Tagged: DC

Dynamite Entertainment’s Pulp Offerings for February 2012

Dynamite Entertainment has released their solicitations for February 2012. These titles are available for preorder now from your favorite comic book retailer.


THE LONE RANGER #1

Rating: TEEN+
Covers:
http://www.dynamite.net/htmlfiles/search2.html?0=19&next0=&KMPZ=Alex%20Ross&method=dynamiteAlex Ross (50%), Francesco Francavilla (50%)
Writer: Ande Parks
Artist: Esteve Polls
Colorist: Marcello Pinto
Genre: Western
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130186065 00111
UPC: 725130186065 00121
UPC: 725130186065 00131
UPC: 725130186065 00141
It’s been two months since Lone Ranger and Tonto hit the trails of the old west, looking for injustice. They’ve found plenty. Now, they come across settlers who have been victimized in a way that stirs memories in John Reid. Loss, vengeance, and redemption as pioneer idealism meets the reality of hard life on the prairie. A stand-alone tale that ties into an epic six part story that will test the mettle of the west’s most legendary heroes.

Rating: Teen +
Covers:
http://www.dynamite.net/htmlfiles/search2.html?0=19&next0=&KMPZ=Alex%20Ross&method=dynamiteAlex Ross (75%), Paul Renaud (25%), Francesco Francavilla (1-in-10)
Writer: Eric Trautmann
Artist: Daniel Indro
Genre: Sci-Fi
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130183958 00311
UPC: 725130183958 00321
UPC: 725130183958 00331
UPC: 725130183958 00341
Flash Gordon — on the run from Ming’s pursuit ships — finds himself cut off and alone, facing down the deadly hazards of Mongo’s untamed wilderness, and the primal rage of Prince Thun of the Lion Men. Alien threats abound, which will test Gordon’s skills to their outer limits. Meanwhile, on an Earth still menaced by the threat of invasion from Mongo, three alien rebels wage a secret battle against Ming the Merciless. Their target: a shipment of powerful extraterrestrial weapons, delivered into the hands of the Third Reich!
Dynamite Entertainment‘s epic space opera continues in Flash Gordon: Zeitgeist’s thrilling third chapter, “Monsters of Mongo.

Rating: Mature
Covers: Lucio Parillo (50%), Paul Renaud (50%), Francesco Francavilla (1-in-10)
Writer: Arvid Nelson
Artist: Roberto Castro
Genre: Action/Adventure
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130183934 00211
UPC: 725130183934 00221
UPC: 725130183934 00231
UPC: 725130183934 00241
UPC: 725130183934 00251
The year is 1909. Bloodthirsty mutineers have seized the beautiful Jane Porter and her father. The cutthroats are lying low on the coast of the Belgian Congo as they squabble over a mysterious chest Jane and her father risked their lives for. Cecil Clayton, heir apparent to the title of Lord Greystoke, is with them, searching for a long-lost uncle who disappeared on the very shores he and the Porters find themselves on. Fortunately for the hostages, they’ve stumbled onto the hunting grounds of pulp fiction’s greatest hero! Could there be a connection to their mysterious protector and Clayton’s missing relative? Find out in Lord of the Jungle Issue 2: The Forest God!

VAMPIRELLA VS. DRACULA #1
Rating: Teen +
Covers: Joe Linsner
Writer: Joe Harris
Artist: Jean Diaz
Genre: Horror, Super-Hero
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 48 pages
Rights: WW
Age range: 16+
UPC: 725130186058 00111
UPC: 725130186058 00121
UPC: 725130186058 00131
48 pages at only $3.99! Spinning out of Alan Moore’s retelling of the ageless horror classic,
Dracula has come to America to play out his timeless narrative in this brave, New World. Only he didn’t realize ANOTHER vampire already beat him to it. Drawn to one another across continents and centuries by a mysterious force, both Vampirella and Bram Stoker’s immortal monster find themselves sucked into a time-tossed epic of love, hate, death and damnation. But can an epic built for one vampire possibly hold them both?
Also includes the reprinted Alan Moore/Gary Frank story!

Rating: Teen +
Covers: Francesco Francavilla (50%), Aaron Campbell (50%)
Writer: Stuart Manning
Artist: Aaron Campbell
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130183989 00411
A killer is stalking the streets of Collinsport as vampire Barnabas Collins finds himself in a race against time to save the Collins family from a dangerous force. As his eternal nemesis, the witch Angelique, makes her new bid for eternal life, Barnabas and Julia must work out what links Barnabas’ dreams to the mysterious statue in time to prevent a tragic death.

Rating: Teen +
Covers:
http://www.dynamite.net/htmlfiles/search2.html?0=19&next0=&KMPZ=Alex%20Ross&method=dynamiteAlex Ross (main), Jonathan Lau (1-in-10)
Writer: Kevin Smith with Phil Hester
Artist: Jonathan Lau
Colorist: Ivan Nunes
Genre: Media Tie-In, Action Adventure
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130184009 00611
UPC: 725130184009 00621
UPC: 725130184009 00631
Steve Austin and the evil cyborg Hull engage in a bionic battle that shakes the very foundation of Washington DC. From the posh ballrooms of high society to the bowels of the subway, the half-machine combatants leave a path of destruction through our nation’s Capitol. But when Hull’s tactics put the lives of innocents in danger, Steve Austin must push his new bionic
Powers to the limit… and beyond!

Rating: Mature
Covers:
Joe Jusko (50%), Stephen Sadowski (50%), Lucio Parrillo (1-in-15)
Writer: Arvid Nelson
Artist: Edgar Salazar
Colorist: Adriano Lucas
Genre: Sci-Fi, Fantasy, Super-Hero
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130184047 01611
UPC: 725130184047 01621
UPC: 725130184047 01631
John Carter is finally united with the son he never knew. The two of them face bloody death in the great arena of Issus, Goddess of Life Eternal. No one has ever escaped from the arena of Issus before, but Carter and his son might have a thing or two to teach this false goddess about religion — the old fashioned way, at the end of a sword point! Hair-raising escapes, devious villainy, and an embarrassing revelation or two await you in Warlord of Mars Issue 16: Flight and Pursuit!

Rating: Mature
Covers: Paul Renaud (33%), Ale Garza (33%), Fabiano Neves (33%)
Writer: Robert Napton
Artist: Carlos Rafael
Colorist: Carlos Lopez
Genre: Sci-Fi, Fantasy, Super-Hero
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130184054 01111
UPC: 725130184054 01121
UPC: 725130184054 01131
The Great Toonolian Marshes–one of the most feared places in Barsoom with 1800 miles of marsh land infested with exotic and dangerous creatures. It also possesses natural resources that Helium needs for its reconstruction. Dejah, along with her new pilot Kantos Kan, ventures into this foreboding region on an expeditionary mission. While there, Dejah is possessed by “the Boora Witch,” one of the marshes’ most dangerous residents. Unknown to anyone, The Witch takes control of Dejah and starts spinning a web that could destroy Helium once and for all! Dejah has overcome many enemies, but can she overcome the enemy within?

Rating: Mature
Covers: Lucio Parrillo
Writer: Mark Rahner
Artist:
Stephen Sadowski
Genre: Sci-Fi, Fantasy, Super-Hero
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 40 pages
Rights: WW
Age range: 16+
UPC: 725130186072 00111
The mighty green warrior Tars Tarkas was ready for blood the day he first met John Carter on Barsoom. Make that MORE blood. The epic, “Shell Shock,” chronicles the violence and horror that led to that day. Tars Tarkas is jolted out of an existential crisis by the massacre of a Thark egg incubator, and things just get worse from there as he faces mutiny and … and genocide! Written by Mark Rahner (“Rotten,” “Green Hornet” Annual #2).

Rating: Teen +
Covers: Brian Denham (33%), Phil Hester (33%), and Jonathan Lau (33%)
Writer: Ande Parks
Artist: Igor Vitorino
Colorist: Ivan Nunes
Genre: Super-Hero, Adventure
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130184115 02411
Green Hornet’s perception as a villain in Century City has been kicked up a notch, as someone disguised as the Hornet has assassinated the city’s Mayor. A pair of new villains finalize their plans to seize power, and a fearful public demands blood, with Green Hornet and Kato as the prime targets. Britt Reid has to find a way to clear his alter ego’s name while maintaining both his secret identity and his fearful reputation amongst the gangs of Century City. Green Hornet is now Public Enemy #1… with a bullet.

Rating: Teen +
Covers: Matt Wagner
Writer: Matt Wagner
Artist: John K. Snyder III
Genre: Action/Adventure
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130184139 00711
The one and only Matt (MAGE, GRENDEL) Wagner is in the home-stretch of his epic story of Zorro! After catastrophic changes in Zorro’s world-events, Zorro begins to question everything he does and everything for which he stands. There’re thrilling times ahead as ZORRO RIDES AGAIN with issue #7 from
Dynamite Entertainment!

Rating: Teen +
Covers: Walter Geovani (50%), John Watson (50%)
Writer: Eric Trautmann
Artist: Walter Geovani
Genre: Sword and Sorcery, Adventure, Superhero
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130184153 06611
The final, bloody showdown over the cursed Horn of Nergal is at hand! To stand fast against an army of Stygian assassins, and the sinister machinations of the Priestess Azanathi, will require all of
Red Sonja‘s considerable skill. But is the She-Devil’s martial prowess enough to win the day, and perhaps, a measure of redemption, or will the Horn’s curse cost Sonja everything?

Rating: Teen +
Covers: Frank Martin Jr.
Writer: Marc Mason
Artist: Lui Antonio
Genre: Sword and Sorcery, Adventure, Superhero
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 40
Rights: WW
Age range: 16+
UPC: 725130186089 00111
The goddess Scathach places her blessings upon a new warrior, Raven, who dedicates herself to the advancement of women all across the land. But when
Red Sonja finds herself investigating a series of massacres, she begins to suspect that Raven isn’t quite as noble as she seems in the pursuit of her cause. Surrounded by an army of women ready to draw blood in her name, Raven may be the one foe that Sonja cannot defeat… and she may not want to!

Rating: Teen +
Cover: Igor Vitorino (50%), Lucio Parrillo (50%)
Writer: Luke Lieberman
Artist: Milton Estevam
Genre: Sword and Sorcery, Adventure
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130184160 02711
When you move to strike Empress Sonja you had better not miss, because you only get one shot. Then it is her turn. Meanwhile Xander and Melea penetrate Koliostri’s growing cult, and learn its secrets.

Rating: Mature
Writer: Chuck Dixon
Genre: WAR
Awards: N/A
Publication Date: Jan 2012
Format: 6 x 9 prose novel
PAGE COUNT: 160
Rights: WW
Age range: 16+
New York Times Best-Selling Author and comic book writer, Chuck Dixon’s first ever novel from
DYNAMITE ENTERTAINMENT! In the tradition of G.I. Joe, Punisher, Tom Clancy, Brad Thor, Clive Cussler, Vince Flynn, W.E. Griffin, and Dale Brown: SEAL Team Six: The Novel!
They are highly trained. Their missions are classified. They are our best and last hope. Yet they do not exist. Follow SEAL Team Six as they train, hunt and fight an enemy who reaches out from the most remote corners of the world to murder and maim. These highly-trained, military men are the unknown heroes who endure unimaginable hardship and murderous combat to protect our homeland.
SBN-10: 1-60690-251-2
ISBN-13: 978-1-60690-251-6

Rating: TEEN+
Cover:
http://www.dynamite.net/htmlfiles/search2.html?0=19&next0=&KMPZ=Alex%20Ross&method=dynamiteAlex Ross
Writer: Ande Parks
Artists: Esteve Polls
Genre: Action/Adventure,
Western
Awards: N/A
Publication Date: Jan 2012
Format: soft cover trade paperback
PAGE COUNT: 128
The legendary masked crime-fighter, Zorro, now in his sixties, has hung up his cape and sword. Living on a peaceful ranch in the new state of California, Don Diego tends to his cattle, breaks horses, and enjoys the company of his wife. When a renegade band of Confederate bushwhackers attack a nearby Indian settlement, though, Don Diego cannot Just stand by and let innocents be slaughtered. Zorro heads back into action again… for the last time! Guest starring another legendary masked lawman –
The Lone Ranger!
Collecting the entire five-issue series, along with a complete cover gallery.
ISBN-10: 1606901575
ISBN-13: 978-1-60690-157-1

To learn more about Dynamite Entertainment, please visit www.dynamite.net.THE LONE RANGER: DEATH OF ZORRO TPB SEAL TEAM SIX: THE NOVEL QUEEN SONJA #27 RED SONJA: RAVEN RED SONJA #66 ZORRO RIDES AGAIN #7 (OF 12) GREEN HORNET #24 WARLORD OF MARS ANNUAL #1 WARLORD OF MARS: DEJAH THORIS #11 WARLORD OF MARS #16 KEVIN SMITH – THE BIONIC MAN #6 DARK SHADOWS #4 LORD OF THE JUNGLE #2 FLASH GORDON – ZEITGEIST #3

MICHAEL DAVIS: The Art Of The Deal – Part 2… kind of

I was going to finish up the how and whys of the Action File school system deal this week and begin The Guardian Line Christian publishing deal. I’ve decided to take a step back and deal with some important particulars about these deal-making articles. I’ve gotten some feedback in person and by email over the last week that I want to address so I’ll finish those deals next week.

Someone asked me last week to whom did I think I was giving advice?

I replied: “Me.”

I started last week’s article by saying I was not bragging when I say I’ve got a ridiculous résumé and by ridiculous I mean bad ass and by bad ass I mean impressive and by impressive I mean yada, yada and yada. I stated that so it was clear up front that I am writing from a position of one who has done what I’m talking about. I have little to no respect for people who talk a big game but it’s only talk because they have never really been in the game they are talking about. Case in point, sportscasters who have never played the sport professionally but find it easy to second-guess players, managers and coaches on the field.

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JOHN OSTRANDER: Eating Broccoli

In my circle, my disdain for broccoli is pretty well known. I call them “tiny trees” and I don’t like their smell, their taste, or their texture – but I have eaten them. That’s how I know I don’t like them.

Recently, Dark Horse Comics finally announced the new Star Wars project that Jan Duursema and I are working on. Jan and I have worked on two other series together – Star Wars Republic and Star Wars Legacy – to the praise of a lot of Star Wars fans. This is in addition to my already announced Star Wars spy series, Agent Of The Empire. (plug plug plug plug)

The new series is Dawn Of The Jedi and it goes back and tells the origins of the Jedi Order which, we hope, will have some interest even to the fans who have only watched the movies. We’re doing our best to make it accessible even to those who are not conversant with the large Star Wars story known as the EU (Extended Universe). However, even with all that effort, I know some readers won’t even try it because it’s Star Wars.

And that sometimes makes me scratch my head.

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Review: “Griff the Invisible” on DVD

In August, I raved a bit about Griff the Invisible, a charming independent film about man who dreams of being a superhero. The movie opened and closed without much attention, which is shame because it dared to think big on a tiny budget. Fortunately, though, the film is coming out this week on DVD and is well worth your attention.

This Australian film was written and directed by Leon Ford, who did some commentary on camera with the 50th Anniversary DC Universe poster seen over his shoulder, a testament to his affection for the super-hero. His movie had plenty of heart, anchored by a dynamite performance by Ryan Kwanten.

Fantasy and reality is approached by Griff, a lonely salaryman and Melody (Maeve Dermody), a scientist challenging the laws of physics. They make an unlikely, but thoroughly charming couple of misfits, falling in love.

Shot on 16mm for atmosphere, the film transfers nicely to Blu-ray but lacks the sharpness of the bigger budgeted behemoth super-hero films that also came out this year. Same with the audio so overall, it’s fine on disc and watching it on a home screen makes it feel more intimate and touching than on a Cineplex screen. In some ways, this is better at home than anywhere else.

The disc comes with only a handful of extras, all a little perfunctory such as the commentary form Ford, Producer, Nicole O’Donohue, and actor Patrick Brammall. Ford is also the focus of director diary videos which are too short to be worth seeing. He touches on his thoughts before, during, and after production but never really says anything. There are also several pieces under the umbrella title Anatomy of a Scene — Opening Sequence (3:16), the All-In-One Shot (2:16), and the Anyhoo (2:00) — but is shot and edited in such a way that there’s little to be learned. There’s also the 4:08 making of featurette that again is too short to be worthwhile. Brammall also hosts a 1:24 set tour that shows you only brief sections and again leaves you wanting something with substance. The best part of the extras are the 7:36 of deleted scenes, none of which were vital to the story but did flesh out the story and characters.

MICHAEL DAVIS: The Art Of The Deal – Part 1

I’m not bragging when I say I’ve got a ridiculous résumé, and by ridiculous I mean bad ass and by bad ass I mean impressive and by impressive I mean… you know.

Really. I am not bragging. Consider one of my favorite sayings from the great philosopher Yogi Berra, who said “It ain’t bragging if you can do it.”

Trust me on this. I won’t bore you with the details but I’m one the best dealmakers in the comics business if I do say so myself.

And… I do say so.

Yeah, yeah. I can hear the haters out there. Who is this guy? Except for Milestone and ComicMix I’ve never heard of him.

That’s fair.

But I’m sure a great many of you love movies and have never heard of Michael Ovitz either. I’ll just leave it at that.

When I say “deal” I’m not just talking about getting a comic book done. I’m talking about expanding the medium to as many media platforms as my mind can conceive. Except for the movies (which I’m working on) I’ve done major deals in TV, mainstream publishing, education, the music industry, toys, the Christian market, radio and I’m working on a (get this) musical.

I’ve done very few comic books as a creator. In fact, I’m only done two mini series, a few covers had some work in a few anthologies and at Milestone. Yet I was named one of the most powerful people in comics for two straight years by Hero Illustrated in 1993 and 1994 and back then I had nowhere the résumé I have to day.

Of course after naming me to that list for the second time, Hero Illustrated went out of business. Coincidence?

Probably not, but who am I to say?

You may ask yourself, as I have, “Self, how the heck did he get on that list?”

It’s the art of the deal my friend, the art of the deal.

I’ve put deals major together such as creating a comic book universe as a high interest low level reading program which is now and has been taught in schools as a curriculum and I did that in 1996. It’s called The Action Files; it started at Simon & Shuster then went to Person Learning.

That’s a pretty big accomplishment, but not my biggest. 15 years later it still holds up as a badass deal.

I’ll use that deal as a step by step ‘”how I did it.” I’ll go from idea to how The Action Files came to be distributed in the school system by not one but two powerhouse publishers.

My step by step will be interspersed with asides which will (hopefully) help provide a better and true understanding of the what-and-why mechanics of the deal.

The Action File Deal

It all started with a great idea: comics in the school system.

I’m not the first guy to think of that not by any means. In fact both Marvel and DC have had comics in the schools for one reason or another for decades. Those “educational” comics covered subjects such as drug abuse prevention among various other public service content.

What made my idea different was this: I wanted to create a comic book universe that would be a complete reading program with study and teacher guides that allow for a specific curriculum to be taught.

Many young people go wrong when trying to do something new or groundbreaking they think that a great idea is all you need.

Err, no.

My idea was neither ‘new nor groundbreaking, but my program was both. With that said here are the steps taken that turned my idea into a deal and that deal into a reading program.

Step 1: Does your idea have merit?

In other words, is it a good idea to anyone else but you?

I knew my idea had merit because it just made sense. I knew this on a personal level because the summer I discovered comics I went from a forth grade student with a third grade reading level to a fifth grade student with a ninth grade reading level. I knew this because I had to attend summer school that year to be able to be promoted into the fifth grade. I tested third grade in July and ninth grade in late August.

Why had it not been done before with a major publisher?  That was the question I had to think about. That led me to my next question and step:

Step 2: What are the barriers to entry and why has this not been done before?

After thinking and researching this question for a few weeks (another reason people fail: they think a good idea is somehow magically going to go away or be stolen if they don’t move the second they think of it. So they don’t do their due diligence) I decided the reason why there was no comic book reading programs taught as a curriculum is because of the educational climax and prejudices that were associated (at the time) against comic books.

In other words no one wanted to see The Hulk in a textbook.

When I ran this little tidbit by my then girlfriend she responded“That’s silly! Kids love comics!” True, kids love comics and very few kids would frown on reading them in school.

BUT, you are not selling to the kids; you are selling to educators and parents. Get it?

That’s another reason why some fail at this sort of thing. The idea is everything to them.  They focus only on the audience that the idea would be great for. Very seldom is the end user the gatekeeper.

How many times have you seen a TV show and it just sucked? When’s the last time you felt gipped because you spent nine bucks on a movie that was just bad?

Have any comics that you wished you could not only get your money back but also find the creative team and beat them with your copy?

I’m sure the vast majority of the readers of this column have experienced some if not all of the above. Here’s the thing: that TV show, movie and comic book all started out as a good idea to somebody. I’ve had much better ideas and so have you than certain things I’ve seen in the movies or on television. Yet somehow the shitty stuff is on TV and my idea is not. That’s because all the people involved figured out and dealt with the barriers to entry. What happened when the movie or TV show was being filmed is not the problem you should be worried about while you are looking to sell your idea.

That’s another reason people fail. They ask for outrageous things the moment someone shows an interest. I have a dear friend who killed a huge animated deal at DreamWorks because he insisted on directing. He never directed anything in his life so guess what happened to his idea?

It went from a DreamWorks movie to just being another idea.

Here’s another thing most people will not tell you: ideas are a dime a dozen, ideas are cheap and there is very little new under the sun.

By no means is anything I wrote or anything I’ve managed to do a magic bullet for a deal closing. I’ve killed a deal or 50 in my career with bad moves and most likely will again. This series of articles hopefully will shed some light on the inner workings of real deals and how they got done.

Think “ABC” when it comes to deal making:

Always

Be

Closing

What good is any idea if it just stays an idea?

Next week, I’ll finish up the Action File deal and begin to tell you how I set up a comic book universe and animated film deal for the church market.

Until then if you are interested in deal making, Goggle Michael Ovitz. I’m good but he’s the best that ever was and compared to him I’m just a squirrel trying to get a nut.

A cute and sexy squirrel, but still just a squirrel.

WEDNESDAY: Mike Gold

DC Comics February 2012 Solicitations

We hold in our hands the covers for DC Comics this February. As a child of four can plainly see, these comics have been hermetically sealed in a CGC 9.9 slab, and they’ve been kept in a #2 mayonnaise jar under a giant stack of returned copies of Holy Terror since noon today.

What do we have worth noting? The new look of Darkseid, and we’re far enough into the new 52 books that it’s time for Batman to start crossing over in all of them. Plus Mara Jade, the red-haired assassin who fell in love with her blond-haired man she was sent to kill– oh, I’m sorry, that’s from Star Wars. This is Mera in a jade outfit. Our mistake.

Shall we? Surely!

As usual, spoilers may lurk beyond this point.

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MINDY NEWELL: To Love, Honor, And Cherish Until Death – Or Editorial Decision – Do Us Part

If you’re a regular reader of this column, you know that my daughter, Alixandra Gould – yes, she’s keeping her name – married the love of her life, Jeffrey Christopher Gonzalez, last week. (A big thank you! to Mike Gold for posting a beautiful column last week that I posted on Facebook, then e-mailed to every single person I’ve ever met just to make sure they read it, and which Alix and Jeff thought was terrifically cool.) So of course I decided to write about superhero marriages this week. Not a big leap, is it?

I just finished googling “superhero marriages.” There were “about” 7,750,000 hits in 0.23 seconds, the most recent being a slide show in the Huffington Post posted only four days ago – well, five days ago since this appears on Monday – on November 9, 2011 titled “Comic Book Weddings: 8 Of Our Favorite Superhero Weddings.” In order, they are (1) Spider-Man, a.k.a. Peter Parker, and Mary Jane Watson in 1987’s The Amazing Spider-Man Giant Annual; (2) 1962’s The Incredible Hulk #319 in which Bruce Banner and Betty Ross’ nuptials are interrupted by a “special guest”; (3) The X-Men’s Scott Summers (Cyclops) and Jean Grey (Phoenix) in 1994; (4) Wonder Woman in her eponymous title married Mr. Monster in 1965 – ‘nuff said!; (5) Aquaman and Mera in Aquaman #18, 1964; (6) “Death Waits to Kiss the Bride” screamed the cover of Lois Lane #128 in 1972 – featuring the now iconic picture of Superman holding somebody’s dead body; (7) The Flash races down the altar to stop Iris West from marrying the wrong Barry Allen in The Flash #165, 1966; and (8) Wonder Girl, a.k.a. Donna Troy, marries Terry Long in Tales Of The Teen Titans #50, 1985.)

How did they miss Reed Richards and Sue Storm Richards, a.k.a. Mr. Fantastic and The Invisible Woman? Im-not-so-ho, Reed and Sue are the most realistically portrayed marriage “pros” in the comics universe.

The couple married in 1965, making this year the 46th anniversary of their being a Mr. and Mrs. (They look pretty damn remarkable, don’t they? Must be all those visits to the Negative Zone.) Down through the years, Reed and Sue “have and held, for better or for worse, for richer, for poorer, in sickness and in health,” and have loved and cherished each other through everything the Marvel Universe could and continues to throw at them, including “real life” curves like a miscarriage, potential affairs, political differences, and a brother’s death.

Peter Parker and Mary Jane Watson came pretty close in matching the Richards’ record – not in years married, but in a realistic view of marriage – but then Marvel decided to “disappear” their relationship. Clark Kent and Lois Lane had a wonderful thing going, too, but DC recently terminated without prejudice that couple, too.

And what the hell happened to Scott and Jean?

Jean Loring, the wife of Ray Palmer (The Atom) has a “mental breakdown” and goes on a rampage, killing Sue Dibny, the wife of the Elongated Man (Ralph Dibny), in one of the most gruesome scenes I’ve ever seen in any comic.

Betty Banner, wife of Bruce Banner (The Hulk) was abused, suffered miscarriages, was turned into a harpy, and died. She got better and turned red.

Shayera Hall, Hawkwoman, dead.

I’m sure glad Jeff isn’t a superhero.

TUESDAY: Michael Davis

The Challengers of the Unknown Join The New DC Universe

The New Challengers of the Unknown.
Cover: Ryan Sook
The original Challengers.
Art: Jack Kirby
DC Comics’ classic sci-fi adventure team the Challengers of the Unknown joins the brand new DC Universe under the creative team of writer Dan Didio and artist Jerry Ordway in February 2012’s DC Universe Presents #6.
The new Challengers of the Unknown feature imagines a new start for the team where the entirety of its membership will play a role…and one where they may not all make it out alive.
Comic Book Resources has an interview with Challengers of the Unknown writer and DC Comics co-publisher Dan Didio at http://www.comicbookresources.com/?page=article&id=35378 about the return of these classic pulpy characters.

MIKE GOLD: Comics Envy

At the very end of 1973 I was lurking about in a Woolworth’s in downtown Montreal. I was suffering from my worst case of comics envy ever.

I was seduced by the graphic novels rack. That’s not what it was called, but that’s what it was. Dozens of titles by Jean Giraud (a.k.a. Moebius), Phillipe Druillet, and all kinds of master comics creators the likes of which we had not seen in the States. Beautiful stuff. I could follow much of the storytelling but little of the story itself.

I was also seduced by the wide range of subject material, with nary a cape in sight. Western, science fiction, private eye, romance, ennui-ridden existentialism, and stuff that seemed as though it was influenced by lysergic acid diethylamide the likes of which we never had on St. Mark’s Place. In short order I stumbled upon equally awesome material from Japan and Italy and, possibly, Mars. I experienced a beautiful work covering the widest range of subject matter imaginable. But in comics, such a range was not imaginable, not in the United States.

A couple years later the National Lampoon folks started up Heavy Metal, and while it wasn’t as interesting as it could have been, the new magazine got this material out there. At worst, it was a gallon of water brought to the desert. At best, Heavy Metal was a door opener.

One might think that a logical way of dealing with my comics envy would be to learn a foreign language – certainly French or Japanese. No such luck. Like most Americans I’m lacking in the foreign language learning gene: I took five years of Spanish and lived (and now live) in neighborhoods with or near a significant Latino population and I can barely mumble a few phrases, “perdóname” being my most heavily used.

38 years later a lot of wonderful material has been translated – but that’s not the best part. The best part is, the American comics medium has grown to the point where we now create stories that cover many of the genres that we see overseas. Not anywhere near all, but many. We still don’t have comics for senior citizen grandmothers the way they do in Japan, but we’ve gone a lot further than the 1973 diet of capes, muscles, some horror, a few klutzy teenagers, and a smattering of “children’s comics.” For one thing, we are finally seeing something of a return of children’s comics, thanks to outfits like Boom! and Ape.

Sadly, we’re not seeing a lot of sales in these categories. Most comics shops really can’t afford to risk stocking them in any depth and then promoting them to the appropriate audiences, and most publishers – maybe all of them, now that the tide has changed at DC and Marvel – really can’t afford to help them in any dramatic and useful way.

Maybe electronic distribution will change all that. Clearly, it’s the best way right now to attract new readers, but the promotion budget has to be there and that ain’t easy.

Still, it’s a start. A good start.

THURSDAY: Dennis O’Neil

Interview: Will Meugniot on “N.E.D.O.R. Agents”

Interview: Will Meugniot on “N.E.D.O.R. Agents”

With a resume that could best be described as the very definition of awesometasticness, Will Meugniot is a working legend. Given the opportunity to sit down with him–if only through these odd and twisted halls of the interwebs and Skype–I was tempted to simply pelt him with geeky question after geeky question. Allow me a quick explantion: Reading through his resume, Will Meugniot has worked on an amazing array of projects anyone in Generation X or before would swoon over. As a storyboard artist, writer, producer, and director for (amongst other things) Captain Planet, EXOsquad (aka EXO-Force as you’ll see in our next installment), Jem, Slimer and the Real Ghostbusters, and comics like Tigra, The DNAgents, and Vanity… suffice to say I had a hard time not grilling the poor man for several days.

As we mentioned previously, Will is writing and drawing a brand new comic with an old school feel. The N.E.D.O.R. Agents will be hitting your local comic shop shelves, today (November 9th, 2011), and Will was nice enough to sit down with me to give all you ComicMixers the 411. And don’t worry, we totally dish on his work in animation, later this week. Read on!

COMICMIX: Before we get ahead of ourselves, could you tell me, and all of those butchering your name from above how we pronounce your last name?

WILL MEUGNIOT: It’s pronounced Min-Ee-Oh. I think many people have [butchered my name] in the past. Mark Evanier and I used to dub ourselves “The most unpronounceable team in comics!”

CMIX: First and foremost, let’s talk about what brings you here today… the N.E.D.O.R. Agents… Give the ComicMix readers the ‘elevator pitch’ of the project.

MEUGNIOT: First and foremost, it’s a piece I myself would want to be reading right now. N.E.D.O.R. Agents is a period piece; taking these characters from the 40s and reviving them into 1965. I’m treating them the same way other publishers treated revival characters like Captain America, Green Lantern, Flash, and characters of the period were. This is an update for the atomic age. It places these classic characters of the 1940’s in the world of 1965, and the race to space. Of course the race is interrupted by aliens who are already invading Earth!

CMIX: And are the characters being “retconned” here into starting their careers in 1965, or have they simply been elsewhere?

MEUGNIOT: Well, actually the reason these characters haven’t been seen since the 40’s (as you’ll find within the story) is because they have been secretly forming a covert team of superpowered individuals to fight an impending invasion. Now 20 years after the creation of that agency, we’re catching up with them and their super kids!

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