Tagged: ComicMix

Every Day is Kids Day! by Martha Thomases

Every Day is Kids Day! by Martha Thomases

One of the things I learned at this year’s MoCCA Arts Festival (aside from the fact that New York firefighters remain the world’s most awesome) is that independent, alternative cartoonists embrace the children’s market. This was evident not only in the major publishing launch of Francoise Mouly’s TOON Books, but also the work of a lot of young people with their self-published titles.

This may seem like a stupidly obvious thing to say from anyone who has watched the market for children’s books, graphic novels, and other kinds of mass media. Unfortunately, it doesn’t seem to apply to most comic book stores.

When I worked at DC, the typical story about comics had the headline, “Biff! Bam! Pow! Comics Aren’t Just for Kids Anymore!” My boss explained to me, in great detail, why there was no need to make comics that children under 12 would enjoy. The success of Vertigo – Sandman in particular – meant there was a profitable market for comics among college-educated, affluent adults, especially to advertisers.

This was true, as far as it went. Good books can be good marketing. Sandman continues to make a lot of money for DC, even though there haven’t been new stories for several years. I have no doubt that many people for whom Sandman was their first comic went on to read lots of other comics by lots of other writers, artists and publishers.

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Happy Birthday: John Workman

Happy Birthday: John Workman

Born in Beckley, West Virginia in 1950, John Elbert Workman Jr. grew up in Aberdeen, Washington and studied at Grays Harbor College and Clark College, getting an Associate in Arts degree in 1970.

He worked in advertising briefly before creating the science-fiction comic series Sindy and the humor strip Fallen Angels in 1972. In 1974 his work on Star*Reach attracted attention from DC Comics, and they offered Workman a job in production.

From 1977 to 1984 he was art director Heavy Metal magazine, where he wrote, drew, edited, colored, designed, and lettered. Since then he has written and drawn for DC, Marvel, Archie, Playboy, and others, but he is best known as a letterer. He worked on many projects with Walt Simonson, including Thor and Orion, and also did the lettering for Jim Starlin’s Cosmic Odyssey series.

More recently Workman lettered The Question, Bullet Points, and 1985, all Tommy Lee Edwards books. He has also done the lettering on ComicMix’s own GrimJack and Jon Sable: Freelance.

Workman is well-known for his tight craftsmanship, his distinctive style, and the fact that he still does traditional lettering on art boards instead of using the computer and digital fonts.

Manga Friday: Three Books from CMX

Manga Friday: Three Books from CMX

Just last week, a secret package of photocopied pages, marked "CONFIDENTIAL — DO NOT REPRODUCE" landed on my desk. Included were three books from DC’s newish manga imprint, CMX, from across the range of their titles. And so, through great personal travail — and with the assistance of someone at DC who must remain nameless, since there was no cover letter — here are the first ComicMix reviews of CMX books…

(Exciting, isn’t it?)

These are all forthcoming books, hitting stores starting in late September. So you can think of this review as a teaser, if you want.

Variante, Vol. 1

by Igura Sugimoto

DC Comics/CMX, October 2008, $12.99

This is the fourth and final volume of this Mature-readers series, so I’m going to be doing a bit of guessing about the beginnings that led to this ending. There’s a young woman named Aiko who’s being held prisoner by the requisite nasty corporation, Atheos. The head of Atheos is completely insane, and wants to turn Aiko into a goddess who will destroy the entire human race and create a new world just for him.

This is a not-impossible dream, since Aiko is a "second-generation chimera," a human with some sort of ill-defined powers — she seems to spead out her own flesh into shields and weapons, or maybe that’s supposed to be energy — who is also the daughter of people who also secretly had those powers. Also, Atheos has been involved, somehow, in turning people into chimera, which is nasty and unpleasant, even leaving aside the fact that chimera tend to go crazy and kill lots of people.

There are other bad guys — as usual, there are factions and intrigue within Atheos, and someone on the good guy’s side turns out to have worked for them long ago, before he turned good.

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Review: This Week in ‘Trinity’ – Part 3

It’s time we talked about Kurt Busiek.

He’s the brain behind this weekly operation and, in case you’re new to comics, he’s one hell of a writer. And there’s one particular quality that sets him apart.

His comics matter.

I don’t mean this in the sense that he does event comics (although Trinity certainly qualifies as such). What distinguishes a Kurt Busiek comic book has always been that he immediately instills the material with a sense of importance.

His big projects, like Marvels and Astro City, are perfect examples, but even in his post-Infinite Crisis take on Aquaman Busiek quickly remade that book into one that had to be read, and had to be taken seriously.

I say all this because, for a few reasons, I don’t get that sense from Trinity. So far, DC’s latest weekly series does not feel important. So far, it doesn’t matter. 

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Bat-Man and Mr. Right, by Michael Davis

Bat-Man and Mr. Right, by Michael Davis

Above Gotham City, Bat-Man looked down at the two hoods. From his vantage point they could not see him, nor could they hear him as the sounds of their hurried footsteps and thoughts of their impending criminal act drowned out all sounds real or imagined. Bat-Man swung above them watching, waiting for what he knew was coming. True to his instincts, the two men settle on a victim. The middle-aged man had no idea that he was about to be robbed. Then again, the two thugs had no idea they were going to be beaten… badly.

“Hey, buddy.” One of the criminals said. The middle-aged man turned around. His eyes went immediately to the gun the man was holding. The two gangsters smiled, they loved the fear in the marks eyes. “You know what this is. Give us your money.” The victim’s name was Larry Wright. His friends call him “Mr. Right” with an “R.” That’s because he is so right wing and so conservative. Mr. Right has a lot of friends, but too bad for him none of his friends were there to help him. As if they would. No, he was alone… or so he thought.

“Did you not hear me?” The man with the gun shouted. “Give us your money!” Mr. Right could not move. He could not understand why he could not move or speak. He was frozen. Why could he not simply hand the man his wallet? Was he scared? How could that be? He was Mr. Right he was the man who speaks out he was not scared of anything.

Faggot! I’m talking to you!”

The man with the gun yelled as he walked towards Mr. Right with the gun leveled between the frozen man’s eyes. “Hey. Faggot! I’m taking to you.”

Somehow, Mr. Right found his voice. “I’m not a faggot.”

Without a sound, Bat-Man dropped onto the two thugs. With one swift move he disarmed the gunman with his Batarang while kicking the other man with a roundhouse that almost took his head off. The disarmed gunman launched himself at Bat-Man. Bat-Man smiled as he drove his right fist into the gunman’s face and, immediately, his left fist into his stomach. The force of one blow bent the man over the other stood him upright again.

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The Weekly Haul: Reviews for June 19, 2008

Let’s get this out of the way up front: Not a great week for comics. A few good eggs, but a whole lot of blah hit the shelves this week. So it goes.

In other news, I’ll be in Charlotte at Heroes Con this weekend, so if you make it there, give me a shout. Or, if you’re the creator of one of the books I just called "blah," you can punch me in the face.

Book of the Week: RASL #2 — As usual, the only complaint with Jeff Smith is that he and deadlines are like oil and fire. And yes, oil and fire is worse than oil and water. Trust me.

This issue was supposed to come out last month, but it’s here now and it’s a dandy of an issue. I’m a fan of Bone and Shazam!, but without pause I’d call RASL his best work yet.

The dimension-hopping lead’s troubles continue as he learns an organization of some sort has caught onto his little exploits and is in hot pursuit. Smith throws in a lot of sci fi, but with his unwavering command of the medium he never lets the story out of noir territory.

This is the most serious and adult story Smith has done, which is certainly of note, but I find more interesting his experimentations with story structure. He’s pushing himself to new levels, and we get to enjoy the ride (stop-and-go as it is).

Runner Up:

X-Factor #32 — This issue doesn’t have that usual snap-crackle-and-pop of Peter David’s dialogues and monologues, but that’s by design as we see the fallout of Arcade’s near-complete destruction of Mutant Town.

It’s one big exhalation of an issue, with Madrox crumbling mentally (as ever) and the team rallying (sort of). David uses the moment to make a big paradigm shift with the team and the series, set up brilliantly with a series of reverses involving government stooge Val Cooper.

Really, though, the big draw is David’s intro update on his family. Those always kill me. Someone pay him to write a third person memoir, please!

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Comic Reality Bytes, by John Ostrander

Samuel Keith Larsen recently popped me a question on my message board that I found interesting:

“Remember back in the Death Of Captain Marvel, where Rick Jones asked the Avengers why they haven’t discovered a cure for cancer? To this day, given all the magic and super-science, there hasn’t been any good answer for why cancer hasn’t been cured in the Marvel Universe. If you were asked to write a story dealing with that topic, how would you answer the question?”

Well, I’d note that Captain Marvel was dead but seems to be feeling better these days. Same with Bucky. However, that’s beside the point – and the question being asked.

As I answered the question on my board, if I was approached to write a story such as Sam described, I’d probably not cure cancer but use the story to explore the problems with curing cancer and why finding a cure is so difficult. The question asks really about continuity – if Mr. Fantastic is so freakin’ smart, why can’t he cure cancer? Or AIDS? It begs the issue of consistency.

For me, there is a larger issue and it gets back to the basic purpose of storytelling – all storytelling, to a greater or lesser degree. As the rector at my church, the (sometimes) Reverend Phillip Wilson, has often put it, stories are the atoms of our society. We use them to tell, share, compare, illustrate, defend, and maintain our lives, our experiences, who we are as individuals, as communities, even as a nation.

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Battlestar Galactica Interview: Mark Verheiden on Cylon Amnesty and Finding Earth

Battlestar Galactica Interview: Mark Verheiden on Cylon Amnesty and Finding Earth

Welcome to the latest installment of Battlestar Galactica Weekly, our recurring Q&A with Mark Verheiden, co-executive producer of the hit Sci-Fi Channel series Battlestar Galactica. Each week, we’ll interview Verheiden about the events of the week’s episode, what those events might mean for both the season and the series, and hopefully unearth some clues about what to expect as the final season of Battlestar Galactica nears its conclusion.

Along with posing our own questions to Verheiden, we’re also taking questions from fans — so be sure to send your questions to me, your official BSG Weekly interviewer, after each episode airs at chris [at] comicmix [dot] com. New episodes of Battlestar Galactica can be seen every Friday at 10 PM EST on Sci-Fi Channel. You can read previous interviews via our BSG Weekly Archive or the links at the end of this article.

This week, Mark is answering questions about Episode #10 of Season Four, "Revelations," which aired June 13, 2008 and is BSG’s mid-season finale. Note: These answers may contain spoilers, so read at your own risk.

COMICMIX (from reader Erica): Is it true that the online streamed version of the episode is longer than the one that aired on Sci-Fi?

MARK VERHEIDEN:
As usual, I have to plead ignorance, I simply don’t know, and guess whose TiVo went to the wrong channel when the episode actually aired Friday night?  I’m sure the eagle-eyes in the audience will let us know soon enough!

CMix (from reader Erica): Are we to assume that, in the show’s final shot on Earth, that is Caprica Six who walks up to Tigh and reaches for him?  Was she freed from the brig as part of the amnesty policy Lee announced?

MV: That is Caprica Six and yes, Lee’s amnesty encompassed her as well.

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‘EZ Street’ Nominated for Harvey Award

‘EZ Street’ Nominated for Harvey Award

The 2008 Harvey Award nominations are out, and ComicMix is proud to have EZ Street nominated for "Best Online Comic." Congratulations to Robert Tinnell and Mark Wheatley!

Sure, EZ Street is up against some tough competition — Diary of a Wimpy Kid, Penny Arcade, Perry Bible Fellowship, and The Surreal Adventures of Edgar Allan Poo — but we think it will do okay.

This year’s Harvey Awards will be handed out at the Baltimore Comic-Con, held September 27-28, 2008.  Convention hours are Saturday, 10 AM to 6 PM, and Sunday, 10 AM to 5 PM.  The ceremony and banquet for the 2008 Harvey Awards will be held Saturday night, September 27, hosted once again by Kyle Baker.

If you are a comics creative professional and would like to vote, you can download the .pdf Final Ballot or download .txt Final Ballot (for email) and send it to pjcjmc3 [at] sbcglobal.net. Final ballots are due to the Harvey Awards by Friday, August 15, 2008.  Full details for submission of completed ballots can be found on the final ballot.  Voting is open to anyone involved in a creative capacity within the comics field.  Those without Internet access may request that paper ballots be sent to them via mail or fax by calling the Baltimore Comic-Con (410-526-7410) or e-mailing baltimorecomicccon [at] yahoo.com.

The full list of nominees is after the jump.

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Gainfully Employed, by Elayne Riggs

Gainfully Employed, by Elayne Riggs

Kids, it’s been a rough six months for me. Well no, I take that back, it hasn’t. I should start off by saying that I’ve had a lot of advantages to take me through my most recent period of unemployment. I was eligible to collect over $300 a week in unemployment insurance (thank you, FDR!). My former job kept me on COBRA so I also had health insurance, of which I took full advantage during my involuntary extended vacation to get all my medical and dental check-ups out of the way. The premiums rose considerably a couple months ago, but the unemployment payments (which ran out two weeks ago) helped a lot, as long as Robin took care of the rent and bills. Which he did, as fortunately he’s been employed during the entire time (thank you, DC Comics!). Plus, my mom has been there to help out when I’ve needed it.

Even with all that, even with the other built-in advantages (living in a big city, having a college degree, cultivating a pretty solid set of skills), it’s been scary. My heart goes out to people who don’t have that second income, that familial support system, that safety net for when stuff goes wrong. I can’t imagine how they get through it. My stress level was through the roof.

The illusion of job security has always been very important to me. I’m married to a freelancer, but I couldn’t see adopting that lifestyle myself. I’m a creature of habit, I like having set routines; in fact, I like having other people set them. Being a freelancer takes too much self-discipline. I tried catching up on my writing during this last six months, but couldn’t manage more than my usual ComicMix column, weekly roundup, and daily blog post. I was just too consumed with anxiety over my workless state.

Fortunately, I was able to summon up enough wherewithall to undertake an extremely detailed and organized job search, an avocation in and of itself, but the thing about looking for work is, it’s never in the same office from one day to the next, is it? And it’s exhausting, rather like I’d imagine it would be when you’re finishing up an assignment and your brain is busy worrying about where the next assignment is coming from. Nope, one freelancer in the family is quite enough!

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