Tagged: Captain America

Review: ‘Marvel Chronicle’

Review: ‘Marvel Chronicle’

Marvel Comics kicks off their 70th Anniversary celebration with [[[Marvel Chronicle]]], a wonderful hardcover book, published by DK Publishing. The coffee table book comes in a hard box complete with color and black and white reproductions of Jim Cheung’s frenetic cover. (The diecut M for the front cover is a nice touch.) As is sadly too often the case these days Stan Lee’s introduction is full of bombast and enthusiasm but tells us nothing new.

The book is a year by year account of the company from its humble beginnings as an offshoot of Martin Goodman’s pulp magazine line to its place atop the comic book heap in 2008. The book nicely spans from 1939 through June 2008 (following cover date convention).  Each decade has been handled by one of four writers – Tom DeFalco, Peter Sanderson, Tom Brevoort, and Matthew K. Manning – and provides month by month highlights with copious illustrations.

The chapters on the 1940s (Sanderson) and the 1950s (Brevoort) are the most interesting in how they show the company’s breadth, lack of depth, and ability to flood the market with titles on whatever is popular at the moment.  While it’s fascinating to see the seldom seen funny animals and teen humor characters slowly replace the super-heroes, it’s also interesting to note that after [[[Captain America]]], Sub-Mariner, and the Human Torch, the company failed to score another major hit character for decades.  The write ups also nicely tell us which characters, creators or innovations get revived in the future.

Marvel, of course, finally came into its own with [[[Fantastic Four #1]]] and the set-up is wonderfully handled by Brevoort, who notes that when the company was forced to cut its output to eight titles a month, Stan Lee took the opportunity to get better as a writer, and use only his best artists – Jack Kirby, Steve Ditko, and Don Heck for the most part.

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‘Ultimatum’ #1 #1 in November

‘Ultimatum’ #1 #1 in November

The November numbers are in and ICv2 notes that sales of the top 300 titles fell 11% compared with a year ago.  They note that with DC Comics and Marvel Comics skipping issues of Secret Invasion, Final Crisis, New Avengers, Mighty Avengers, Astonishing X-Men, and Justice League of America, there’s little wonder.

Only two titles — Marvel’s Ultimatum #1 and DC’s Batman #681 – cracked the 100,000 unit marks based on numbers provided by Diamond Comics Distributors, the fewest since March.

Marvel had 14 of the top 25 titles, DC 10, and Dark Horse one. 

Looking over the list, it’s interesting to note that beyond events and new titles, several mainline books continue to bring in readers because the content seems to be consistently entertaining month after month as exemplified by Amazing Spider-Man and Captain America being in the Top 10. The most popular creators do seem to translate to best sales making it all the more important for creative team consistency month to month.

Here are ICv2’s estimates of the sales by Diamond Comic Distributors to comic stores on the top 25 comic titles in November:

114,230           Ultimatum #1
103,151           Batman #681 (RIP)
  90,776           Hulk #8
  88,910           Wolverine #69
  77,773           Uncanny X-Men #504
  76,625           Amazing Spider-Man #577
  75,493           Captain America #44
  74,202           Buffy the Vampire Slayer #19
  72,862           JSA: Kingdom Come Special Superman #1
  71,355           Justice Society of America #20
  69,522           Batman: Cacophony #1
  68,956           Amazing Spider-Man #576
  66,564           Amazing Spider-Man #578
  64,196           Detective Comics #850 (RIP)
  63,512           X-Men Legacy #218
  61,331           Fantastic Four #561
  58,547           Action Comics #871
  58,279           Dark Tower: Treachery #3
  57,241           X-Force #9
  57,205           JSA: Kingdom Come Special Kingdom #1
  56,931           Final Crisis: Resist #1
  56,224           Avengers / Invaders #6
  55,560           JSA: Kingdom Come Special Magog #1

Sneak Peek: ‘Incognito’ #1

Sneak Peek: ‘Incognito’ #1

Marvel has provided us with preview pages to Ed Brubaker and Sean Phillips’ latest crime caper, Incognito.

The publisher describes the new series as a “twisted mash up of noir and super-heroics will leave your jaw on the floor! What if you were an ex-super villain hiding out in Witness Protection… but all you could think about were the days when the rules didn’t apply to you?  Could you stand the toil of an average life after years of leaving destruction in your wake? And what if you couldn’t stand it?  What would you do then?”

“Incognito is about a bad guy forced to pretend to be good, forced to take pills that make him feel normal, and to live in the world of the people who were like ants to him before,” Brubaker told Wired. “And while it begins very antihero, the arc of our main character is something very different. It’s about identity and morality on a few levels, as well as this twisted noir super-villain explodo fantasy. I described it earlier as a dark exploration into the nature of good. I think it explores some things about heroes and villains that we’ve never seen before in comics.”

Brubaker, who also writes the acclaimed Captain America and Daredevil, noted that it’s the portrayal of the villain that can make or break a story.  “I think it’s always about finding the right angle into any character. Incognito began with me wanting to try something I hadn’t seen — the story of a bad man who begins doing good things, but for the wrong reason — and to see how that would affect his life and his view of himself. A huge super-villain revenge story unfolded around that, and this character began growing in my mind, and telling me who he was and why he was in Witness Protection. I think as long as you have a strong central character, that’s really the most important thing.”

Incognito #1 will be in stores January 2 rated for mature readers.  The book will contain no advertising and retail for $3.50
 

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‘Atlantis Rising’ Signs Writer

‘Atlantis Rising’ Signs Writer

Joby Harold will write the screen adaptation of Platinum Studios’ Atlantis Rising for director Len Wiseman according to The Hollywood Reporter. The writer/director is also adapting Frank Miller’s Ronin for the screen.

Alex Kurtzman and Roberto Orci will be producing the project for DreamWorks.

"As a writer, Joby has an amazingly strong understanding of how to take genre seriously, which is prerequisite No. 1 for us when it comes to these kinds of movies," Kurtzman told the trade.

Scott O. Brown and Tim Irwin crafted the five-issue miniseries which concluded in the spring. The story tells of an underground civilization that begins to cause concern among the surface world’s governments.  A war between surface and sea is inevitable, it seems.

"In all the classic versions of this kind of movie, the threat is always from the stars," Orci said. "The idea that it’s somehow our cousins who went off in a different path of evolution who have been here, literally, underneath our oceans. … That’s fascinating, the idea of secrets right under your nose."

DreamWorks reportedly sees this as a big budget summer tentpole picture for the summer of 2011

As part of its divorce agreement, Paramount Pictures will have an option to co-finance and co-distribute the film.

Given the long lead times, staking out turf two and three years ahead is becoming increasingly important.  Already scheduled for summer 2011 in addition to Atlantis Rising are Harry Potter and the Deathly Hallows Part 2, The First Avenger: Captain America, The Avengers, Cars 2, and, Kung Fu Panda 2.
 

Universal Moves ‘Wolfman’ to November

Universal Moves ‘Wolfman’ to November

With The Wolfman needing extra time for its special effects, Universal has adjusted its 2009 genre schedule, moving the Joe Johnston-directed film from April to November 6. How this may effect Johnston’s role in prepping Marvel’s First Avenger: Captain America, which should be in re-production by that time remains uncertain.

Taking the April 3 slot will be Vin Diesel’s return in the fourth Fast and Furious film.

The Wolfman gains the slot Universal had reserved for Ridley Scott’s revisionist Robin Hood film, Nottingham, which will got to 2010.  The Russell Crowe feature may depict Hood as both the deposed noble and the wicked Sheriff who hunts the archer. Production will begin this spring.

Screen Gems also delayed it thriller Obsessed from February 27 to April 24 and Woody Harrelson’s Zombieland will be unearthed on October 9.
 

NYCC Names Living Legends Guests

NYCC Names Living Legends Guests

The New York Comic Con has announced that it will honor artist Al Plastino, inker Joe Sinnott, and writer Marv Wolfman as “Living Legends” at the 4th annual New York Comic Con, which will take place from February 6-8 at the Jacob Javits Center in New York City.  All three Living Legends will participate in convention festivities and make limited appearances at select panel discussions and autograph sessions.
 
Al Plastino, who was born in New York City in 1921, began working in comics as an inker and penciller during the “Golden Age” of comics in the early 1940s.  In addition to inking Captain America and Sub-Mariner, he drew Green Lantern, Rocketman and Dynamic Man.  After WWII, Plastino joined DC Comics where he helped to develop Superman spin-offs such as Supergirl and the Legion of Super-Heroes with writer Otto Binder.  In the late 1960s he began work on a succession of syndicated comic strips including Batman, Nancy and Sluggo, and Peanuts.
 
Joe Sinnott has worked for Marvel Comics for 58 years.  He is perhaps best known as Jack Kirby’s inker on the Fantastic Four, but he has enlivened a host of Marvel characters over the years and currently inks the Spider-Man newspaper strip.
 
Marv Wolfman, who is at present working on the DC online MMORPG with Jim Lee, was born in Brooklyn in 1946.  He has written comics, movies, TV shows, animation, and children’s books, and won numerous awards for his works.  Among his most famous creations are Blade and the New Teen Titans.

The Stories That Informed ‘Batman R.I.P.’

The Stories That Informed ‘Batman R.I.P.’

“Criminals are a superstitious cowardly lot. So my disguise must be able to strike terror into their hearts. I must be a creature of the night, black, terrible …a…a…”
 
As if in answer, a huge image of a Caped Crusader flashed across a movie screen. Across monitors throughout space and time and other dimensions.
 
“It’s an omen!” each man, alien and other-dimensional imp declared. “I shall become a Batman!”
 
One of the attractions of Batman was, it’s often been said, the fact that a kid could actually imagine growing up to be the Caped Crusader. No one was ever going to grow up to be Superman but with an extensive training regimen (and a hefty bank account) …well, anything’s possible. Overlay that with the spirit of mainstreaming and conformity of the 1950s and you end up with a universe where there seemed to be a Batman knock-off on every corner and planet.
 
In 1964, editor Julius Schwartz found his arm twisted into taking over the flagging Batman titles. He immediately ditched the extended Batman family and the increasingly prevalent space alien stories for a more contemporary angle grounded in the real world. And as the years rolled on, Schwartz and company refined their approach and gradually, permanently put the Dark back in their Knight.
 

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October Comics Sales Soften

October Comics Sales Soften

As the economy went into free fall, ICv2 notes that October sales have shown some slippage. From their just released list of the top 25 titles, just two showed signs of improvement over September sales. One was Amazing Spider-Man #573 which featured the faux-Stephen Colbert for President cover while the other was Batman #680, the penultimate chapter to Batman RIP.

Despite somewhat stagnant sales, the dollars sold in to comic stores were up a “robust” 9% compared with a year ago, according to the industry watchdog. September and October were the first positive months for comic sales since January.  Of course, more titles were retailing last month at $3.99, rapidly becoming a standard, as opposed to last October. ICv2 did note that the unit sales for the title charting in the 300th position was 4200 compared with 3000 just twelve months ago which they interpret as a sign of overall industry strength.

Graphic novel sales showed an increase of just 5% compared with last October.  Combined with comic book sales, that creates an 8% total increase.

The site notes that the company crossovers, Secret Invasion #7 (154,675 copies) and Final Crisis #4 (115,666 copies) took the first two spots on the list. Marvel had seven of the top 10 and 17 of the first 25 with DC taking the balance. IDW’s G.I. Joe relaunch  and Angel: After the Fall were the first non-Top Two titles to crack the top 100 list coming in at 65th and 66th place. This further cements IDW’s fourth place standing among comic book publishers, after Dark Horse and now ahead of Image.

In graphic novels, DC’s Joker by Brian Azzarello, took first place with an estimated 17,000 copies sold, also nabbing the top spot for dollars earned. Marvel’s best seller for the month was the Marvel Zombies trade paperback, which likely hit the top Marvel spot given its three variant covers. Wile Watchmen slipped from first place to sixth, its 6000 copies remains impressive given its age.
 

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‘Captain America’ Scribes Announced

‘Captain America’ Scribes Announced

Just weeks after signing Joe Johnston to direct First Avenger: Captain America, Marvel Studios has announced that Christopher Markus and Stephen McFeely are likely to be the screenwriters. According to The Hollywood Reporter, the duo is in final negotiations to step in,

The film comes with many complicating factors starting with a locked in release date of May 6, 2011 and the need to include elements that have been established in Iron Man and The Incredible Hulk as well as setting up plot threads that will play out two months later in The Avengers film.

The movie will be set during World War II and feature scrawny Steve Rogers, denied enlistment in the army but invited to be a test subject for Project Super Solider.  He is then transformed into the star-spangled hero and issued a red, white, and blue uniform to inspire the troops and general public as Captain America.

Whether or not his sidekick Bucky will be included remains the one plot element not yet discussed by executives.  One can presume the Red Skull will be the villain along with hordes of Nazis.

The screenwriters have most recently handled The Chronicles of Narnia: The Lion, the Witch and the Wardrobe and Prince Caspian so they have experience with adapting works from others.  Much of their work will come from Captain America #1, published in 1941 by Timely Comics, now known as Marvel Comics. The character was created by Joe Simon and Jack Kirby.

George Perez, Geoff Johns, Jim Lee Added as NY Comic-Con Guests of Honor

George Perez, Geoff Johns, Jim Lee Added as NY Comic-Con Guests of Honor

Two more notable comic book celebrities will be joining the festivities at New York Comic Con (NYCC) this year as Guests of Honor. Affording thousands of fans the opportunity to meet them in person, Geoff Johns, who is well-known as a comic book writer of a number of DC Comics characters, including Superman, Green  Lantern and the Flash as well as for his work as a screenwriter; and superstar artist Jim Lee, known for his acclaimed artistic runs on titles including BATMAN, ALL STAR BATMAN and WILDCATS, will be attending NYCC to help launch the new Massively Multiplayer Online Role-playing game, DC Universe Online (DCUO), produced by Sony Online Entertainment for PLAYSTATION 3 in collaboration with DC Comics and Warner Bros. Interactive Entertainment. 

Both Johns and Lee will be signing autographs and they will conduct a large DC Universe Online event on Saturday, February 7, 2009.  New York Comic Con will take place at the Jacob K. Javits Center in New York City, February 6 – 8, 2009.  

“Having both Jim Lee and Geoff Johns at our show is a great ‘get’ under any circumstance, but it’s especially cool to have them here to as part of DC Universe Online,” notes Lance Fensterman, Vice President and Con Manager for NYCC. “They will do a fabulous job entertaining our fans and I know that they will attract huge crowds, not only for autographs but also for their demonstration.  I am enormously grateful to them for participating in New York Comic Con and we’re pleased to have them as Guests of Honor.” 

“Jim and Geoff represent two of the top talents in comics, so it only makes sense that they’d transfer those skills to the gaming world,” said Dan DiDio, SVP and Executive Editor for DC Comics. “It’s a perfect fit to have them named Guests of Honor at New York Comic Con.”

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