Tagged: Captain America

Colan: Visions of a Man without Fear Opens in San Francisco

Colan: Visions of a Man without Fear Opens in San Francisco

Gene Colan’s artistic career will receive the retrospective treatment as San Francisco’s Cartoon Art Museum presents Colan: Visions of a Man without Fear, opening November 15 and running through March 15, 2009.

On December 4, there will be a special opening reception with Gene and Adrienne Colan in attendance.

The exhibition will include over 40 examples from Colan’s long creative career, from his one and only story illustrated for legendary publisher EC Comics in 1952, through his career-defining work for Marvel Comics from the 1960s and 1970s on titles as diverse as Iron Man, Tomb of Dracula and Howard The Duck, to his notable run on DC Comics’ Batman in the 1980s, to his more recent efforts, including illustrations commissioned by his fans and his beautiful pencil artwork on titles such as Michael Chabon’s The Escapist, published by Dark Horse Comics.

Guest Curator Glen David Gold, author of the novel, Carter Beats the Devil, put the museum show together.  An exhibition catalog featuring high-quality reproductions of Colan’s artwork and essays from many of his most notable collaborators, including writers Stan Lee, Marv Wolfman, Roy Thomas and Steve Englehart, will be available at the Cartoon Art Museum prior to the exhibition’s opening reception on December 4.

For those unfamiliar with Gene “The Dean”, he was born in New York in 1926 and studied at the Art Students League of New York under illustrator Frank Riley and surrealistic Japanese painter Kuniashi. After a stint in the army, Colan’s official career in comics began in 1944 at Fiction House and Timely.

 

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Joe Johnston to Direct ‘Captain America’

Joe Johnston to Direct ‘Captain America’

Joe Johnston will be directing  First Avenger: Captain America for Marvel Studios. The director has signed a deal according to The Hollywood Reporter for the film which will open May 6, 2011 setting up the final pieces prior to that July’s Avengers film.

There is no casting as yet nor is there a screenwriter.

Johnston made his name as a special effects designer for George Lucas on the original Star Wars films prior to shifting to directing and his credits include genre fare such as the underrated The Rocketeer and next year’s Wolfman film with Benicio del Toro. Johnston met with Marvel Studio execs two years ago and hit it off so this is the culmination of that relationship.

Kevin Feige told the trade, "This is a guy who designed the vehicles for Star Wars, who storyboarded the convoy action sequence for Raiders of the Lost Ark. From Rocketeer to October Sky to The Wolfman, you can look at pieces of his movies and see how they lead to this one."

Joe Simon and Jack Kirby created the star-spangled avenger for Timely Comics in 1941 and produced ten issues prior to leaving for DC Comics.  The character, though, endured and became one of the three major stars of the comics line through the 1940s.  He was briefly revived in the 1950s but lay dormant until Stan Lee created the Marvel Universe.  For the fourth issue of the Avengers, he and Kirby told of how Captain America had been preserved in a state of suspended animation, trapped in a block of ice until the Sub-Mariner unwittingly tossed the chunk into the sea where the warmer waters melted the block. The Avengers found him and he returned to active duty. He has been a staple of Marvel Comics ever since.

Feige had previously indicated the film will be set during World War II and film students already saw a glimpse of the frozen form in an arctic sequence shot as an alternative opening for this summer’s Incredible Hulk.  We also saw Captain America’s fabled shield in Tony Stark’s lab in Iron Man and again, director Jon Favreau indicated Howard Stark had something to do with the shield as will be revealed in forthcoming films.

Captain America had been adapted twice before.  Once in two terrible telefilms for CBS and the aborted Captain America feature film from 1990 that never made it to theaters.  Matt Salinger portrayed the hero and was pitted against his immortal enemy the Red Skull, who was an Italian terrorist, not a a Nazi.
 

Two ‘Heroes’ Go Down

Two ‘Heroes’ Go Down

If you thought Uatu’s jaw dislocation was surprising, wait until you’ve heard this one… Jeph Loeb is no longer involved with Heroes.

The producer of NBC’s television epic and the frequent comic book writer has been axed from the daily ongoings of Heroes, according to Variety. Jesse Alexander of Alias fame is also off the series, says the trade. Both Loeb and Alexander were day-to-day managers of the show under the direction of creator/executive producer Tim Kring since season one.

No reasons are listed as to why the two producers have been kicked off the show, though it’s no secret that Heroes has been disparaged since the debut of its second season. The show, now in its third year, promised a departure from the formulaic nature of its sophomore season, and with consistent critical hammering, a hardcore decision was bound to be made to save the series’ financial future. The departures of Loeb and Alexander are likely seen as moves to fit that bill.

Jeph Loeb has made a career in the super-hero industry. His graphic novels Batman: The Long Halloween and Batman: Dark Victory, in particular, have gained him critical acclaim, as has his work on Superman: For All Seasons. He’s also known for his work on the "color-centric" comic books over at Marvel Comics, specifically Hulk: Gray, Spider-Man: Blue, Daredevil: Yellow and the forthcoming Captain America: White. Loeb, whose best known super-hero work may be his collaboration with artist Jim Lee on Batman: Hush, had been involved with Heroes from the show’s beginning.

Loeb’s frequent collaborator Tim Sale, who illustrated both much of Loeb’s comic output starting with Challengers of the Unknown, is the artist behind the show’s frequent "future-telling" paintings such as those by Isaac Mendes or the newly introduced African painter. Whether or not Loeb’s departure will influence Sale’s continued work remains to be seen.

Whether or not Heroes, which suffered poor ratings during its strike shortened second season, will be negatively effected by the apparent removal of Loeb and Alexander remains to be seen. However, given that the show should be "King of the Jungle" but has merely kept its head above water in the midst of poor ratings, a true reckoning for Heroes remains to be seen.

Review: ‘Captain Action’ #1

Review: ‘Captain Action’ #1

I know way too much about comics. Far more than is healthy. But there are, understandably, a few characters here and there that I either know very little about, either because I never really came across them or I did but found them terribly uninteresting and so dismissed them, soon forgetting what I had learned.

[[[Captain Action]]] happens to be such a character. I remembered he first appeared in the 1960s, wore a costume that resembled a futuristic police officer’s with a chest symbol that reminded me to recycle, and was based on an action figure. And that was it. I remembered nothing else. So when I was asked to review the first issue of the new Captain Action series, on sale today, I thought “Perfect. I can truly look at this as a first-time fan and objectively judge if this would be interesting to someone who has no previous knowledge of the character.”

I read it and found it to be a strange mix of too much information at once and not enough.

We begin with a [[[Superman]]]-like character called Savior. His narration explains who he is and reveals that he secretly blew up a place called A.C.T.I.O.N. Directorate. On page two, we find out that half of what we just read is a lie. This is not Savior, but a person disguised as Savior. This is our hero, Captain Action, who crashes into a statue of his father and proceeds to unleash a massive information dump on the readers in a very awkward monologue.

Apparently, there was once a hero called Captain Action (the original guy from the 1960s). The shape-shifter we’ve just met is his son, the new Captain Action, who has the ability to look like other people and copy their abilities, but only for a short time. Exactly how long he can disguise himself and how long afterward he has to wait before he mimics someone again is not made clear.

The new Captain Action wanted nothing to do with the life of a super-hero, despite his powers, but now feels forced to act since his father was killed by a group of super-heroes that an organization called A.C.T.I.O.N. had “created” to defend the Earth. What “created” means is not fully explained. The new Captain Action informs us that these heroes, Savior included, were somehow turned into sleeper agents, thus why they went rogue later. Exactly how they became sleeper agents is not explained, though a group called Red Crawl is blamed. Apparently, Red Crawl was defeated long ago and everyone believed they were dead, except for the original Captain Action. Now they’re back and causing trouble.

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Marvel ‘Irons’ Out ‘Avengers’ Trio

Marvel ‘Irons’ Out ‘Avengers’ Trio

While Tony Stark is drunk on booze, Robert Downey Jr. is drunk on Tony Stark. Marvel has announced that the actor will once again don the superheroic lush’s iron clad boots for Iron Man 2, Iron Man 3 and The Avengers. While it was widely assumed that RDJ would return, this is the first official word from Marvel Studios themselves. It’s also the first casting decision made for The Avengers, insuring that at least some continuity will carry over in the Marvel movie-verse.

Additionally, Jon Favreau and Don Cheadle have also made deals with Marvel. Favreau is officially announced as the director for Iron Man 2 and will serve as executive producer on The Avengers. Favreau had publicly declared his hopes to direct The Avengers, but conceded that it was an unlikely scenario given the close proximity to working on Iron Man 2.

Cheadle, meanwhile, has officially dotted the i’s and crossed the t’s to play Jim "Rhodey" Rhodes for Iron Man 2. Marvel notes that "Cheadle is also signed on to perform the same role in The Avengers and subsequent installments of the Iron Man franchise." It’s almost a sure thing that War Machine will pop up in Iron Man 2 so that he can team up with Stark and the other heroes in The Avengers. Cheadle’s official casting is sure to crush some spirits that were hoping for a last minute Terrence Howard revival.

Interestingly enough, Favreau is the only one of the three not officially signed for Iron Man 3. Months ago, Marvel was reportedly set to drop the director from Iron Man 2 due to financial disagreements. That, as it later turned out, was Terrence Howard’s downfall instead. Still, it appears that the studio is keeping Favreau’s involvement at a slight arm’s length in case the money problems pop up once again.

Either way, it’s exciting to have some official movement on Iron Man 2 and The Avengers. The next few years should be pretty solid for comic book fans.

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Interview: Marc Sumerak on ‘Weapon X: First Class’

Interview: Marc Sumerak on ‘Weapon X: First Class’

Coming November 5 will be the first issue of a three issue miniseries, Weapon X: First Class, which will explore the Weapon X program and how it turned Logan into Wolverine.  Writing this fresh take on the story will be Marc Sumerak, former assistant editor and currently one of Marvel’s fresh new voices.

CMix: Hey, Marc, nice to catch up with you.  Just how did you manage to transition from staff to fulltime freelance?

Marc Sumerak: I spent four exciting years on Marvel’s editorial team as Tom Brevoort’s Assistant Editor, working on some of my all-time favorite titles (including Avengers, Fantastic Four, Iron Man, Thor and more). But, as they say, all good things must come to an end… and for a number of reasons, I found myself leaving NYC and heading back to my hometown of Cleveland, OH.

At that point, I figured my career in the comic biz was pretty much over… but not long after the move, I was contacted by Marvel and asked to pitch a few ideas that I had been starting to develop right before I left staff. One of those ideas became my first series at Marvel: Guardians. That came out in July, 2004…and somehow I’ve managed to continue working in comics steadily ever since! Only now, I’m not the one enforcing the deadlines…I’m scrambling to meet them instead!

CMix:
You seem to have concentrated on the lighter, brighter sections of the Marvel Universe such as the Power Pack miniseries.  What’s the appeal?

MS: I think it’s important to have a wide variety of titles available that appeal to different segments of our readership. My editors have seemed to think that I have a good grasp on "all-ages" material, so that’s been the overall focus of my body of work to date… and I definitely can’t complain about that. Working on Power Pack, Franklin Richards and the Marvel Adventures line has been a blast!

Like many of our readers, I discovered the joy of comics at a young age… and if something I’m writing brings that same feeling of wonder and excitement to one of today’s young readers, then it’s one of the greatest rewards I can imagine.

Without new readers coming in the door, the industry will eventually cease to be. So being able to provide material that a new generation can enjoy — and that parents can feel comfortable about giving their children — is an essential step towards strengthening our industry’s future. I couldn’t be more proud to be a part of that effort. 

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The Hulk: Is He or Isn’t He?

The Hulk: Is He or Isn’t He?

Rule number one of The Hulk: do not make Hulk angry. Rule number two: do not make Hulk angry.

You’d think that the bigwigs at Marvel Studios would’ve gotten that memo, but the way they’ve been playing with Bruce Banner’s bigger half says otherwise. After Ang Lee’s widely panned Hulk, Marvel re-rolled the dice with The Incredible Hulk. The film, starring Edward Norton as the Jade Giant, didn’t do nearly as well as Iron Man but still managed to stomp on its 2003 predecessor in terms of critical acclaim. The DVD of the film was released this past Tuesday.

Still, Hulk’s on-screen future is uncertain. Recent reports pegged the character as the villain for the upcoming Avengers film, with Marvel Studios’ own president of production Kevin Feige echoing the idea. Feige later said that a direct Hulk sequel was up in the air.

"The truth is that Hulk has had two films in the past five years, and it’s time to give some of the other guys a turn," Feige recently said in an MTV interview. "I would expect that people may see the Hulk again soon [possibly in The Avengers] before he is again carrying his own film."

That was the official scoop as of Monday, October 20. Now comes a conflicting report from Gale Anne Hurd, producer on both Ang Lee’s Hulk and Louis Leterrier’s The Incredible Hulk. Hurd says that she has every intention of bringing the Green Meanie back to theaters.

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Sam Raimi Prefers Peter Parker to Jack Ryan

Sam Raimi Prefers Peter Parker to Jack Ryan

We’ve often called Sam Raimi the busiest man in Hollywood between the projects he is personally directing along with those he is involved as a producer.

After all, his Ghost House Pictures are producing films, which we’ll be reviewing in the coming days, and there’s his new television series which partner Rob Tapert discussed with us the other day.  Then there are the various film franchises from Spider-Man to Evil Dead which he’s been involved.

We often wonder here at ComicMix central when he will cry uncle and the answer is, now. Raimi told MTV that he has had to withdraw from his previously announced involvement with Paramount Pictures’ planned reboot of the Jack Ryan franchise. He bowed out to concentrate on Sony’s Spider-Man films which further convince us that the next two will be filmed back-to-back.

 “I’m really excited about Spider-Man,” the director said. “Production [on more Spider-Man films] would start probably by March, I’m guessing of 2010.” Which also means he’s working to meet Sony’s already announced plan for Spider-Man 4 to open in summer 2011. (Probably nestled between First Avenger: Captain America and The Avengers so as not to dilute the appetite for Marvel super-heroes.)

“I love Tom Clancy, and I hope they’d keep me in mind,” Raimi said of the film series which has, to date, starred Ben Affleck, Harrison Ford and Alec Baldwin. “But because I’m committed to ‘Spider-Man and making that picture, I think it’s going to knock me out of the running for the Jack Ryan picture.”

He did not address the choice of villain or who will be the love interest although the blogosphere continues to suspect Kirsten Dunst will be dropped from at least Spidey 4 in favor of Elizabeth Banks, who played Betty Brant back in the first film.
 

Marvel’s Maisel Discusses Film Franchises

Marvel’s Maisel Discusses Film Franchises

David Maisel, Executive Vice President, Office of the Chief Executive, and Chairman of Marvel Studios spoke to investors last weekend and IESB has a complete transcript up for those interested.

Highlights of the talk, though, indicate that Marvel is working hard to maximize their film franchises without blowing the budget on any single film and prefer controlling the films since that gives them the latitude to maximize scheduling.

Investors questioned if Spider-Man 4, were it to come out in 2010, would complicate Iron Man 2 and Thor?  Maisel said, “It would be a nice situation to have, I think there’s room enough for all three and we’d work that out. But it would absolutely be a nice situation to have for Marvel’s fiscal results that year.” On the other hand, Sony has announced Spidey 4 as coming in 2011.

“This is one of the reasons we did our own studio,” Maisel explained to the room full of non-fans, “because not only, well, three reasons. One, we’ve got, now, the economic upside to the movies, we have 100% the economic upside from Iron Man and from the merchandise of Iron Man, whereas before we only got the small license fee and we had to share merchandising. The second reason is, we can control our destiny, we can announce, ‘hey, Iron Man 2 is this date and we’re making this movie and we’re making Thor and we’re making Avengers and Captain America.’ Sony controls that with Spider-Man and so I can’t comment on when the movies come out beyond what they’ve said. I guess all I can say is that Spider-man films have done so well, that it would be, I would assume, unlikely that we wouldn’t see a steady stream more of Spider-Man films going forward. The exact timing and year is up for them to announce.”

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Review: ‘Incredible Hulk’ DVD

Review: ‘Incredible Hulk’ DVD

Ang Lee’s [[[Hulk]]] film failed because he spent too much time on the Jekyll/Hyde aspects, the very ones that inspired Stan Lee.  After all these years, people wanted to see the Hulk leap and smash things.  When he leapt, we cheered, but there just wasn’t enough of it.

Director Louis Leterrier achieved a far better balance in this year’s [[[Incredible Hulk]]] which builds on the mythos while firmly settling into the new Marvel Cinema Universe. He wisely covers the obligatory origin materials during the title sequence and then gives us a story.

Unfortunately, the story just wasn’t as gripping as we had hoped.  The film, arriving Tuesday on DVD, is largely the Army hunting the Hulk as Bruce Banner searches for a cure.  While that worked fine in the 12-page [[[Tales to Astonish]]] stories, it’s not nearly enough for a feature film.  The biggest problem with Zak Snyder’s story is that the Super Soldier formula that is now linked to the Hulk and the Abomination is clearly able to turn people into weapons of mass destruction and all the military sees is a weapon.  Not a single person in uniform saw it as anything else and frankly, we’ve seen this theme before and done better elsewhere.

The notion that Emil Blonsky is a soldier towards the end of his career, with nothing to lose, and therefore more than willing to become the Abomination is a nice way to integrate the character from the comics to the film.  But, he’s as single-minded as everyone else in the story, which is a shame.

Penn’s script lifts the Mr. Blue character from Bruce Jones’ celebrated run on the title but reveals him to be Dr. Samuel Sterns, and frankly, I just didn’t buy their connection or the way Sterns suddenly switches from dedicated scientist to Colin Clive in [[[Frankenstein]]]. The fact that in the comics Stearns evolves into the Leader complete with big green head means he’s around should the movie franchise continue so hopefully he’ll be rounded out.

As presented, Leterrier’s film is pretty much A to B to C with pauses for Hulking out and destroying things until the climactic fight in Harlem.  I’ve certainly seen worse, but had hoped for something better considering [[[Iron Man]]], released just weeks prior, showed that serious issues could be addressed through fantastic means.
 

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