Tagged: Disney

Heroes Con Roundup: Capes Dominate, Wieringo Remembered, DC Dishes

  • News
  • June 23, 2008

As I’m writing this, Heroes Con 2008 hasn’t quite wrapped up. I had to shuttle back to Atlanta to get ready for the day job Monday morning, so I missed out on a handful of interesting-sounding Sunday panels.

Friday and Saturday held plenty of excitement, intrigue and interest, though, so let’s go through what went down:

In case you didn’t read the update in my coverage of Friday’s State of the Industry panel, Mark Waid and Erik Larsen were just joking about bringing John Byrne on for Boom! Studios’ Farscape book. I didn’t make that clear enough, as it started a short-lived rumor around the ‘Net.

That panel had a few other moments of interest, including Waid saying the comics delivery system "sucks" and is "catastrophic." Dan DiDio also admitted to "cannibalizing" current comics readers through variant covers and the like.

But the line of the day came when Erik Larsen said webcomics "look like crap." Waid responded: "You’re 45. I don’t care what you think. I care what a 12-year-old thinks." Still, no one offered any good ideas on making the jump to electronically delivered comics.

Saturday had a lot of good panels. Too many, in fact, as I missed out on Disney’s panel on The Kingdom, its new comics publishing venture. Anyone attend that?

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‘EZ Street’ Nominated for Harvey Award

‘EZ Street’ Nominated for Harvey Award

  • News
  • June 18, 2008

The 2008 Harvey Award nominations are out, and ComicMix is proud to have EZ Street nominated for "Best Online Comic." Congratulations to Robert Tinnell and Mark Wheatley!

Sure, EZ Street is up against some tough competition — Diary of a Wimpy Kid, Penny Arcade, Perry Bible Fellowship, and The Surreal Adventures of Edgar Allan Poo — but we think it will do okay.

This year’s Harvey Awards will be handed out at the Baltimore Comic-Con, held September 27-28, 2008.  Convention hours are Saturday, 10 AM to 6 PM, and Sunday, 10 AM to 5 PM.  The ceremony and banquet for the 2008 Harvey Awards will be held Saturday night, September 27, hosted once again by Kyle Baker.

If you are a comics creative professional and would like to vote, you can download the .pdf Final Ballot or download .txt Final Ballot (for email) and send it to pjcjmc3 [at] sbcglobal.net. Final ballots are due to the Harvey Awards by Friday, August 15, 2008.  Full details for submission of completed ballots can be found on the final ballot.  Voting is open to anyone involved in a creative capacity within the comics field.  Those without Internet access may request that paper ballots be sent to them via mail or fax by calling the Baltimore Comic-Con (410-526-7410) or e-mailing baltimorecomicccon [at] yahoo.com.

The full list of nominees is after the jump.

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Review: ‘Popeye’ on DVD

Next January, E.C. Segar’s cartoon creation Popeye turns 80. That’s a good run, especially for a character who still wasn’t showing many signs of his age in the 2004 TV special Popeye’s Voyage: The Quest for Pappy.

While Popeye might not have aged over the years, he certainly has changed, which is clearly evident in the contrast between two new DVD collections of [[[Popeye]]] cartoons recently released from Warner Bros. Video.

The first, as mentioned in Michael H. Price’s latest column here at ComicMix is Popeye the Sailor 1938-1940 Vol. 2 ($34.98), which contains 31 remastered theater shorts. Created by the Fleischer family’s studio, these are some of the earliest animated Popeye adventures.

One can quickly see why the shorts became a phenomenon, as big or bigger than Disney’s toons (pointed out in an excellent documentary on the Fleischers that’s included). Popeye and the gang are essentially Vaudevillians, pinwheeling through one pratfall after another.

While that means there’s not much narrative richness and little language-based humor (most the characters are unintelligible), the Fleischers were masters of the gags, setting them up as curvaceous rows of dominoes, one slapping down another in orchestrated patterns.

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Popeye and the Langridge of Heroism, by Michael H. Price

Popeye and the Langridge of Heroism, by Michael H. Price

The breakthrough of the season, as far as superhuman heroism goes, might lie beyond such big-screen spectacles as Iron Man and the June 13 opening of The Incredible Hulk. The watershed lies, in part, in a set of Popeye the Sailor cartoons that have gone largely unseen – in authentic form, anyhow – since the late 1930s and the earlier 1940s.

A companionable development is a new series of hardcover books reprinting the original Popeye comic strips of writer-artist E.C. Segar. The current volume is Popeye Vol. 2: “Well, Blow Me Down!” (Fantagraphics Books; $29.95). A third collection is due in the fall. The elaborately packaged Fantagraphics shelf commences at the commencement with Popeye Vol. 1: “I Yam What I Yam.”

The books qualify as near-architectural marvels in their own right – towering, heavy-stock packages with die-cut front-cover windows and an interior design that showcases many days’ worth of the newspaper feature with each spread. A full-color section devotes a page to each of what originally had served as Sunday-supplement episodes, complete to the extent of reproducing Segar’s subordinate feature, Sappo, about a household in perpetual turmoil.

The stories in Vol. 2 include a wild Frontier Gothic pitting Popeye’s entourage against a mob of cattle rustlers; and a scathingly funny commentary upon charity-vs.-greed, in which Popeye attempts a banking career in defiance of all practical sense. There surfaces a gemlike example of Segar’s gift for mangling and/or improving upon the langridge: When Popeye uses the adjective liberous, does he mean “liberal,” or “generous,” huh? Neither – he means liberous, and So There. The book also sports a touching tribute to Segar from Beetle Bailey’s Mort Walker.

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ComicMix Radio: Next On Deck – The Incredible Hulk!

ComicMix Radio: Next On Deck – The Incredible Hulk!

Direct from Book Expo 2008 in LA, one of the biggest questions on the floor actually involves The Incredible Hulk movie set to open in just under two weeks. Will Marvel Studios hit another homer or end up batting .500 at the end of the summer? We begin our coverage with a frank talk with the movie’s producer, Gale Anne Hurd, plus:

– More on Devil’s Due Publishing and a preview of their newest series

– Disney gets back into comics

– Clear the bookshelves for some amazing works from Joe Simon

And we manage to do a Hulk story without a reference to Lou Ferrigno – honest? Press the button and you’ll see!

 

 

 And remember, you can always subscribe to ComicMix Radio podcasts via iTunes - ComicMix or RSS!

 

Disney Partners With Zappa, Adds Graphic Novel Line

The ginormous media behemoth known as Disney apparently sees promise in the future of comics, as the "House that Walt Built" is creating a publishing wing to make new graphic novels out of old Disney properties.

The news has generated lots of coverage already, including articles on Cinematical, ACED Magazine and Reuters. The best breakdown comes from the Hollywood Reporter, which explains this has a whole lot to do with comics being quite the hot ticket.

The creation of Kingdom Comics positions the studio as a player in the scorching comic book scene. Many studios have aligned themselves to the big companies — Warner Bros. owns DC Comics, Marvel has a distribution deal with Paramount, Universal has a first-look deal with Dark Horse Comics — leaving very few players up for grabs. It also will put the company in business with established and untapped talent in what essentially will be a R&D division, letting it develop possible franchises in a way that will cost less than a low-end spec.

The people behind Kingdom Comics are writer-actor Ahmet Zappa (Frank’s son), executive Harris Katleman and writer-editor Christian Beranek (of publisher Silent Devil).

No creators or projects have been announced yet, but Cinematical has some thoughts on the potential graphic novels:

Will we be seeing Old Yeller re-imagined as an avenging canine superhero? Will Pollyanna be rejuvenated as a butt-kicking young woman who insists that everyone look on the bright side of life? Disney has produced more than 200 live-action properties over the years — check out a list of 30 favorites from UltimateDisney — so there’s plenty to choose from.

My Week Without Comics, by Martha Thomases

My Week Without Comics, by Martha Thomases

You may have noticed that my quick wit and adorable charm were missing from this site for a few days last week. From May 11 through May 19, I was away on vacation. It was the first time my sweetie and I have been away alone together for more than a few days since our son was born.

Not that we haven’t been on any vacations. We’ve had great times with the boy (who, riding horses with Holly Gaiman at Walt Disney World, sang the entire soundtrack to The Lion King), and with family and friends. But I hadn’t had any time alone to roll in my sweet baby’s arms, and we needed it.

To be a real vacation, a trip should totally take you away from your regular life. It should provide experiences that are different from the day-to-day, and that help you look at the world anew. We had a few days to ourselves on our tenth wedding anniversary, in 1990, when we biked through the Finger Lakes area in New York. It was so much fun that we explored doing something like that again. Spending a week on a bicycle, riding through small towns and countryside with a group of strangers, seemed about as foreign to crowded Manhattan as it was possible to get. We decided to take the train back and forth, so we kept our energy use down and kept the money in the USA. Less guilt!

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Piling It On, by Mike Gold

Piling It On, by Mike Gold

With great power comes… bloggers.

One of the first lessons I learned writing an Internet column – both here and on my soon-to-be-revived political rant Weird Scenes Inside The Gold Mind – is also the first lesson I learned when I started on radio shortly after Marconi found the electricity outlet: if you say it, some people will buy it. Either way, if it’s big enough people will debate it.

Joey Goebbels had some success with this concept… for a while.

We here at ComicMix strive for responsibility, and in that spirit I’ve had a great many column ideas that I rejected simply because they weren’t true. Oh, sure, I thought about selling them to Michael Davis, but then it dawned on me I can squeeze this column out of my spiked copy. Ergo, without further ado, here’s a bunch of columns I won’t get around to writing.

•     •     •     •     •

Oh, sure, Marvel rebooted Spidey to much loathing, but the reboot sells and if there’s one concept in comics that is engraved in stone it’s this: “Fool ‘em once, make big money. Fool ‘em twice and they’ll double-bag it.” In this spirit, Marvel has announced two exciting new projects.

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ComicMix Columns for the Week Ending May 18, 2008

ComicMix Columns for the Week Ending May 18, 2008

According to The Google, today marks the anniversary of the birth of Walter Gropius, founder of the Bauhaus School of Design, whose influence can still be felt daily by urban workers every time they look up at a skyscraper featuring way too much glass.  Meanwhile, here’s what our designer columnists have created for you this past week:

Sure to keep your eyes from glazing over!

Women In Comics – Etta Hulme, by Michael H. Price

Women In Comics – Etta Hulme, by Michael H. Price

During 1992–1993, my newspaper-of-record became a sponsor of a traveling exhibition of art tracing the centuried history of editorial-opinion cartooning in Texas. Curators Maury Forman and Bob Calvert, seeking to preserve the display as a book, enlisted me to edit their program notes into manuscript form. The finished result, Cartooning Texas (Texas A&M University Press; 1993), has outlived the exhibition by a good many years – but of course could use an update by now.

One timely offshoot was that our expo-opening ceremonies involved such working cartoonists as Ben Sargent, of the Austin American-Statesman, and Etta Parks Hulme, of the Fort Worth Star-Telegram, in panel discussions and sketch-demonstration sessions that served to bring the exhibition into the here-and-now. Or the there-and-then, as it were. Etta and I officed within shouting distance of one another at the Star-Telegram, and I had been pressing the Powers That Did Be for a couple of years about devoting a Telegram-spinoff book to her cartoons.

The leverage of the exhibition proved sufficient, if only just, to encourage a Hulme book from the Star-Telegram. More of a pamphlet, actually, but it rounded up a fairly generous selection of ’toons, with a page for each piece. I had suggested that we call the thing Ettatorials, but the newspaper’s marketing office preferred UnforgETTAbly Etta.

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