Tagged: Disney

ComicMix Quick Picks – what day is it? March 32nd?

What it’s been like here recently…

cartoon from www.weblogcartoons.com

Just way too much stuff to go through, and we’ve been very busy with the print announcement and rushing to get things ready for the Previews catalog, and I have dozens of tabs open to blog about and consolidate. Wheeee!

So this will be more of a high-speed link dump from the last few days. Onward:

  • The cast and crew of Battlestar Galactica at the United Nations – "We are all Cylons. We are all Colonials." Alex Epstein’s take on the last episode of BSG: Seriously? That’s What You Got? My favorite comment on the finale, from Sabrina: "There can be no more spoilers for BSG, because they spoiled it themselves."
     
  • Don’t forget tonight’s Family Guy/Star Trek The Next Generation crossover.
     
  • Non-comics link of the day: John Mellencamp on The State of the Music Business:
    Over the last few years, we have all witnessed the decline of the music business, highlighted by finger-pointing and blame directed against record companies, artists, internet file sharing and any other theories for which a case could be made. We’ve read and heard about the "good old days" and how things used to be. People remember when music existed as an art that motivated social movements. Artists and their music flourished in back alleys, taverns and barns until, in some cases, a popular groundswell propelled it far and wide. These days, that possibility no longer seems to exist. After 35 years as an artist in the recording business, I feel somehow compelled, not inspired, to stand up for our fellow artists and tell that side of the story as I perceive it. Had the industry not been decimated by a lack of vision caused by corporate bean counters obsessed with the bottom line, musicians would have been able to stick with creating music rather than trying to market it as well.

    Hmm– maybe it is a comics link after all.

  • ‘The Phantom’ will be on SciFi or SyFy or whatever they’re calling it. Impress me: get Billy Zane to do cameos.
     
  • Speaking of SciFi’s name change: SciFi Founder Hates Syfy, Issac Asimov would have hated it, and yo9 for the win.


  • Dharma wants you… since the 70’s apparently.
     

Anything else? Consider this an open thread. (Cartoon by Dave Walker. Find more cartoons you can freely re-use on your blog at We Blog Cartoons.)

2009 Hugo Nominations — including the first Hugo Awards for graphic novels

2009 Hugo Nominations — including the first Hugo Awards for graphic novels

First the New York Times makes a graphic novel bestseller list… now the Hugos are getting int the act.

The nominees have been announced for the 2009 Hugo Awards, recognizing the best in science fiction and fantasy writing– and, for the first time, an award will be given out in the newly created Best Graphic Story (or graphic novel) category. ComicMix’s Andrew Pepoy, creator of The Adventures of Simone and Ajax, was nominated for his work in Fables: War and Pieces along with Bill Willingham, Mark Buckingham, Steve Leialoha and Andrew Pepoy, Lee Loughridge, and Todd Klein. No strangers to comics themselves, Neil Gaiman was nominated for Best Novel for The Graveyard Book, and Cory Doctorow was nominated for Little Brother; while comics properties The Dark Knight, Hellboy II: The Golden Army, and Iron Man were nominated for Best Dramatic Presentation, Long Form.

The Hugo Awards celebrate the best in the field of science fiction and fantasy.  Hugos are presented each year at the World Science Fiction Convention, a.k.a. WorldCon, by the World Science Fiction Society, and are voted on by attendees of this year’s WorldCon in Montreal, Anticipation. The Hugos awarded at Anticipation will be for works released in 2008.

More information is on the official Hugo Award web site. If you’d like to vote on them, here’s how.

Nominations

Best Graphic Story
(212 Ballots / Bulletins)

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‘The Sorcerer’s Apprentice’ from… Jerry Bruckheimer? With Nicholas Cage?

‘The Sorcerer’s Apprentice’ from… Jerry Bruckheimer? With Nicholas Cage?

You have to wonder if the April’s Fools stories are coming out early… but apparently not. According to Variety, Disney will release producer Jerry Bruckheimer’s family-targeted live-action movie The Sorcerer’s Apprentice on July 16, 2010. The Sorcerer’s Apprentice joins two other Disney kid/family-centric pictures set for that summer: Prince of Persia: The Sands of Time, set for May 28, and Pixar’s Toy Story 3, which opens July 18.

The movie, starring Nicolas Cage and Jay Baruchel, is based on "The Sorcerer’s Apprentice" section of Disney’s animated feature Fantasia.  The movie begins production this month under the direction of Jon Turteltaub, who has worked with both Cage and Bruckheimer before on the National Treasure films.

No word yet if Cage will wear the mouse ears.

Now, before you all cry "Blasphemy!" bear in mind that you never thought Pirates of the Caribbean would work… and it probably can’t be any worse than this version:

ComicMix Quick Picks – March 18, 2009

ComicMix Quick Picks – March 18, 2009

Some items from the past few days:

  • Sad news: Natasha Richardson, scion of the famous Redgrave acting family and star of the film adaptation of Margaret Atwood’s dystopian The Handmaid’s Tale, has died from injuries suffered in a skiing accident. Our condolences go out to her husband Liam Neeson, their two boys, and the rest of their family.
     
  • David Prowse, the body of Darth Vader and the man who got Christopher Reeve bulked up to play Superman, is completing treatment for prostate cancer.
     
  • Family Guy has won its lawsuit against a music publisher that claimed that the allegedly anti-Semitic lyrics of “I Need a Jew” damaged the reputation of their song, “When You Wish Upon a Star” from the Disney film Pinocchio. The song and the episode in which it appears, “Once Upon a Weinstein,” have faced accusations of anti-Semitism before. Fox refused to show the episode when it was originally produced; audiences didn’t get to see it until 2003, when Cartoon Network broadcast it.
     
  • In other legal news, German book publishers are suing file sharing readers. Not ISPs… readers. German book publishers’ association leader Alexander Skipis said "his group intends to keep German courts busy with thousands of lawsuits. He also called P2P file sharing "organized crime" and lamented that politicians were ignoring the impact illegal downloads were having on book publishers."
     
  • And in case you missed it: Neil Gaiman on The Colbert Report.

Anything else? Consider this an open thread.

Amy Goldschlager is an editor at findingDulcinea, the Librarian of the Internet, and SweetSearch, the smarter search engine.

Review: ‘Pinocchio’ 70th Anniversary DVD

Review: ‘Pinocchio’ 70th Anniversary DVD

Walt Disney learned much from the work performed in [[[Snow White]]], his first animated feature.  The story was fairly basic and almost too short and to the point. For his second outing, he intended for something to further demonstrate his mastery of the animated form. As a result, his work in translating Carlo Collodi’s [[[Pinocchio]]] from book to cartoon kept changing through the production and as a result, the finished product was a giant leap forward.

The lush color palette and ease of motion employed by the characters is confident, evoking a storybook feeling while telling an entertaining tale.  You’re reminded of all this when re-watching the film on the new 70th Anniversary DVD, on sale Tuesday.

Disney took the popular 1883 novel, which focused largely on social themes and reshaped it into an American kid-friendly story with heavy lessons to be imparted. Interestingly, the movie, released February 7, 1940, didn’t fare well at first thanks to the global concerns over war, but grew over time to be an enduring classic.

How the book was adapted complete with an alternate ending is just part of the anniversary extras included on the Blu-ray and two-disc standard DVD editions. The Blu-ray also includes the single disc DVD which has just the movie, some trailers, and some music videos. The rest of the goodies, of which there are many, were not available for review since just the Blu-ray was provided to journalists.

So, let’s talk about the movie.  The story of the kindly toy maker, Geppetto, who constructed a boy puppet as a substitute son, is a lovely beginning. The turquoise fairy (renamed the simpler blue fairy in the movie) arrives and bestows life on the toy and promises to turn him into a real boy if he learns to behave and accept the responsibility that comes with life. Being entirely naïve about what that means, and presuming Geppetto too old to teach him, the fairy taps Jiminy Cricket to play the role of conscience. The boy begins a series of exploits that shows the audience the need to listen to the little voice in the back of your mind.

Pinocchio is easily lured away from the tried and true path, such as attending school, for the easier vices.  He’s constantly taken advantage of by adults, both human and anthropomorphic.  By film’s end, none of them are made to pay for their perfidy. In fact, they remain at large; tempting others to stray while Pinocchio, having learned his lesson, returns to Geppetto’s loving arms. As they manage to survive the whale Monstro’s hunger, Pinocchio earns his human flesh.

The animation is lush, the backgrounds colorful.  A lot of time and attention is given to showing off, especially early on in the toy shop as the various creations perform.  Later, there’s tremendous activity in the background, notably when Pinocchio and Lampwick find the other boys who are a busy bunch.

We all know the songs from the film and the signature moments such as the wooden boy’s nose grow long enough to house a bird’s nest when he lies.  There is a gentle humor to Jiminy’s commentary and affection runs strongly through the good characters.  It’s not a terribly scary movie, compared with the chilling Queen-turned-witch in the previous feature.  There are thrills, such as the escape from the whale, and the 88 minutes pass with nary a lull.

The film transfer is crisp, the colors as rich as ever.  The sound is sharp. If this is not in your family’s video library, it probably should be and you have three versions to pick from so it all depends upon how many extra bells and whistles you want.

Watchmen: Now Universal joins in with new clips

Watchmen: Now Universal joins in with new clips

So far, Warner Bros., Paramount, and Fox have all had ties with Watchmen. Now, we can add NBC/Universal to the list.

Next week, NBC Networks will be airing never before seen exclusive Watchmen character profiles during the programming of shows on NBC, USA and SCIFI to gear up for the release of Watchmen on March 6th.

Here’s the schedule:

  •  March 1 – Clip montage featuring Dr. Manhattan airs exclusively during "National Treasure" on USA Network.
  •  March 2 – Clip montage featuring Rorschach airs exclusively during "Heroes" on NBC.
  •  March 4 – Clip montage featuring Ozymandias airs exclusively during "Ghost Hunters International" on SCI FI.
  •  March 5 – Clip montage featuring Nite Owl airs exclusively during "Battlestar Galactica" on SCI FI.
  •  March 5 – Clip montage featuring Silk Spectre II airs exclusively during "Burn Notice" on USA Network.
  •  March 5 – Clip montage featuring The Comedian airs exclusively during "30 Rock" on NBC.

Following their network airing, the clips will be available for viewing on nbc.com/watchmen.

Meanwhile, Disney is trying to figure out a way to tie things in. Some Ozymadias/ScroogeMcDuck crossover, I suppose. Or Donald Ducktor Manhattan, he’s already not wearing pants…

‘Suicide Squad’ coming to the silver screen

‘Suicide Squad’ coming to the silver screen

DC Comics’ Suicide Squad is on its way to the most dangerous mission yet– to Hollywood. Warner Bros. has hired screenwriter Justin Marks to adapt the property for the movies. (Does that make the contract he signed a Suicide pact?)

The current version of the Squad was created by ComicMix contributors John Ostrander and editor Robert Greenberger, introduced in the 1986 Legends miniseries, edited by Mike Gold. The revolutionary concept was to mix super villains and fallen heroes, giving them one last shot at redemption by the government by undertaking missions that will most likely kill them. Spinning off from Legends, the series lasted for 66 issues, and spurred a 12-issue maxiseries in 2000 and Ostrander returned for an eight issue mini-series in 2007. The particular characters involved have yet to be determined, but strong candidates include Amanda Waller, Rick Flag, Bronze Tiger (who just appeared in an episode of Batman: The Brave and the Bold) and Deadshot.

Marks, who is doing a rewrite of 20,000 Leagues Under the Sea for Disney, also wrote the Green Arrow comic-book movie project Supermax, which could conceivably connect with Suicide Squad as they both take place at Belle Reve prison. John Ostrander is currently writing Star Wars: Legacy for Dark Horse and GrimJack and Munden’s Bar for ComicMix.

I just got off the phone with John Ostrander, who had just heard about the project this morning. He’s looking forward to seeing what happens next.

Me, I’m looking forward to DC reconsidering whether or not to put out those Suicide Squad reprint collections now. Hint hint.

Marvel’s 4Q report: Studios and money making

Marvel’s 4Q report: Studios and money making

Marvel Entertainment announced today operating results for its 4th-quarter ended December 31, 2008 and record net sales, net income and earnings per share for the full year 2008. For Q4 2008, Marvel reported net sales of $224.3 million and net income of $63.0 million, or $0.80 per diluted share, compared to net sales of $109.3 million and net income of $27.6 million, or $0.35 per diluted share, in Q4 2007. "The improvement reflects recognition of $135.5 million in film production segment revenues principally associated with the DVD performance of Marvel’s Iron Man feature film," the company said. For the full year 2008, Marvel reported net sales of $676.2 million and net income of $205.5 million, or $2.61 per diluted share, compared to net sales of $485.8 million and net income of $139.8 million, or $1.70 per diluted share, in 2007. The revenue and net income growth principally reflects the contribution from Marvel Studios which released its first two feature films, Iron Man and The Incredible Hulk, in the summer of 2008.

Below is an updated look at the Marvel Studios’ product pipeline. The company also announced today that Kenneth Branagh is set to direct Thor (our spies tell us sets are already being built) which Paramount Pictures will distribute worldwide. It will be released domestically on July 16, 2010. Also, Iron Man 2 will begin principal photography in early April.

Marvel Studios Entertainment Pipeline
(According to its 4th quarter earnings report. Scheduled release dates are subject to change)

Self-Produced Feature Film Line-Up

  • Iron Man 2 (Marvel), scheduled for May 7, 2010 release, starts principal photography in April, directed by Jon Favreau, stars Robert Downey Jr, Gwyneth Paltrow and Don Cheadle
  • Thor (Marvel), scheduled for July 16, 2010 release, directed by Kenneth Branagh
  • The First Avenger: Captain America (Marvel), scheduled for May 6, 2011 release
  • The Avengers (Marvel), scheduled for July 15, 2011 release

Licensed Feature Film Line-Up

  • X-Men Origins: Wolverine (Fox), scheduled for May 1, 2009 release

Self-Produced Animated TV Series Line-Up

  • Super Hero Squad (Marvel Animation) 26 thirty-minute episodes in production with Film Roman, scheduled for Q3 2009 release on Cartoon Network
  • The Avengers: Earth’s Mightiest Heroes (Marvel Animation) 26 thirty-minute episodes in production with Film Roman; scheduled for Q3 2011 release

Licensed Animated TV Series Line-Up

  • Fantastic Four: World’s Greatest Heroes (Moonscoop SAS – France), 26 thirty-minute episodes airing internationally and on Marvel.com and Marvelkids.com
  • Spectacular Spider-Man (Culver Studios – U.S.) Will air on Disney XD in the U.S. beginning in March and currently airing on various networks internationally
  • Wolverine and the X-Men (Marvel Animation / First Serve Toonz – India), 52 thirty-minute episodes. Episodes 1-26 are currently airing on Nicktoons in the U.S. and are on air internationally, Episodes 27-52 are currently in pre-production
  • Black Panther (Marvel Animation / BET) 8 thirty-minute episodes in production, scheduled for Q2 2009 release on BET
  • Iron Man: Armored Adventures (Marvel Animation / Method Films – France) 26 thirty-minute episodes in production, scheduled for Q2 2009 release in the U.S. on Nicktoons and various networks internationally

Licensed Animated Direct-to-DVD Projects

  • Thor: Son of Asgard (Lionsgate), scheduled for September 2009 release

Licensed Broadway Stage Project

  • Spider-Man, Turn Off the Dark, the Musical, Julie Taymor director; music & lyrics by U2’s Bono and The Edge (Hello Entertainment/David Garfinkle, Martin McCallum, Marvel Entertainment/David Maisel, Sony Pictures Entertainment and Jeremiah Harris) Slated for a February 18, 2010 opening
ComicMix Six: Television for the next generation of fandom

ComicMix Six: Television for the next generation of fandom

We were all kids once and, let’s face it, for many of us there was a particular television show or short that caught our attention and grabbed our inner-geek by the shoulders to shout “Look at me!” Whether you had a particular fondness for Interplanet Janet (“She’s a galaxy girl!”), Underdog, or Super Grover, chances are that something you saw in early childhood helped shape you into the fan you are today.

My sister and I always loved Spider-Man and his Amazing Friends (new action figures are coming out this year!), and my niece is a huge Power Puff Girls fan. This got me wondering what shows will inspire today’s budding geeks. The great thing about these days is that DVD and the Internet make it possible to view not only the latest children’s shows, but everything you feel that old nostalgia for as well. However, today’s children aren’t always as excited about the Wonder Twins or Cowboy Curtis as Mom and Dad may have been. Here, then, are some more recent selections for the latest generation of fans:

1. Backyardigans
From Pirates to Samurai to Space-Travelers and everything in-between, this colorful and musical CGI-animated show (formerly aired on Nickelodeon, and now available on DVD) is all about five anthropomorphic neighbors whose imaginations take them on adventures to faraway times and places. While teaching children about the value of friendship and imagination and introducing several styles of music and dance, this show also stirs the core of future gamers. You see, the characters, Austin (a kangaroo), Pablo (a penguin), Tasha (a hippo), Tyrone (a moose), and Uniqua (a creature vaguely reminiscent of a child-sized pink ant), are like a game group. They meet, they create characters, they play out their roles and scenarios as their game characters, and then they have a snack. If you’ve ever gamed at a con, you know this drill.

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Stretch Armstrong: the movie?

Stretch Armstrong: the movie?

First Hasbro turned Transformers into a movie. (Obligatory Mark Ryan link and reference to The Pilgrim here.) Then Transformers: Revenge of the Fallen (June 26, 2009) and G.I. Joe: The Rise of Cobra (August 7, 2009). And then they put Monopoly, Candyland, and Ouija into production with Universal. And now, announced just in time for Toy Fair International, writer Steve Oedekerk (Bruce Almighty, Jimmy Neutron: Boy Genius) has been tapped to write Universal’s movie adaptation of Stretch Armstrong, a comedy based on Hasbro’s stretchy strong guy toy, according to Variety.

Stretch Armstrong was first introduced by Kenner in the late 1970s, which eventually featured a line of stretchy characters, including Stretch Monster, Wretch Armstrong, and Fetch Armstrong. Stretch Armstrong was later re-introduced after Hasbro acquired Kenner (which was part of Tonka) in 1991. Disney had acquired the movie rights to Stretch Armstrong and worked at developing a movie first with Danny DeVito and then Jackie Chan.

If nothing else, this puts an interesting twist (sorry) on the possibility that the Wachowskis will get to do their long-gestating Plastic Man film.