As I write this (Friday), the Suicide Squad movie has grossed $318, 779,276 domestically and $413,000,000 internationally for a total worldwide gross of $731,779,276. It’s been playing since the start of August and, in the U.S., it’s still on the top ten list.
It has now out-grossed the first Iron Man film. It has also out-grossed Iron Man 2, Captain America: The Winter Soldier, Thor: The Dark World, Thor, Ant-Man, Captain America: The First Avenger, and The Incredible Hulk. It has also out-grossed all of the X-Men films, the Wolverine films, and The Amazing Spider-Man films.
And Suicide Squad did not access to the #2 market in the world, China. (Why won’t the Chinese let it in? Beats me.)
It means that not only a lot of people have seen the movie, but many have seen it more than once. (I’ve seen it three times so far but you’d probably guessed that I would.) I know it’s still in at least one movie theater in my remote vicinity.
This is for a film that rates a 26% on Rotten Tomatoes.
I still don’t understand. Did these disapproving critics and fans see the same film I saw? That all these other people saw? Yes, I know it’s not the Citizen Kane of superhero flicks; I know it’s flawed and I could recite some of those flaws. But, as I said before, I’d give it a good solid B. It’s a fun summer popcorn entertainment and it’s just different enough from other superhero films to deserve the attention it gets.
I saw at last one online poster sniff that, yes, it has had a lot of customers but, then, so does McDonalds. I’d hasten to point out that there are food critics who have praised McDonalds french fries. The fact that something is popular does not mean it isn’t good. (Ook. Two negatives in one sentence. Ah well.)
There are things that are different in the Squad film – I heard one millennial cite the coloring, the use of music, the pacing, and the central idea of bad guys being made to do “good” (“good” being a relative term). It is something different.
It’s something that the younger generation seems to be hooking into. The ad calls them the Worst. Heroes. Ever. – and they are. You wind up rooting for them anyway. As twisted as it is, the central romance in the film is Jared Leto’s Joker and Margot Robbie’s Harley Quinn. The film is a different take on the superhero genre.
Look, I’m not going to try and tell people that their opinion of the film is wrong. They react according to who they are and how the film strikes them. I might suggest, however, that they might want to give it another chance. Sure, I’m biased and, yes, I have a (tiny) vested interest in the Squad’s success but I think the movie might be better than some people give it credit for.
So get a ticket, grab some popcorn, and meet me at the Cineplex while the Suicide Squad is still playing. I’m ready to go see it again.
This past Sunday my wife screamed for me from our upstairs bathroom. I found her on the floor, convulsing in agony, attempting to decide which tile looked the most comfortable to lay on. Minutes later, our boys were packed up and whisked to our sitter. My wife and I rocketed towards the emergency room. Some pain meds, some x-rays, and plenty of doctors’ questions later, Kathy was diagnosed with cholecystitis. Surely this was the work of Red Skull, Circe, or possibly King Shark. Or, you know, the ravages of having a baby six months ago who was all up in that tummy pushing and prodding on various organs.
Over the next three days my wife and I sat around a hospital room perusing daytime television. Amidst paternity tests, minor civil cases revolving around shoddy craftsmanship, and Jeopardy, my mind wandered towards villainy.
For Kathy, her own body was the ne’er-do-well. What she’d largely chalked up to multiple bouts of unlucky food poisoning turned out to be her gallbladder — that nefarious cur — carpet bombing her colon with rocky misiles of doom.
For the denizens of daytime TV, villainy was found in deadbeat dads, crooked landlords, and “I’ll take Potent Potables for $1000, Alex.” Elsewhere in the real world, villainy is found in the acts of terror around the globe. Villainy is found in the unfair treatment of citizens by equally scared and confused police. Villainy is even found in a fluorescent orange bully of women, somehow competing for the most important job in our country like many reality stars who used their heelish tendencies to land themselves in the final spots on their respective TV shows. Apropos, no?
The politicians? Scary, yes. Villains? In real life, not even close. The blowhards, dirt bags, and the writers on Jeopardy? Mean, sure. Villains? Nope. Hell… even my wife’s gallbladder? It was acting out in self-defense.
Funny thing, our bodies. Mine under-produces insulin, and over-produces uric acid. But it’s never purposefully held me hostage or demanded the secrets of the jade monkey.
So often in our fiction, we take these minor malcontents and extrapolate their worst tendencies to create true villains. What separates the fiction from fact typically is the glut of nuance that shades our world from the graphical black and white on the page (or screen, what-have-you). Since the dawn of our narrative prowess, humankind has often simplified the world to make better sense of it. Think back to the rudimentary recitations of history taught to you in grade school. England was mean, the pilgrims sailed across the sea, befriended the native Americans, and poof! America. Never mind the fact that there were political issues, religious issues, and plenty of interpersonal conflict. But it’s hellasimple to call the King of England a villain and then start a revolution.
I believe that villainy exists, but villains do not. There are those amongst us who prey on the weak, who rape, steal, lie, murder, or act only on selfish impulse. But it’s too simply a concept to label someone as solely a villain. It’s too easy a label. Too easy to cast final judgment.
“A man that believes that we should take an eye for an eye… eventually leaves the whole world blind.”
So, retreat then to the pulp paper for your super-villains. The maniacs and eaters of worlds. The corrupt and lost souls who ravage without remorse. Who toy with their fellow man to play a larger game against their arch nemesis. But know that in the real world… nothing is ever that simple. For you see, my wife’s gallbladder is now long gone from her body. But that’s not to say her appendix isn’t scheming against her, while you read this very sentence.
Villains, indeed.
(Editor’s Note: our dear friend Kathy Fishman, we’re happy to say, is back home and recovering nicely, surrounded by two small boys and a confused but doting larger boy who produces comic books.)
It’s a twofer this week, folks. I have two things that are obsessing me, neither of which really qualifies for a full column, but both are so interesting (to me, anyway) that I must opine.
Hey! There’s a new movie format!
It’s called 4DX, and it’s not a better picture or more frames per second or three dimensional. Instead, it involves seats that vibrate and sometimes move, fans that mimic wind, and sometimes water and aroma effects.
Apparently, this format has been around for a few months, but I only found out about it this past weekend. My friend Renee and I went to see The Magnificent Seven. When we got to the theater, we found out that the show we had planned to see was in this funky new format. It was going to be another 45 minutes before the next show in a normal theater. So, we paid the extra $8.00 (!!!) each, and decided to consider it an adventure.
It was hilarious.
It’s not as funny as “Smell-o-Vision” or the John Waters movie Polyester, filmed in “Odorama.” In fact, there were no discernible smells, at least for this movie. Which is a good thing, because there were lots of horses and very few humans seemed to bathe very often.
Although a sweaty Denzel can come sit by me anytime.
Every time a person opened a door, there was a breeze. When horses galloped across a stream, a fine mist of water sprayed from the chair. Every time the camera moved, the seats moved with it. Every time a horse galloped on land, the seats vibrated.
I didn’t feel like I was part of the movie, but I did feel like I was at Walt Disney World. I was on an amusement park ride that lasted longer than the wait on line to get on.
This format was probably not designed for westerns. It was probably meant for super-hero movies, with lots of flying and explosions. I don’t think I will ever pay extra for it again, unless maybe they provide virtual reality goggles to go with it.
Batman’s Jewish?
In the last few issues of Batman and Detective comics, since Rebirth, it has been revealed that Kate (Batwoman) Kane’s mother is Martha Wayne’s sister. It was previously established that the Kane’s are Jewish. According to tradition, the child of a Jewish mother is Jewish.
(Aside: I don’t believe that, because I think one’s religion is a matter of what one believes and not one’s genetic make-up. This is why the Haredi don’t want me in Israel.)
I searched the Google, and no one seems to have said anything about this, at least not on the Internet. I suppose it’s possible I’m reading it wrong. I suppose it’s possible that this will be dealt with in future storylines. I suppose the Waynes might have been extremely closeted about their heritage, or that Thomas Wayne never told his parents that his wife was Hebrew. Maybe it’s a modern day Ivanhoe.
It might be December before we find out if there are menorahs in stately Wayne Manor.
We’re about a month out from Halloween and way past time to start planning! While Anya still doesn’t know if she’s going to be a Ghostbuster or not, Maddy is determined to be Harley Quinn — even if every other girl in their high school is too.
In this week’s episode, we talk to the Executive VP of Rubie’s costumes about what’s hot this year (& get a little background on their really cool store & website) and then we look back at some of our favorite cosplay from SDCC to see if anything sparks a Halloween costume idea.
Let us know what you’re being for Halloween…and maybe help Anya out.
The new television season has begun. (Goody goody gumdrops?) With only two superhero shows displaying their wares, it’s a bit early to comment on innovations, trends and outrages, whatever causes to hurl an anvil at the screen or curl up next to it and purr.
Of the two returnees, Marvel’s Agents of SHIELD seems to be serving more of the same. It’s kind of interesting that some comic book stuff is being repeated in the electronic media. A complaint I used to hear about Marvel’s comics is that the storylines were difficult to follow, especially for newcomers. I have a similar complaint about SHIELD, but maybe I’m just dumb. Well, maybe, but if that’s true I’m not the only one. Last week I was talking comics with an Ivy League professor and this certifiably intelligent and erudite intellectual admitted that he, too, had trouble following SHIELD’s plots.
Not a problem with the other early returnee, Gotham. Though the stories are reasonably dense, there’s never any difficulty knowing who’s doing what to whom and why, and I remain firm in my belief that clear storytelling is a virtue. The show has given us a plot alteration, however: James Gordon, heretofore known as the straightest officer in town, has quit the force and is working as a bounty hunter which, as far as I’m concerned, is the same thing as a private eye.
Gordon has done some impressive evolving since he first appeared 77 years ago in Detective Comics #27, He began as a softish, elderly functionary who was never seen doing any hands-on law enforcing; he had Batman for that. He was a bit of a blank slate, our Jim, with no private life, hobbies, quirks, just duties to perform, which he did perfunctorily. Not an impressive dude.
But, like flesh-and-blood people, he changed. Got himself a wife and kid (though not in the television version). Became somewhat bitter – for a cop in Gotham City, that was natural – and maybe got chummy with people he should have avoided. He has just acquired a new girlfriend but, uh oh, his ex is back in town and is probably heading his way and that can’t be good. (But we’re happy to see Lee Tompkins again.) He’s still a credit to his kind, but he’s no longer a Goody-Two Shoes; if the rules need breaking, he breaks them.
Gordon is, in short, the kind of hero who began to be popular after World War I. He knows that the system is broken and that no authority figure should be trusted, including police. So he lives by a personal code and brings justice to places even good cops might not care to reach. He’s brave and tough. Though he’s basically a loner, he often has a sidekick and here, too, TV’s Gordon fits the archetype; Sergeant Bullock, who was a slob in the comics, is a groomed and decent man who has Gordon’s back.
I wonder if there’s a John Watson somewhere in Bullock’s family tree.
Stay tuned for more excitement!
(Editor’s Note: We included the shot of J K Simmons in the art because he’s the next guy to play the role of Commissioner Gordon – in the upcoming Justice League movie – and because the editor likes J K Simmons and it’s his computer.)
I’ve always wanted to go on a cruise. I love being out on the water, and have even joked that I’d live in a tiny house surrounded by water if I could. So it’s kind of silly that I’ve never been on a cruise, isn’t it? And I love comic-cons, as anyone who’s ever read my column will know. So when I first saw that someone was organizing Fan2Sea, a comic-con on a cruise ship (and one with an adorably punny name, at that!), I thought, “What? I have to go! Also, this absolutely sounds too good to be true! Because it’s a comic-con. On a cruise ship. How can this be?!?”
And then I saw the line-up, and my mind boggled even more. Because after a million and three recommendations from literally everyone I know, I’m in the midst of watching the Netflix original, Stranger Things. I’ve also just finally caught up on The Walking Dead (to which I am completely addicted – despite the zombie-ick factor – because it’s just so good). I’m super excited about Guardians of the Galaxy 2 (and everyone knows I loved the first one). I am a longtime fan of Batman, a.k.a. The Dark Knight. And I am, as every single person except maybe someone living in a hole on a remote island knows, a huge Deadpool fan. No. Seriously. It’s like I never stop writing about him. Ever. Yep, that kind of a huge fan.
So when I went to look up the details of Fan2Sea, and I saw that their line-up includes cast members from Stranger Things, The Walking Dead, and Guardians of the Galaxy, and also Deadpool and Batman comics creators, my mind pretty much exploded from excitement. Add to that the excitement of going on a cruise, with all the cool experiences that has to offer; and port stops in Tampa, Key West, and Cozumel, Mexico (I’ve never been to Mexico! But I’ve been meaning to go!); and it’s a wonder I’ve even been able to pick up all the little brain-pieces.
Fortunately, I recovered my wits enough to determine that I had to know more about Fan2Sea. Like: where did it come from? Who had this marvelous idea? Is it going to be as awesome as it sounds? More awesome?!? (Which I might not be able to handle, but I’m willing to take the risk.)
To get answers to all of the questions swimming through my overheated brain, I got in touch with the people who are putting on this wondrous event, and Stefan Lawrence of Rethink Leisure & Entertainment sat down with me to give me the lowdown on everything all of us con-goers need to know before we decide that we must embark on the grand Fan2Sea adventure. Read on for all the details!
ESW: So who came up with the idea for a comic-con on a cruise ship, and what was the inspiration behind it?
SL: We were brought this project by one of the investors who had the idea of a boutique-style comic-con on a cruise. It’s a response to some of the larger comic-cons. They’re delightful, they’re amazing, but there’s also so much friction involved – there’s the waiting in lines, there’s the crowds – a lot of it can be a little bit stressful even if you love this stuff. So we have partnered with a travel agency that specializes in themed cruises; and had the idea to do basically a boutique comic-con – where it’s a limited number of people, and you’re eliminating all of the standing in line, waiting around…all the bits and pieces that make comic-con both maddening and delightful at the same time. We want to take all the good stuff and eliminate all the other bits. So you’re staying at a luxury hotel, on board this ship. You’re not waiting in line forever to get to huge panels. We’re running the big panels twice so that everybody will get a chance to see all the big panels on the ship. It’s a lot about making this the most artist-friendly and the most fan-friendly convention that anyone’s ever attended.
ESW: I know some of you come from a theme-park background; and it sounds like at least some of you have gone to enough comic-cons to know what they’re like and know why something else is needed. Can you talk about the background of the team that is making this happen?
SL: I work for a company called Rethink Leisure & Entertainment. We’re a theme-park design company made up of a gang of ex-Disney Imagineers, ex-Universal creatives… So the thing that we’re really good at is customer experiences; basically creating fun events and experiences for guests. So that’s always our focus. Because whether you’re master-planning an entire theme park or you’re doing an attraction, you’re constantly thinking about how an experience is from beginning to end. So that’s been our focus from day one. We don’t want to welcome you on board the boat and be like, “Here’s a bunch of celebrities – have at it.” We want to make sure that the experience is fun the entire way though. So for instance, we’re working with the 501st in Tampa so that the moment you get on board, there will be storm troopers that are welcoming you on board the ship on the gangway. We’re going to have themed parties every single night. We really want to make sure that it’s…kind of a “surprise and delight” thing. So that you feel like this is a party that was created and curated just for you.
ESW: It sounds like your Rethink staff comes from some of the best companies geeks are familiar with; what are some other things that Rethink has done that we may have heard about?
SL: We ourselves are a fairly young company; we’ve been around for about three years now. In the sort of comics space, we designed the world’s largest toys and collectibles store, which is in Dubai – it’s called Comicave. It’s 17,000 square feet, it has themed areas – we actually have a full Iron Man hall of armor in there; there’s a Star Wars collectibles room that looks like the Death Star; there’s the “rooftops of New York,” which is where you can buy all of your single-issue comic books; there’s an otaku anime and Gundam area – so that’s one example, and the whole store is pretty spectacular.
In terms of our team here, they’re the people who have worked on everything from – we have the show writer from Harry Potter in Orlando, and Universal Studios Orlando and Hollywood. They wrote all the scripts for the rides for Hogsmeade and Diagon Alley. One of our senior creative directors here was on the opening day team of Universal’s Islands of Adventure. The President and CEO worked on Disneyland Paris. People here have worked on Transformers, the ride. Everyone here in the office lives and breathes pop-culture – so shifting over into this realm of things really is not much of a stretch.
ESW: So are you guys super excited to be getting into this area?
SL: Speaking just for myself – I love this stuff. I love comics, I love movies – this is all stuff that I do anyway – it’s all completely up my alley. So to be in this playground is a delight for me personally. But we also have an office full of people who have desks covered in toys, and we all make the pilgrimage down to San Diego every year and come back with mounds and mounds of stuff. So it’s all a world that we love already. It’s tangential to what we have done in the past, but it’s completely in our wheelhouse in terms of what we love.
ESW: You’ve talked about your goal, which is making sure everyone has an amazing time. Can you give me both the immediate picture of what this particular cruise experience would be like for a fan; and then what goals Rethink has for the future?
SL: The immediate experience is that we want this to be like a big geeky slumber party. As opposed to a comic-con where everybody is on the show floor during the day, and then you have to disperse and go find parties or whatever else you feel like doing. We’re going to be running panels into the evening; but then when the evening time comes, we are going to transition into parties. We’re having cosplay karaoke; themed DJ parties; outdoor movie nights on the pool deck that are going to be themed, with themed cocktails – so like the first night we’re doing a double feature with Jaws and Piranha, and so we’re going to have Blood in the Water themed cocktails that go along with that. We’re going to have complete Stranger Things ‘80s themed parties. So we’re looking to extend the entertainment, so when you come out of your panels and you’re like, “What’s next?” there’s a full array of things to do.
We’re working with the chefs on board the ship to provide special menus – so that you can have a Game of Thrones menu that you can choose in the dining room, or you can have a Bladerunner-themed future Asian fusion-style thing that you can choose as part of your menu. We’re running movie marathons all day every day – so there’s always going to be something to do. And even when you go back to your cabin, we’re partnering with a company called Monster Channel that runs late-night monster movies as programming, so there will be a bespoke monster movie channel that you can turn on in your cabin at all hours of the day. And there’s no one else on the ship except comic-con attendees. Some ships will buy a block of rooms for a themed event – but we have the whole ship; so everybody on the ship is going to be there for this one thing.
ESW: You know what it reminds me of, in a good way, is the way Dragon Con works, in the sense that you get to stay in the place where everything is happening, as opposed to trekking to a convention center. But again, Dragon Con is a big, big show; and the Fan2Sea experience sounds like a more intimate experience without the hassle of the habitrails or anything. That sounds amazing.
SL: Exactly – and we are filling every single venue that we can fill with programming. We are taking over almost every single open bar or space. So you can just wander through the ship and see something cool that’s happening.
ESW: That is amazing and brings me to the question of: what with being on a cruise ship, that has a comic-con, and stops in ports and everything – how in the heck are we going to overcome our FOMO, our Fear of Missing Out? Because it sounds like the sort of thing where I just want to do everything, immediately. Any tips for people who are like, “This sounds good, but I’m overwhelmed by all the potential awesomeness?”
SL: Not to worry: well before the cruise sails, we are going to be releasing schedules and checklists you can put together. I know people who go, for instance, to Disney World, and they program everything to within an inch of its life, and that’s how they vacation; and I know people who want to go on a journey of discovery, and they’re like, “I just want to go out and see whatever I want to see, as I want to see it. We are going to give you the tools to be able to plan everything beforehand, if that’s what you want to do; or if you just want to wander into the cinema and see what’s playing, or wander down to the pub and join the trivia quiz that’s happening, or head on over to cosplay karaoke because you hear it from down the hall; the ship is set up to accommodate both things. You can rigorously plan your day; but then you can also take it as it comes.
We are being careful to get out of the way of some of the bigger stuff – so if you definitely want to see a Stranger Things panel, we are not going to be doing something exactly in that category somewhere else at the same time. We’re trying not to cross programs so that there are two blockbuster programs at once. We are trying to make sure that the program gets out of the way of itself. But, you know, you are going to miss something, because there’s just going to be too much happening for you not to.
ESW: Sure – and that happens at every con. So I’ve been to a ton of comic-cons, but I’ve never been on a cruise. For those of us who are cruise newbies, are you going to be putting up tips for that, and if you want to experience everything on the ship, are you going to feel like you’re losing out on that if you take time to explore the ports?
SL: The ship gets in to port usually at about 8:30 in the morning for both Key West and Cozumel. We are delaying our big programming until later in the morning on those days; so the big panels will probably start around 11 or 12, although that’s not final yet. So that if you would like to go to port, you can do so. You can get off, go check out Key West, go check out Cozumel; but necessity dictates that we will have to start the panels sometime. So we are giving some windows of exploration if that’s what you want to do. We are also cognizant that we are programming things to go late into the evening – most of the programming will last until three or four in the morning. So you can also sleep in a bit, because the earliest programming will start around 9:30 or 10:00. So there’s no crack-of-dawn programming.
ESW: So if this all goes well, what’s next?
SL: Our goal is to be the comic-con destination of the year. Like, we’re never going to be San Diego Comic Con, or that scale; we’re never going to be New York Comic Con. But outside of that, we want this to be the coveted destination so that when this goes on sale, people are excited, and they can’t wait to see what the line-up is. We want it to be something people look forward to every year, and get excited about; and they can sort of make their own, and it can be something special that happens. We want this to be a yearly tradition. And our goal would be to start with one a year; but a West Coast and East Coast launch would be something else we’d be interested in doing – but we’ve got to get this one done first! But I think people are going to be surprised to see what a good-quality experience this will be, for fans and guests – and the quality of our guests is top-notch, as well. And then we want to grow this as an experience every year.
ESW: I like that. So if you are someone who has been to a ton of comic-cons, but you’ve never been on a cruise, what would you tell people about why they should try this experience?
SL: If you’ve never been on a cruise ship before, you might be surprised by actually how nice they are. We went and did a visit to one of the sister ships earlier this month; and the ship is absolutely spectacular, the venues are gorgeous and themed, the cabins are really, really nice, the restaurants are fabulous; it’s going to be completely unlike staying at the Marriott and going over to a con. The actual experience is going to be completely different than your usual con experience – but in a good way.
ESW: It sounds amazing, Stefan; and thank you for this great information!
After our interview, Stefan also let me know that the con has just implemented a fab booking feature for those of us who want to experience Fan2Sea but aren’t sure who else might want to go and be our roomie, and who can’t afford to just book a whole room without roomies. Now, if you go to the Eventbrite page, the ticket choices include several room options where you can book a bed in a four-guest cabin, and roommates will be assigned by gender. The individual bed ticket includes all fees, too, so it’s easy to know what you’re paying for the whole experience. Pretty cool!
Well that wraps up this column, but stay tuned for more Fan2Sea news in the upcoming weeks – and also, when January rolls around, for con reports from yours truly, because I’ll be goingon this amazing comic-con cruise, experiencing everything so that I can share it with you, my faithful readers.
…But really, you should go too and share it with me in person, because OMG why wouldn’t you?!
I’ve been traveling a lot for my day job. It’s been hectic and crazy but it did give me a chance to catch up on some comics I’ve been trying to read. Not sure if you remember, but about a year ago Dark Horse Comics announced acclaimed writer Margaret Atwood would be coming to comics with her original title Angel Catbird. The moment I heard about it, I was beyond excited. Really, I even wrote about how I was excited. Well, volume 1 was released on September 6th and I’ve finally gotten a chance to read it.
Ok, so before I talk about the comic, I want to talk about how amazing the introduction was. When you are talking about Margaret Atwood, a glimpse into herself is a great thing. She wrote the introduction herself, and you can’t really even call it an introduction. It is more like a journey through her childhood hopes and dreams. Who knew that she wanted to be an artist? Or was a huge comics reader as a kid… and still is as an adult? Atwood, one of the most important and influential authors of the 20th century, and she has the unrealized goals of being an artist. She spends time throughout the introduction also talking about her development process for this comic, as well as her partnership with Nature Canada. If you’ve ever wanted to know more about her, just read this.
Angel Catbird is a pulp-style comic following a young scientist who gets accidentally dosed with a genetic formula he is creating to become Angel Catbird, a half cat/half bird human hybrid. When that happens, he finds out that human-animal hybrids already exist and in the middle of a very big fight with a not so nice half-rat man. In the introduction, she mentions reading comics in the ‘50s and you can definitely see that influence in Angel Catbird. It’s got a fun, simplistic story that is enjoyable for young kids and adults. And if you don’t believe me, think cat band and high-tech rats.
The art of Angel Catbird mimics the older style of comics and reminds me of the Archie comics I read as a kid. It fits the story perfectly. Johnnie Christmas really captures her writing perfectly in the art and he pairs well with the coloring by Tamra Bonvillain. They also outline their character design process at the end of the graphic novel, as well as some guest art pieces.
Well, this comic is really activism wrapped up in pretty pictures. Proceeds are going to Nature Canada, and within the introduction, Atwood mentions a pledge to have cats stay indoors to help save birds. The story also includes facts about cats throughout the story. I can only guess that bird facts will be included within volume 2, but I’ll have to wait for 2017 and volume 2 to find out.
I was looking for a lighthearted, enjoyable read, and that is exactly what I got. Angel Catbird is not an in-depth, dark tale but its purpose is to highlight the real dangers towards cats and birds in the wild and it accomplishes that in a fun way. Also, the introduction, if you didn’t guess, was a big and amazing wonderful addition for me. It was a perfect airplane read and one I would totally recommend.
Back when I was a waddling comic book fan, I loved all those little spy cameras that Doctor Doom had floating around the planet. I figured that was the source of his obvious wealth – he sold them to other evil-doers such as, say, Haliburton. It titillated my sense of wonder, which always is a wonderful experience.
Technology has progressed exponentially in the ensuing half-century, and today we have so many spy cameras that last week’s unsuccessful bombings in Manhattan were so well-monitored the authorities were able to see the bomber, identify him with speed and efficiency that would have been impressed Felicity Smoak, and bust his ass within hours. Not only that, but other “security” cameras found the other bomb he placed four blocks uptown – below Neal Adams’ studio, no less – and they saw the thieves who stole the luggage the bomb was placed in, leaving the bomb in the dumpster where it was placed.
I love New York, but that’s not the purpose of my rant today.
Cars used to be a major part of our popular culture. Back when Doctor Doom was still in the spy cam biz, my friends and I could identify passing cars a block away from our school playground.
To a considerable extent the car culture remains part of our American fabric – even though there’s only about a half-dozen different looks and each are changed significantly only when some executive decides he has to keep his phony-baloney job. And now, Doctor Doom-like technology is deeply imbedded in our cars.
All sorts of outfits – Tesla, Apple, Google, and the more common car companies – have driverless cars well in development. Prototypes already are on the street, and Uber is experimenting with driverless car pickup service. An aside: If Uber (et al) is making the taxi driver redundant, Uber is even more rapidly making the Uber driver redundant.
Personally, I enjoy driving… probably too much. I’ve driven between New York and Chicago so many times I’ve named each tree along I-80 in Pennsylvania. I’d drive to Hawaii if I could hit critical speed before I hit the Pacific. So I doubt I’m the type of person “they” have in mind for the driverless car, although I’m not getting any younger and neither are my eyeballs.
The problem is, nor is anybody else. When it comes to new tech, I am not a naysayer and I am not saying nay now. I’d just like to point one out one small fact.
If you’ve ever driven at or below the speed limit on any of our interstate highways, you have been subjected to more middle fingers than Mr. Carter had little liver pills (yeah; even I am too young for that line). We love to get where we’re going as fast as possible. The police count on it, particularly in troubled times when tax receipts are lower than the needs of the municipal budget… or, in other words, all the time.
It stands to reason that, like some rental cars, driverless cars will be regulated to meet but never exceed the speed limit. That will mean two things: we will get to the pizza place five minutes later, and our municipal budgets will go to hell.
I don’t think your average American will stand for this. Moreover, it will be extremely dangerous as long as speed-regulated driverless cars have to share the road with human drivers who possess the tendency towards lead-footedness.
On the other hand, much of our population lives or works in areas that really have run out of room for highway expansion. Regulating everybody’s speed will allow for more cars and might even result in an improvement in driving times during “rush” hour.
I think of driverless cars as the home version of NASCAR… with the possibility of the same results.
If The Magnificent Seven had a title like Seven Cool Cowboys, I would be here writing a rave review. This remake is a good, fun western that might employ a lot of well-worn tropes, but has a good enough cast and a light enough tone to make it work quite well. I had a great time watching it almost the entire time I was in the theater. The problem comes from using the name of an older movie, a different movie, a better movie, and most importantly a movie with a point of view entirely ignored for this iteration. The Magnificent Seven is a fine movie but it’s an awful take on the original and it needs to carry that weight.
The Magnificent Seven hits all of the basic bits of the original film. Outlaws take over a town, townsfolk enlist a ragtag band of assorted cowboys and ne’er-do-wells to fight off the incursion, they train the civilians to help defend their town, and then a big battle ensues. What it misses is the thematic hit. The original Magnificent Seven (and the Kurosawa masterpiece it’s based on) ends with the heroes remarking that while they won the battle that they lost because their time is over, the world isn’t going to need gunfighters forever. The remake discards all of this: there’s no sense of ennui or longing, the surviving heroes ride off confident in their work and their status of heroes. Again, in any other western this wouldn’t be a problem— but for this one it seems like they took the name, they took the premise, and then they discarded the theme. I hate that they did that, it makes it look the name was a cheap ploy to lure in an audience that probably hasn’t seen the original but can be brought to the theater just on name recognition.
It’s a shame that no one thought this movie could make it on its own steam because there’s a fine cowboy movie here. Denzel Washington is one of the best actors alive and he’s fantastic in this movie, even though he can sometimes feel a little crowded out by the ensemble. It’s unfair to make Chris Pratt play across from Washington, because even though Pratt is charming and funny he withers from the comparison. Vincent D’Onofrio is playing the strangest part I may have seen in a movie all year but he’s inexplicably crushing it— I guess talent is the great equalizer. The rest of the cast is good (with the possible exception of Ethan Hawke, who might just have nothing to show me anymore) and they do an above average job playing some broad genre stereotypes. Do I wish that the two strong silent types weren’t also people of color? Yes, but I suppose I can live with it.
There’s nothing in The Magnificent Seven that particularly reinvents the wheel (reinvents the horseshoe?) when it comes to western action, but I’m ultimately fine with that. We don’t get westerns very often lately, and when we do they’ve been by either Quentin Tarantino or Seth MacFarlane and those haven’t exactly been typical westerns by any means. There’s a part of me that doesn’t mind seeing the same showdowns, the same bits of dialogue, or even the same shots. I miss the western… and if I can only get it in small doses, I can understand if they only want to play the hits.
Every few years I write a real world advice article for young creators. My Bad Boy Studio mentor program has produced some exceptional graduates working in comics, television, illustration and related media.
I’ve also taught and/or lectured at The Joe Kubert School, Pratt Institute, The School Of Visual Arts, Rhode Island School of Design, the High School Of Art & Design and yadda, yadda, whatever.
Quick note; Yogi Berra said it best: “It ain’t bragging if you can do it.”
So save your “Davis is bragging bullshit” comments for someone who hasn’t done what I’ve done.
You do that, and I’ll spare you how I wrote the curriculum for the Art School of the Museum of Modern Art and how my name is on a arts magnet school in East Orange New Jersey and, no, I didn’t write MOTU187 in spray-paint on the building.
Every few years I do a recurring “art of the deal” series a step by step retelling how some of my ventures were born. The title was a complete rip from a man I once had a lot of respect for, Donald Thump. I thought I’d use the title of his book to pay tribute to the man.
I now regret that and have since I called out any black contestant for appearing on his television show The Apprentice. I’ve been on a Fuck Trump campaign way before he started running for president beginning years ago when Trump started his birther bullshit. After a few interviews where he demanded the first black president of the United States of America “show his papers,” I’d had enough.
Needless to say, I’ll no longer be calling my series on deal making the Art of the deal. It could have been worse I could have called it Mein Kampf 2, which people tell me is the title of Trump’s next book.
Believe it or not, my focus is and will always be educating young creators on the very real way business is executed in a very hard creative field.
Trying to navigate from home to an unfamiliar place is hard enough, made a lot easier with GPS. The sad fact is many young creators, particularly those of color, don’t have such a GPS. Shit, for that matter most don’t have a car. Since many parents lack the resources to allow their sons and daughters to “follow their passion” on what they consider a hobby or see as a pipe dream, learning the correct information just won’t happen.
Put another way the arts in the inner city isn’t considered a “real job.”
That’s the number one response from parents of young artists when asked what they think of a career in the creative arts. Lacking the support and motivation to push the issue, these young people enter a private world where all by themselves without guidance try to become the next Jim Lee, Karen Berger or Denys Cowan.
That self-contained place leads many to develop an unrealistic view thinking talent is the only thing needed to break into comics and parallel careers.
Further, from reality, these kids will never be.
This fantasy world made worse when the artist, actor, writer or photographer meets someone in the field they admire. If that person shines them on, their idealistic view filled with hope is validated. That false hope does more harm than good ten times out of 10.
My very first advice column written for The Comic’s Buyers Guide some 20 plus years ago received a loud chorus of Shut The Fuck Up from some pros. One pretty well-known artist said I was “killing dreams.” People thought telling young men and women to show up for appointments groomed and on time was somehow a bad thing.
I’m not kidding.
Because as you no doubt know, every time a bell rings an angel gets his wings and every time an artist takes a shower a Davis kills a dream.
Those who voiced their opinions were quick to point out I knew nothing about the comic book industry and these kids should ignore my suggestions and just have fun. All they need is a little talent and love.
By that logic, anyone who can hit a free throw and loves basketball is a candidate for the NBA. Perhaps starring in a reality television show makes running the country something anything any lying racist can do.
If you love to watch porn, that won’t get you a porn star girlfriend. Only hairy palms and bad eyesight. Oh I’m sorry, did I kill your dream of getting a porn star to be with you? Trust me, it’s not that big a deal. Been there, done her and her friend.
You need considerably more than talent, and I’ll share what that is once again but with a twist. Instead of using an example of what I’ve done and how I’ve done it. I’ll use examples of two deals that I’m working now. One project is a graphic novel project I’m doing with a well-known personality the other is an on going or limited series.
I’ll break down the graphic novel deal on Bleeding Cool and the series on ComicMix.
Neither have media deals yet, and it’s entirely possible they won’t.
No matter how successful you are, unless you’re bankrolling the venture soup to nuts “no” is always a possibility.
You’ll know why they didn’t sell or why they did as you’ll be there from start to finish. My hope is these articles help make a dream of working in comics come true for someone.
Then I can kill that dream by telling them about deodorant.
As I write this (Friday), the Suicide Squad movie has grossed $318, 779,276 domestically and $413,000,000 internationally for a total worldwide gross of $731,779,276. It’s been playing since the start of August and, in the U.S., it’s still on the top ten list.
