Tagged: film

“Paul” Bonus Clip: The Musical That Wasn’t

“Paul” Bonus Clip: The Musical That Wasn’t

  • News
  • August 9, 2011

[[[Paul]]] was an underrated humorous movie aimed at us. Sadly it performed poorly at the box office this spring and you’ve probably forgotten all about it.

Today, the movie from Simon Pegg came out on disc, available in a combo pack complete with Blu-ray, DVD, and digital copy. The best part may be that it has the Unrated version as well as the Theatrical version. We’re eagerly awaiting to see what was missing.

Universal did send us this Bonus Clip  with film stars Bill Hader (Haggard), Joe Lo Truglio (O’Reilly) and Kristen Wiig (Ruth Buggs) deciding to come up with their own musical version of Paul on the set in this behind-the-scenes clip from the “Paul the Musical”. The clip is also included on the DVD so you can cherish it forever.

[youtube]http://www.youtube.com/watch?v=CvJT2K8tK_g[/youtube]

Paul reunites Simon Pegg and Nick Frost (Hot Fuzz, Shaun of the Dead) as two sci-fi geeks on a pilgrimage to America’s UFO heartland, where they accidentally encounter an alien who sends them on an insane road trip that alters their universe forever. Written by Pegg and Frost, Paul boasts a star-studded cast that features Seth Rogen (The Green Hornet, Knocked Up) as the voice of Paul, Sigourney Weaver (Avatar), Jason Bateman (Hancock), Kristen Wiig (Date Night, Knocked Up), Jane Lynch (“Glee”), Bill Hader (Pineapple Express), Joe Lo Truglio (Role Models), Jeffrey Tambor (“Arrested Development”) and Blythe Danner (Little Fockers). Directed by Greg Mottola (Superbad), Paul comes loaded with in-depth, behind-the-scenes features, bloopers, filmmaker and cast commentary and more, to take viewers on a comical journey behind the making of this critically hailed film. (more…)

Marvel Movie Round-Up UPDATED

  • News
  • August 8, 2011

As this summer season winds down, Sony is looking three years ahead. According to Deadline, they have already staked out May 2, 2014 for the sequel to 2012’s Amazing Spider-Man. James Vanderbilt, who penned the first script, has already been tapped for the sequel although it’s way too soon to know anything about the content. The first film continues production although footage shown at Comic-Con International wowed skeptical audiences. Additionally, fans were stunned when star Andrew Garfield took the mike, dressed in a store-bought Spidey suit and read from notes about what the character means to him, apparently truly heartfelt words.

UPDATE:  The Hollywood Reporter says that Marvel has staked out two weekends in 2014 for two unnamed films. Two weeks after the Spider-Man sequel, May will see Marvel To Come #1. The second Marvel movie will open June 27, and since that’s around July 4 we’re willing to bet this will be eventually be called Captain America 2 .

Meanwhile, Naturi Naughton, about to be seen weekly in NBC’s The Playboy Club, has been signed to portray Cecilia Reyes in 20th Century-Fox’s The Wolverine. The sequel, starring Hugh Jackman, is in production for a 2012 release. Directed by James Mangold, the story is largely based on the classic Wolverine miniseries written by Chris Claremont and illustrated by Frank Miller and is set in Japan. Reyes was not a character in that story, introduced decades later.

In the Marvel Film Universe proper, 2013’s Thor 2 may see Brian Kirk in the director’s chair. Kirk, who gained acclaim for his work on HBO’s Game of Thrones, would replace Kenneth Branagh, who bowed out recently.

In a decision seeming out of left field, Twitchfilm reports that Marvel Studios has placed the futuristic Guardians of the Galaxy into active development. First introduced in Marvel Super-Heroes #18, released in 1969, the quartet of freedom fighters from the 27th Century. The team has grown and evolved through the years with more than a few ties to the modern day Marvel Universe. Whether those connections would remain on screen is unknown. It joins Black Panther, Ant-Man, Doctor Strange, and Iron Fist in the second tier of characters being readied.

While an early announcement, Amazing Spider-Man 2 is not the first major property to stake out 2014 dates. Already on the schedule are DreamWorks’ Mr. Peabody & Sherman, due out March 21 and their How to Train Your Dragon 2 is expected June 20. In the same THR report, Pixar has claimed Memorial Day weekend for an untilted film as well.

As for Marvel’s rival, DC Entertainment has announced no super-heroics beyond 2013’s Supeman: Man of Steel although The Flash, Green Lantern 2, and Justice League of America were all recently mentioned by Wanrer Bros. President Jeff Robinov as being developed

LET THERE BE PULP-NEW COLUMN LOOKING AT EARLY CAP FILM ATTEMPT!

  • News
  • August 7, 2011

LET THERE BE PULP- Examining where Pulp Classics Start- by Frank Schildiner

Millions, including your humble narrator, await the opening of the new CAPTAIN AMERICA feature film, one that promises to bring the character back to his Simon and Kirby roots. But old Cap has a troubled history with Hollywood that has this writer shuddering at the thought of a return to the bad old days of horrific Captain America films.

Captain America first hit the big screen as a 1944 Republic Pictures serial and has the distinction of being that studio’s last superhero film. But the studio that created such incredible hero serials as THE ADVENTURES OF CAPTAIN MARVEL, a film renown for some of the best stunts in history, and the spectacular cliffhangers of SPY SMASHER, seriously dropped the ball on this film. To call this film a disaster for all Captain America fans is a mild statement, this serial is just painful.

Let’s start with some basics about Captain America, the very basis of the character. Every fan knows Captain America is Steve Rogers, a weakling turned into the perfect man through the legendary super-soldier formula. Throughout World War Two he fought evil Nazis in the frontline of battle, dressed in star spangled chain mail and carrying a red, white and blue shield. Sounds like an easy setup for a film shot during WWII, right?

Not so for Republic Pictures! No, suddenly Captain America is District Attorney Grant Gardner who fights crime with his fists and a pistol. Steve Rogers does not exist in this world and this hero is an unimpressive type who appeared slightly overweight. This was not a mere perception of a disgruntled fan, the actor who played the part, Dick Purcell, died of a heart attack prior to release. The cause of death being the stunts weas too much of a strain on the poor miscast actor’s heart. And yes, Cap’s signature weapon is replaced by a pistol. Oh and his costume was transformed from chain mail to cloth with the signature eagle wings on his mask also removed. Any connection to the Captain America created by Joe Simon and Jack Kirby appears accidental by the time this film in completed. 

The villain of the piece was legendary Universal Films horror star, Lionel Atwill as a villain called The Scarab. Atwill adds an eerie menace to the role and was considered one of the bright lights in this production.

The reason for these bizarre changes to the character was, in the opinion of writer/film historian Don Glut, this film was originally a script meant as a sequel to THE MYSTERIOUS DOCTOR SATAN. That famed serial had a hero named Copperhead who did use a pistol and fought crime. This appears to be as good an explanation as any about this terrible serial, though it did keep Cap from appearing in any feature films until an unauthorized appearance in a Turkish action film called 3 DEV ADAM. Should you wish a truly bizarre film experience, view this one…one hint, the villain is a potbellied Spider-Man with huge green eyebrows who regenerates himself once being killed…poor Cap…

GUEST REVIEW-DAMBALLA MAKES HISTORY AGAIN!

  • News
  • August 4, 2011
Charles Saunders Makes History—Again!

A review of Damballa, by Charles Saunders.

Guest reviewer Joe Bonadonna
Charles Saunders created Imaro, the first black sword and sorcery hero, over 30 years ago. He made history with that one, folks. Now, with his new novel, Damballa, Saunders has once again made history—giving us the first black crime-fighting superhero in pulp fiction. But this novel is a lot more than an action-adventure story. This one is set in the world of boxing, in 1938 Harlem. It’s film noir and hard-boiled detective, with a wonderful cast of characters. Filled with Nazis, gangsters and jazz, cultural insight, plenty of atmosphere, and a serious subtext dealing with bigotry and racism, this action-packed novel climaxes in one blistering boxing match, and an ending that is both justice served, as well as emotionally satisfying. Saunders knows how to write, how to tell a story and fill it with twists and surprises, and he is an authority on boxing. I highly recommend this novel to anyone who likes a great story with characters who live and breathe. You won’t be disappointed. I guarantee it.

—Joe Bonadonna, author of Mad Shadows: The Weird Tales of Dorgo the Dowser

Blu-ray Releases Of “Big Lebowski”, “Scarface” Gain Special Theaterical Screenings

  • News
  • August 4, 2011

Some eagerly anticipated Blu-ray debuts are making noise by hosting limited screenings in theaters. First up is the Coen Brothers’ now classic The Big Lebowski. The DVD comes out on August 16 and that day there will be a screening at the Hammerstein Ballroom in New York. that will include a special Q & A with Jeff Bridges, John Goodman, Steve Buscemi, Julianne Moore and T Bone Burnett, as well as a screening of the film and other festivities. Not only will the Blu-ray be out that day but it also is the debut of Jeff Bridges’ self-titled album.

Tickets are now on sale on Ticketmaster. 

A few weeks later, on August 31, Universal Studios will release their Al Pacino hit, Scarface, for a one night run at more than 475 theaters across the country. The showing will be a t7:30 local time from coast to coast and is being presented by NCM Fathom and Universal Studios Home Entertainment. Fans who attend this special event will also get an exclusive look at a 20-minute special feature that showcases interviews with popular filmmakers and talent expressing how this epic feature redefined the gangster genre, leaving an enduring influence on cinema.

Tickets for the Scarface Special Event are available at participating theater box offices and online. For a complete list of theater locations and prices, visit the NCM Fathom website (theaters and participants are subject to change). The Scarface Special Event will appear in more than 475 select movie theaters across the country via the new digital cinema projection systems.

The newly restored print will make its appearance on disc September 6. For a limited time only, the Scarface Special Limited Edition Blu-ray comes with collectible SteelBookTM packaging, 10 exclusive art cards, a digital copy of the film and a DVD of the original 1932 Scarface.

Fortier takes on CONAN THE BARBARIAN and Survives!!!

  • News
  • August 3, 2011
ALL PULP REVIEWS-Book Reviews by Ron Fortier

CONAN THE BARBARIAN

By Michael Stackpole

Berkeley Boulevard

Movie Tie-In

292 pages

It appears you just can’t keep a good barbarian down.  Conan the Barbarian is a hero and well known iconic figure in American fantasy. He was created by writer Robert E.Howard in 1932 via a series of fantasy stories sold to Weird Tales Magazine.  Howard was born and raised in Texas and spent most of his life in the town of Cross Plains.  As a boy he dreamed of becoming a writer of adventure fiction but was not successful until the age of twenty-three.

Howard’s Conan is a character whose literary imprint has been compared to such fiction greats as Tarzan, Count Dracula, Sherlock Holmes and James Bond.  With Conan, Howard created the genre known as sword and sorcery, inspiring a legion of imitators and giving him an influence in the fantasy field rivaled only by J.R.R. Tolkein.  On the eve of publishing his first novel, he committed suicide at the age of thirty. That he remains a highly read author, with his best works continuously reprinted speaks volumes for his place in the ranks of American masters.

As for Conan, he has appeared in hundreds of licensed paperbacks, Marvel comics, films, television programs, video games, roleplaying games, and even a board game.  In 1982 he came to big screen portrayed by bodybuilding champion turned actor, Arnold Schwarzenegger who recreated the role in the sequel several years later.  Producer John Milius had planned a trilogy, but the proposed third film, Conan the Conqueror was never produced.  Now, almost three decades later, the famous Cimmerian warrior from the mythological Hyborian age once again comes to the silver screen in a brand new production from Millenium Films, Lionsgate, and Paradox Entertainment.  And to promote what they hope will be a huge summer blockbuster, their marketing department commissioned a novelization of the screenplay by Thomas Dean Donnelly, Joshua Oppenheimer and Sean Hood.  The writer given the job was Michael Stackpole.

Many book lovers detest such novelizations believing them to be mere carbon copy retellings form the screenplays with nothing new to offer readers who plan on seeing the movie. In many cases, that is exactly all they get. On the other hand, when such a task is given to a true fan of the material, then what results is something much deeper and more complete than the screen treatment.  Stackpole is a gifted professional who clearly knows Conan and his original exploits as chronicled by Howard.  He not only tells the story laid out by the screenplay, but at the same time enriches it scene upon scene with authentic references to the Conan canon which totally elevates the narrative beyond being a mere reflection of the movie.

Born on a battlefield, young Conan grows up amongst the mountain people of Cimmeria and is taught to be a warrior from the day he can hold and wield a sword.  But as he matures, his father relates how his unique birth is regarded by seers as a powerful portent of the fate that awaits Conan. Not only will he be a great fighter amongst his people, but there are signs that he will one day be known throughout the civilized nations as mighty hero of unrivaled strength and daring.

As always, we have to assume that there will be people picking up this book who have absolutely no idea of who Conan is or Robert E.Howard, but have seen the trailers for the movie and are curious about it. For them, this is as good an introduction to Conan as any other that has come along in the past thirty years.  The book is fun and does its job well; it makes you want to go see the film.  So please, save me the aisle seat.

Dylan Dog

I first encountered the legend of Dylan Dog back when I was trying to cover foreign comics while at Comics Scene and then wrote about the film adaptation a while back over at Famous Monster of Filmland. A PI in the world of things that go bump in the night sounded like a lot of fun. That the Italian comic has been running for decades also spoke to its creative spark and the genius of Tiziano Sclavi. Then I saw that this was going to Brandon Routh’s third film based on a comic book and figured he was 1 for 2 so far (entertaining in Scott Pilgrim, not served well by Superman Return’s lousy script) and might improve his average. He had certainly improved as an actor, as witnessed by Fear Itself and his recurring role on Chuck.

The trailers certainly made the movie look lighthearted and wonky, much like the comic source material so there was reason to be encouraged. The movie then opened and closed so fast there was little time to determine what went wrong (and if anything went right). 20th Century Home Entertainment pulled out all the stops (including a fun, interactive Facebook page) to promote the DVD, which arrived last week, making you think maybe this was some sort of overlook gem that just needed better marketing.

Nope. The film is still a creative misfire that pays the barest lip-service to the comics and carved its own niche of awfulness. Set in a supernatural New Orleans, the film features Routh as Dylan Dog, a former PI specializing in monsters but now just down on his luck. He’s lured back in to the world of vampires, werewolves, and zombies by those who wish to keep their existence low key so angry mobs don’t show up on a weekly basis. He’s hired by Elizabeth (Anita Briem), who saw a werewolf murder her father and steal the movie’s McGuffin, the Heart of Belial. Yes, rather than your typical investigation, Dylan immediately gets dragged back into the monster realm in time to prevent the end of the world. (more…)

Captain America

Joe Johnston knows how to direct adventure films but watching his growth as a director has been a pleasure. His first offering, Honey, I Shrunk the Kids was a visual effects feast, thanks to his training at Industrial Light & Magic. He followed up in 1991 with his first comic book adaptation, Dave Stevens’ Rocketeer and while the movie is far better than the critical reaction or box office would indicate, it still lacked that certain spark of delight for a summer blockbuster. Over the intervening years, Joe has continued to direct films that has shown steady growth as he has more subtly integrated effects with characterization with the family friendly Jumanji and the heart-warming October Sky. It was all good training as he took on what has become his highest profile project yet, Captain America: The First Avenger.

Clearly, he has learned his lessons as the critics – both mainstream and geek alike – have raved over the film while the $65 million it earned over the weekend proves he delivered a film people wanted to see. There were many obstacles challenging Johnston so that he managed to overcome them with aplomb is quite impressive. First of all, he had to turn a brief origin story from Captain America Comics #1 into a story that was plausible for modern day audiences. He had to fill it with winks and nods to the comics continuity that has been built around that Joe Simon & Jack Kirby tale of a man being turned into a super-solider. Then there was all the spadework that was required to prime audiences for the next installment in the Marvel Film Universe, next summer’s The Avengers.

Joining me for the Saturday matinee were two neighbors who only knew the character by name so while I sat there geeking out like the rest of you over the little touches, they were thoroughly satisfied with the story from beginning to end. (I had to spend dinner annotating it for them which was a fun test of memory.) (more…)

Director Kevin Munroe Discusses Dylan Dog

  • News
  • July 25, 2011

Dylan Dog: Dead of Night played for about three weeks in the spring and is being released Tuesday by Twentieth Century Fox Home Entertainment on Blu-ray. In an exclusive conversation with ComicMix, director Kevin Munroe talked about the experience.

Munroe first came to attention with his revival of the Teenage Mutant Ninja Turtles, released in 2007 as TMNT and is absolutely no stranger to comics. “Yeah, I think I started with Sgt. Rock and then the European titles which I read growing up on the east coast of Canada. I read Tin Tin, Lucky Luke, Asterix then discovered Plastic Man, “he said.

An avid comic book fan, Munroe became an artist and found work storyboarding episodes of Nickelodeon’s Hey Arnold! before scripting and producing ABC Family’s Christmas special Donner. Comics weren’t far from his mind, though as he wound up writing Dark Horse Comics’ El Zombo Fantasma, with Dave Wilkins. His other comics work includes Olympus Heights from IDW.

Given his work with Dark Horse, Munroe found himself in consideration for the director’s chair at a fortuitous time. “That was happenstance,” he admitted. “I heard of the project, while doing my own project for Dark Horse. I saw they had just done the first issue of the American edition of Dylan Dog and I picked it up. The series had everything I liked about comics.”

His fan interests certainly informed his career choices and he’s perfectly happy finding ways to adapt comics to the screen. “I think comics are such rich world and it’s just so easy to do,” Munroe explained.  “I’m a fan on a visceral level. I like how active it is to read a comic and see the pacing and hear the voices in your head. Personally, I get a kick out of it. Where are the best stories being told? In comics. Who has the best characters? They take their time; create an entire world and mythos.” (more…)

“Last Blood” To Be First Film From Webcomic?

This is a milestone: it was announced at San Diego Comic-Con that a live-action adaptation of Last Blood, a webcomic first published on Keenspot back in 2006, is in the works with Simon Hunter (The Mutant Chronicles) directing with an anticipated 2012 release. To our knowledge, this is the furthest any webcomic has gone towards being adapted into a feature film.

The premise is amazingly simple: After zombies take over the Earth, vampires must protect the last surviving humans so they can live off their blood. Wackiness, as they say, ensues.

Last Blood will be produced by Ironclad exec producer Christian Arnold-Beutel as well as Red Giant Media’s Aimee Schoof, Isen Robbins and Benny R. Powell, and Chris and Bobby Crosby. The Crosby siblings created the graphic novel with illustrator Owen Gieni, and Bobby Crosby wrote the script with Nick V. Sterling.

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