Drew Pearce & Shane Black and is based on Marvel’s iconic Super Hero Iron Man, who first appeared on the pages of Tales of Suspense #39 in 1963 and had his solo comic book debut with The Invincible Iron Man #1 in May of 1968.
Given my devotion to Marvel and my affinity for playing any game that features Deadpool ever, I was particularly keen to hear the latest news about Marvel Heroes, the free-to-play MMOARPG (Massively Multiplayer Online Action Role Playing Game) created by David Brevik (of Diablo and Diablo 2 fame) and currently in production at Gazillion Entertainment.
Marvel Heroes, if you haven’t heard about it, is being designed as a free-to-play PC game in which players can advance through the game without spending any money (although there will be a store available for optional purchases). The story forthe game, which centers around Doctor Doom and the Cosmic Cube, is written by well-known and multiple award-winning Marvel writer Brian Michael Bendis, and Marvel artists are producing comic-style cut-scenes to accompany that story.
In developing this game, Gazillion has been able to draw on all of Marvel’s considerable intellectual property, and the game is slated to feature numerous Marvel heroes and costumes, including those already announced or depicted in the model sheets on the website and in the Founders Program Ultimate Pack. (I’m particularly excited to see that Deadpool (of course), Human Torch, Jean Grey, and Iron Man will be available! I’m also looking forward to seeing what they’ll do with Emma Frost’s powers.)
Voices for the characters are being done by a number of excellent popular voice actors, some of whom are reprising their roles as Wolverine, Deadpool, and more from other media. Once obtained, playable Marvel heroes can be customized in-game, using costumes, items, and allocations of powers. Marvel Heroes will also feature multiple locations from the Marvel universe (including the Savage Land. Dinosaurs, yay!!), and allow for teaming with other players, and bonuses from teaming up.
Given all of the above, and the inclusion of awesomely fun stuff like the enhanced Pirate Deadpool costume, and the excellent trailers and videos Gazillion has released to the public so far, there is a lot to look forward to in the finished game. And since any new video game with Marvel IP is an immediate draw for me, I definitely wanted to hear the latest updates from PAX East.
And updates there were! The first of which is the newly-announced release date of June 4of this year, with early access starting May 28 for Founders Program pre-sale pack purchasers (early access varies depending on which tier of pack is purchased). The Founders Program is ongoing, and closed beta access – which used to be reserved for the $180 Ultimate Pack – has now been expanded to the $60 Premium Pack as well.
The next bit of fresh news is that PvP will be available at launch, and that you will be able to team up during PvP. Experience points gained in PvE play will transfer to PvP, and vice-versa. Gazillion also announced that it’s planning to have end-game content which will include both team challenges and open challenges. End-game content will also feature “Ultimate Powers,” which are special abilities tailored to each hero, and which can be gained after the first run-through of the story. Having these powers leveled up will apparently be key to achieving victory during end-game challenges. These powers can be leveled up by getting and spending duplicate “hero tokens.”
…And here is where we get to the only part of Gazillion’s PAX announcements that seems troubling, rather than exciting: “hero tokens.” One of the biggest positives about a game based on Marvel IP is the ability to play as your favorite Marvel heroes. That’s been one of Gazillion’s selling points for this game since the get-go – that there will be a ton of heroes available now and in the future, from the popular to those with more of a cult following; and that players will be able to choose to play as those characters.
Prior to this past weekend, it was understood from Gazillion’s public statements that specific individual heroes would be purchasable in the game’s store, for those who didn’t want to wait until their favorite hero chanced to drop in the game. This was planned as a primary way to fund the free-to-play game. As evidence of how this mechanic was intended to work, Gazillion’s FAQ on the pre-sale page says:
“What Heroes are offered for free at the beginning of Marvel Heroes?
When you start playing Marvel Heroes, you will be able to pick a hero from a choice of several, and play through the entire game for free, finishing the story. You will only be able to choose one hero to play; other heroes may be granted as random drops throughout the game. To ensure you get to play a specific hero, you will be able to purchase them.” (Emphasis added).
This explanation was echoed by Director of Community & Customer Support Stephen Reid in a YouTube video posted Dec 28, 2012, at the 4:45 mark. In another YouTube video, posted on Feb 14, 2013, Karin Ray, Assistant Producer, says: “One thing I really like about the Premium Packs is, they come with a little extra currency. So, let’s say I purchase the Avengers Assemble pack, which doesn’t come with Black Widow; and I love her. I can take that extra currency and I can just scoop her up for my team.”
However, at PAX East, Gazillion announced a different game mechanic called the “hero token” (each token representing a specific hero). In essence, the way these tokens would work is that along with dropping randomly in the game (which is not a change from the previously announced design); they would now also drop randomly from an “item” that will be purchasable in the store as a replacement for specific purchasable heroes. In other words, there would no longer be a way to buy a specific hero; only an item that gives a chance at one. And the random hero you receive might turn out to be either one you don’t want, or one that you already have (which is where the use of duplicate tokens to level up your Ultimate Power comes in).
This… is a puzzling idea. First of all, in a game that is based on a previously established IP with devoted fans, removing the ability to guarantee the acquisition of the particular hero(es) a player already loves when paying money seems to remove their incentive to pay money for, presumably, the most expensive purchasable item in the game. Secondly, for anyone who purchased a Founders Pack prior to this announcement, one element of their pack (the in-game currency) can now no longer be used in the way it was previously advertised (as explained by Karin Ray above).
Since the announcement, there have been negative reactions to this mechanic on Twitter, in the comments of news pieces on Marvel Heroes’ PAX announcements, and on Reddit. Happily, however, Gazillion is paying close attention to their potential customers, as illustrated by this responseto the feedback: “We’re hearing you loud and clear. Changes coming!” The developers have also indicated elsewhere that there will be more information on this mechanic coming very soon, and that they will be responding to feedback and announcing additional details that they hope will make people happy.
I hope that will be the case, and will report back with an update when it’s available. I’m also still looking forward to the launch of the game, and hope for even more exciting news as it gets closer.
And in the meantime, Servo Lectio!
TUESDAY AFTERNOON: Michael Davis and Barbie Dolls
WEDNESDAY MORNING: Mike Gold and the Super-Hero Ideal
Apparently one of my goals in life is to absorb the Marvel Civil War storyline in every possible medium, since I’ve just finished listening to GraphicAudio’s audiobook version of the prose adaptation by Stuart Moore, having previously read the main collection of graphic novels and then reviewedthe prose adaptation. Well, what can I say? I like the story. Since we as consumers of stories invest in heroes in a way we frequently don’t in villains, clashes between heroes can be the most complex and emotionally engaging; and Civil War is one of the most logical storylines comics has ever come up with to explain why superheroes would be fighting with each other instead of the villains.
Also I was curious about GraphicAudio, an audiobook company whose tagline is “A Movie in Your Mind.” They describe their products as “a unique audio entertainment experience that features a full cast of actors, sound effects and cinematic music,” which sounded pretty neat. And I was curious about how a graphic-novel-turned-prose-novel-turned-audiobook would turn out. The answer: pretty awesomely, actually.
I have to note here that while I listen to podcasts sometimes, I haven’t listened to many audiobook-type things prior to this. An occasional short story or poem that happened to be available in audio form for free, perhaps, but mostly when I consume literature it’s by reading. I did enjoy listening to The Green Hornet and other old radio shows that my dad had on tape when I was a kid…but that was a long time ago. A lot has changed since then, including, happily, the quality of recording and sound effects.
Now that I’ve finally tried a GraphicAudio audiobook, though, I’ve discovered that listening to one turns out to be a lot like listening to an old-timey radio show made modern, in the best way possible. Several things contribute to the quality of the experience. The first is the voices, which are very well cast. I don’t think there was a single character whose voice jarred me out of the story – all seemed well-suited to their roles. In one case, almost uncannily well-suited, since GraphicAudio somehow managed to find a Tony Stark voice actor who sounded remarkably like Robert Downey Jr. about 80% of the time. Once I got used to hearing almost-but-not-quite movie Tony, that was actually one of my favorite voice choices, since I love Robert Downey Jr.’s take on the role. The only other voice I had to get used to was the narrator, whose reading at first struck me as a tiny bit too melodramatic. However, as I got used to the style I mostly ceased to notice it. Overall, the voice experience was great.
The second thing that adds to the quality of the experience is the music. It was used sparingly but well to add to the mood and to break up scenes or chapters. Some of the superheroes also had their own little theme pieces that were recognizably about them. Captain America’s in particular was memorable.
The third feature that makes this much more than the usual audiobook experience is the sound effects, which illustrate the action well. Although I know the Civil War storyline pretty well, and I have a good recall of story details generally, there are little details of the story that I had forgotten even since my reading of the prose novel last summer, like the fact that it was raining at (SPOILER) Bill Foster’s funeral. However, after hearing the spot-on sound effects of the rain falling around Reed and the kids, or Tony and Happy, as they stood mourning, I doubt I’ll ever forget that again. Other details also came to life, through sounds like the “thwip” of Spider-man’s web shooters, or the “whoosh” of Iron Man’s boot jets firing up; and the sounds of rough fighting, like when Cap and Iron Man are duking it out, actually made me wince more than once. Even the rustle of sheets of paper, or any of the myriad of other small sounds in the recording, contributed to the overall experience, and truly did make it “A Movie in [My] Mind.”
Interestingly, I found the audio experience affected me slightly differently than either of my other consumptions of the story. I noticed myself feeling some emotions more, and, in particular, feeling even more frustration with *&^%$ futurist Tony Stark’s *&^%$ idiocy. (Sorry guys, but I’m with Cap on the whole individual freedom and privacy thing, and was always pissed that Tony “won,” despite the logic of his plans and what he was trying to do. Maybe part of that is because Tony is just so arrogant and unbending in this storyline. All that futurist stuff, while it may be part of what makes Tony good at his work and being Iron Man, is also super arrogant and always rubs me the wrong way.) I also felt the sadness of certain moments more, for example, or the anticipation before a fight, or tension for favorite characters during or after a fight (even when I knew how it would turn out). Aaaand, of course, inevitably, I laughed out loud at a few things while riding on a Metro train, which always makes me worried that my fellow commuters might think I’m a little crazy. But hey; that’s okay as long as I’m having fun, right?
And this audiobook was fun. Listening to the story this way was a rich and engaging experience. It’s also definitely reeled me in as a new GraphicAudio customer, and I am already planning to find some other good stories to accompany me on my further commutes and to the gym. In conclusion, if you can’t tell by now: I highly recommend this audiobook, and, from what I’ve heard so far, GraphicAudio as well.
So give it a try, and until next time, Servo Lectio!
If you can’t wait to see Iron Man 3 and are lining up for the 12:01 a.m. IMAX screening on May 3, know that you will be rewarded with an exclusive one-sheet. The artwork is by Jock, the British artist better know for Vertigo’s The Losers than he is Marvel heroes. This is a three-way collaboration between Marvel Studios, IMAX and Mondo.
