The Mix : What are people talking about today?

Martha Thomases: Super-Hero Toys In The 21st Century

People would say, “Your kids are going to be so lucky” when they looked at all the toys on our shelves.

John and I would say, almost in unison, “Those are not for kids to play with. We have them to have.”

I completely understand the lust for acquisition that inhabits your average toy collector. I love my toys. I miss the smell of caps.

But beyond the joy they bring to me, personally, I think toys are important for a lot of reasons. Most important, they are the means by which children discover the world. In that, they are as important as other media, whether it be television or music or poetry or dance.

That’s why I think this development is fascinating. For lifetimes, toys marketed to girls have emphasized either the role of mother (toy ovens and vacuum cleaners and baby dolls) or passive object of beauty (Barbie). But because of changes in society (and therefore changes in marketing), things might be different now.

A much larger segment of the toy market is made up of licensed products, often from major studio movies, with large casts and lots of explosions. This is not a new development, but rather an increase. When movies cost so much to make, and with limits as to how many movies an average person can go see in any given year, the studios are looking for as many other revenue streams as possible. So, toys!

When I was a girl, and even when my son was a child, there were strict gender differences in the way toys were sold. There were “boy” toys and “girl” toys. As a child, I accepted this as the way of the world, although thanks to shows like this and this https://www.dailymotion.com/video/x47l89v, among others, I insisted on having that aforementioned cap gun. For my son, I bought dolls and stuffed animals as well as trucks and cars. Just because They wanted to raise my kid to their gender standards didn’t mean I was going to do so.

And I wasn’t the only one. Today’s parents (or a segment of them affluent enough to be attractive to retailers) don’t want to limit their kids’ ambitions in those ways. So while Disney still makes a lot of money with its Princesses, they are also allowing that some girls might want to be fighter pilots against the Empire.

As a fan of superheroes, I’m thrilled at the thought of more toys for girls who also want heat vision and lassos of truth. I’m excited that they can imagine themselves to be part of the Avengers or the Justice League.

My fear (and I have one) is that because comic books are aimed at a much more diverse audience than they were when I was a kid, some parents might not realize that not every comic book is appropriate for their particular children. Just because there are toy tie-ins doesn’t mean the story won’t scare the crap out of a five-year-old. Personally, I think it’s immoral to sell products based on R-rated movies in toy stores, but I am not the Empress of the World. If adults want to collect items based on their favorite stories, whatever those stories might be, that’s swell. I’m not talking about taking away their joy. I’m talking about the possibility that parents might buy a toy electric chair just because it was in a comic book, without doing the research to find out what kind of comic book it is.

Given our political climate, there may very well be parents who think toy electric chairs are exactly how they want their kids to discover the world. If so, I hope they are upfront about it so I can keep my family away from theirs.

John Ostrander: When He’s Wrong…

I’m a dyed in the wool pinko commie leftie and these Trump days are not great for me. So I find watching the various commentators like Samantha Bee, John Oliver, Seth Meyers, Trevor Noah and especially Stephen Colbert to be therapeutic.

Into this mix, I can usually add Bill Maher on his weekly HBO show, Real Time. Maher is very attack orientated and each week he winds up his hour with a rant on a given topic., Usually, I find him really funny and incisive but Maher does have his blind spots. He is anti-religion – Islam in particular. He thinks the majority of American voters to be morons and says so, which I find to be a broad generalization, counter-productive and not true.

His past two shows featured rants that gored a pair of my oxen. One was on space exploration, such as terraforming and colonizing Mars, and the other was a screed against super-hero movies.

Maher argued (ranted) that we should not be exploring space or even think of colonizing Mars so long as we have so many problems here at home. Neal DeGrasse Tyson rebutted Bill the following week when he pointed out that any technology that could terraform Mars could also terraform the Earth and restore what has been ravaged. I would add that a lot of our technological advances are a result of space exploration. That computer you carry in your pocket? That’s a result of the need to reduce the size of computers while making them faster and stronger to be of use to astronauts in space. Sorry, Bill, you didn’t think this through.

Then on his most recent show, Maher was quite disdainful about superhero movies in general.

He said there were too many superhero shows on TV and too many superhero movies at the cineplex and blamed the genre for the rise of Donald Trump. He said they “promote the mindset that we are not masters of our own destiny and the best we can do is sit back and wait for Star-Lord and a f*cking raccoon to sweep in and save our sorry asses. Forget hard work, government institutions, diplomacy, investments – we just need a hero to rise, so we put out the Bat Signal for one man who can step in and solve all of our problems.”

Really? Super-hero movies and TV are directly responsible for the presidency of Donald Trump? Right – and they also promote juvenile delinquency, Batman and Robin are really gay (not that that’s a bad thing) and Wonder Woman is a lesbian (not that that’s a bad thing). Wait, no. That was Dr. Frederic Wertham in his book Seduction of the Innocent back in the 1950s. He was every bit as full of shit back then as you are today, Bill.

And, besides, everybody these days knows that Wonder Woman is bisexual.

I have no idea where Maher pulled this notion of superheroes and Trump from. Maybe his ass. I doubt that he’s seen many if any of the films or TV shows that he’s knocking. He’s taken an attitude and applied his standard disdain, snark, and superior attitude to it. Just not much thought.

Why does this bother me? It’s unlikely that Maher’s words will cause the opening weekend grosses for Wonder Woman to drop. However, this is a topic I know something about and if Maher can get that so wrong, can I trust him on topics that I don’t know much about?

Maybe I’ve outgrown him.

Think I’ll go watch a good superhero movie and let it rot my brain. It’s been a long day.

The Power Struggle for Gotham Comes Home August 29

BURBANK, CA (May 24, 2017) – In the latest season of FOX’s hit show, the power struggle in Gotham is more contentious than ever, as DC Super-Villains even more ambitious and depraved are introduced and a realignment of alliances could change the future of Gotham forever. Join Jim Gordon and his Gotham constituents as they navigate the chaos that ensues when the world’s most infamous DC Super-Villains wreak havoc on Gotham as Warner Bros. Home Entertainment (WBHE) releases the mysterious Gotham: The Complete Third Season on August 29, 2017. Gotham: The Complete Third Season will feature all 22 episodes plus fascinating special features including three featurettes, Gotham’s 2016 Comic-Con panel and deleted scenes, and will be available to own on Blu-ray which includes a Digital Copy ($54.97 SRP) and DVD ($49.99 SRP). Gotham: The Complete Third Season is also available to own on Digital HD via purchase from digital retailers.

The fight for order and control in Gotham is deadlier than ever with the introduction of cunning, new DC Super-Villains who might alter the future of our heroes and their beloved city. With the Indian Hill fugitives on the loose, Jim Gordon takes matters into his own hands as a bounty hunter in order to save the city that he loves, but will he accomplish his mission to find deranged mastermind Hugo Strange and Fish Mooney, one of Strange’s villainous subjects? While Gordon plays bounty hunter, Gotham City Police Department’s Bullock and Barnes remain on the frontline in Gotham, fighting against crime and destruction in the monster-ridden city. The city seems to be descending further and further into chaos and darkness as burgeoning DC Super-Villains Penguin, Edward Nygma/The Riddler and more are joined by the future Poison Ivy, now transformed into a young woman who’s harnessed the full power of her charms, and Jervis Tetch aka Mad Hatter, a. talented hypnotist teetering on the edge of madness. All the while, a young Bruce Wayne discovers that there are still more secrets behind his parents’ murder as he peels back the curtain on the infamous criminal organization known as the Court of Owls.

With 5.4 million viewers tuning in per episode, Gotham: The Complete Third Season features an all-star cast lead by Ben McKenzie (Southland, The O.C.), Donal Logue (Sons of Anarchy, Vikings), David Mazouz (Touch), Morena Baccarin (Homeland, V), Sean Pertwee (Elementary), Robin Lord Taylor (The Walking Dead), Erin Richards (Being Human, The Quite Ones), Camren Bicondova, Cory Michael Smith (Carol), Jessica Lucas (Cloverfield), Chris Chalk (Rent), Drew Powell (The Mentalist), Maggie Geha (All My Children), Benedict Samuel (The Walking Dead) and Michael Chiklis (The Shield). Based on the characters from DC and produced by Warner Bros. Television, Gotham was developed by Bruno Heller (The Mentalist, Rome), who executive produces with Danny Cannon (Nikita, CSI), John Stephens (Gilmore Girls, Gossip Girl) and Ken Woodruff (The Mentalist, Shark).

“Warner Bros. Home Entertainment is thrilled to release the third season of the dark and poignant Gotham on Blu-ray and DVD” said Rosemary Markson, WBHE Senior Vice President, Television Marketing. “With villain-filled bonus extras along with the buzzworthy 2016 Comic Con panel, fans can dive further into all the twists and turns that Gotham provides.”

With Blu-ray’s unsurpassed picture and sound, Gotham: The Complete Third Season Blu-ray release will include 1080p. The full HD Video will feature DTS-HD Master Audio for English 5.1. The 4-disc Blu-ray will feature a high-definition Blu-ray and a Digital Copy of all 22 episodes from season three.

BLU-RAY & DVD FEATURES

  • Gotham: 2016 Comic-Con Panel
  • Madness Rising: the New Villains of Gotham
  • The Dark Within the Dark: The Court of Owls
  • Ben McKenzie Directorial Debut
  • Deleted Scenes

20 ONE-HOUR EPISODES + 1 TWO-HOUR FINALE

  1. Better to Reign in Hell…
  2. Burn the Witch
  3. Look Into My Eyes
  4. New Day Rising
  5. Anything for You
  6. Follow the White Rabbit
  7. The Red Queen
  8. Blood Rush
  9. The Executioner
  10. Time Bomb
  11. Beware the Green-Eyed Monster
  12. Ghosts
  13. Smile Like You Mean It
  14. The Gentle Art of Making Enemies
  15. How the Riddler Got His Name
  16. These Delicate and Dark Obsessions
  17. The Primal Riddle
  18. Light the Wick
  19. All Will Be Judged
  20. Pretty Hate Machine
  21. Destiny Calling / Heavydirtysoul

DIGITAL HD

The third season of Gotham is also currently available to own on Digital HD. Digital HD allows consumers to instantly stream and download all episodes to watch anywhere and anytime on their favorite devices.  Digital HD is available from various digital retailers including Amazon Video, CinemaNow, iTunes, PlayStation, Vudu, Xbox and others. A Digital Copy is also included with the purchase of specially marked Blu-ray discs for redemption and cloud storage through participating UltraViolet retail services including CinemaNow, Vudu and Flixster Video.

BASICS

Street Date: August 29, 2017
Running Time: Feature: Approx. 968 minutes / Enhanced Content: Approx. 55 minutes
DVD: Presented in 16×9 widescreen format

BD
Price: $54.97 SRP
4 BDs
DVD Audio: English (5.1)
DVD Subtitles: ESDH, Spanish, French
 
DVD
Price: $49.99 SRP
6 DVD-9s
DVD Audio: English (5.1)
DVD Subtitles: ESDH, Spanish, French

REVIEW: DC Super Hero Girls: Intergalactic Games

REVIEW: DC Super Hero Girls: Intergalactic Games

What a great time to be a grandparent (or so I’m told). There are now plenty of books, games, clothing, and video to encourage girls to be strong and independent. DC Comics offers up their Super Hero Girls line and this week they have released their second animated feature, DC Super Hero Girls: Intergalactic Games, a 77-minute romp.

Writer Shea Fontana improves on the first offering with a story set at the Intergalactic Games where Earth’s powered women take on the vile challengers from Korugar Academy. To prepare for the competition Academy teacher Doc Magnus (Phil LaMarr) is building battlebots and supervising Batgirl (Mae Whitman) and Bumblebee (Teala Dunn) as they build their own. Principal Waller (Yvette Nicole Brown) is not amused nor is she happy that Magnus’ bots seem to have free will but were not programmed with any morality, a theme that plays out across the 77-minute fast-paced story.

Lena Luthor (Romi Dames) steals the robots for her own use, complicating matters when everyone assembles for the games. On one side we have the likes of Platinum, Batgirl, Bumblebee, Wonder Woman (Grey Griffin), Supergirl (Anais Fairweather), Starfire (Hynden Walch), and the Flash (Josh Keaton) Under headmaster Sinestro’s (Tom Kenny) command are Starfire’s sister Blackfire (Hynden Walch), Lobo (Tom Kenny), Maxima, Mongal (Julianne Grossman), and Bleez (Stephanie Sheh). There’s also Granny Goodness’ (April Stewart) Female Furies team including Lashina (Jessica DiCicco), Mad Harriet (Misty Lee), and Stompa (April Stewart).

Additionally, Hawkgirl (Nika Futterman), Cyborg (Khary Payton), Katana (Stephanie Sheh), Lady Shiva (Tania Gunadi), Big Barda (Big Barda (Misty Lee ), Star Sapphire (Jessica DiCicco), Frost (Danica McKellar), Poison Ivy (Tara Strong) , Beast Boy (Greg Cipes), and Harley Quinn (Tara Strong) play parts large and small.

So, right there, teens and adults more familiar with the comics than the target audience will love the characters plucked from throughout the DC Universe continuity. There are plenty of other little asides such as Steve Trevor’s Capes & Cowls Café.

Thankfully, it’s not just mindless action before, during, and after the competition. Fontana nicely weaves in all the inter-person drama one would expect when mixing all these characters together. Everyone does not get along nor are things overly simplified for the young viewer.

The standard DVD looks and sounds just fine. The feature comes with several extras including Fifth Harmony song “That’s My Girl” and seven short cartoons: “New Beginnings”, “Hero of the Month: Supergirl”, “Batgirl vs. Supergirl”, “Quinn-tessential Harley”, “Doubles Trouble”, “Franken-Ivy”, and  “Dude, Where’s My Invisible Jet?”

Tweeks May Loot Crate Unboxings

This week The Tweeks & Barkley open up the Guardians Loot Crate and Loot Pets boxes.  There’s some pretty cool Guardians stuff and one Star Wars item which Anya gives everything else up for.

REVIEW: Logan

Given how incredibly popular Wolverine has been since his introduction in comics forty years ago, it’s always been a little odd that he has not fared well on the silver screen. While he’s been one of the strongest elements in all the X-Men films to date, his solo offerings — X-Men Origins: Wolverine and The Wolverine – have not exactly worked. Hugh Jackman has said he had one solo film left in him so the challenge for Director James Mangold was making this one good.

Thankfully, Logan, was more than good. It was a thrilling experience on screen and now on home video. The movie, out now from 20th Century Home Entertainment, works on multiple levels but is a fitting finale for Jackman’s portrayal of the canucklehead. Where the others were solo stories with lots of extra characters around, this is more of a buddy film with the first half focusing on the relationship between Logan and Charles Xavier (Patrick Stewart) and the second half with his sort of daughter Laura (Dafne Keen).

We leap ahead to 2029, a world where mutants haven’t been born in twenty-five years, and where most of the existing ones are already dead. Xavier is dying, both from old age, and metal disease that has turned his psionic abilities into deadly force that has to be treated medicinally. He’s squirreled away in an abandoned Mexican refinery, watched over by Caliban (Stephen Merchant). Logan, the adamantium covering his bones, is slowly poisoning him so he’s finally aging and his healing factor is not what it used to be. To support his drinking and Xavier’s drugs, he drives a limo in a world that has seen better days but has not yet slipped into total dystopia.

There meager existence is upended when Logan is approached by Gabriela Lopez (Elizabeth Rodriguez), toting a young girl with her. She is on the run from Transigen where she worked as a nurse and the girl was raised in captivity. She appeals for Logan’s help but he wants nothing to do with her, no longer a noble figure but a broken hero. However, things change when Transigen’s enforcer Donald Pierce (Boyd Holbrook) warns Logan off and Lopez is soon dead.

Pierce is out for the girl, Logan, and Xavier so the chase is on. The buddy film is merged with a road race as Logan tries to keep them safe while slowly learning that Laura and the others were raised from mutant DNA experiments, making her his genetic daughter, altering his view of things.

Several of the children have escaped and gone to Eden, a mountain retreat, reportedly revealed through an X-Men comic so Laura convinces Logan to bring her there but along the way, they are stopped by a clone of Logan, dubbed X-24, and there is death and destruction in their wake.

Mangold paints a bleak portrait of a world without heroes and a man without a future. There’s a sense of hopelessness that pervades the story and it takes a youth to awaken the hero within. The writing gives everyone plenty to do and other than a stop at a farmhouse for dinner, the pacing is excellent.

Jackman and Stewart play off one another exceedingly well, a familiarity born from their previous work together. They bicker like the tired old men they are. As a result, the real revelation in this film is Keen, who is expressively silent during the first two-thirds of the film. When she speaks, though, it changes their dynamic and adds a new layer.

Interestingly, the combo pack comes with two Blu-ray discs – the film itself and Logan Noir, a black and white version that is chilling in its own way. The film can also be found on the DVD and the Digital HD code.

The AVC encoded 1080p transfer in 2.38:1 is superb, sharp, and near perfect. Coupled with Logan’s DTS-HD Master Audio 7.1 mix, you have an excellent home viewing experience.

The special features include a handful of Deleted Scenes (7:45) with optional commentary by Mangold. Of these, only one could have made the film better. There is a multipart Making Logan (1:16:05) that breaks down the film from its origins in Old Man Logan and the X-23 storylines in comics to the casting process (Deen’s screen test is well worth a look) to production. Finally, there is a strong Audio Commentary by Mangold (which is repeated for Logan Noir).

If this is truly Jackman’s farewell to the character, he couldn’t have asked for a better story to share with his audience.

Valerian Final Trailer Released

Valerian Final Trailer Released

VALERIAN AND THE CITY OF A THOUSAND PLANETS is the visually spectacular new adventure film from Luc Besson, the legendary director of The Professional, The Fifth Element and Lucy, based on the ground-breaking graphic novel series which inspired a generation of artists, writers and filmmakers.

In the 28th century, Valerian (Dane DeHaan) and Laureline (Cara Delevingne) are a team of special operatives charged with maintaining order throughout the human territories. Under assignment from the Minister of Defense, the two embark on a mission to the astonishing city of Alpha-an ever-expanding metropolis where species from all over the universe have converged over centuries to share knowledge, intelligence and cultures with each other.  There is a mystery at the center of Alpha, a dark force which threatens the peaceful existence of the City of a Thousand Planets, and Valerian and Laureline must race to identify the marauding menace and safeguard not just Alpha, but the future of the universe.

Studio: EuropaCorp/STXfilms
Cast: Dane DeHaan, Cara Delevingne, Clive Owen, with Rihanna, Ethan Hawke, Herbie Hancock, Kris Wu, and Rutger Hauer
Director: Luc Besson
Writers: Screenplay by Luc Besson.  Based on the graphic novel series Valerian and Laureline by Pierre Christin and Jean-Claude Mézières, Published by Dargaud.
Producers: Virginie Besson-Silla
Release Date: July 21, 2017

Dennis O’Neil: Snoggle

Got one for you.

There’s this little dog, see. Lives with a family in a big house surrounded by acres of grass. Cutest little dog you ever saw: white, bright-eyed, tail always wagging, friendly as anything. But nobody knew what kind of dog he was. Didn’t seem to be important, but still… nobody knew. Then, one day, the family hosted a musical event and one of the guests forgot to pack his instrument. Left it laying on the couch. Well, the dog padded over to it, put the end of it in his mouth, blew and… what the heck do you know! The dog was making music and not just any music – great music. And finally, the family knew what kind of dog they had.

It was, of course, a Trump pet.

If you say that what I just perpetrated was inexcusable, rather than go through the tedium of a trial I’ll just plead guilty. (Actually, I’ll nod guilty. I’m alone in this room with nobody to plead to.)

Unless it was a snogglefritz. A snogglefritz, for those of you who attended the same schools as I did, must be perpetrated by someone with an IQ so high it cannot be measured. But we’re not talking just ant IQ here, this kind of IQ can never be detected. By anyone. Ever. Its proprietor doesn’t seem any brighter than the next guy. In fact, maybe a bit dimmer. He displays no talent. No wit. No special abilities of any kind. For him, the sound of chewing is conversation. He has no idea that massive intelligence lurks in his cranium.

This massive intelligence – hereafter MI – knows a secret. He knows of a… call it an entity because what else can you call it? The secret can be expressed in a single English sentence and once the secret is known, all the world’s questions will be answered. Every single one of them, from how to park in midtown Manhattan to what constitutes the unified field theory. Psoriasis – gone! Commercials – gone! Global warning- gone! Robocalls – gone. Every blamed thing that has ever annoyed anyone, or could ever annoy anyone – pfffft. Like it never existed.

The MI encodes the secret and hides the encoded secret in an ordinary sentence which the host will speak somewhere, sometime, with no awareness that he has also, simultaneously uttered a secret. This encoded secret is the snogglefritz. If someone detects and decodes the snogglefritz, that individual will have what is needed to salve mankind’s woes without even a single election. If the snogglefritz remains undetected?

Too bad, I guess. Check today’s headlines.

I don’t know what to do with this information, but maybe there’s a religion in there somewhere…

Surprisingly Good Kong: Skull Island Journeys Home July 18

Burbank, CA, May 24, 2017 – See the origins of one of the most powerful monster myths of all when Kong: Skull Island arrives onto Ultra HD Blu-ray Combo Pack, Blu-ray 3D Combo Pack, Blu-ray Combo Pack, DVD and Digital. This compelling, original adventure from director Jordan Vogt-Roberts (The Kings of Summer) tells the story of a diverse team of scientists, soldiers and adventurers uniting to explore a mythical, uncharted island in the Pacific, as dangerous as it is beautiful.

Kong: Skull Island stars Tom Hiddleston (The Avengers, Thor: The Dark World), Oscar® nominee Samuel L. Jackson (Best Supporting Actor, The Color Purple, 1994, Pulp Fiction,), John Goodman (Transformers: Age of Extinction, Argo), Oscar winner Brie Larson (Best Actress, Room, 2015) and Oscar nominee John C. Reilly (Best Supporting Actor, Chicago,  2003).

Vogt-Roberts directed the film from a story by John Gatins and Dan Gilroy and a screenplay by Dan Gilroy and Max Borenstein. Kong: Skull Island is produced by Thomas Tull, Mary Parent, Jon Jashni and Alex Garcia, with Eric McLeod and Edward Cheng serving as executive producers.

To fully immerse audiences in the mysterious Skull Island, director Jordan Vogt-Roberts and his team filmed across three continents over six months, capturing its primordial landscapes on Oahu, Hawaii, Australia’s Gold Coast and Vietnam, filming across multiple locations, some of which have never before been seen on film.

Kong: Skull Island will be available on Ultra HD Blu-ray Combo Pack for $44.95, Blu-ray 3D Combo Pack for $44.95, Blu-ray Combo Pack for $35.99 and DVD for $28.98. The Ultra HD Blu-ray Combo Pack features an Ultra HD Blu-ray disc with the theatrical version in 4K with HDR and a Blu-ray disc also featuring the theatrical version. The Blu-ray 3D Combo Pack features the theatrical version of the film in 3D hi-definition and hi-definition; the Blu-ray Combo Pack features the theatrical version of the film in hi-definition on Blu-ray; and the DVD features the theatrical version in standard definition. The Ultra HD Blu-ray Combo Pack, Blu-ray 3D Combo Pack and Blu-ray Combo Pack include a digital version of the movie.  Fans can also own Kong: Skull Island via purchase from digital retailers beginning June 20.

Additionally, all of the special features, including interviews with filmmakers, new original shorts, featurettes, and deleted scenes, can be experienced in an entirely new, dynamic and immersive manner on tablets and mobile phones using the Warner Bros. Movies All Access App, available for both iOS and Android devices. When a Combo Pack is purchased and the digital movie is redeemed, or the digital movie is purchased from an UltraViolet retailer, the Warner Bros. Movies All Access App allows users to watch the movie and simultaneously experience synchronized content related to any scene, simply by rotating their device. Synchronized content is presented on the same screen while the movie is playing, thus enabling users to quickly learn more about any scene, such as actor biographies, scene locations, fun trivia, or image galleries. Also, users can share movie clips with friends on social media and experience other immersive content. The Movies All Access app is available for download on the iTunes App Store and Google Play Store.

The Blu-ray discs of Kong: Skull Island will feature a Dolby Atmos® soundtrack remixed specifically for the home theater environment to place and move audio anywhere in the room, including overhead. To experience Dolby Atmos at home, a Dolby Atmos enabled AV receiver and additional speakers are required, or a Dolby Atmos enabled sound bar; however, Dolby Atmos soundtracks are also fully backward compatible with traditional audio configurations and legacy home entertainment equipment.

SYNOPSIS

This compelling, original adventure tells the story of a diverse team of scientists, soldiers and adventurers uniting to explore a mythical, uncharted island in the Pacific, as dangerous as it is beautiful. Cut off from everything they know, the team ventures into the domain of the mighty Kong, igniting the ultimate battle between man and nature. As their mission of discovery becomes one of survival, they must fight to escape a primal Eden in which humanity does not belong.

BLU-RAY AND DVD ELEMENTS

Kong: Skull Island Ultra HD Blu-ray, 3D Blu-ray and Blu-ray Combo Pack contain the following special features:

  • Director’s Commentary
  • Creating a King: Realizing an Icon
  • Creating a King: Summoning a God
  • Monarch Files 2.0
  • Tom Hiddleston: The Intrepid Traveler
  • Through the Lens: Brie Larson’s Photography
  • On Location: Vietnam
  • Deleted Scenes

Kong: Skull Island Standard Definition DVD contains the following special features:

  • Director’s Commentary
  • Creating a King: Realizing an Icon
  • Creating a King: Summoning a God
  • Monarch Files 2.0
  • Tom Hiddleston: The Intrepid Traveler
  • Through the Lens: Brie Larson’s Photography
  • On Location: Vietnam
  • Deleted Scenes

DIGITAL DISTRIBUTION ELEMENTS

On June 20, Kong: Skull Island will be available to own for streaming and download to watch anywhere in high definition and standard definition on favorite devices from select digital retailers including Amazon, CinemaNow, FandangoNow, iTunes, PlayStation, Vudu, Xbox and others. On July 18, Kong: Skull Island will be made available digitally on Video On Demand services from cable and satellite providers, and on select gaming consoles.

BASICS

Ultra HD Blu-ray Combo Pack                                              $44.95

Blu-ray 3D Combo Pack                                                         $44.95

Blu-ray Combo Pack                                                               $35.99

DVD Amaray (WS)                                                                $28.98

Standard Street Date: July 18, 2017
EST Street Date: June 20, 2017
DVD Languages: English, Latin Spanish, Canadian French
BD Languages: English, Latin Spanish, Canadian French, Brazilian Portuguese
DVD Subtitles: English SDH, Latin Spanish, Parisian French, Canadian French
BD Subtitles: English, Latin Spanish, Parisian French, Canadian French, Brazilian Portuguese
Running Time: 118 minutes
Rating: Rated PG-13 for intense sequences of sci-fi violence and action, and for brief strong language
DLBY/SURR   DLBY/DGTL   [CC]

Box Office Democracy: Alien: Covenant

I’m not entirely sure what I can ask of Ridley Scott at this point.  He’s made four or five honest-to-goodness classics and inspired an entire generation of science-fiction films.  He doesn’t owe me anything and I’ll watch just about anything he puts out because I have that kind of faith in him as a filmmaker.  He’s made a scary film with Alien: Covenant, but not one that I find particularly interesting.  Scott seems obsessed with giving me lore I don’t want instead of a higher concentration of scenes with scary aliens.

It’s impressive that they made the grossest Alien movie yet.  The one with the most visceral body horror.  They topped the terribleness of the chestburster in this one by making the alien birth process less discrete and more, for lack of a better word, fluid-y.  I don’t think it’s particularly worthwhile to discuss the particulars of the plot further.  There are scary aliens, some you’ll recognize and some you won’t, that chase a bunch of humans you never quite care about around a distant planet that is suspiciously earth-like.  This suspicion is both in the film and in the audience because it sure is cheaper to film in a planet that happens to be covered with plants from earth.  There are other things to be scared of, it isn’t important really as long as you find something in each scene potentially terrifying.  It definitely works as a horror movie; it will never be mistaken for a better Ridley Scott film.

Alien: Covenant is a movie carried by Michael Fassbender.  Playing a robot that struggles with showing emotion seems like a big challenge as an actor, and playing two that each have different motivations and different ways of hinting at their true intentions is just an incredible performance.  This prequel franchise is going to succeed or fail based on the audience willing to come and see more Alien-based horror, but artistically they’re inescapably linked to Fassbender at this point.  I wouldn’t go see the next one (and there shouldn’t be a next one but we’ll get there) without him.  He’s almost bigger than the Aliens at this point, even if I would kick him to the curb in a heartbeat for more Ripley.

The flaw in this movie is that I could not possibly care less about the origins of the Xenomoprhs.  I didn’t watch any other Alien movie thinking “if only we knew where these things came from” or anything like that.  Any explanation is going to make them less scary.  A bump in the dark is more scary than anything you could show on camera.  I won’t tell you the origins of the Xenomorphs, that would be cruel, but it’s not as good as whatever you had in your head, or even the non-explanation of “they’re just some terrifying aliens, those exist” that I had always assumed was the truth.  This is a movie answering a question I never asked and don’t care about what they have to tell me.

I wish I knew why they thought Alien prequels were more interesting than Alien sequels.  That what we want from a science-fiction horror franchise is less fantastical technology and more exposition.  I wonder if the whole Alien braintrust learned the wrong lesson from Resurrection and have decided they can’t move further in to the future.  I would rather watch an Alien without Weyland or synthetics or any of that rather than have more needless exposition shoveled on me.  That’s not what they’re making though so I have to make do with what we have— a legitimately scary movie with one tour de force performance and a fair amount of useless prattle.  Better than all the bad movies we’ll see this year full of useless prattle, I suppose.