Author: Van Jensen

Neil Gaiman’s ‘American Gods’ Fares OK Online

  • News
  • July 15, 2008

You may recall a while back that Harper Collins did a special promotion where Neil Gaiman’s American Gods novel was available to read online for free.

Gaiman relays an e-mail from the publisher that gives some mixed results, which mirror the concerns given by ComicMix’s own Rick Marshall. From the e-mail:

The Browse Inside Full Access promotion of American Gods drove 85 thousand visitors to our site to view 3.8 Million pages of the book (an average of 46 pages per person). On average, visitors spent over 15 minutes reading the book.

The Indies [ie. independent booksellers — Neil] are the only sales channel where we have confidence that incremental sales were driven by this promotion. In the Bookscan data reported for Independents we see a marked increase in weekly sales across all of Neil’s books, not just American Gods during the time of the contest and promotion. Following the promotion, sales returned to pre-promotion levels.

Through an online survey, we know that 44% of fans enjoyed this browsing experience and 56% did not. Some of Neil’s fans expressed frustration with the Browse Inside tool for reading through a whole book. (This poor result is partially due to two problems which were fixed soon after the initial launch – mistaken redirect to the Flash-based reader and slow image load time)

The main concerns of those who didn’t like the browsing centered on the difficulties of online reading, from lack of bookmarks to too much scrolling.

(via The Beat)

Review: ‘Strange and Stranger: The World of Steve Ditko’

As a history of Steve Ditko’s career as a comics artist, Strange and Strange: The World of Steve Ditko is an unquestionable triumph, the latest in a top-notch series of art books from Fantagraphics.

Blake Bell’s book ($39.99) features hundreds of beautifully reprinted Ditko pages, from his earliest horror stories to his triumph with Amazing Spider-Man run to his eventually paying-the-bills work in cartoon coloring books. This art comes with insightful analysis from Bell, who even gives side-by-side comparisons with art from some of the artists who inspired Ditko.

Yet, I came away from the book disappointed, because as well as it explains Ditko as an artist, it hardly begins to explain him as a man.

Admittedly, that’s a tough task, as the reclusive Ditko hasn’t been interviewed since bell bottoms were cool (or thereabouts), but it’s the task Bell sets out upon. The chapters accompanying the art read more than anything like a more-detailed Wikipedia page, full of facts but empty of story.

We hear about all the important moments in Ditko’s career, often fleshed out through the quotes of his acquaintances, but we hear less than whispers of his personal life or childhood. Perhaps Bell put on a reporter’s hat and tried to find some such information, but if so, he includes neither that information nor an account of how he failed to obtain it.

The few included quotes from Ditko are flatly boring descriptors of his work, overladen with parentheticals. And, again, they only hint at who he is.

For people who come in with a familiarity of Ditko’s story, like ComicMix editor Mike Gold, that’s a pardonable offense. But for any more unfamiliar reader looking to [[[Strange and Stranger]]] as a true biography, they’re sure to find it sorely lacking.

There’s a clear narrative to Ditko’s life; it’s a tragic story of a man who followed the philosophy he thought would make him great, but instead Ayn Rand’s objectivism would prevent him from achieving that greatness. And that story remains untold.

Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) comicmix (dot) com.

Xeric Announces Grant Winners

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  • July 15, 2008

This year’s spring Xeric grant recipients have been named, writes Heidi MacDonald at The Beat. Strangely, the Xeric site doesn’t have the news yet.

The grant winners are:

Gary Scott Beatty – Jazz: Cool Birth
Marek Bennett – Breakfast at Mimi’s Doughnuts
Eroyn Franklin – Another Glorious Day at the Nothing Factory
Jason Hoffman – Mine
Jack Hsu – 8-9-3
Jenny Jaeckel – Spot 12
Dave Kiersh – Dirtbags, Mall Chicks and Motorbikes
Alex Kim – Wall City
Stef Lenk – TeaTime (art at right)
Justin Murphy – Cleburne
Felix Tannenbaum – The Chronicles of Some Made

New ‘Superman’ Movie Coming?

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  • July 15, 2008

Craigslist in Omaha, Neb., has a fairly mundane looking call for extras for a movie, at least unless you’re interested in the Superman film franchise.

OMEL Courtesy Casting is looking for stand ins and extras, the ad says. But here’s where it gets interesting:

Plot Summary: A sequel to the summer 2006 action-adventure. Bryan Singer returns to direct with Brandon Routh again playing Clark Kent/Superman.

Maybe that Warner Bros./DC meeting from last week really did speed things up. I grew up in Nebraska and have quite a few friends in Omaha, so with any luck one of them will check in on this and see if it’s legit.

(via CBR)

Viz Looking for New Properties

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  • July 15, 2008

Manga publisher Viz Media will be looking to take on new projects, and even possibly some non-Manga content, according to ICv2.

In a Q&A with Marc Weidenbaum and Eric Searleman, editor in chief and vice president respectively, ICv2 finds out more detail about these changes, and how they tie into Viz’s announced talent search at the San Diego Comic-Con.

Are you looking for manga-style properties?

If by "manga" you mean what is generally considered manga in the United States (fantasy and romance aimed at teenagers), then no. If by "manga" you mean what is meant by manga in Japan (a broad range of comics that emphasize serial storytelling, cliffhangers, reader feedback, a supportive editorial process, and a rich creator voice), then yes we are.

The story also addresses the difficulty in selling any non-Japanese content in the Japanese comics market:

Japan remains the toughest market for material from other countries to crack. But even that may be changing, as the U.S. subsidiary of the two largest manga companies in Japan begins its search for original comics. Viz Media’s Marc Weidenbaum, VP Original Publishing, and Eric Searleman, Senior Editor, the execs handling the search for original content answered in the affirmative when we asked whether there is American material that would sell well in Japan. “Certainly,” they said. “Both countries have their own rich, indigenous graphic-storytelling cultures. There are bridges yet to be built.”

(via Blog@)

Animated ‘Iron Man’ Trailer

Animated ‘Iron Man’ Trailer

  • News
  • July 15, 2008

The first trailer for the upcoming Iron Man: Armored Adventures cartoon is now online. The show, which appears to be somewhere between Ultimate Iron Man and the Iron Man movie, will show up on Nicktoons next year. 

The Truth Behind the Death of Harry Horse

  • News
  • July 14, 2008

On Jan. 10, 2007, police found the bodies of Richard Horne, known as Harry Horse, the illustrator, and his wife, Mandy. Word came out that the two had taken their own lives as part of a suicide pact, made after Mandy began to suffer severely from multiple sclerosis.

It’s taken a year and a half for the full story to come out — that Richard brutally murdered his wife, then himself. The Times of London has a lengthy piece on the crime, and it’s a great piece of journalism, though a difficult read because of the ugliness of the incident.

If you do read the story, or the below excerpt, be prepared for graphic descriptions of violence. From the Times:

That evening, Harry and Mandy had their last visitors: two brothers from New Zealand. As relayed by Williamson, Harry was in a demented state, roaming the house and proclaiming: “It’s a wonderful night for a killing.” Mandy was distressed, and did not want the friends to leave. At 9.40 the next morning, January 10, the friends came back to retrieve an item of clothing. The front door was unlocked, so they pushed it open. Inside they saw the bodies of Harry and Mandy lying close together on Mandy’s bed. There was blood on the floor, windows and walls. Harry, so it proved, had butchered Mandy to death with a knife. By the medical examiner’s count, he had stabbed Mandy more than 30 times, fetching a second knife after breaking the first inside her. Then he turned the knife on himself, crisscrossing his arms with cuts and mutilating his genitals, 47 wounds in all. The death certificates record that both died of “exsanguination”: because he’d failed to deliver a lethal blow, both had bled to death. As a final token of horror, he also killed their dog, a chihuahua Mandy liked to cuddle, and their cat.

SLG Editor: Enough Women in Refrigerators

  • News
  • July 14, 2008

For all the discussion about the role of women in comics — as creators and characters — apparently more needs to be said, at least judging from the submissions that come in to publisher Slave Labor Graphics.

SLG editor Jennifer de Guzman goes off in a new journal entry, deriding the material she’s seeing cross her desk.

Indie and alt comics are still much-dominated by male creators, and in these men’s minds, women serve as plot devices that aid in a male development’s character. The women are damaged and victimized and usually odd — like that hot, fucked-up chick in Fight Club, brah! — and I’m tired of them. Just in this month, only a week old now, I have seen women who have been lured into porn, women who are hookers who teach young men lessons about life, women who were raped by stepfathers, women who are bi-polar and suicidal, women who are naive and long-suffering girlfriends of scumbags, and women who seem pretty cool and normal and then get kidnapped in order for the male protagonists to have something to do by saving her. Women who are never the protagonist.

Guys, STOP IT. The cumulative effect of these crazy/victimized/damaged women submissions — almost every other envelope I’ve opened — has got me wanting to punch someone. And you know where that will lead me: In trouble with the law, I’ll slip into the underbelly of society, start a nasty meth habit, turn to prostitution and then have to be saved by the man who has always loved me. Don’t let it happen to me. You can be a hero.

(via Journalista)

‘X-Files’ Comic Preview at EW

‘X-Files’ Comic Preview at EW

  • News
  • July 14, 2008

The new X-Files movie comes out July 25, and that week also sees the debut of a tie-in comic book series from WildStorm.

Entertainment Weekly has a preview of X-Files #0, from series co-producer and co-writer Frank Spotnitz. Check that out right here.

The truth? It’ll be out there in theaters when The X-Files: I Want to Believe opens July 25. But thanks to Frank Spotnitz, the franchise’s coproducer and cowriter, it’ll also be available in comic-book form two days earlier, when DC’s The X-Files #0 hits stores. While the film takes place after the TV series’ end, Spotnitz’s title (illustrated by Iron Man: Hypervelocity‘s Brian Denham) is fully ensconced in buzzy season 5, with Special Agent Dana Scully’s cancer in attack mode, and her FBI partner, Fox Mulder, initially on the lam, probing Scully’s illness as well as surreptitious alien types.

Issue #0 is a story Spotnitz always wanted to tell, but never had a chance to. And it will, in fact, springboard into a few original comics miniseries set throughout seasons 2 and 5 of the show. Also, these tales will feature a familiar evil force. But we’re getting ahead of ourselves. To jump-start the X-Files’ long-awaited resurrection, DC and Spotnitz have given EW.com this exclusive first look at pages from The X-Files #0.

A funny little side note: DC posted a news item about this on its home page, right here. But if you click the link, you’re taken to this wholly unrelated site.

Looks like Grant Morrison’s insiduous usurpation of DC is much farther along than we’d thought.

Animated ‘Invincible’ on the Way, Sort Of

Animated ‘Invincible’ on the Way, Sort Of

  • News
  • July 14, 2008

While Robert Kirkman is still working away on the screenplay for the movie adaptation of Invincible, his superhero is headed toward screens in another way. Very small screens, that is.

According to a story in the New York Times, David Gale, the executive VP of MTV New Media, is developing along with Gain Enterprises a somewhat animated version of Invincible. It’ll appear on iTunes, cell phones and MTV2.

The process starts with digital scans of the actual comic book pages. They are turned into an audio-visual experience through a process called Bomb-xx developed by Gain. In the end, the formerly two-dimensional comic book suddenly pulses with music, while word balloons pop up and fill in as actors recite the dialogue and panels zoom in and out and pivot in all directions. The frenetic energy is not unlike that of an MTV video.

Of all the comics to “animate,” why start with Invincible? “When you’re looking for a movie property or television property, first and foremost you look for a great story,” Mr. Gale said. “It’s a single creator following a great story arc.”

First six episodes will be previewed at Comic-Con International.

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