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The Law Is A Ass

Bob Ingersoll: The Law Is A Ass #407

AFTER CHICAGO JUSTICE, I NEED THE FIFTH

Things weren’t looking good. Not for Assistant State’s Attorney Peter Stone. And not for me. Not for Stone, because he was the star of Dick Wolf’s new TV show, Chicago Justice and things never look good for prosecuting attorneys in the first three acts of a Dick Wolf. Not for me, because I was watching Dick Wolf’s new TV show, Chicago Justice.

Stone was prosecuting Dylan Oates for arson and murder. Oates had set fire to a factory being used for a rave, resulting in dozens of injuries and 39 deaths. Oates was a smarmy, spoiled millennial whose condescending sneer alone should have made the jury want to convict him. But the case against Oates was coming in badly thanks to Oates’s high-priced and equally-smarmy defense attorney, Albert Forest. Stone decided he needed to establish a motive to secure a conviction.

Then fate dropped a motive in Stone’s lap. Forest’s response to Stone’s discovery request contained discovery and news articles about the factory. One article claimed pedophiles used the factory’s raves to attract under-aged teens. So, if Oates had been an abused child, then he had a motive; the article triggered memories, so Oates “lost it” and set the fire.

Stone’s boss, State’s Attorney Mark Jefferies, feared this evidence could hand Oates a sympathy defense. Nah. In my experience, juries aren’t simpatico to sympathy defenses. Juries don’t let criminals off because they feel sorry for them, because juries don’t feel sorry for them. Especially criminals who torch a rave, wedge the doors shut so no one could get out, and kill 39 people. Not a case that’s high up on the “Aww-poor-baby” scale.

Jefferies ignored another problem with the motive, there was absolutely no evidence Oates had been sexually abused as a child. Without that, how would Stone connect the purported motive to Oates? That question was rhetorical, by the way, without that proof, there is no, “Here’s how.”

Stone called the reporter who wrote the article. Forest didn’t cross-examine and Stone realized he’d been played like a… No, not a Stradivarius , I don’t want to give either Forest or Stone that much credit. Like a dime store ocarina.

Forest sent the article to Stone accidentally on purpose. He wanted Stone to introduce the article. It laid the foundation for Forest’s sympathy defense without him calling Oates as a witness; thereby waiving subjecting Oates to cross-examination.

Stone knew Forest was a typical Dick Wolf shyster. Why would Stone have trusted anything that Forest “accidentally” dropped into his lap? Only one reason, Stone was an idiot.

But Forest was an idiot, too. His strategy depended on Stone calling the reporter even though using it would have been an unethical misappropriation of Forest’s work product and even though Stone had no proof Oates had been sexually abused. Either reason was enough for Stone not to use the article by itself. Stone had both. So Forest’s strategy depended on Stone being an idiot. Moreover, it was also utterly unnecessary.

After Stone had planted the seed of the sympathy defense, Forest needed to establish the possibility that Oates had been sexually abused as a child. He called Oates’s mother. She testified that when Oates was 5, her brother took Oates fishing and did something to him. After Oates came back, he had changed. He was no longer her sweet boy. She carefully suggested that Oates had been sexually abused without ever actually saying it. Forest didn’t call any other witnesses.

Forest’s defense required two witnesses; the reporter and Oates’s mother. Forest could have established his defense without calling Oates or subjecting him to cross-examination. Forest didn’t need to get Stone to call the reporter with a dirty trick that shouldn’t have worked in the first place. So why did he use his dirty trick? How else could he establish he was a typical Dick Wolf shyster defense attorney, unless he showed he wasn’t shy-ster about using a dirty trick?

By now the show had reached the 40-minute mark. The Dick Wolf play book said it was time for the prosecutor to have a sudden, last-minute epiphany and come up with a strategy that would save the day. Chicago Justice didn’t disappoint; except that the last-minute strategy was so preposterous the fact that the show actually used it was disappointing.

When Forest tried to rest the defense case, Stone said he had the right to cross-examine Oates. Forest argued the Fifth Amendment prevented Stone from forcing Oates to testify against himself. Stone pointed out that on two different occasions during his mother’s testimony, Oates yelled, “You’re lying!” Stone argued, “[Oates] spoke. The jury heard him. That’s testimony. He waived his rights against self-incrimination.” And the judge bought it. She actually ruled, “I’ll probably be reversed on appeal, but I’m going to let you cross-examine him.”

Can I say bullshit here on ComicMix? I don’t think “bullshirt” will quite cut it.

When a defendant testifies, the defendant waives the right against self-incrimination and can be cross-examined. The defendant can’t answer all the questions the defendant wants to answer on direct examination then forbid cross-examination on the questions the defendant doesn’t want to answer by arguing it would violate the right against self-incrimination. So, yes, if Oates had testified, Stone would have been allowed to cross-examine him.

Thing is, Oates didn’t testify.

Testimony occurs when a person is in the witness stand and answers questions under oath. What do judges in TV shows and movies call it when a spectator who is not under oath yells something in court? Right, an outburst. Hell, Oates’s judge even warned Oates about making further outbursts. Oates didn’t testify so he didn’t waive his Fifth Amendment rights.

If Oates had called a prosecution witness a liar, maybe the judge might have called that testimony and allowed cross-examination. After all, the prosecution could argue that it had the right to repair the damage the defendant’s outburst had done to its witness. But I’ve never even seen that happen. Juries don’t give a defendant’s outbursts any credibility. It wasn’t expecting the defendant’s to say, “Yup, that’s how it happened. I’m guilty,” in the first place, so it ignores any shouts of, “You’re lying!” And we didn’t even have that strong an argument for cross-examination.

Oates called a defense witness – a witness whose testimony was supposed to help him – a liar. How was Stone going to argue he had a right to repair the damage, when the defendant’s outburst hurt the defense case not the prosecution’s case?

Last week I said that I didn’t know any judge who would allow a defense attorney to ask why a confession that had been suppressed wasn’t introduced. Well, I’ve met a few more judges since then and I don’t know any that would call a defendant’s outburst testimony and allow him to be cross-examined on it.

I especially don’t know of any judge who would make this ruling after first stating, “I’ll probably be reversed on appeal.” Judges hate being reversed, hate it more than Yosemite Sam hates rabbits.

Being reversed make judges look bad. And causing a trial to be reversed then retried wastes taxpayer’s money; a good way not to be reelected. Judges try not to do things they think might get them reversed and they definitely don’t do things what will “probably” get them reversed.

So, did Stone’s cross-examination trip up Oates so he said or did something that caused the jury to convict him? Or did Stone lose the case? Ah, that would be telling. You wouldn’t want me to be a spoiler, would you?

Still, this was the first episode of Dick Wolf’s new series about a crusading prosecuting attorney. It had already made its star look like an idiot because he fell for a dirty trick. Do you think the show wanted to start out by making its hero look like he was incompetent and a loser?

Martha Thomases: Married. Again. But Not Remarried. Again.

For the last several weeks I’ve been madly reading (and rereading) a huge pile of graphic novels and indie comics sent to me to consider in my capacity as an Eisner Awards judge. Some of these are brilliant and some are just weird (to my eyes), but all of them are at least three months old. Reviewing them here would be lame, because I would be so far behind the curve.

Also, and on another note entirely, there are an awful lot of stories that are skillfully and artfully told but completely uninteresting to me. I don’t know why anyone would want to tell these stories. There are critically acclaimed movies that affect me the same way, and they often win all kinds of awards, so I am clearly missing something.

So let’s talk about something else. Superman and Lois Lane are married again!

More than twenty years ago, I was the publicist at DC who promoted Superman’s wedding. It was really fun. Harry Winston http://www.harrywinston.com/en/engagement-wedding designed the engagement ring. There were the expected number of crude jokes, starting with science-fiction writer Larry Niven’s and working on from there.

The stories after the wedding were very much Superman stories, except now, instead of only talking to Lois at the office, he talked to her at home, too. We saw them waking up in the same bed (which we’d also seen after they got engaged, just like just about every other couple in modern times). We saw them drinking coffee. We saw them juggling work schedules.

I really liked it.

Apparently, a lot of other people didn’t like it. As soon as they could, the powers that be undid the wedding and made Superman single again. They did the same to other characters for fairly specious reasons.

It is a cliché of modern popular entertainment that, in romance, the chase is everything. All the suspense is around “Will they or won’t they?” I get that. It’s one of the fun things about real life, too. Unfortunately, the creative team frequently doesn’t know what happens after. So, inevitably, there is a reboot to make our hero (or heroine) single again.

My survey sample might be skewed, but after listening to men and boys talk over many decades, I have the impression that men are more interested in the chase than women are. A guy want to be a man who can bed a large number of women. A woman wants a man who is good enough in the sack to make her want to return.

In any case, the New 52 Superman wasn’t married and, in fact, carried on an affair with Wonder Woman that I, for one, found cringe-worthy. Apparently, I wasn’t alone, and now Superman and Lois Lane have been ret-conned back to the 1990s.

Except now they have a child.

Leaving aside the biological questions about inter-species hybrids (and I have no idea why I expect a scientific explanation, given that the one of the parents can fly and see through walls), I find this a very engaging storyline. It appeals to the part of me that remains seven years old, the one who reads comic books to imagine having powers for myself. Not only did I want to have super-powers, but I wanted my parents to have them, too.

This is a long and convoluted explanation of why I’m enjoying the new Super Sons comic book. Oh, sure, I have quibbles about Batman having a kid, especially one who fights crime before he reaches puberty. Still, the book is a lot of fun, and it feels like writer Peter Tomasi (whom I have always believed is somehow related to me) and artists Jorge Jimenez and Alejandro Sanchez are enjoying themselves.

If you have any seven year olds in your life (spiritually or in reality), you will want to pick up this series. It’s so good, you’ll want to tie a towel around your neck and jump off the sofa.

Box Office Democracy: Gifted

I feel like I never see movies like Gifted anymore.  Gifted is a smaller movie, almost completely devoid of the spectacle that snobs complain about in modern cinema.  It’s as anonymous a movie as one can get from the director of The Amazing Spider-Man franchise, the star of Captain America and Octavia Spencer.  It’s funny when it wants to be, touching when it tries it’s absolute hardest, and if you’re willing to suspend an ample amount of disbelief there’s a heartwarming message to be found here.

There’s a reasonably famous book on screenwriting called Save the Cat.  It’s a guide to crafting marketable scripts, there’s good advice in there, and it sold a ton of copies.  The title refers to the need to have your main character do something early in the film to get the audience on their side; something like saving a cat.  I’m telling you this because in the first scene of Gifted we are introduced to Fred, the one-eyed cat who was adopted by Frank the protagonist of this film (Chris Evans).  He assures his niece Mary (Mckenna Grace) that while he doesn’t generally like cats, he likes this one.  It’s such a transparent use of this trope that was the title for this wildly successful screenwriting book that this is either an insane coincidence or a stunning lack of self-awareness on the part of the writer. (I know this probably won’t occur to 95% of the viewing audience who have never read any books on how to write a screenplay but it was distracting for me.)

Other than the whole cat bit (which also comes back in the third act for extra emotional stakes but I said I was moving on) the story is suitably interesting.  Mary goes to her first day of school and is clearly a prodigy, and through her being a precocious scamp who is good at math and beating the hell out of children twice her age she gets the attention of her grandmother Evelyn (Lindsay Duncan) who does not like Frank.  A custody battle ensues, and the crux of the film is if Mary should be allowed to have a “normal” life or if she should be pushed to be the mathematical whiz her mother was and that she seems to have the potential to be.  It’s kind of interesting that this film just assumes that mathematical aptitude is some kind of hereditary trait that was passed through three generations.  I could see that an overbearing mother like Evelyn could make her daughter in to a mathematician through constant effort but I’m not sure how Mary, orphaned as a young child and raised by smart but not genius Frank, is on the same level.  I suppose it isn’t exactly the point but it’s a weird universe to assume.

A lot of the movie is tied up in this custody battle and I like a good courtroom scene as much as the next person, but the real joy in the movie is away from all of that.  The scenes with Octavia Spencer as Roberta, the next-door neighbor, and Jenny Slate as Bonnie, Mary’s first grade teacher, are universally the best ones.  Chris Evans is great at trading barbs with his inexplicably British mother but I’d much rather see him having quasi-meaningful conversations with Jenny Slate.  This is the first dramatic role I can remember for Slate, and while she might not be the second coming of Meryl Streep she’s fun and interesting— and most importantly, a breath of fresh air for a part that sometimes feels like it cycles between the same six actresses over and over again.  Octavia Spencer is a delight in everything she does; I don’t feel compelled to sell anyone on her.  Spencer has a small part here, but she talks the most like a real person and that’s worth a lot.

Gifted is a fun movie.  It’s nice to see Evans and Slate playing against type.  It’s a heartwarming story that never twists itself in to being a downer.  I sort of wish that the end result of all of Frank’s handwringing about whether he’s going to screw up Mary’s life was answered by someone telling him that he will definitely screw up and it will definitely be okay because that’s what parenting is.  That isn’t what this movie is though, and it’s okay.  I liked watching Gifted and I would be absolutely thrilled to stumble upon it again on cable on a slow afternoon or on an airplane, it’s the perfect movie for those contexts.

Tweeks: 3 Minute Review Underworld Blood Wars

This week Maddy gives a quick 3-min review of Underworld Blood Wars which is now available on Digital HD from Amazon Video and iTunes and will released on DVD and Blu-ray April 25, 2017.

With the war between lycans and vampires still chugging along, it’s up to death dealer Selene (Kate Beckinsale) to put an end to the conflict. Drawing on a small group of allies, Selene must also fight the lycans new leader, Marius, who wants Selene taken care of, but with the help of the hybrid blood strain, she hopes that she can at least bring peace.

Dennis O’Neil: Invisible!

I was in what must have been a vast desert. I pivoted in the sand and looked in every direction. Nothing but sand – sand and overhead a brutal, merciless sun. Was I lost or stranded? And how did I get here?

“Hi, handsome,” a throaty female voice said from behind my left shoulder, I turned and stared and… sand. An endless vista of shimmering yellow sand.

“You gonna stand there and stare all day?” the voice said, and now I recognized it.

Aunt Scarlet?” I rasped.

“Bingo.”

“Granny told me that sometimes you turned invisible”

“Whenever I feel like it”

“You’ve come to rescue me?”

“Not really. But as long as I’m in the neighborhood… hop in.”

“Hop in what?”

 “I”ve borrowed Wonder Woman’s invisible plane, silly.”

And here we take our leave of the story above, which shouldn’t disappoint you too much, since it doesn’t have an ending anyway. “Silly” is probably its last word, one you’ll have to admit is appropriate, unless someone decides to continue it. Ask me if I care.

Now ask me why I’m expending bandwidth on a comic strip character who first appeared in the nation’s newspapers in 1940 and ended her run in 1956. Is a last name that’s identical to mine enough? That’s for you guys to argue. We’ll offer a kinda-sorta answer soon. Meanwhile, let’s take a brief look at…invisibility. (Yeah, I did that deliberately. Sue me.)

Invisibility has been a trope in both mythology and fiction for a long time – at least since the Greeks. You doubt? Then Google the Grecian helm (or cap) of invisibility and the brothers Grimm’s tale “The Twelve Dancing Princesses.” In the market for something a bit fresher? Well, there’s H.G. Wells’s The Invisible Man and The Hollow Man, a movie starring Kevin Bacon. Then, in no particular order… a television series, comics’s Sue Storm, The Invisible Girl (later Woman) and… golly, what am I forgetting? Oh, sure. Harry Potter! You may recall that in one of the novels/movies, the boy wizard dons a cloak of invisibility and…I dunno – skulks?

There are more.

But for now, we come to the gent who is arguably the best known (and maybe just the best) invisibiler, The Shadow, of course. He began fighting crime on the radio in the mid-30’s and ended his broadcast career in 1954. While he was active he appeared in virtually every mass medium: radio, film, novels, newspaper strips. On the novels, films and comics, he wasn’t exactly invisible. He used a technique similar to that of Batman and your friendly neighborhood ninja, using dark clothing to blend into the – yes! – shadows.

In the early comic books and on the radio he was really, truly invisible.

He was an approximate contemporary of Scarlet O’Neil’s and if you’ve sampled any of the Shadow reprints, hey, maybe you’ d like to sample some of The Shadow’s comrade in invisibility.

So good news. Your comics retailer should be able to sell you a copy of Invisible Scarlet O’Neil: The Official History of America’s First Female Superheroine. And coming soon: Invisible Scarlet O’Neil Returns, an original graphic novel.

Okay?

Mike Gold: Wish I Could Fly Like Superman

Hey girl we’ve got to get out of this place, there’s got to be something better than this

I need you, but I hate to see you this way. If I were Superman then we’d fly away.

I’d really like to change the world and save it from the mess it’s in,

I’m too weak, I’m so thin, I’d like to fly but I can’t even swim

Ray Davies, (Wish I Could Fly Like) Superman

Several years ago, I read a poll that asked if we could have any one superpower, which one would we have? Unsurprisingly, the ability to fly won hands down.

Never mind the “fact” that super-speed would be the most powerful super-power. Think about it. If we could travel as fast as The Flash, we could prevent a lot of bad stuff from happening, put out fires, save kittens from trees, and pretty much cover the entire second reel of Superman – The Movie. But, no, we want to fly!

Me, too.

In certain circles, such as ComicMix staff meetings, it is well-known that I do not like to fly in airplanes out of airports. It’s not that I don’t like to fly per se – I’ve jumped out of airplanes for sport until my daughter and my chiropractor and my surgeon told me to stop. I just don’t like being treated like shit, and I’ve already had my share of physical encounters with the Chicago police, thank you (there are better ways to fly united than on United). But the fantasy of flying sans aircraft remains compelling.

I don’t know if flying is the most popular ability given to superheroes. It appears it is, particularly if your character is only able to leap tall buildings in a single bound – like the Hulk does. Or have a strange hammer that, if you hold onto it really, really tight, will allow you to fly without wrenching your god-like arm out of your god-like shoulder socket.

It’s always silly to compare superhero comics to “real” life, even if there truly was such a thing. Besides, superheroes are escapist fantasy, so no matter how often Spider-Man punches out Doctor Octopus while enduring a very bad cold, let’s not confuse the two… except, of course, for the purposes of the remainder of this column.

Flying would be a hazard to air traffic. If everybody could fly – and this also applies to those flying cars Julius Schwartz promised us 60 years ago – rush hour would be indistinguishable from a total eclipse of the sun. I don’t think we’d be able to breathe while flying. I know this wouldn’t bother Clark Kent, but the rest of us weren’t born on a doomed planet only to come to Earth with powers and abilities far beyond those of mortal men… well, Clark… and Kara and Krypto and Beppo the Super-Monkey and the infinite number of Phantom Zone denizens, extant and yet to come.

I have a hard time with the floating-in-the-air thing. Sure, it’s cool and it allows for remarkably dramatic poses in all relevant media, but if it’s part of the ability to fly, I don’t understand how that can be so. Well, except for the “because the writer says so” axiom, which always trumps logic in both storytelling and in mathematics. Our pal, fellow ComicMix columnist and genuine comics legend Denny O’Neil, in his guise as a comics editor, used to advise writers “it might be phony science, but it’s our phony science.”

And what happens if said flying superhero (or dog, or monkey, or villain) gets the poo beaten out of him (or her, or it) while airborne? This happens all the time, at least in comics. Said flying being instantly becomes a meteor ready to create a crater the size of Nebraska or open a fault line or a tsunami that likely will be a hazard to nuclear power plants and fish.

Yeah. I know. Reality sucks.

And that’s why we all want to fly.

The Lego Batman Movie Streams in May, Comes Home in June

The Lego Batman Movie Streams in May, Comes Home in June

Burbank, CA, April 11, 2017 – Bring home the year’s funniest family adventure when The LEGO® Batman Movie” arrives onto Ultra HD Blu-ray Combo Pack, Blu-ray 3D Combo Pack, Blu-ray Combo Pack, DVD and Digital HD. The film features Will Arnett who reprises his starring role from The LEGO Movie, as the voice of LEGO Batman, aka Bruce Wayne.

The film also features Zach Galifianakis (the Hangover films, Muppets Most Wanted) starring as The Joker; Michael Cera (Arrested Development) as the orphan Dick Grayson; Rosario Dawson (Daredevil) as Barbara Gordon; and Ralph Fiennes (the Harry Potter films) as Alfred.

The LEGO® Batman Movie is directed by Chris McKay, and produced by Dan Lin, Phil Lord, Christopher Miller and Roy Lee, who worked together on The LEGO Movie. Jill Wilfert, Matthew Ashton, Will Allegra and Brad Lewis serve as executive producers. The story by Seth Grahame-Smith is based on LEGO Construction Toys characters from DC and the screenplay is written by Seth Grahame-Smith, Chris McKenna, Erik Sommers, Jared Stern and John Whittington.

The LEGO® Batman Movie will be available on Ultra HD Blu-ray Combo Pack for $44.95, Blu-ray 3D Combo Pack for $44.95, Blu-ray Combo Pack for $35.99 and 2-disc DVD Special Edition for $28.98. The Ultra HD Blu-ray features an Ultra HD Blu-ray disc with the film in 4K with HDR, a Blu-ray disc of the film in high definition, and a digital version of the film in Digital HD with UltraViolet*.The Blu-ray 3D Combo Pack features the theatrical version of the film in 3D hi-definition, hi-definition and standard definition; the Blu-ray Combo Pack features the theatrical version of the film in hi-definition on Blu-ray; and the DVD features the theatrical version in standard definition. All versions include a digital version of the movie in Digital HD with UltraViolet.* Fans can also own “The LEGO Batman Movie” via purchase from digital retailers beginning May 19.

Additionally, all of the special features, including interviews with filmmakers, new original shorts, featurettes, deleted scenes and 360° videos, can be experienced in an entirely new, dynamic and immersive manner on tablets and mobile phones using the Warner Bros. Movies All Access App, available for both iOS and Android devices. When purchased digitally and redeemed on UltraViolet, the Warner Bros. Movies All Access App allows users to watch the movie and simultaneously experience synchronized content related to any scene, simply by rotating their device. Synchronized content is presented on the same screen while the movie is playing, thus enabling users to quickly learn more about any scene, such as actor biographies, scene locations, fun trivia, or image galleries. Also, users can share movie clips with friends on social media and experience other immersive content. The Movies All Access app is available for download on the iTunes App Store and Google Play Store.

The Blu-ray discs of The LEGO® Batman Movie will feature a Dolby Atmos® soundtrack remixed specifically for the home theater environment to place and move audio anywhere in the room, including overhead. To experience Dolby Atmos at home, a Dolby Atmos enabled AV receiver and additional speakers are required, or a Dolby Atmos enabled sound bar; however, Dolby Atmos soundtracks are also fully backward compatible with traditional audio configurations and legacy home entertainment equipment.

SYNOPSIS

In the irreverent spirit of fun that made The LEGO Movie a worldwide phenomenon, the self-described leading man of that ensemble—LEGO Batman—stars in his own big-screen adventure. But there are big changes brewing in Gotham City, and if he wants to save the city from The Joker’s hostile takeover, Batman may have to drop the lone vigilante thing, try to work with others and maybe, just maybe, learn to lighten up.

BLU-RAY AND DVD ELEMENTS

The LEGO® Batman Movie Ultra HD Blu-ray Combo Pack, 3D Blu-ray and Blu-ray Combo Pack contains the following special features:

  • Original Animation Shorts
    • Dark Hoser
    • Batman is Just Not That Into You
    • Cooking with Alfred
    • Movie Sound Effects: How Do They Do That?
  • The Master: A LEGO Ninjago Short
  • Deleted Scenes
  • Featurettes
    • One Brick at a Time: Making the Lego Batman Movie
    • Inside Wayne Manor
    • Brick by Brick: Making of the LEGO Batman
    • Behind the Brick
    • Me and My Mini Fig
    • Comic Con Panel
  • Rebrick Contest Winners
  • Film Trailers
  • Lego Life Trailer
  • Social Promos
    • Follow Me Online
    • Don’t Skip
    • Happy Holidays Jingle
    • Batsby New Year’s
    • Team Cutdown
  • Director and Crew Commentary

“The LEGO Batman Movie” Standard Definition DVD contains the following special features:

  • Original Animation Shorts
    • Dark Hoser
    • Batman is Just Not That Into You
    • Cooking with Alfred
    • Movie Sound Effects: How Do They Do That?
  • The Master: A LEGO Ninjago Short
  • Deleted Scenes
  • Featurettes
    • One Brick at a Time: Making the Lego Batman Movie
    • Inside Wayne Manor
    • Brick by Brick: Making of the LEGO Batman
    • Behind the Brick
    • Me and My Mini Fig
    • Comic Con Panel
  • Rebrick Contest Winners
  • Film Trailers
  • Lego Life Trailer
  • Social Promos
    • Follow Me Online
    • Don’t Skip
    • Happy Holidays Jingle
    • Batsby New Year’s
    • Team Cutdown
  • Director and Crew Commentary

The Lego Batman Movie Streams in May, Comes Home in June

Burbank, CA, April 11, 2017 – Bring home the year’s funniest family adventure when The LEGO® Batman Movie” arrives onto Ultra HD Blu-ray Combo Pack, Blu-ray 3D Combo Pack, Blu-ray Combo Pack, DVD and Digital HD. The film features Will Arnett who reprises his starring role from The LEGO Movie, as the voice of LEGO Batman, aka Bruce Wayne.

The film also features Zach Galifianakis (the Hangover films, Muppets Most Wanted) starring as The Joker; Michael Cera (Arrested Development) as the orphan Dick Grayson; Rosario Dawson (Daredevil) as Barbara Gordon; and Ralph Fiennes (the Harry Potter films) as Alfred.

The LEGO® Batman Movie is directed by Chris McKay, and produced by Dan Lin, Phil Lord, Christopher Miller and Roy Lee, who worked together on The LEGO Movie. Jill Wilfert, Matthew Ashton, Will Allegra and Brad Lewis serve as executive producers. The story by Seth Grahame-Smith is based on LEGO Construction Toys characters from DC and the screenplay is written by Seth Grahame-Smith, Chris McKenna, Erik Sommers, Jared Stern and John Whittington.

The LEGO® Batman Movie will be available on Ultra HD Blu-ray Combo Pack for $44.95, Blu-ray 3D Combo Pack for $44.95, Blu-ray Combo Pack for $35.99 and 2-disc DVD Special Edition for $28.98. The Ultra HD Blu-ray features an Ultra HD Blu-ray disc with the film in 4K with HDR, a Blu-ray disc of the film in high definition, and a digital version of the film in Digital HD with UltraViolet*.The Blu-ray 3D Combo Pack features the theatrical version of the film in 3D hi-definition, hi-definition and standard definition; the Blu-ray Combo Pack features the theatrical version of the film in hi-definition on Blu-ray; and the DVD features the theatrical version in standard definition. All versions include a digital version of the movie in Digital HD with UltraViolet.* Fans can also own “The LEGO Batman Movie” via purchase from digital retailers beginning May 19.

Additionally, all of the special features, including interviews with filmmakers, new original shorts, featurettes, deleted scenes and 360° videos, can be experienced in an entirely new, dynamic and immersive manner on tablets and mobile phones using the Warner Bros. Movies All Access App, available for both iOS and Android devices. When purchased digitally and redeemed on UltraViolet, the Warner Bros. Movies All Access App allows users to watch the movie and simultaneously experience synchronized content related to any scene, simply by rotating their device. Synchronized content is presented on the same screen while the movie is playing, thus enabling users to quickly learn more about any scene, such as actor biographies, scene locations, fun trivia, or image galleries. Also, users can share movie clips with friends on social media and experience other immersive content. The Movies All Access app is available for download on the iTunes App Store and Google Play Store.

The Blu-ray discs of The LEGO® Batman Movie will feature a Dolby Atmos® soundtrack remixed specifically for the home theater environment to place and move audio anywhere in the room, including overhead. To experience Dolby Atmos at home, a Dolby Atmos enabled AV receiver and additional speakers are required, or a Dolby Atmos enabled sound bar; however, Dolby Atmos soundtracks are also fully backward compatible with traditional audio configurations and legacy home entertainment equipment.

SYNOPSIS

In the irreverent spirit of fun that made The LEGO Movie a worldwide phenomenon, the self-described leading man of that ensemble—LEGO Batman—stars in his own big-screen adventure. But there are big changes brewing in Gotham City, and if he wants to save the city from The Joker’s hostile takeover, Batman may have to drop the lone vigilante thing, try to work with others and maybe, just maybe, learn to lighten up.

BLU-RAY AND DVD ELEMENTS

The LEGO® Batman Movie Ultra HD Blu-ray Combo Pack, 3D Blu-ray and Blu-ray Combo Pack contains the following special features:

  • Original Animation Shorts
    • Dark Hoser
    • Batman is Just Not That Into You
    • Cooking with Alfred
    • Movie Sound Effects: How Do They Do That?
  • The Master: A LEGO Ninjago Short
  • Deleted Scenes
  • Featurettes
    • One Brick at a Time: Making the Lego Batman Movie
    • Inside Wayne Manor
    • Brick by Brick: Making of the LEGO Batman
    • Behind the Brick
    • Me and My Mini Fig
    • Comic Con Panel
  • Rebrick Contest Winners
  • Film Trailers
  • Lego Life Trailer
  • Social Promos
    • Follow Me Online
    • Don’t Skip
    • Happy Holidays Jingle
    • Batsby New Year’s
    • Team Cutdown
  • Director and Crew Commentary

“The LEGO Batman Movie” Standard Definition DVD contains the following special features:

  • Original Animation Shorts
    • Dark Hoser
    • Batman is Just Not That Into You
    • Cooking with Alfred
    • Movie Sound Effects: How Do They Do That?
  • The Master: A LEGO Ninjago Short
  • Deleted Scenes
  • Featurettes
    • One Brick at a Time: Making the Lego Batman Movie
    • Inside Wayne Manor
    • Brick by Brick: Making of the LEGO Batman
    • Behind the Brick
    • Me and My Mini Fig
    • Comic Con Panel
  • Rebrick Contest Winners
  • Film Trailers
  • Lego Life Trailer
  • Social Promos
    • Follow Me Online
    • Don’t Skip
    • Happy Holidays Jingle
    • Batsby New Year’s
    • Team Cutdown
  • Director and Crew Commentary

Joe Corallo: An Open Letter To Marvel Entertainment

To Marvel Entertainment,

Last week I read X-Men Gold #1 and, controversy aside which I won’t be getting into as you have gone above and beyond to address the issue properly and professionally, it really invoked a lot of strong feelings in me. Because of that, I’d like to talk about the X-Men and what they mean to me.

I first discovered X-Men on television when I was in elementary school. I remember watching the first episode and immediately being sucked in. To this day, the Sentinels are still menacing to me and I’ll always have a fondness for Jubilee, Rogue and Storm. I remember the time between Saturday morning after the episode finished to the next Saturday felt like an eternity. I was a shy kid who knew he was queer, but I didn’t understand it. I didn’t have a lot of friends, didn’t enjoy sports and couldn’t really connect to other kids on a lot of things, but one thing I could talk to the other kids at lunch in the cafeteria was about cartoons like X-Men. That meant a lot to me.

I was lucky to have parents that did well enough to get a lot of those action figures. It was very confusing to me, and I’m sure my parents as well, how they had action figures based on the cartoon as well as ones based on the comics. Why did my Storm action figure have a black costume when it was white on the show? I remember some of the times very clearly of being at Toys R Us in Levittown, NY with my parents specifically wanting X-Men action figures. It’s a DSW Shoes now. I really pushing hard for the yellow and blue costume Wolverine and how exciting that was for me to get it. Or how it took my mom more than one attempt to get a Phoenix action figure for me.

My parents also got me the VHS of the pilot that never took off, Pryde of the X-Men. I watched it over and over again. I once used all my quarters allotted to me to beat the X-Men video game based on that unsold pilot at the arcade in Bayville, NY. I’d got to beat it again in Walt Disney World a decade before Disney bought Marvel;the only character that worked was Dazzler. I’ve been obsessed with Dazzler ever since. I also had played that Sega Genesis X-Men game where it almost all takes place in the Danger Room – it was definitely harder than it needed to be. I was even in an AOL chatroom X-Men role playing game for a bit. I played Cyclops.

The first X-Men movie came out while I was in high school and watched some of the resulting X-Men Evolution cartoon. I saw that first X-Men movie opening weekend, and have seen each X-Men movie opening weekend ever since. College brought about a lot of nostalgia for the 90s animated series. Covered in scorpions was a running gag. A guy I met while in college, Jake, was the first openly gay X-Men fan I befriended. It was when Astonishing X-Men by Joss Whedon and John Cassiday was coming out. I’d pick him up and we’d go to Fourth World Comics, our local comic shop. We’d go back, read it in silence, then discuss. We also went together to pick up X-Men Legends 2 the day it came out and played it as late as we could into the night.

Since then I’ve befriended people in comics, other LGBT fans of the X-Men, and have had all sorts of long philosophical and meaningful conversations about these comics. I’ve waited on long lines to get signatures at cons from people like Chris Claremont, Louise and Walter Simonson, Mike and Laura Allred, Peter David, John Cassiday, and Frank Quitely because of the work they did in the world of X-Men and have gotten original comic pages, con sketches and commissions of the X-Men.

I’m telling you all of this not to brag or claim that I’m a bigger fan than anyone else because it’s honestly no astonishing feat. I’m saying this to let you know how much the X-Men has meant to me over the years, how it’s impacted my life for the better, made me more social, and is one of the biggest reasons I’m writing about comics at all. I’m also telling you this because I read X-Men Gold #1 and it left me so frustrated I that I had to write this.

I think it’s fair to say that as an X-Men comics reader I’m within your target demographic and would take that one step further and say I’m likely be perceived as low hanging fruit. I have to be completely honest and say that there is something wrong here with this book. It’s not the writing, and controversy aside it’s not the artwork. It’s not even the editing. Marvel put together an impressive team to work on this book, and it shows. The problem I’m talking about runs deeper and doesn’t necessarily have an easy fix.

The weight of the X-Men falls heavy on this book. Because of the decades and decades of continuity, this debut issue spends so much time trying to explain what happened before this started that it’s basically all we get. We get reference after reference, explanation after explanation, and we are left with little story. And despite all of the references and explanations we still get six full pages at the end of the comic to further explain everything leading up to this issue. If you need six pages at the end of your comic to explain your comic then we have a problem. A big problem.

Writer Marc Guggenheim talks in his letter at the end of the issue about how this is going to be more of a throwback to an older time in X-Men history when it was fresh and new. This is also a problem. Nostalgia has been driving these books for a long time and it has to stop. It needs to stop or you’re condemning the X brand to never grow its audience.

I’m 31 years old and the X-Men has been a part of my life for well over two decades. I for one am absolutely sick to death of nostalgia, and I’m not the only one. I fell in love with X-Men when I saw the animated episode Night of the Sentinels Part 1 because it was inviting, explained enough of what was happening so I could follow it, and told an engaging story. Had that cartoon been a bunch of characters making references to things they did 30 years previous and took so long to set everything up that the first episode ended a few seconds after something started to move the plot forward, I might not be the X-Men fan I am now. Nostalgia has its place, but it is not why we fall in love with stories and it is certainly not what will grow an audience.

I certainly do not mean to diminish the works of everyone at the company. Marc Guggenheim is a wonderful writer whom I’m embarrassingly not as familiar with as I should be and will be rectifying that in the coming weeks. Daniel Ketchum is a great editor who took the time to chat with me after a panel at NYCC a couple of years back encouraging me to keep giving the Iceman storyline a chance and it’s really paying off now as I’m most excited for Sina Grace’s Iceman #1. Jay Leisten is an incredible inker whose work I first got into with Peter David’s run on X-Factor that is one of my favorite chapters in mutant history. Cory Petit is great letterer and a friend. Axel Alonso with Peter Milligan and Mike Allred put together what is easily to me one of the best things that ever happened to the X franchise with their run on X-Force/X-Statix.

These are amazing people doing spectacular things, and I honestly believe they are doing the best they can with what they have to work with.

As a long time fan I want to tell you that I acknowledge that X-Men has become too old, too bloated, and is crippling itself under its own weight in continuity. As a long time fan I want to tell you that it’s okay to let it loose, cut it free from its continuity and start fresh. It’s unsustainable how it is right now. Let it have that new fresh start it needs to survive.

I felt a certain magic when I first picked up X-Force/X-Statix, Grant Morrison‘s New X-Men, Joss Whedon’s Astonishing X-Men, Peter David’s X-Factor, and Rick Remender’s Uncanny X-Force. I want to feel that magic again in an X book, not because they’re going back to what works, but because they’re trying something new and daring and they aren’t getting caught in the current of continuity and dragged under. I didn’t feel that magic in X-Men Gold #1.

That’s not to say it won’t ever come. I’m picking up issue 2. I’m going to be picking up the rest of the X books coming out in this new wave and I’ll see what sticks. However, the flagship title of a franchise relaunch should be blowing a reader away, and that wasn’t the case here; at least for me. Maybe I’m wrong and I’m the odd man out in this situation. Maybe my love of the franchise has set the bar unreasonably high and that’s not fair of me.

I just want the X-Men to continue to succeed well into the future. I want the queer kids in school like me who maybe didn’t understand they are queer and what it is to have a team of heroes to look up to, because they need a team of them. They need to see a world where there are a lot of people like themselves and they can work together and be special no matter how the rest of the world perceives them. They need to see a world where these characters who sometimes have vastly different philosophies and strategies on how to keep themselves safe can come together to protect each other because taking care of each other is most important thing. They need Northstar, Iceman, Rictor, Shatterstar, Mystique, Destiny, Karma, and more.

I know this was long, yet I have so much more I could say. Please don’t let the X-Men crush themselves under their own weight. I’m still going to be a fan, and I’ll keep giving these books a shot over and over again, but I’d love to have some of that magic back.

Sincerely,

Joe Corallo, Lifetime X-Men Fan

 

Win a Copy of Split on Blu-ray

James McAvoy showed news aspects of his talent in M. Night Shyamalan’s return to scary filmmaking with Split. The film, which took the box office crown in January, is coming to Blu-ray on April 18 and we have a copy to give away to a lucky reader. Courtesy of Universal Home Entertainment, we’ll give you an opportunity to experience the frightening thriller which delves into the mysterious depths of one man’s fractured mind as a terror unlike the world has seen prepares to be unleashed. Split offers viewers a closer look at the movie fans are raving about with a never-before-seen alternate ending, deleted scenes, character spotlight, and a behind-the-scenes look at the making of the film.

All you need to do is tell us which your favorite Shyamalan film and why.

We need your entries submitted before 11:59 p.m., Monday, April 17. The contest is open to readers only in the United States and Canada. The decision of ComicMix‘s judge will be final. The winner will receive a copy directly from Universal Home Entertainment.

Producer Marc Bienstock (Before I Falland executive producers Ashwin Rajan (Devil, The Visit) and Steven Schneider (Paranormal Activity series) who collaborated on The Visit reunite with SPLIT. Starring James McAvoy, Anya Taylor-Joy (The Witch), Betty Buckley (The Happening, Oz), Haley Lu Richardson (The Edge of  SeventeenFollow) and Jessica Sula (Recovery Road), critics hail SPLIT as “a nerve-shredding thriller” (Tim Grierson, Screen International).
BONUS FEATURES ON BLU-RAYTM AND DVD
  • Alternate Ending Deleted Scenes
  • The Making of  Split Filmmakers, cast, and crew discuss what attracted them to the project and how they were able to bring such a unique premise to life.
  • The Many Faces of  James McAvoy- A look at how James McAvoy approached the challenge of playing so many different identities.
  • The Filmmaker’s Eye: M. Night Shyamalan- Director and writer M. Night Shyamalan has a singular, big-picture vision of his projects. Producers, cast, and crew discuss how Night’s process gives them the freedom to execute their roles to the fullest.