Tagged: Disney

Jack Kirby draws Mickey Mouse as Disney gets Marvelized

Jack Kirby draws Mickey Mouse as Disney gets Marvelized

In a case of incredibly lucky timing, Craig Yoe, the author of Secret Identity: The Fetish Art of Superman’s Co-Creator Joe Shuster, The Art of Ditko, The Complete Milt Gross Comic Book Stories and Life Story, The Bizarre Comics of Boody Rogers, and The Great Anti-War Cartoons, has started blogging again on Super I.T.C.H. (International Team of Comics Historians) with a well-timed piece: Jack Kirby’s drawing of Mickey Mouse:

Back in 1991, I did a coffee table art book “The Art of Mickey
Mouse”, I got artists from around the world to do their interpretation
of “The World’s Favorite Mouse.” One of the first people I called was
Jack Kirby. He and his wife Roz were very excited about the idea. He
sent me two drawings, as I recall, and I chose this one. I colored it
“animation style,” with the black line on an overlay and  the
background colors underneath. Jack’s contribution was part of a touring
exhibit of art from the book throughout Japan. So, Marvel is called by
some fans “The House that Jack Built” (not, in my opinion to take
ANYTHING  away from the brilliant genius Stan Lee’s more than vital
part.) And here’s Jack doing Mickey! Is this weird, or what?

Disney buys Marvel: Reactions

Disney buys Marvel: Reactions

As you can imagine, the reactions on twitter have been flying since today’s announcement. Here are some of our favorites so far:

  • Brian Reed has the quote for the win: “Face it, Tigger, you just hit the jackpot!”
  • patrickkeller: Brian Michael Bendis is currently having giant, round mouse ears surgically attached to his head.
  • Pinguino: Hey does this mean Rogue and Storm can be disney princesses now and get frilly dresses?
  • Dave Stokes: Tinkerbell to play The Wasp in Avengers movie?
  • uberthegeek: Chip & Dale: Agents of S.H.I.E.L.D.
  • joshuwain: “Finding Namor”
  • One person we won’t name: “maybe this means i’ll be able to go into the disney store again without looking like a pervert”. Uh, if you have to ask, then the answer is NO.

More to come…

Disney Eats Marvel: Hannah Montana becomes Dazzler

Disney Eats Marvel: Hannah Montana becomes Dazzler

C’mon, it’s too easy:

Hannah Montana has to reveal her secret identity under the Superhuman Registration Act, refuses, and goes head to head against Tony Stark.

Hannah Mutana. I like it.

(Not to be confused with hakuna matata, which is also a wonderful phrase.)

Disney Eats Marvel: The Analysis

Courtesy @ChrisSamnee ... behold MODUCK!!! on TwitpicSo the mouse is eating the spider. What does it all mean?

Poke around the Internets and you’ll see a lot of hysteria. Comics fans aren’t happy; they’re worried Disney will Disnify the whole thing. Movie fans are worried the Marvel flicks will have all the weight and depth of your average Disney movie. Theme park fans are concerned about Universal losing their franchise just so Ant-Man and the Wasp can fit into “It’s A Small World After All.”

Calm down. Assuming the deal gets approved by Marvel’s stockholders – which is likely – and the government – which is likely but not as certain – contracts are contracts and Disney would rather spend the next five years buying other things than paying for litigation. Paramount will still release those next five Marvel Films films, Universal will continue to maintain their current lifespan (however long that might be) with the Marvel rides and that fat lady who’s knocking the poo out of Captain America’s winged head in those commercials, and the comic books will continue to be published.

Well, most likely.

Marvel’s been trying to pattern itself after the Disney business model for at least the past four or five owners, so it’s no surprise that the House of Mouse took preemptive measures. Disney can’t mess with their theme parks right now – I mentioned the contractual obligations and, quite frankly, business ain’t what it used to be. The Disney characters and the Marvel characters are not a good theme park fit: the latter are not grandmother-friendly.

I doubt Disney will interfere with publishing very much, at least not in the short run. They have a very bad track record in the publishing fields, and the racks are littered with their cancelled product. They’re in the licensing business; that’s what they do and what they know. If the overall comic book publishing field continues to deteriorate they might do what they did with their other product and simply license it all out. It would be wonderfully ironic if Mark Waid’s Boom Studios gets the franchise, and I’ll bet you Mark feels the same way.

If there are any changes, they are likely to take the form of a reorientation of the Marvel characters towards the teen-age male market. Disney is weak in that demographic and can use some bolstering up. And bringing Marvel Comics back to the teen-ager friendly arena isn’t necessarily a bad thing. It worked for Lee and Kirby and Ditko and Thomas and Buscema; today there are more than enough really good writers and artists to address that market in a contemporary manner.

So I don’t think we’ll see Doctor Doom threatening The Little Mermaid. Don’t hold your breath for that Sinister Seven Dwarves movie. The Hulk probably will not stomp Goofy. Stan Lee will not be frozen and placed on the shelf next to Walt Disney and Jim Henson. All that’s a pity. Disney has no sense of humor. Just ask the Air Pirates.

The fact is, big business has never, ever been able to understand the American comic book industry. We defy the Harvard MBA mentality, and I’m proud of that. If DIsney does what Disney does best and the publishing business doesn’t implode, nobody will notice a thing. The Avengers 3 will make more money than publishing could lose.

Unless Dean Jones is cast as Nick Fury.

A 33 year veteran of the comic book industry, Mike Gold is ComicMix’s editor-in-chief. Portions of this blather appeared in today’s The Point podcast.

The Point Radio: What Does Marvel/Disney Really Mean?

The Point Radio: What Does Marvel/Disney Really Mean?

Everybody’s talking about Disney buying Marvel, but what does it really mean? Beyond all the speculation is there a real story yet? Plus we continue our visit backstage at WAREHOUSE 13. Meet the guy behind that oh so familiar face – noted character actor Saul Rubinek who is at the center of the new SyFy series. And it was a frightening box office tally this weekend,  but it’s a good week in the comic store with some real treats waiting for you!

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Disney Eats Marvel – Update 2

Disney Eats Marvel – Update 2

Walt Disney reached an agreement to purchase Marvel Comics for a combined cash and stock deal valued today at $4 billion. According to a report at Marketwatch, the acquisition was approved by both Boards of Directors over the weekend and is subject to SEC approval.

In a statement, Disney Chief Executive Bob Iger said “adding Marvel to Disney’s unique portfolio of brands provides significant opportunities for long-term growth and value creation.”

Those holding Marvel stock are expected to receive $30 per share in addition to approximately 0.745 Disney shares for each Marvel share they own.

A shareholders’ conference call was scheduled for later today and no doubt Marvel will have their own comments for the press. The deal is not expected to close for some time and how the integration will work, including the comics properties owned by Disney and Marvel will be announced in the future. In addition to Disney’s own characters, they purchased the assets of CrossGen some years ago and have done little with them, much I the same way as Marvel has yet to fully exploit the Malibu Comics characters they acquired in the 1990s.

Disney has been moving more into the graphic novel field through their publishing division, notably announcing works based on their forthcoming film The Prince of Persia, based on the video game. One can only expect Disney to entrust projects like this and others to Marvel.

Isaac Perlmutter, Marvel’s CEO, will continue to oversee the Marvel properties and is expected to be an architect of the integration along with Disney execs.

Disney Eats Marvel – Update 1

Disney Eats Marvel – Update 1

One minute after today’s Wall Street opening, Marvel Entertainment’s stocks jumped 25%, to over $48 a share. 

Disney will be allowing Marvel to continue to operate under its own name.

Disney To Buy Marvel

Disney To Buy Marvel

Disney Entertainment, owner of damn near everything in the entertainment world, is planning on purchasing Marvel Entertainment. The purchase price is purportedly $4,000,000,000. That’s four billion, for the zero challenged.

No word on what will happen to the current crew of Marvel employees, but as of this writing the House of Idea is not expected to move to the west coast.

More as this story develops.

Film Review: ‘Ponyo’ (‘Gake no ue no Ponyo’ )

Film Review: ‘Ponyo’ (‘Gake no ue no Ponyo’ )

 

[[[Ponyo]]] (“[[[Gake no ue no Ponyo]]]”),  an animated feature film directed by Hayao Miyazaki.
Dubbed English voices by Cate Blanchett, Matt Damon, Tina
Fey, Liam Neeson, Cloris Leachman, Betty White, Lily Tomlin, Frankie Jonas, and others.

In advance of its August 14 limited release, Hayao
Miyazaki’s latest film [[[Ponyo]]] made its East Coast debut at Symphony Space in Manhattan on Sunday, August 9, to the great delight
of those of us who have been waiting too long for a Miyazaki film, thanks to
the legal issues surrounding [[[Tales From Earthsea]]]. Free posters were given out
to several people waiting on line. and plush Ponyos were tossed into the
audience, one of which was claimed by one of my companions in an impressive
high catch.

The title character, Ponyo, is apparently the oldest and
most powerful of the many girl-faced goldfish daughters of the sea goddess Gran
Mamare and Fujimoto, a human-hating, hollow-cheeked wizard who lives
underwater. Curiosity brings Ponyo to the surface and gets her stuck inside a
jar; a 5-year-old boy named Sosuke rescues her, dumps her in a pail, and feeds
her a ham slice. These deeds are apparently enough to win Ponyo’s heart; she uses
some of her father’s magical elixirs to turn herself adorably human and show up
on Sosuke’s doorstep. Unfortunately, her act upsets a natural balance, putting
most of Sosuke’s town underwater and threatening further damage unless Ponyo
declares his love for her. Yes, you got that right. He’s five, and he’s got to
promise to love her always—whether as a sister or as a future bride, it’s not entirely
clear. How many of us have declared their eternal devotion to someone we met at
the age of five? How many of us are even still friends with someone we met at
age five? (I’m still friends with one woman I met at age seven, and that’s
really pretty impressive, I think.)

As other reviewers have mentioned, Ponyo is essentially a
riff on [[[The Little Mermaid]]], but without the singing of the Disney movie or
the walking-on-knives and rigidly Lutheran moralizing of the original story. Frankly,
some appropriately directed moralizing might have been what this story needs (over and above
the usual love nature, hate pollution message that’s present in all Miyazaki
films).

Disney produced the English-language version of Ponyo;
these are the same people who were so disturbed that the 13-year-old witch
protagonist of [[[Kiki’s Delivery Service]]] was drinking coffee, they awkwardly wrote the
English dub to indicate that she was drinking hot chocolate instead. I wouldn’t be
surprised to hear that execs had considerably more ethical qualms about this
film, but given the international box office and prestige that Miyazaki gained
in previous efforts, decided to stifle them.

(more…)