Author: Luana Haygen

Luana is an animated movie and superhero enthusiast with an eye for detail. She has been drawing and creating fashions since she was a child. She has been routinely helping here at ComicMix since 2009.

Mix March Madness 2015 Webcomics Tournament Sweet 16!

Round 4: Sweet Sixteen? Never!!! April Armageddon is a webcomic battle royale. We are down to the best of the best battling to see who will be the winner and bring home the bragging rights for 2015.

We had a couple of upsets in this round: XKCD losing to Misfile, Twokinds pulled ahead of Girls With Slingshots, and in a battle that went down to the wire, Two Guys and Guy beat Paranatural by two votes. Of course, the big winner in this round is the Hero Initiative with $127.00 in paid votes.

Narrowing the field in this head to head webcomic combat… be sure to vote for your favorite, now. The polls close April 28th at Midnight EDT!


2015 Eisner Award nominations

2015 Eisner Award nominations

eisnerawards_logo_2Comic-Con International has announced the nominations for the Will Eisner Comic Industry Awards for 2015. The nominees, chosen by a blue-ribbon panel of judges, highlight the wide range of material being published in comics and graphic novel form today, from companies big and small, in print and on line. The awards will be given out during a gala ceremony on Friday, July 10 during Comic-Con International: San Diego.

Best Short Story

Beginning’s End,” by Rina Ayuyang,
Corpse on the Imjin!” by Peter Kuper, in Masterful Marks: Cartoonists Who Changed the World (Simon & Schuster)
Rule Number One,” by Lee Bermejo, in Batman Black and White #3 (DC)
The Sound of One Hand Clapping,” by Max Landis & Jock, in Adventures of Superman #14 (DC)
“When the Darkness Presses,” by Emily Carroll,

Best Single Issue (or One-Shot)

Astro City #16: “Wish I May” by Kurt Busiek & Brent Anderson (Vertigo/DC)
Beasts of Burden: Hunters and Gatherers, by Evan Dorkin & Jill Thompson (Dark Horse)
Madman in Your Face 3D Special, by Mike Allred (Image)
Marvel 75th Anniversary Celebration #1 (Marvel)
The Multiversity: Pax Americana #1, by Grant Morrison & Frank Quitely (DC)

Best Continuing Series

Astro City, by Kurt Busiek & Brent Anderson (Vertigo)
Bandette, by Paul Tobin & Colleen Coover (Monkeybrain)
Hawkeye, by Matt Fraction, David Aja, & Annie Wu (Marvel)
Saga, by Brian K. Vaughan & Fiona Staples (Image)
Southern Bastards, by Jason Aaron & Jason Latour (Image)
The Walking Dead, by Robert Kirkman, Charlie Adlard, & Stefano Gaudiano (Image/Skybound)

Best Limited Series

Daredevil: Road Warrior, by Mark Waid & Peter Krause (Marvel Infinite Comics)
Little Nemo: Return to Slumberland, by Eric Shanower & Gabriel Rodriguez (IDW)
The Multiversity, by Grant Morrison et al. (DC)
The Private Eye, by Brian K. Vaughan & Marcos Martin (Panel Syndicate)
The Sandman: Overture, by Neil Gaiman & J. H. Williams III (Vertigo/DC)

Best New Series

The Fade Out, by Ed Brubaker & Sean Phillips (Image)
Lumberjanes, by Shannon Watters, Grace Ellis, Noelle Stevenson, & Brooke A. Allen (BOOM! Box)
Ms. Marvel, by G. Willow Wilson & Adrian Alphona (Marvel)
Rocket Raccoon, by Skottie Young (Marvel)
The Wicked + The Divine, by Kieron Gillen & Jamie McKelvie (Image)

Best Publication for Early Readers (up to age 7)

BirdCatDog, by Lee Nordling & Meritxell Bosch (Lerner/Graphic Universe)
A Cat Named Tim And Other Stories, by John Martz (Koyama Press)
Hello Kitty, Hello 40: A Celebration in 40 Stories, edited by Traci N. Todd & Elizabeth Kawasaki (VIZ)
Mermin, Book 3: Deep Dives, by Joey Weiser (Oni)
The Zoo Box, by Ariel Cohn & Aron Nels Steinke (First Second)

Best Publication for Kids (ages 8-12)

Batman Li’l Gotham, vol. 2, by Derek Fridolfs & Dustin Nguyen (DC)
El Deafo, by Cece Bell (Amulet/Abrams)
I Was the Cat, by Paul Tobin & Benjamin Dewey (Oni)
Little Nemo: Return to Slumberland, by Eric Shanower & Gabriel Rodriguez (IDW)
Tiny Titans: Return to the Treehouse, by Art Baltazar & Franco (DC)

Best Publication for Teens (ages 13-17)

Doomboy, by Tony Sandoval (Magnetic Press)
The Dumbest Idea Ever, by Jimmy Gownley (Graphix/Scholastic)
Lumberjanes, by Shannon Watters, Grace Ellis, Noelle Stevenson, & Brooke A. Allen (BOOM! Box)
Meteor Men, by Jeff Parker & Sandy Jarrell (Oni)
The Shadow Hero, by Gene Luen Yang & Sonny Liew (First Second)
The Wrenchies, by Farel Dalrymple (First Second)

Best Humor Publication

The Complete Cul de Sac, by Richard Thompson (Andrews McMeel)
Dog Butts and Love. And Stuff Like That. And Cats. by Jim Benton (NBM)
Groo vs. Conan, by Sergio Aragonés, Mark Evanier, & Tom Yeates (Dark Horse)
Rocket Raccoon, by Skottie Young (Marvel)
Superior Foes of Spider-Man, by Nick Spencer & Steve Lieber (Marvel)

Best Digital/Web Comic

Bandette, by Paul Tobin & Colleen Coover, Monkeybrain/
Failing Sky by Dax Tran-Caffee,
The Last Mechanical Monster, by Brian Fies,
Nimona, by Noelle Stephenson,
The Private Eye by Brian Vaughan & Marcos Martin

Best Anthology

In the Dark: A Horror Anthology, edited by Rachel Deering (Tiny Behemoth Press/IDW)
Little Nemo: Dream Another Dream, edited by Josh O’Neill, Andrew Carl, & Chris Stevens (Locust Moon)
Massive: Gay Erotic Manga and the Men Who Make It, edited by Anne Ishii, Chip Kidd, & Graham Kolbeins (Fantagraphics)
Masterful Marks: Cartoonists Who Changed the World, edited by Monte Beauchamp (Simon & Schuster)
To End All Wars: The Graphic Anthology of The First World War, edited by Jonathan Clode & John Stuart Clark (Soaring Penguin)

Best Reality-Based Work

Can’t We Talk About Something More Pleasant? by Roz Chast (Bloomsbury)
Dragon’s Breath and Other True Stories, by MariNaomi (2d Cloud/Uncivilized Books)
El Deafo, by Cece Bell (Amulet/Abrams)
Hip Hop Family Tree, vol. 2, by Ed Piskor (Fantagraphics)
Nathan Hale’s Hazardous Tales: Treaties, Trenches, Mud, and Blood, by Nathan Hale (Abrams)
To End All Wars: The Graphic Anthology of The First World War, edited by Jonathan Clode & John Stuart Clark (Soaring Penguin)

Best Graphic Album—New

The Gigantic Beard That Was Evil, by Stephen Collins (Picador)
Here, by Richard McGuire (Pantheon)
Kill My Mother, by Jules Feiffer (Liveright)
The Motherless Oven, by Rob Davis (SelfMadeHero)
Seconds, by Bryan Lee O’Malley (Ballantine Books)
This One Summer, by Mariko Tamaki & Jillian Tamaki (First Second)

Best Graphic Album—Reprint

Dave Dorman’s Wasted Lands Omnibus (Magnetic Press)
How to Be Happy, by Eleanor Davis (Fantagraphics)
Jim, by Jim Woodring (Fantagraphics)
Sock Monkey Treasury, by Tony Millionaire (Fantagraphics)
Through the Woods, by Emily Carroll (McElderry Books)

Best Archival Collection/Project—Strips (at least 20 years old)

Winsor McCay’s Complete Little Nemo, edited by Alexander Braun (TASCHEN)
Edgar Rice Burroughs’s Tarzan: The Sunday Comics, 1933–1935, by Hal Foster, edited by Brendan Wright (Dark Horse)
Moomin: The Deluxe Anniversary Edition, by Tove Jansson, edited by Tom Devlin (Drawn & Quarterly)
Pogo, vol. 3: Evidence to the Contrary, by Walt Kelly, edited by Carolyn Kelly & Eric Reynolds (Fantagraphics)
Walt Disney’s Mickey Mouse, vols. 5-6, by Floyd Gottfredson, edited by David Gerstein & Gary Groth (Fantagraphics)

Best Archival Collection/Project—Comic Books (at least 20 Years Old)

The Complete ZAP Comix Box Set, edited by Gary Groth, with Mike Catron (Fantagraphics)
Steranko Nick Fury Agent of S.H.I.E.L.D. Artist’s Edition, edited by Scott Dunbier (IDW)
Walt Disney’s Donald Duck: Trail of the Unicorn, by Carl Barks, edited by Gary Groth (Fantagraphics)
Walt Disney’s Uncle Scrooge and Donald Duck: The Son of the Son, by Don Rosa, edited by David Gerstein (Fantagraphics)
Walt Kelly’s Pogo: The Complete Dell Comics, vols. 1–2, edited by Daniel Herman (Hermes)
Witzend, by Wallace Wood et al., edited by Gary Groth, with Mike Catron (Fantagraphics)

Best U.S. Edition of International Material

Beautiful Darkness, by Fabien Vehlmann & Kerascoët (Drawn & Quarterly)
Blacksad: Amarillo, by Juan Díaz Canales & Juanjo Guarnido (Dark Horse)
Corto Maltese: Under the Sign of Capricorn, by Hugo Pratt (IDW/Euro Comics)
Jaybird, by Lauri & Jaakko Ahonen (Dark Horse/SAF)
The Leaning Girl, by Benoît Peeters & François Schuiten (Alaxis Press)

Best U.S. Edition of International Material—Asia

All You Need Is Kill, by Hiroshi Sakurazaka, Ryosuke Takeuchi, Takeshi Obata & yoshitoshi ABe (VIZ)
In Clothes Called Fat, by Moyoco Anno (Vertical)
Master Keaton, vol 1, by Naoki Urasawa, Hokusei Katsushika, & Takashi Nagasaki (VIZ)
One-Punch Man, by One & Yusuke Murata (VIZ)
Showa 1939–1944 and Showa 1944–1953: A History of Japan, by Shigeru Mizuki (Drawn & Quarterly)
Wolf Children: Ame & Yuki, by Mamoru Hosada & Yu (Yen Press)

Best Writer

Jason Aaron, Original Sin, Thor, Men of Wrath (Marvel); Southern Bastards (Image)
Kelly Sue DeConnick, Captain Marvel (Marvel); Pretty Deadly (Image)
Grant Morrison, The Multiversity (DC); Annihilator (Legendary Comics)
Brian K. Vaughan, Saga (Image); Private Eye (Panel Syndicate)
G. Willow Wilson, Ms. Marvel (Marvel)
Gene Luen Yang, Avatar: The Last Airbender (Dark Horse); The Shadow Hero (First Second)

Best Writer/Artist

Sergio Aragonés, Sergio Aragonés Funnies (Bongo); Groo vs. Conan (Dark Horse)
Charles Burns, Sugar Skull (Pantheon)
Stephen Collins, The Giant Beard That Was Evil (Picador)
Richard McGuire, Here (Pantheon)
Stan Sakai, Usagi Yojimbo: Senso, Usagi Yojimbo Color Special: The Artist (Dark Horse)
Raina Telgemeier, Sisters (Graphix/Scholastic)

Best Penciller/Inker

Adrian Alphona, Ms. Marvel (Marvel)
Mike Allred, Silver Surfer (Marvel); Madman in Your Face 3D Special (Image)
Frank Quitely, Multiversity (DC)
François Schuiten, The Leaning Girl (Alaxis Press)
Fiona Staples, Saga (Image)
Babs Tarr, Batgirl (DC)

Best Painter/Multimedia Artist (interior art)

Lauri & Jaakko Ahonen, Jaybird (Dark Horse)
Colleen Coover, Bandette (Monkeybrain)
Mike Del Mundo, Elektra (Marvel)
Juanjo Guarnido, Blacksad: Amarillo (Dark Horse)
J. H. Williams III, The Sandman: Overture (Vertigo/DC)

Best Cover Artist

Darwyn Cooke, DC Comics Darwyn Cooke Month Variant Covers (DC)
Mike Del Mundo, Elektra, X-Men: Legacy, A+X, Dexter, Dexter Down Under (Marvel)
Francesco Francavilla, Afterlife with Archie (Archie); Grindhouse: Doors Open at Midnight (Dark Horse); The Twilight Zone, Django/Zorro (Dynamite); X-Files (IDW)
Jamie McKelvie/Matthew Wilson, The Wicked + The Divine (Image); Ms. Marvel (Marvel)
Phil Noto, Black Widow (Marvel)
Alex Ross, Astro City (Vertigo/DC); Batman 66: The Lost Episode, Batman 66 Meets Green Hornet (DC/Dynamite)

Best Coloring

Laura Allred, Silver Surfer (Marvel); Madman in Your Face 3D Special (Image)
Nelson Daniel, Little Nemo: Return to Slumberland, Judge Dredd, Wild Blue Yonder (IDW)
Lovern Kindzierski, The Graveyard Book, vols. 1-2 (Harper)
Matthew Petz, The Leg (Blue Creek Creative/Top Shelf)
Dave Stewart, Hellboy in Hell, BPRD, Abe Sapien, Baltimore, Lobster Johnson, Witchfinder, Shaolin Cowboy, Aliens: Fire and Stone, DHP (Dark Horse)
Matthew Wilson, Adventures of Superman (DC); The Wicked + The Divine (Image), Daredevil, Thor (Marvel)

Best Lettering

Joe Caramagna, Ms. Marvel, Daredevil (Marvel)
Todd Klein, Fables, The Sandman: Overture, The Unwritten (Vertigo/DC); Nemo: The Roses of Berlin (Top Shelf)
Max, Vapor (Fantagraphics)
Jack Morelli, Afterlife with Archie, Archie, Betty and Veronica, etc. (Archie)
Stan Sakai, Usagi Yojimbo: Senso, Usagi Yojimbo Color Special: The Artist (Dark Horse)

Best Comics-Related Periodical/Journalism

Alter Ego, edited by Roy Thomas (TwoMorrows)
Comic Book Creator, edited by Jon B. Cooke (TwoMorrows)
Comic Book Resources, edited by Jonah Weiland, (link is external)
Comics Alliance, edited by Andy Khouri, Caleb Goellner, Andrew Wheeler, & Joe Hughes, (link is external), (link is external) edited by Dan Nadel & Timothy Hodler (Fantagraphics)

Best Comics-Related Book

Comics Through Time: A History of Icons, Idols, and Ideas (4 vols.), edited by M. Keith Booker (ABC-CLIO)
Creeping Death from Neptune: The Life and Comics of Basil Wolverton, by Greg Sadowski (Fantagraphics)
Genius Animated: The Cartoon Art of Alex Toth, vol. 3, by Dean Mullaney & Bruce Canwell (IDW/LOAC)
What Fools These Mortals Be: The Story of Puck, by Michael Alexander Kahn & Richard Samuel West (IDW/LOAC)
75 Years of Marvel Comics: From the Golden Age to the Silver Screen, by Roy Thomas & Josh Baker (TASCHEN)

Best Scholarly/Academic Work

American Comics, Literary Theory, and Religion: The Superhero Afterlife, by A. David Lewis (Palgrave Macmillan)
Considering Watchmen: Poetics, Property, Politics, by Andrew Hoberek (Rutgers University Press)
Funnybooks: The Improbable Glories of the Best American Comic Books, by Michael Barrier (University of California Press)
Graphic Details: Jewish Women’s Confessional Comics in Essays and Interviews, edited by Sarah Lightman (McFarland)
The Origins of Comics: From William Hogarth to Winsor McCay, by Thierry Smolderen, tr. by Bart Beaty & Nick Nguyen (University Press of Mississippi)
Wide Awake in Slumberland: Fantasy, Mass Culture, and Modernism in the Art of Winsor McCay, by Katherine Roeder (University Press of Mississippi)

Best Publication Design

Batman: Kelley Jones Gallery Edition, designed by Josh Beatman/Brainchild Studios (Graphitti/DC)
The Complete ZAP Comix Box Set, designed by Tony Ong (Fantagraphics)
Little Nemo: Dream Another Dream, designed by Jim Rugg (Locust Moon)
Street View, designed by Pascal Rabate (NBM/Comics Lit)
Winsor McCay’s Complete Little Nemo, designed by Anna Tina Kessler (TASCHEN)


ComicMix Six: Best NYCC 2010 Announcements

ComicMix Six: Best NYCC 2010 Announcements

The ComicMix team was on the ground at New York Comic Con this past weekend – but we were having too good a time bumping elbows with the luminaries of the comics industry to report on every panel. But now that we’re back on the grid, here are the ComicMix Six best announcements to come out of the weekend.

Holding The Line At $2.99 – Easily the most-discussed announcement of the weekend were the Big Two each announcing their own initiatives for keeping their publishing line at a $2.99 cover price. DC is doing it by cutting story pages from 22 down to 20 and eliminating most co-features in their most popular titles, but reserving the $3.99 and up price points for “premium” titles like annuals and specials. For Marvel’s part, they’re not going as far, with only a commitment that all new titles launched in January will be $2.99 – but they say that they can be flexible on that price because of the success of their digital comics program. Which is a nice segue to…

Dark Horse, DC Destined for Digital – Dark Horse announced that rather than partner with or other digital comics providers to serve as distributor, as the other major publishing houses have, they’ve put together a “proprietary bookshelf app” for web browsers and Apple iOS devices. The benefit of rolling their own store? No censorship and a $1.49 price point for single issues. Additionally, while specifics are hard to come by, Dark Horse says that they’ll be providing brick-and-mortar comic book stores with “exclusive digital content.” Meanwhile, DC reaffirmed their commitment to making digital copies of comics from their archive available and announced expanded support for day-and-date digital releases. DC also announced a Google Android app for their comics will be made available in the near future. 


ComicMix Six: Weird Iron Man Armor Upgrades

ComicMix Six: Weird Iron Man Armor Upgrades

Tony Stark isn’t just a cool exec with a heart of steel. He’s also the technological hero called Iron Man. And with Iron Man 2 coming out this Friday, we’re sure to see new suits of armor with cool improvements. Over the years, Tony has constantly redesigned and updated his armor. There’s been stealth armor, undersea armor, space armor, briefcase armor, armor that has horned face plates, armor with extended shoulder pads, etc., etc.

But some changes are not all they’re cracked up to be and perhaps should’ve been left on the drawing board. So let’s take a look at some of the silliest upgrades Iron Man has made to his famous armor.


ComicMix Six – Missing Golden Agers!

ComicMix Six – Missing Golden Agers!

The Golden Age of Comics usually refers to the first period of massive super-hero output, roughly 1938 to around 1950, give or take. Super-heroes lost their following, and desperate publishers rushed to replace capes with westerns, romance, and horror – or all three, if they could figure out how to do it. Sometimes, decisions were made hastily and work was stopped mid-production, more often they printed off their inventory and moved on… sometimes to oblivion.

But there was an interesting phenomenon in which the “lead” super-heroes featured in or above the logo failed to appear on their very final covers. Here’s the ComicMix Six top golden age missing heroes covers. If we missed yours, please write in and let us know!

Number One: The Marvel Family

This is the most blatant example of the inadvertent trend. The Marvel Family – Captain, Mary and Junior (who were more like siblings than The Three Bears) are not only missing, but there’s white silhouettes where they were supposed to be! Again, this was the last issue, so they never reappeared on the cover of that series. And before long, The Marvel Family would fade to limbo due to poor sales and the weight of an unending lawsuit from DC Comics. An unfortunate ending to a proud family.

Number Two: Green Lantern

Okay, this really sucks. Try and tind Green Lantern on this cover, the last of his solo-series of the 1940s. You can’t, except for in the logo, which doesn’t count. He’s not on the cover. But his dog is. Just…his…dog. No wonder Alan Scott didn’t walk the dog over to the Justice Society. But if you think that sucks, here’s comes the real embarrassment.


ComicMix Six: Vampires That Don’t Suck (Human Blood)

ComicMix Six: Vampires That Don’t Suck (Human Blood)

Vampires are everywhere these days. But long before we had Team Edward and the litany of prissy emo vampires that sparkle in the G-D sun… we had real vampires. They were in popular books, TV Shows, comic books, movies made from popular books, adaptations of comic books turned into movies, and even a comic book series adapted from a popular TV show based on characters from a movie! You get the drift. And throughout all of these various sucktastic productions, the tent poles of vampirism always held true (You getting this, Eddy?). Vampires are generally more pale than the Irish, and hate the sun more then old Jews. And furthermore, they have a thirst for blood worse than the republicans. But we kid, Edward. It seems some popular Vampires (like yourself) don’t stick to traditions. Some don’t even suck blood to survive! Don’t believe us? We didn’t either, until we came up with this list:

Count Duckula – Spinning off from the popular Danger Mouse series created in the U.K., came a vampire with who’d rather toast with a tomato than nibble on a neck. In the series, Igor whilst incanting the resurrection spell of his deceased master, was accidentaly provided ketchup in place of the ceremonial blood. Thus Count Duckula was born! Far more concerned with fame, fortune, and feasting on fennel, fava beans and fresh fiddlehead ferns, Count Duckula was known more for his fondness of broccoli sandwiches than being a creature of the night. And hey, even if he decided to switch menus? Fat chance! The poor duck didn’t even have fangs.

Angel & Spike – Joss Whedon took his video store lump of coal, and coaxed it into a diamond of a TV series. He did so first by fleshing out Buffy to be more than just “Pert. Wholesome. Way Lethal”. Better than that though, he introduced a pair of tragic vamps. Smokey-eyed, bleach-blond Spike and always-afflicted sorrow-souled Angel were both introduced into the Buffy show but eventually outgrew their roles there and turned into breakout anti-heros with a new show, and multiple comics. And what of their diet de-jour? Well, Spike (in the fourth season of the series) was implanted with a chip rendering his bloody biting habit incapacitated. And Angel? Well, cursed with a soul, he’s the vampire forced to pay the world back for the sins he committed earlier in life. Sure both these babe-magnets had their anti-hero appeal, but in the end, Angel ended up solving mysteries with some chick with a thing for bones, and Spike was revealed to be a rather poor version of Brainiac.

Blade – We could get into the comic backstory here…  how the brainchild of Marv Wolfman and Gene Colan in the early 70’s was Eric Brooks. Brooks’ mother was ravaged by vampire Deacon Frost during his birth, thus granting him a swatch of vampiric powers. Of course, this rambles on, as most comic backstories do… But allow us to switch to the recent movie-marvel-verse version we’re all a bit more familiar with. Similar to his comic counterpart, Blade’s mother was attacked by a vampire prior to his birth, and due to it, was imbued with all the vampires powers, and none of their weaknesses; Save for the worst one around, the lust for human blood. But Wesley Snipe’s Blade is a tragic hero, choosing to exist off a concocted “formula” made by his mentor (Stick, aka the dude who opened for Johnny Cash back in the day…) rather than suck the blood from humans. The pros? Well, Blade looks super cool in his trench-coat as he lays waste to vampires ranging from the prissy Steven Dorff to the steroidal Triple H, all while having that “Gritty Hero with the Heart of Gold™” look abouts him. The cons? Well, three decent movies down, and Blade hasn’t really found his audience in the funny books just yet. Sucks, don’t it?


Comicmix Six: Lovelorn Losers and Loners

Comicmix Six: Lovelorn Losers and Loners

Valentine’s Day can be a lovely little holiday, can’t it? You and your sweetie exchange little trinkets of love… romantic candle lit dinners… kanoodling on the futon while you watch DVR’ed episodes of Doctor Who… you know, all that gushy stuff. But we know for some out there, the day is just another in a long line of ‘Hallmark Holidays’ meant to sap money out of fools in love. And if you don’t have a Valentine (your Mother only counts if you’re still in grade school…) well, Comicmix wants you to know you’re not alone. Here’s a few folks who think “One is the lonliest”, but deal with it anyways:

1.Ultimate Hulk – The Grey/Green (depends on the “Season” we suppose) Goliath may have have the hots for Betty… But then he started eating people, which assume was a big turn off for her. And sure, he may have a rockin’ set of abs, and can tear a tank up like tissue paper… But he’s also got serious anger management issues. He also once scaled a building yelling for Freddie Prince Jr.’s head on a platter, whilst naked. Not what we’d call a Don Juan in the least.*

2. Booster Gold – We know what you’re thinking… Cool futuristic suit. Flight. A shiny gold flying iPad 4.0 for a best friend… What’s there not to like? He’s got to be batting off the ladies with a bat! But, sadly, the DCU’s newest ‘Time Master’ is also it’s newest loner. Having to help defend the DCU’s time stream can really put a damper on a dude’s love life. And when he’s not getting pants by the Joker on a recursive loop, Booster’s biggest mission seems to be finding new ways to piss off Rip Hunter, not pitching woo to Fire.

3. Smeágol / Gollum – Middle Earth has it’s fair share of uggos, crazies, and weird dudes… But no one takes the “loner” monicker to new depths like this former Stoor-Hobbit. And hey, we admit that we sometimes have an odd ‘fondness’ for an inanimate object (we’re looking at you, fantastic replica Alan Scott Power Battery with replica ring…), but Gollum takes it to a whole new creepy level. Sorry buddy, when you’d rather leap into an active volcano to be with your ‘Valentine’ than try a round of Speed Dating at the Prancing Pony… you’re taking the term ‘dedicated bachelor’ to a new low.


ComicMix Six: Best Geek-Themed Games for the Holidays

ComicMix Six: Best Geek-Themed Games for the Holidays

With the holidays fast approaching, the question becomes: what do you get for the comic-loving gamer in your household?  Well, here are some of the best releases from this year to satiate their comic-gaming lust and keep you looking like the know-it-all Santa.  From purely comic-related titles to one of the year’s best surprises for film-fans, this is the collection to make your gamer happy.

1: Marvel Ultimate Alliance 2 (DS, PS3, PS2, PSP, Xbox 360, Wii)

Playing the previous title in this series isn’t necessary, as the events that unfold herein are actually the video game adaptation of Marvel’s ‘Civil War” event from a few years ago.  As players traverse the games environments, you’re tasked with choosing Pro- or Anti-Registration stance as you recruit new team members for your cause.  Gameplay is multiplayer-centric, as 4 players can team up together to take on all foes in this combat rich title.  As players pair up different members of their teams, stat bonuses reward the player for pre-existing groups (like having all the members of the Fantastic Four as a team, for example).  The control is refined from the previous title, so those who ARE familiar with the series will notice tighter control of their teams, as well ease in combining powers, one of the games newer features.  Here, timed special attacks can be joined with a selected partner for a larger attack, and bigger damage results.  While the ending won’t match the comic’s storyline, players will certainly enjoy all the Marvel references and characters throughout the title, and Xbox 360 and PS3 owners actually can download MORE characters to increase their player rosters.


ComicMix Six: Classic ‘Star Trek’ comics you should read

ComicMix Six: Classic ‘Star Trek’ comics you should read

After growing up from the little science-fiction show Gene
Roddenberry created in the 1960s, the venerable Star Trek franchise in recent years had just about worn out its
welcome in the eyes of all but its most devoted followers. Enter J.J. Abrams and
his high-octane, supercharged re-imagining of the classic series, resulting in
one of 2009’s most commercially and critically successful films, released today on DVD and Blu-Ray.

Star Trek’s
unprecedented popularity at the box office has also revitalized interest in
past adventures of Captain Kirk and the crew of the U.S.S. Enterprise. Many such tales have been chronicled in comics form
since the 1960s—while the classic series was still on the air! After
boldly going into our vast archives, we have emerged with six stories that we
consider worthy representatives of the more than four decades of Star Trek comics history.

In order of publication:

1: “The Museum at the End
of Time
” – Star Trek #15,
Gold Key Comics, August 1972

Love them or hate them, the Gold Key Star Trek comics occupy a special place in the hearts of old-school
Trekkies. The 61 issues—complete with crazy character likenesses as well
as the Enterprise belching fire from
its warp engines—helped to fuel fans’ needs for new Star Trek stories in the early 1970s. This story features the
Enterprise pulled through a cosmic vortex into a mysterious region where time
has no meaning. There, the crew finds all manner of trapped spacecraft and captive
beings—along with a ship full of angry Klingons! A tale typical of the
Gold Key run, this issue is noteworthy as being an apparent inspiration for
“The Time Trap,” an episode of the animated Star
series produced a year later by Filmation Associates. 

(Reprinted in Star Trek: The Key Collection, Vol. 2
, Checker Book Publishing Group,
December 2004)