Tagged: Disney

Derrick Ferguson Gets Himself To Mars To See JOHN CARTER

  • News
  • March 10, 2012

Walt Disney Pictures
2012
Directed by Andrew Stanton
Produced by Jim Morris and Colin Wilson
Screenplay by Andrew Stanton, Mark Andrews and Michael Chabon
Based on “A Princess of Mars” by Edgar Rice Burroughs
It was while waiting in the theater lobby for my wife after we had just seen JOHN CARTER that I heard a snatch of conversation that most likely was duplicated in one way or another in movie theater lobbies all across the country.  It went something like this; “It would have been a better movie if it didn’t try to rip off so many other movies.”
If I was not the sweet, gentle soul you all know and love I would have put that worthy in a serious headlock and informed him that the book the movie JOHN CARTER is based on, “A Princess of Mars” was written back in 1912 by Edgar Rice Burroughs who just about created the sub-genre of science fiction which could well be termed “Sword and Planet.”  With his series of novels set on the Red Planet, Mr. Burroughs also created a template for heroic adventure fiction that has has been homaged, borrowed, copied and downright stolen from then until now.  John Carter is the great-great grandfather of dozens, if not hundreds of heroes in comic books, novels, movies and television.  Not to mention the influence the books has had on writers, artists and scientists.  Most American astronauts will claim “A Princess of Mars” along with “Star Trek” as the major influence in them wanting to be an astronaut.  The importance of Edgar Rice Burroughs, his creation of John Carter and his vision of Mars simply cannot be overstated.
But that’s enough of the history lesson.  You’re here to find out if I think JOHN CARTER is worth your time and money.  Okay, for a change I won’t make you read the whole review to find out.  Yes.  JOHN CARTER is most definitely worth your time and your money.  Not having read the book in quite some time I’m not going to swear to the faithfulness of the adaptation but most of the major scenes rang true to me and they’re what I wanted to see and I wasn’t disappointed.
John Carter (Taylor Kitsch) is a former Confederate Army soldier who goes west to prospect for gold after The Civil War and finds a whole cave full of the stuff.  He also finds trouble from a Union Captain (Bryan Cranston) and some bloodthirsty Apaches.  This leads to Carter being trapped in the cave and transported to Barsoom, which is what the inhabitants of that planet call Mars.
The bewildered Carter is captured by Tars Tarkus (Willem Dafoe) the Jeddak (king) of the Tharks, the fierce Green Warriors of Barsoom.  Standing some seven feet tall with tusks, and a double torso with four arms, they are the first clue to the bewildered Earthman that he isn’t in Virginia anymore.  But it’s not as if Carter is entirely helpless.  Due to the lesser gravity of Barsoom and his denser bone/muscular structure he has the strength of a hundred men and is able to leap incredible distances.
Meanwhile, over in Helium which is home to the human looking Red Martians, they are realizing that they cannot win their long war with their hereditary enemies, the Zodanga.  Arraignments are made to marry the Princess of Helium, Dejah Thoris (Lynn Collins) to Zodanga’s ruler, Sab Than (Dominic West).
However, Dejah Thoris doesn’t think much of this at all and runs away, an act which leads her to being captured by the Tharks and meeting John Carter.  Once she sees his extraordinary abilities, combined with his exceptional swordsmanship, she sees a way out of her marriage and a way for Helium to win the war.  However, unknown to all, there is a third faction at work in this conflict.  The Holy Therns, led by Matai Shang (Mark Strong) have been secretly manipulating conflict between the various tribes and races of Barsoom for thousands of years for their own hidden purposes.  And they’re not about to let a wild card like John Carter interfere in the plans they have for Barsoom.  Or Earth…
The sheer joy of seeing a major motion picture based on anything written by Edgar Rice Burroughs probably prevents me from seeing any flaws in the movie.  Taylor Kitsch wouldn’t have been my first choice for John Carter but after seeing him I don’t know who else could have played the role so well.  He commits himself fully to the story and the character and there was never a moment he wasn’t convincing. 
As Dejah Thoris, Lynn Collins has a lot to live up to as Burroughs described her in the books as being so impossibly beautiful that any real woman would have a hard time fulfilling that description but she does the job admirably.  And her role in the story is fleshed out considerably by having her be a scientist/swordswoman  as well and not just a princess to be rescued.
Willem Dafoe as Tars Tarkus and Thomas Haden Church as Tal Hajus, a rival Thark warrior do a superb job of giving the giant green warriors personality but Dominic West’s character could have been a better villain.  He’s little more than the errand boy for the Holy Tharns but West is such a good actor, I’m willing to let it go.
And maybe it’s just my thing, but when a movie costs as much as JOHN CARTER, I appreciate seeing it up on the screen and I certainly did.  This is a big-budget movie that actually does look like a big-budget movie with some really astonishing sets and eye-popping locations.  This is how a larger than life movie with larger than life characters is supposed to look.  Not like a TV movie on steroids.
Bottom line: I liked JOHN CARTER a lot.  It’s a movie made by talented folks who respect the source material and delivered what I was looking for and that’s more than enough for me.  Enjoy.
132 minutes
Rated PG-13

Your First Look at the new Lone Ranger and Tonto

  • News
  • March 8, 2012

tlr_mg_1561_r4_online1-300x210-2537654The production of Walt Disney’s take on The Lone Ranger began about a week ago and now we have our first glimpse of the famous masked man and his Native American sidekick. In case you forgot, the Ranger is played by Armie Hammer (J. Edgar) and the guy under the war paint is Johnny Depp, whose casting as Tonto two years backs helped make this movie a reality.

This is a clear departure from the more traditional blue fabric outfit the Ranger has been depicted in since the radio series began in the 1930s. The Ranger’s outfit has gone largely unchanged in comics, serials, television and tons of merchandise so this will help set it apart from what has come before.

Despite production nearly being derailed because of the inflated budget, it was retooled and finally green lit some months back. The official synopsis reads: Native American spirit warrior Tonto (Johnny Depp) recounts the untold tales that transformed John Reid (Armie Hammer), a man of the law, into a legend of justice-taking the audience on a runaway train of epic surprises and humorous friction as the two unlikely heroes must learn to work together and fight against greed and corruption.

The movie is being directed by Gore Verbinski and produced by Jerry Bruckheimer, the team that worked magic with Depp in the Pirates of the Caribbean franchise. Meantime, Depp will next be seen as Barnabas Collins in Tim Burton’s Dark Shadows, coming in May. He has been attached to numerous projects, playing one pop culture icon after another and most recently has been attached to a big screen adaptation of Kolchak the Night Stalker, based on Jeff rice’s novel and the ABC series featuring Darren McGavin.

MIKE GOLD: John Carter Returns To Earth

I was about 14 years old when Ballantine Books started their reprint series of Edgar Rice Burroughs’ John Carter of Mars. Being a science fiction fan, a character fiction fan, and fan who’s attracted to anything numbered sequentially, I devoured the series. I re-read the first five books about 12 years ago and I enjoyed them, albeit with a nostalgically jaundiced eye.

I was both amazed and, oddly, not surprised (they’re two different emotions) when my father told me he was a John Carter fan. He started reading them around 1928 – by then, the first book was about 16 years old. Sharing this bond was quite comforting: both John Carter, my father, and I were created in Chicago over a 38 year span.

There have been numerous comics adaptations. The first was for the newspapers and for Dell Comics, created by Burroughs’ son John Coleman Burroughs. Gold Key tried a few issues; despite Jesse Marsh’s art, they were pretty lackluster. Later on, both DC and Marvel got into the John Carter business – sequentially – and those projects attracted an amazing line-up of artists, including Murphy Anderson, Dave Cockrum, Ernie Colón, Larry Hama, Carmine Infantino, Gil Kane, Frank Miller, Walt Simonson, and Mike Vosburg. Whereas the latter Marvel issues were written by Chris Claremont and Peter Gillis, the majority of the DC/Marvel runs (by far) were penned by Marv Wolfman, and that stuff is among my favorite of his. And that says a lot. Later on, Dark Horse did some crossovers with Tarzan, and John Carter even popped up in the waning days of the classic Tarzan newspaper strip. Currently, both Dynamite Comics and Marvel are publishing the character – the latter is tied into the new movie, and the former is tied into a lawsuit.

There had been a great many attempts to bring John Carter to the screen, both large and small. If you dig around, you’ll find the legendary cartoonist Bob Clampett’s test footage and sketches – they were amazing, and I wish he was able to sell the project. I remember going to the International Licensing Show in the early part of this century and seeing a huge display for an upcoming movie adaptation – some stunning artwork, particularly in their mammoth backdrop. Sadly, none of these projects came to be. There was a movie released just a couple years ago starring Antonio Sabàto, Jr. and Traci Lords, but because I’m a nice guy who always maintains a civil tongue, I won’t mention it again.

This Friday, John Carter of Mars finally makes his big-time movie debut. Produced by Disney – not coincidentally the owner of Marvel Comics – if you haven’t seen any of the trailers, commercials or ads for the movie you just might be Stevie Wonder. For many, many reasons, I have set the bar for John Carter pretty high. My dad died six years ago, so I won’t be able to see it with him. But I notice my daughter Adriane is pretty excited about the movie, and I hope to extend the family bond to her this weekend.

By the way, this is John Carter’s 100th anniversary. If you’re planning on sneaking a cake into the theater, please, don’t light the candles.

THURSDAY: Dennis O’Neil

 

The Muppets Send Up The Hunger Games

The Muppets Send Up The Hunger Games

  • News
  • March 6, 2012

Exemplifying brilliant timing, Walt Disney has released a new parody trailer, this time skewering the eagerly awaited The Hunger Games, opening March 23. Meantime, it reminds us how funny the Muppets can be, just in time for their recent film, The Muppets, to come out on home video on March 20.

The Muppets will be available in a variety of formats including The Wocka Wocka Value Pack, containing the movie on Blu-ray high-definition, DVD and Digital Copy (3 discs) plus a download card for the film’s soundtrack from Walt Disney Records.

New Frankenweenie Trailer and One-Sheet Release

fwe_tsr_1-sht_v6-300x444-2612259Amazingly, fall hype is already underway, screaming for attention while most of us continue to salivate for the summer fare (and to be fair, this month’s The Hunger Games).

Undaunted, this week Disney has unveiled a new one sheet for Tim Burton’s Frankenweenie followed by the distribution of the new trailer, which we share with you below.

“The creators of Spider-Man, Storm, and Power Man are unknown”?

  • News
  • March 2, 2012

We thought this was settled by now. Certainly Marvel Comics should know it. But apparently not. In the recent trade paperback, Spider-Man Fights Substance Abuse, we find this blurb on the credits page:

The creators of Spider-Man, Storm, and Power Man are unknown.

Apparently, Marvel is having some substance abuse problems of their own over there, or this is the latest salvo in the Disneyfication of Marvel where they decide they own everything, and it was all created by nameless workers.

Since some people at Marvel appear to be on drugs themselves, let us make this perfectly clear:

Oh, and while we’re on the subject:

Hopefully, we won’t have to repeat this. But knowing Marvel of late, we probably will have to repeat it. A lot.

Production Finally Begins on Disney’s The Lone Ranger

lone-ranger_clayton-moore-mask1-300x178-1762115BURBANK, Calif. (February 28, 2012) — Production has commenced on location in New Mexico, Arizona, Utah and Colorado on Disney and Jerry Bruckheimer Films’ epic adventure “The Lone Ranger.” The film reunites the filmmaking team of the first three “Pirates of the Caribbean” blockbusters—producer Jerry Bruckheimer and director Gore Verbinski—with Johnny Depp, who created Captain Jack Sparrow in his iconic, Academy Award®-nominated performance and contributed the voice of the title character of Verbinski’s Academy Award-winning “Rango.”

Depp plays spirit warrior Tonto in “The Lone Ranger,” with Armie Hammer (“The Social Network,” “J. Edgar”) starring in the title role. Depp and Hammer are joined by a prestigious international cast which includes Tom Wilkinson, two-time Academy Award nominee (“Michael Clayton,” “In the Bedroom”) and Golden Globe® and Emmy® winner (“John Adams”); William Fichtner (Jerry Bruckheimer’s productions of “Armageddon,” “Pearl Harbor” and “Black Hawk Down”); Emmy Award-winner Barry Pepper (TV’s “The Kennedys,” “True Grit,” “Saving Private Ryan”); James Badge Dale (“The Grey,” TV’s “The Pacific” and “Rubicon”); Ruth Wilson (television’s “Jane Eyre” and “Luther”); and two-time Academy Award nominee and six-time Golden Globe nominee Helena Bonham Carter (“The King’s Speech,” “Alice in Wonderland”). The film is slated to open on May 31, 2013.

disney-logo-300x72-7170628“The Lone Ranger” is a thrilling adventure infused with action and humor, in which the famed masked hero is brought to life through new eyes. Native American spirit warrior Tonto (Johnny Depp) recounts the untold tales that transformed John Reid (Armie Hammer), a man of the law, into a legend of justice—taking the audience on a runaway train of epic surprises and humorous friction as the two unlikely heroes must learn to work together and fight against greed and corruption.

“The Lone Ranger” is written by Ted Elliott & Terry Rossio of “Pirates of the Caribbean,” Eric Aronson and Justin Haythe. The executive producers are Mike Stenson, Chad Oman, Ted Elliott, Terry Rossio, Eric Ellenbogen and Eric McLeod.

Jerry Bruckheimer and Gore Verbinski are joined by a remarkable team of behind-the-scenes artists, including director of photography Bojan Bazelli (Verbinski’s “The Ring,” “Mr. and Mrs. Smith”); visual consultant Mark “Crash” McCreery (production designer of Verbinski’s “Rango); costume designer Penny Rose (“Pirates of the Caribbean” films); film editor James Haygood (“Panic Room,” “Fight Club”); visual effects supervisor Tim Alexander (“Rango,” three “Harry Potter” films); Academy Award®-winning special effects supervisor John Frazier, a 10-time nominee whose previous collaborations with Jerry Bruckheimer have included “Armageddon,” “Pearl Harbor” and, with Verbinski as well, “Pirates of the Caribbean: At World’s End”; and stunt coordinator Tommy Harper (“Iron Man,” “Iron Man 2”).

Academy Award®-winning filmmaker Gore Verbinski has enjoyed tremendous box office success as the innovative director of both character-driven franchises and thoughtful genre-bending fare.  Most recently, Verbinski released his first animated film, the smash hit “Rango,” starring Johnny Depp. Grossing over $240 million worldwide, the film won the Academy Award for Best Animated Feature Film, as well as BAFTA and Annie awards, and received Golden Globe® and PGA nominations. Verbinski previously helmed the hit franchise “Pirates of the Caribbean,” directing the first three films starring Johnny Depp and Keira Knightley. The films have collectively grossed nearly $3 billion worldwide since release. He made his directorial debut with “Mouse Hunt,” starring Nathan Lane, followed by the road movie “The Mexican,” starring Julia Roberts, Brad Pitt and James Gandolfini. He also directed the smash horror film “The Ring,” starring Naomi Watts.

Verbinski is also a successful award-winning commercial director, having been honored with four Clio Awards and a Cannes Silver Lion Award for his work on an assortment of memorable advertising spots. In addition, he directed music videos for bands including Bad Religion and Crystal Method.

First in partnership with Don Simpson, and then as the chief of Jerry Bruckheimer Films, Bruckheimer has produced an unprecedented string of worldwide smashes, impacting not only the industry, but mass culture as well. Bruckheimer’s films include (producing with Don Simpson) “Top Gun,” “Beverly Hills Cop,” “Beverly Hills Cop 2,” “American Gigolo,” “Flashdance,” “Bad Boys,” “Dangerous Minds,” “Crimson Tide,” “The Rock,” and (producing solo) “Con Air,” “Armageddon,” “Enemy of the State,” “Gone in 60 Seconds,” “Coyote Ugly,” “Remember the Titans,” “Pearl Harbor,” “Black Hawk Down,” “Pirates of the Caribbean: The Curse of the Black Pearl,” “Bad Boys II,” “Veronica Guerin,” “King Arthur,” “National Treasure,” “Pirates of the Caribbean: Dead Man’s Chest,” “Pirates of the Caribbean: At World’s End,” “National Treasure: Book of Secrets” and the 2011 blockbuster “Pirates of the Caribbean: On Stranger Tides.”

On television, Bruckheimer had an unprecedented 10 television series airing in the 2005-6 season, a record in the medium for an individual producer. JBTV’s series include “C.S.I.: Crime Scene Investigation” and its spinoffs “C.S.I.: Miami,” “C.S.I.: NY” and “Without a Trace,” “Cold Case” and the eight-time Emmy® Award-winner “The Amazing Race.”

Jerry Bruckheimer Films and Television have been honored with 41 Academy Award® nominations, six wins, eight GRAMMY® Award nominations, five wins, 23 Golden Globe® nominations, four wins, 105 Emmy® Award nominations, 21 wins, 30 People’s Choice nominations, 15 wins, numerous MTV Awards, including one for Best Picture of the Decade for “Beverly Hills Cop.”

“The Lone Ranger” will film exteriors and studio work in New Mexico, followed by locations in Arizona, Utah and Colorado.

The Secret World of Arrietty Opens Tomorrow

  • News
  • February 16, 2012

carol_amy_bridgit_007-r-300x200-4466388The Anime adaptation of Mary  Norton’s classic novel The Borrowers, known as The Secret World of Arrietty, opens tomorrow across the nation. Walt Disney continues its associate with Studio Ghibli with this release, featuring a stellar array of American vocal talent as seen in this picture with Amy Poehler, Bridgit Mendler, and the legendary Carol Burnett.

The G-rated film features the vocal talents of Mendler, Poehler, Burnett, Will Arnett, David Henrie, and Moises Arias. The movie was directed by Hiromasa Yonebayashi from a screenplay by Hayao Miyazaki and Keiko Niwa. Producers of the English translation, Kathleen Kennedy, Frank Marshall, hired Karey Kirkpatrick to handle the screenplay.

Residing quietly beneath the floorboards are little people who live undetected in a secret world to be discovered, where the smallest may stand tallest of all.

Arrietty (voice of Bridgit Mendler), a tiny, but tenacious 14-year-old, lives with her parents (voices of Will Arnett and Amy Poehler) in the recesses of a suburban garden home, unbeknownst to the homeowner and her housekeeper (voice of Carol Burnett). Like all little people, Arrietty (AIR-ee-ett-ee) remains hidden from view, except during occasional covert ventures beyond the floorboards to “borrow” scrap supplies like sugar cubes from her human hosts. But when 12-year-old Shawn (voice of David Henrie), a human boy who comes to stay in the home, discovers his mysterious housemate one evening, a secret friendship blossoms. If discovered, their relationship could drive Arrietty’s family from the home and straight into danger.

Notes:

  • Hayao Miyazaki is one of the most influential and admired filmmakers working in animation today and is a major figure in the Japanese cinematic landscape. His films have inspired moviegoers and colleagues around the world, from Pixar’s John Lasseter to fantasist Guillermo del Toro to Chinese director Tsui Hark, and consistently top the box office in his native Japan.
  • Director Hiromasa Yonebayashi, a top animator at Studio Ghibli, was responsible for the animation in a signature scene in “Ponyo,” in which Ponyo runs atop ocean waves.
  • English language voice talent director Gary Rydstrom is a seven-time Academy AwardÒwinning sound designer/mixer (“Terminator 2: Judgment Day”). He joined Pixar Animation Studios as an animation film director in 2003.  His directorial debut for the studio was the Academy Award®-nominated short film “Lifted,” and he directed the short film “Hawaiian Vacation,” which was released with “Cars 2” in June 2011.
  • Kathleen Kennedy and Frank Marshall are highly successful producing partners whose films, separately and together, include The Curious Case of Benjamin Button, E.T., Who Framed Roger Rabbit?, the Indiana Jones films and the Jurassic Park films. In total, Kennedy and Marshall have earned 11 Oscar® nominations.
  • English language screenplay writer Karey Kirkpatrick’s credits include Spiderwick Chronicles and Over the Hedge, which he also directed (with Tim Johnson).

REVIEW: “Justice League: Doom”

  • News
  • February 16, 2012

justice-league-doom1-300x402-7902089If you’ve been a fan of Warner Bros.’ direct-to-DVD DC Universe movies, you are no doubt eagerly awaiting the February 28th release of Justice League: Doom. ComicMix’s own Glenn Hauman and Mike Gold attended a press screening of the movie, along with the mandatory press conferences and post-game roundtable discussion. We decided to take a conversational approach to our preview – not quite a review, as we’re avoiding spoilers. Still, if you’re extraordinarily anal retentive (the fanboy/fangirl affliction), you might want to just look at the pictures.

Glenn: The story, and the universe, felt familiar – not just because we’ve known these characters forever, but because it was Dwayne McDuffie’s take on them, his POV from Justice League and from Justice League Unlimited. One of those “you don’t realize how much you miss it until it’s gone” things.

Mike: DC’s animated universe came about organically, from the original Fox Batman Adventures through Doom… with major exceptions like that Teen Titans and that unnecessary and initially unwatchable The Batman series a couple years ago. Dwayne played a major part in that Justice League animated universe to be sure, but those Batman and Superman series created the foundation of this universe, as well as the bouncing off point for many of the actors.

Glenn: Speaking of the DC animated universe: one thing that was weird for me, throwing a new bit of unexpected unfamiliarity, was meeting Kevin Conroy, the voice of Batman for two decades, because he just doesn’t quite look the part in real life – he looks more like the Scarecrow. I found myself mentally covering up his face from his nose up, superimposing a cowl on him. Or am I just that weird?

Mike: Yeah, Conroy is pretty skinny and he’s got a great face. But I think he’d be perfect as Jason Blood or Orion of the New Gods.

Glenn: Conroy as Jason Blood, live action? Oh, that works really well.

(more…)

MIKE GOLD: The Curious Case of The Ghost Rider

Last week, the Internets were all aflutter with the story about how Disney/Marvel successfully defended itself against Gary Friedrich’s Ghost Rider lawsuit. This was hardly surprising. Just ask Marv Wolfman or the ghost of Steve Gerber.

Then Disney/Marvel turned around and demanded $17,000 from Gary for the Ghost Rider prints he sold at comic book conventions – you know, just like hundreds of other artists do at every artists’ alley at nearly every comic book convention held in the past decade. This was very surprising. And quite disgusting. Not to mention overwhelmingly petty.

Well, those of us who followed Disney’s Air Pirates lawsuit weren’t surprised at all, but that’s another story.

When Gary filed his appeal and the noise went into the can for a while, I whipped out Marvel Spotlight #5.  On that very first Ghost Rider story, the credits read “conceived and written by Gary Friedrich.” (Emphasis mine.) That was unique for comics at that time. The lawyers discouraged publishers for printing creator credits lest said creators pull what is affectionately known as a “Siegel/Shuster.” I remember being a bit surprised – perhaps impressed is the better word for it – back when I read that issue back in 1972. Nonetheless, Gary lost his case.

This wasn’t the only thing that surprised me. I was also surprised that Marvel plowed over the name of their western hero, first and last seen in his own seven-issue series back in 1967. It was a clever use of recycling intellectual property.

I remembered that Ghost Rider rather fondly. It was a good, solid macabre western character told in then-contemporary Marvel style featuring some of Dick Ayers’ best art in years. So I whipped out Ghost Rider #1, cover-dated February 1967. And then I took a look at the credits.

Please note that both Ghost Rider origins were edited by the same person, a guy named Stan Lee. And Roy Thomas was involved in both – as co-dialogist on the western, and as “aider and abettor” on the motorcyclist. And Gary Friedrich was a writer on both.

That didn’t give Gary any legal coverage, but it’s an interesting chain-of-evidence. Core to the issue of who owns what – in a moral sense but not legal – is the derivation of the original Ghost Rider. The first one. The one before the two published by Marvel Comics.

The one that was damn near exactly the same as Marvel’s western, right down to Dick Ayers’ artwork and design. The one that was published by Magazine Enterprises in various of their titles, including one called “Ghost Rider.” That one lasted twice as long as Marvel’s. The feature got its start in their Tim Holt title. This original version was, as noted, drawn by Dick Ayers and written – some say created – by editor Raymond Krank, who later replaced himself with Gardner Fox. Many of those Tim Holt covers were drawn by Frank Frazetta, who also illustrated a Ghost Rider text story.

This wasn’t the first time Marvel assumed the name of a character they did not create, as geriatric Daredevil fans know all too well. But that, too, is another story.

Ghost Rider has had an interesting history, one that isn’t over. It’s a good example of how the whole comics creation thing is a can of worms. Jerry Siegel and Joe Shuster created Superman and Clark Kent and Lois Lane, but they did not create Perry White, Jimmy Olsen, and Kryptonite, among a great, great many other vital Superman concepts. If their estates wind up owning Superman, what happens to Perry and Jimmy and the rest?

Good grief. Back in the day, nobody was supposed to take all this seriously. But I think I know how either version of the Ghost Rider would have handled it.

Screw the lawyers. We’ve got us our six-guns, and one mother of a bike.

THURSDAY: Dennis O’Neil

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