Category: Columns

The Law Is A Ass

Bob Ingersoll: The Law Is A Ass #386

DAREDEVIL IS GIVEN THE FINGER

Truer words were never spoken; or put into a first-person narrative caption.

You may recall that attorney – I mean I hope my old columns are at least a little memorable – Matt Murdock, who is secretly the super hero Daredevil, was recently disbarred in New York state after circumstances forced Matt to reveal publicly that he was Daredevil. When New York realized the number of ethical infractions Matt had committed to keep his secret identity secret, it barred him from its bar. Matt then moved to San Francisco, because he was still a licensed attorney in California. Well, that was then. This is now.

Now, everyone has forgotten that Matt is Daredevil, Matt is back in New York City, and his license to practice law in New York State has been reinstated. Don’t ask how.

Seriously, do not ask how, because I literally do not know. The current run on Daredevil simply dropped us in the middle of Matt’s new life without telling us how it happened. The only No explanation we’ve been given as to how Matt ignored Nat King Cole and proved his secret identity was forgettable is “unspecified circumstances.” Although I think we can safely rule out a deal with the devil though. Marvel tried this trick before; it had Mephisto make everyone forget Peter Parker was Spider-Man in “One More Day.” That bit of Faustian forgetfulness proved so unpopular Marvel retconned the Abaddon amnesia angle out of existence in “One Moment in Time.” (And you know what, don’t ask me about that either!)

All we know is what no one else knows, that Matt is Daredevil, that he can practice law in New York again, that he’s back in New York City, and that he’s working for the New York City District Attorney’s office. Considering Matt’s recent record is rife with a lack of legal ethics, some of us were taking bets on how long it would be before Matt breached legal ethics again.

Well, if you had five issues in the pool, you’re a winner.

For the first four issues of the new Daredevil run, Matt was fighting Tenfingers; a new crime lord in Chinatown who, true to his name, has a double dose of digits on each hand and some magic mojo he stole from the ninja assassin organization, the Hand. (Fingers? Hand? I’m sensing a theme here. I’m amazed we didn’t have guest appearances by Iron Fist or Mitt Romney.)

Anyway, Matt had been fighting Tenfingers in both his identities. Daredevil battled Tenfingers and his underlings in the streets. While ADA Matt tried to assemble a case against Tenfingers so he could be prosecuted. In both endeavors, Matt failed miserably. Not only could he not stop Tenfingers, he couldn’t even get Tenfingers to paws.

Because Matt had such spectacular lack of success, he was demoted from heading up the Tenfingers taskforce to the District Attorney’s E.C.A.B. or Early Case Assessment Bureau; meaning Matt will be spending a lot of time in Night Court. (Yes, the same night court where Harry Stone was a judge, but probably a different court room. Although this being a court room in the Marvel Universe, I’ll bet it has just as many crazies.)

imagesIn Daredevil v5 #5, Matt was heading to what was, I think, his first night in night court, when he got an alert that Daredevil should come to the temple in Chinatown where Tenfingers had his headquarters. Matt told his assistant, Ellen King, to cover for him in court. Ellen protested that she was a paralegal, not an attorney. Matt left anyway and narrative captioned those aforementioned truer words, “This is gonna bite me in the ass.”

I see one of three results from Matt’s actions. First, Ellen did the proper thing and told the judge that the attorney who was supposed to be in court skipped out and that she was only a paralegal, so couldn’t proceed. The judge was understandably upset with Matt then continued the court’s docket until either another day or until the DA’s office sent another attorney to cover for Matt. Either way both the judge and District Attorney Ben Hochberg were going to be pissed at Matt for this. (Can I say “pissed here at ComicMix? I guess we’ll find out.)

And I don’t mean a little bit pissed, I mean massively, Matt-gets-fired-and-brought-up-on-disciplinary-charges pissed. Cause in the real world, that’s what would probably happen to an attorney who was just reinstated after being disbarred for ethical violations and who then intentionally skipped a court date and left an unlicensed paralegal to handle his caseload.

The second possibility is that Ellen still did the correct thing and told the judge she couldn’t go forward. The judge then did the incorrect thing and forced Ellen to prosecute the cases in that night’s docket. Unlikely. This possibility would also result in Matt’s being fired and brought up on disciplinary charges, but it would also result in the judge being brought up on disciplinary charges for forcing an unlicensed paralegal to act as an attorney. It would probably also require all of the people who were arraigned that night to be arraigned again, when someone learned that a paralegal was operating as an attorney without a license. So I doubt the judge would do that.

The third possibility is that Ellen did the stupid thing and didn’t tell the judge she was only a paralegal and actually handled Matt’s caseload. This result is also unlikely. It would still result in Matt being disciplined and still force the court to re-arraign everyone who appeared in night court that evening. It would also probably result in Ellen’s being fired. She couldn’t be disbarred, because she wasn’t an attorney, but the DA’s office would fired her and possibly bring her up on criminal charges for practicing law without a license. I don’t see Ellen doing that to herself.

You may have noticed that in all three of my possible scenarios, Matt gets disciplined for skipping out on court and leaving an unlicensed paralegal to cover for him. No matter what the judge and Ellen did, Matt is going to take it on the chin. And considering he’s a super hero, that’s a pretty prominent chin.

So, yeah, I guess you could say it’s gonna bite Matt in the ass. I think it’s going to do a few more things to him, too, but I know I can’t say what those are here in ComicMix.

Martha Thomases: Happy Holiday!

Passover Comics

Today marks the beginning of Passover, the Jewish festival that celebrates our freedom from slavery in Egypt. It is also Earth Day, which means that zillions of rabbis have a head start on their sermon topic this week.

The first (and sometimes second) night of Passover is marked by the ritual meal, the seder, in which adults entertain children with the story of the escape from Egypt and the ensuing forty years in the desert. There are special foods that are supposed to bring to life the suffering of the slaves, and silly songs about goats and stuff to keep the kids engaged.

There is a special prayer book for the seder called the haggadah. Because Jews like nothing more than to argue with each other, there are zillions of different versions. There are haggadahs that are entirely in Hebrew, and some that are Hebrew and English … or Spanish or whatever language your family speaks. There are many that are only in English. There are some with overtly political agendas. There are short haggadahs and long haggadahs. There are some that aren’t published by real publishers but rather copied and handed around, like spies do with covert information.

Each of us thinks our favorite haggadah is the best. That’s the way we are.

Kyle Paper King DavidBecause this is my business, I wondered if there were any comic book haggadahs. A quick Google search revealed two, both aimed at young children. I’m sure these are fine, but they seem to be produced for the comic book reader who used to read Dell Comics and Harvey.

I would like to see someone do a graphic haggadah or, barring that, a graphic novel about the Passover story. There are so many episodes that would benefit from a smart combination of words and pictures — 12 plagues, the suffering of the slaves, the escape from Egypt (with the parting of the Red Sea), the Golden Calf, the 40 years of wandering until all the kvetch-y old people died off. It would be exciting, action-filled, with lots of fascinating characters and drama.

Part of the reason I know that this tale would work in a graphic story format is that it is, essentially, the part of the Bible that inspired Jerry Siegel and Joe Shuster when they created Superman. A young child ripped away from his parents, raised by a kindly family, who grows up to lead his people because of his special powers and abilities.

There is no reason to aim these stories specifically to very young children. For one thing, most very young children who can read are smart enough to tell when someone talks down to them. For another, kids are much more sophisticated in their abilities to unravel complex story lines than I was as a child. Finally, the stories work because, like fairy tales, they reach into our primal fears and primal hopes, which we share throughout our lives.

Need another example? Kyle Baker’s King David pretty much nails it. Or, if you’re feeling feisty, Robert Crumb http://www.amazon.com/Book-Genesis-Illustrated-R-Crumb/dp/0393061027/ref=la_B001IU0DRQ_1_1?s=books&ie=UTF8&qid=1461086374&sr=1-1.

I wish you a joyous holiday, full of tasty matzoh and freedom.

Dennis O’Neil: Names Have Power

Bill-Finger-and-his-creations-for-Batman

Chic Young. Al Capp. Jimmy Hatlo. Carl Anderson. Ernie Bushmiller. Alex Raymond. Roy Crane. Those are some names I remember, some 70 years later, with no help from Google, from the “funny side” of the St. Louis Post Dispatch, the newspaper that landed, rolled and bound with wire, on the front lawn of the four family flat where we lived until I was 10 or 11. By then I was aware that there was another newspaper, The Star-Times, the one that the O’Neils didn’t read, with its own funnyside and its own names and I may have even known some, but with the exception of Chester Gould, I seem to have forgotten these, maybe because I didn’t see them every day.

Somewhere in early grade school – ah, Sister Helen, what became of you? – I must have realized, probably gradually, that these names had something to do with the comic strips they were attached to and from there it would have been an easy step to realizing that the people these names belonged to somehow made the comic strips. And was I gobsmacked? (Saul on the road to Tarsus! Archimedes in the bath! Newton bonked by the apple!)

Not likely. My awareness that the comics were the product of human effort probably materialized slowly, over time. Somewhere in those developmental years, I must have come to similar awareness about the radio shows that occupied my late weekday afternoons and the cowboy pictures I saw on Friday nights at the Pauline Theater. (And boy! It sure took at lot more people to make a cowboy picture than a comic strip!)

Then there were the comic books. On Sunday morning, after Mass, Dad bought a quart of milk for the family and a comic book for little Denny. Later on in life, that scamp Denny learned to trade those comics with other kids’ comics and so some summer afternoons were absorbed by superhero adventures and funny animal hijinks.

Is something missing here?

The names. There must have been bylines and art credits in the comics, now and then, here and there, but I either didn’t register them or did notice them but quickly lost them to memory. Then comics vanished from my world and when they reappeared, more than a decade later, I did become aware of creators’ names, among them Jerry Siegel and Joe Shuster who got credit for Superman, and in the Batman comics, Bob Kane. Just “Bob Kane.”

Something still missing?

In the comics business, it’s been a fairly open secret for decades that Mr. Kane, an artist, worked with a writer named Bill Finger. But only Mr. Kane’s name appeared on Batman comics and movies and novels and television shows and lunch boxes…The reasons are legal and a tiny bit complicated and we won’t go into them here. But we have good news! From now on, Bill Finger’s name will appear on Batman stuff. This is not accident. For years, Bill’s granddaughter, Athena Finger, and her sister, Alephia Mariotto, have been struggling to get some kind of justice for Bill and now I suggest you take note of the latest film incarnation of Batman, titled, catchily, Batman vs Superman: Dawn of Justice. You’ll see in the early credits this information: Batman created by Bob Kane with Bill Finger.

Dawn of justice indeed.

Artwork by Ty Templeton from Bill The Boy Wonder.

Tweeks: SyFy’s Wynonna Earp Cast & Crew Interview Part 3

Welcome to the third and final interview from the Wynonna Earp cast & crew! In this video Anya talks with comic creator Beau Smith and show runner Emily Andras about how the Wynonna Earp TV show came to be, why it’s so special, how it was cast, and what to expect.

Wynonna Earp airs on Friday nights at 10pm on the SyFy channel. If you love westerns and/or Buffy the Vampire Slayer, this is a show you can’t miss.

Also, the comics are really cool too and they are available through IDW!

Molly Jackson: What Am I?

DaggerWhen deciding what to write about this week, it was a tough call. There was a lot of good and bad news but in it all, a couple stories caught my eye.

Last week, it was revealed that the new Star Trek series will not take place in the JJ Abrams created universe. If you’re a fan of those movies, I’m sorry but every Trekkie released a sigh of relief at that news. We are returning to our roots!!! The shows format will actually be an anthology series, taking place over different times in Star Trek history.

Now that this has been announced, I can only wish that my hopes for this show can be realized. They have so many opportunities in front of them to showcase the best possible future and traditionally taken that path. With Rod Roddenberry on staff, I fully expect that the show will be steered with diversity in mind. This means we see women and minorities in roles of power, stories about social issues veiled by aliens, and genuine hope that humanity can be better.

On the other hand, last week we got tit windows. Yup, indie creator Kate Beaton went on a tirade about tit windows, in regards to Dagger’s outfit from Marvel’s Cloak and Dagger comic series. This series started getting renewed attention with the announcement that a TV show is in the works.

Beaton’s issues stem from the unnecessary openings in the chest area of the costume. Now, this is far from new for almost any female superhero. Female comic characters, especially in superhero books, tend to display more skin than practicality dictates. It’s long been a subject of contention but has sparked interesting debates and some change in comics.

On the surface, these two topics seem disjointed. However, both represent an idea for how the world works. Dagger’s costume shows that despite being a fully developed and interesting character, sometimes your physical assets are all people see. Beaton is fighting for change in the industry. Star Trek traditionally representing another opportunity for women to shine, with attention placed on their character more than their appearance.

Maybe I’m reaching for this connection. I know deep down that Hollywood, comics publishers and entertainment industry in general will always do what they want, despite calls for change. Still, I think there is hope for the future. I can’t help it. I’m a Trekkie.

Mike Gold: Dark Scooby & Freedom Fightin’ Fred

flintstones_1-Pugh-231x350Looks like I picked the wrong week to quit sniffing glue.

Just when I decided that maybe DC’s “Rebirth” might possibly be worthy – yes, I know, I had the same hopes for Batman v Superman – the other shoe dropped. Back in the 1990s I perceived DC as a centipede, with (obviously) 100 shoes to drop. Now, I’m thinking millipede.

In case you haven’t heard, DC decided to “reimagine” (lord how I hate that word) the classic Hanna-Barbera characters. Sort of like what Archie Comics just did with Archie but, in this case, totally needless.

I have little if any strong attachment to the H-B characters. Even as a kid I knew cheap, shitty animation and sub-standard writing. I loved Rocky and Bullwinkle, which employed even cheaper animation, but after mildly enjoying the first season of The Flintstones I decided life was too short – I was 10 years old – and there were so many Looney Tunes to watch and re-watch. I stuck around long enough to realize Betty was hotter than Wilma and how the hell that little wiener Barney landed her was beyond me. But I digress.

Scooby ApoclypseFlash forward to about 1994. I just got my DirecTV wired up and I was ready to rumble. Cartoon Network, Turner Classic Movies, Comedy Central – my local cable company had none of that stuff at the time. Sitting next to me was my daughter, who was about 19 at the time. We surfed around and landed on Cartoon Network. Adriane went nuts. “Scooby Doo! Scooby Doo!! Don’t change the channel!!!”

Like the other H-B stuff, Scooby-Doo held no attraction for me. In fact, I thought it was an insult to both dogs and to hippies. But Adriane was so enthusiastic and I was so enthralled by the digital broadcast that I stuck with it. It was one of those sort-of feature length crossover movies; I think the one with the Three Stooges. Or Batman and Robin. Same difference.

Fine. There’s nothing that says I have to like it, and those cartoons were more boring than they were rotten. Every generation gets to have its own without the so-called adults pissing on their pleasures and I enjoyed sharing Adriane’s youthful enthusiasm.

(However, Adriane’s all growed-up now and is an editor here at ComicMix. She has the privilege of editing my copy, among others. With great power comes great vengeance. Nonetheless, upon reviewing this column she said “Feel free to point out Adriane was disgusted by the art when it was released in January, worse than she was by Freddie Prinze Jr’s dyejob for the live action movie. Apparently being a grown up means Warner Bros. shits on your childhood in new ways every 15 years or so.”). Mike often wonders where Adriane got that third-person bit.)

But now, just as DC claims to have learned the folly of incessant reboots such as The New 52, comes this.

They’re redoing the H-B characters. Rebooting them. Modernizing them. Making them relevant to a young audience that, quite frankly, does not see the comic book medium as relevant.

Fred and Barney and Scooby and Shaggy aren’t your father’s Fred and Barney and Scooby and Shaggy. Or your grandfathers’. Or… anybody’s. You can see for yourself from the appropriated artwork above.

The idea that Keith Giffen, Marc DeMatteis, Howard Porter and Jim Lee are doing Scooby Apocalypse gives me hope for an entertaining comic book, and on its face it seems like a great idea for a parody. But as the newest incarnation of “the real thing?” It’s like dumping Superman’s red exo-trunks: they’re messing with the American flag.

I assume Jonny Quest will soon be revealed as a weed runner. Hey, Shaggy had to score from someone, and Top Cat really couldn’t be trusted.

Maybe we’ll get lucky and Scrappy-Doo will get hit by a runaway garbage truck.

Tweeks: Wynonna Earp Cast Interview Part 2

Hey everyone….Anya here & I’m back with Part 2 of my interviews with the cast & crew of SyFy’s Wynonna Earp.

This time I talk to Melane Scrofano who plays Wynonna and Shamier Anderson who plays Agent Dolls, the leader of the Black Badge division. OMG they were so nice, as you will see.

This is also a really cool interview because Melanie talks about who she’d like to watch the show and she emotionally talks about how her character is complicated and not only what she appears to be. She’s vulnerable, but can kick butt.

And at around 11:22 they give our Tweeks microphone some love. :)

This is such a great show with great girl hero roles. If you want to watch it it’s on SyFy on Friday nights at 10 pm.

[ youtube https://www.youtube.com/watch?v=WVbQ-oro7FQ ]

Joe Corallo: Shell Game

Ghost In The Shell 1

This was supposed to be a lighter column for me. I had seen Iggy Pop play over at The Capital Theatre in Port Chester last Thursday. I was going to write about how it was an absolutely incredible show, talk a bit about Iggy Pop’s career and how he was a major influence on the comic book series The Crow. Then I read this. And this. I saw friends of my get incredibly upset over this. Hell, I’m upset too. So without putting up much of a fight with myself, I decided this week I’d tackle the growing embarrassment that is the Ghost In The Shell live action adaptation.

Ghost In The Shell was one of the first anime movies I had watched. When I was a kid, I grew up on Voltron, Sailor Moon, Dragon Ball Z, and many others. The Sci-Fi channel (before it was the SyFy channel) used to do Saturday Anime in the mid to late 90s. That exposed me to a lot of different anime movies. They had commercials for the anime movie adaptation of Ghost In The Shell and I eventually got the DVD. It was fantastic. Visually stunning and engaging in a similar way to me as Akira or Serial Experiment Lain.

Dreamworks Pictures is currently deep into the production of the Ghost In The Shell live action movie, slated for release on March 31, 2017. It’s been reported that this has been a long anticipated project. Personally, I’m fine with my anime movie staying an anime movie without a live action adaptation. We all saw how movies like Speed Racer and Dragon Ball: Evolution turned out. Ghost In The Shell may prove to be worse than those.

Let’s get into some details that we know about the movie so far. It’s being directed by Rupert Sanders. It’s written by Jonathan Herman and Jamie Moss. It’s starring Scarlett Johansson, Pilou Asbaek, Michael Pitt, Takeshi Kitano, and Juliette Binoche. Notice something a bit off about all this? If the answer is “no” congratulations! You’re part of the problem. If your answer is “I thought this was a Japanese property. Isn’t nearly every single person listed here white?” then we’re on the same page.

Ghost-in-the-Shell-102615In addition to all of that, Dreamworks Pictures admitted to using VFX technology to attempt to “shift the ethnicities” of white actors in the film with CGI to make them appear more Asian in post-production. While plans to go through with this have been scrapped, I do want to make something clear for everyone. At least one person working high enough on this movie identified that barely any Asian actors on screen was a problem.

That person managed to convey that was a problem. Either that person or another person high enough in the production proposed that they could try to use a modern version of yellow face that they don’t have to call yellow face because it’s done by computers now and we all know that yellow face is bad, but the intentions behind yellow face apparently aren’t to those working on Ghost In The Shell. Person with this idea to use modern yellow face was able to get enough traction from the production for them to actually try it. The fact that we are even so inclined as to say that at least they didn’t go through with it in the end shows just how low the bar is for institutional racism in Hollywood.

Now the fault here certainly lays heavily on the production team, but how much of it is on the actors themselves? Scarlett Johansson is certainly a talented actress that’s a proven cash grab at the box office. So few women in Hollywood have been elevated to this level. Shouldn’t we celebrate Scarlett Johansson being elevated like this and ignore the fact that the character she is playing is supposed to be Asian?

No. Nope. Never.

Nearly every single woman that has been elevated to a similar position to Scarlett Johansson in Hollywood has been cis straight and white. The reason is because they’re the ones given a disproportionate about of the opportunities. Scarlett Johansson is not desperate to break into the industry. She’s a leader there. Someone that’s admired by many. She is successful enough to turn down a role like this. She should have turned it down. I’m sure she’s turned down plenty of roles in her career to play characters that she actually fits the description of. Why did she have to take this one? Or Pilou Asbaek? Or Michael Pitt? Or Juliette Binoche?

It’s because of casting decisions like this that predominantly straight cis white men and women dominate the box office. Arguments are made about needing big names to get butts in the seats. However, there are plenty of examples that counter that point. One prominent example related to comics is Superman: The Movie. Other than a couple of names who all had smaller roles, the movie was led primarily by unknowns. Also movies like, you know, Star Wars. And if Johnny Depp has taught us anything lately, it’s you can still be a Hollywood giant and star in box office disaster after box office disaster and still get picked over someone whose background and ethnicity better fits the role he’s playing. He is 1/16th Native American though, so that must count for something to someone apparently.

So how does this happen? The short and obvious answer is because not enough people see this as a problem. And it is a problem. It’s a hard problem to combat, and even gigantic box office bombs like 2013’s The Lone Ranger can’t seem to discourage Hollywood. It would require a sea-change. One of which would be going against one of the current cash cows they’ve been milking, comic book movies which technically Ghost In The Shell as a manga falls into. Movies that are primarily dominated by straight cis white men. It’s okay though, Black Panther is finally getting his own movie over at Marvel only about 54 years after the civil rights act, and Captain Marvel only 99 years after the 19th amendment.

You know, progress.

Mindy Newell: Quality of Life

Law & Order SVU Comic Book Guy

I just finished watching an episode of Law & Order: Special Victims Unit – it’s Sunday afternoon, and I’m addicted to the USA network marathons of the show on Sunday afternoons. The episode was actually one that I’ve never seen before, and it turned out that the perp was the mildly developmentally disabled – what we called retarded in the bad old days – owner of a comic book store. Perpetuating the stale old myth that anyone into comics has to be emotionally and intellectually limited with sexually perverse lusts. Way to go, SVU! That really pissed me off. (And yes, real comics were mentioned, including The Avengers and Justice League.)

On Friday I stopped by my brother’s house; it turned out that he and my niece went to see Batman Vs. Superman: Dawn of Martha (as fellow ComicMix columnist Marc Alan Fishman calls it) and both were completely disgusted by it. “Ridiculously violent,” my brother said. “Stupid,” said my succinct niece. “We live in a violent world, and the movies reflect that,” said I.

Chuck Todd interviewed George Clooney, who hosted two California fund-raisers for Hillary Clinton on Saturday and Sunday, on NBC’s Meet the Press this morning. Tickets cost between $33,400 and $353,400 to hobnob with Hillary and other bigwigs (raising $15,000,000). Clooney agreed with Todd that this amount of money is “obscene.” He then went on to say:

“I think what’s important and what I think the Clinton campaign has not been very good at explaining is this, and this is the truth: the overwhelming amount of money that we’re raising (and it is a lot) but the overwhelming amount of the money that we’re raising is not going to Hillary to run for President, it’s going to the [Democratic] ticket. It’s going to the congressmen and senators to try to take back Congress. And the reason that’s important…to me is because we need – I’m a Democrat so if you’re a Republican, you’re going to disagree – but we need to take the senate back. Because we need to confirm the Supreme Court justice because that fifth vote on the Supreme Court can overturn Citizens United and get this obscene, ridiculous amount of money out so I never have to do a fundraiser again. And that’s why I’m doing it.”

I get what he’s saying, I really, really do. But it still doesn’t feel right or sit well with me.

Clooney also said that, although he is a Hillary backer, he will totally “feel the Bern” if Sanders gets the nomination and will be absolutely happy to participate in fundraising for him if asked to do so by the candidate.

I just wonder…would Bernie ask?

We all talk about “quality of life.” Euthanasia proponents wear the phrase on their t-shirts. And we are told to have, what’s called in my trade, “Advance Directives,” so that if we become unable to articulate our medical treatment desires for whatever reason, our wishes are already written down and notarized and signed, sealed and delivered into the hands of our, as we say in the trade, “healthcare proxies” who can advocate for us when we can’t advocate for ourselves.

I saw my father. He definitely has no “quality of life.” He receives what is called in the trade “palliative care.” He is not in pain – thank God! Though since he cannot really communicate anymore, God knows what kind of inner, emotional pain he’s in. I like to think that when he sleeps or when he is in that dream-state into which I and the rest of my family cannot cross, he is sitting in the cockpit of his beloved P-51D Mustang – the one with the Rolls-Royce Merlin 66 two-stage, two-speed supercharged engine (the definitive version) because one time my mother asked him where he was, and he said that he was “in the hangar.”

My mother and he will be married 68 years this June. There were times when I thought it was over, done, kaput. They are everything to each other. Does he dream of their courtship, of their wedding day, of their early years together?

Do androids dream of electric sheep?

My father is not an android.

But does he dream?

Ed Catto: Are you a Bimphab or a Quatix?

Destiny for President

Geek Culture doesn’t provide all the answers to all of life’s tough questions. Or, at least, I try to tell myself that … and then, without thinking, I’ll draw a parallel to a real world issue from an old Batman story or a Star Trek episode.

Like so many Americans, I’m horrified by the divisiveness of the upcoming elections. As a country we’re more than 200 years old, but still so many of our political conversations start with drawing lines and contentious finger pointing.

WaltKelly_OneWayStreetIt’s the same on the local level. For over 25 years, I’ve lived in the great little town of Ridgewood. It’s a mix of Smallville, Camelot and Twin Peaks (on a good day). In Ridgewood, our Village Council eschews the standard Democratic/Republic affiliations. You’d think that would help sand off the rough edges of politics, but lately our village has been facing a perfect storm of municipal issues – and there’s a lot of ugly divisiveness popping up everywhere.

So with all this division, I was thrilled to get an email from my pal Larry.

Readers of this column probably know Columbia University Prof. Laurence Maslon, best for the brilliant PBS Documentary/Random House Book – Superheroes: Capes Cowls and the Creation of Comic Book Culture.  He’s also a great dad, and explained to me in the email that he was sharing this Walt Kelly image with his son. Although this illustration was created years ago, it’s an insight the nation, and Ridgewood, could benefit from now.

aquacel3I should know better. I’m been taught this lesson many times over the years. Despite growing up in tumultuous times, one of my earliest political lessons came from a 1960s’ Filmation Aquaman cartoon.

In 1967’s War of the Quatix and the Bimphabs, writer Dennis Marks chronicled one of Aquaman’s rare interplanetary adventures.  The government’s satellite discovered an all-water planet, so they recruit Aquaman, Aqualad and their pet walrus, Tusky. (Hey! No eye-rolling: it was the Sixties!) for a space trip and a three hour on-site exploration. http://www.toontube.com/video/9232/Aquaman-32-The-War-of-the-Quatix-and-the-Bimphabs
I recall their journey to this distant planet, Q344, was shorter than a car ride with my mom to the local Woolworth’s.

filmationep32fUpon arriving, Aquaman offers some great advice to his young protégé. Having been attacked by alien invaders in just about every other episode of their cartoon show, he thoughtfully tells Aqualad to “Remember, here we are the aliens.”

As a dad, when I took the kids somewhere different, like a vacation spot or a college campus, I’d remind them that we were the outsiders there. They just thought I was nuts.

On this planet, the heroes find that two extremist groups, the Bimphabs and the Quatix are arguing over very important things that seem trivial to the viewer. Likewise their differences, though clearly delineated, seem small and entirely surmountable to the viewer. Even to a young viewer who was slurping his Saturday morning cereal and fighting with this brother (but the brother always started it), these lessons were pretty clear.

FUNFILMATION01Fast forward to today. I haven’t grown up as much as I should have. To use the Aqua-vernacular, I’m clearly a Bimphab. I always vote Bimphab. And I find the positions of the Quatix (the other political party) to be preposterous and perplexing. But maybe reading more Walt Kelly or Aquaman stories will help me grow up a little before it’s time to vote.

PS – Oh, and yes, I know I had written last time that this time I’d run the second part of my look at entrepreneurs at Valiant Entertainment. We’ll push that back and prepare that for next week. It’ll be good one and I think you’ll like it!

PPS – I’m really looking forward to the new WB JLA cartoon this fall too.

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