Tagged: Tarzan

Lord of the Louisiana Jungle Website Debuts!

From www.tarzanlordlajungle.com

Welcome to our website dedicated to the documentary film Tarzan: Lord 
of the Louisiana Jungle and the original silent motion picture classicTarzan 
of the Apes. Please take a few moments to visit the entire site.

The character of Tarzan™ turns 100 years old 
this year. In celebration of that milestone, Bossier 
City’s Al Bohl and his daughter, filmmaker Allison Bohl 
now of Lafayette have teamed up to produce a 
feature-length documentary entitled, Tarzan: 
Lord of the Louisiana Jungle.
In August of 1917 an eclectic band of filmmakers, 
actors and circus acrobats fought malaria, unbearable 
heat and the swamp of the Louisiana Atchafalaya River 
Basin to bring to the silver screen the best-selling book 
Tarzan of the Apes by Edgar Rice Burroughs. It was an
 instant hit with audiences, considered one of the top six motion pictures of the
 silent era, and one of the first 10 films to earn over one million dollars at the 
box office. The film was shot in Morgan City, Louisiana.
Over a period of four years, Al 
and his daughter combed through 
hundreds of photos and documents
and videotaped up to seventy hours 
of interviews and locations. They 
interviewed scholars, authors, 
historians, fans, experts in merchandise, 
actors, an expert in primates, 
the curator of the Burroughs’ collection and 
the family of Edgar Rice Burroughs. Their travels in Louisiana included 
Morgan City, New Orleans, Patterson and Baton Rouge. They also 
gathered interviews in Los Angeles and Tarzana, California. More footage 
was taped in Ohio, Kentucky and Chicago, Illinois.
In addition, the Bohls re-edited the
 original Tarzan of the Apes silent film 
and added an entirely new orchestral 
musical score written by Kermit Poling 
of Shreveport. The success of the movie 
Tarzan of the Apes spawned over 40 
authorized sequels and 6 television shows.

For behind-the-scenes articles, click here.

The Point Radio: James Frain From TRON to TRUE BLOOD

From TRON LEGACY to TRUE BLOOD, James Frain has carved out his place in the sci-fi genre and now has even more on his plate including a new car chase thriller, TRANSIT and the LONE RANGER reboot. We talk with James about his new film and why he won’t be involved with a remake of BLADE RUNNER. Plus more Comics In Court – Spidey settles while Tarzan looks for Dynamite.

The Point Radio is on the air right now – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or mobile device– and please check us out on Facebook right here & toss us a “like” or follow us on Twitter @ThePointRadio.

New Documentary on first Tarzan Movie! And More!

Tarzan Swings Again in Louisiana

New film documents Louisiana’s first blockbuster production, 1918’s “Tarzan of the Apes.”
January 18, 2012 ~ Bossier City, LA-  Believe it or not, Tarzan turns 100 years old this year.



In August of 1917 an eclectic band of filmmakers, actors and circus acrobats fought malaria, unbearable heat and the swamp of the Louisiana Atchafalaya River Basin to bring to the silver screen the best-selling book “Tarzan of the Apes” by Edgar Rice Burroughs.  It was an instant hit with audiences, considered one of the top six motion pictures of the silent era, and one of the first 10 films to earn over one million dollars at the box office.  The film was shot in Morgan City, Louisiana.

The character of Tarzan turns 100 years old this year.  In celebration of that milestone,  Bossier City’s Al Bohl and his daughter, filmmaker Allison Bohl now of Lafayette have teamed up to produce a feature-length documentary entitled, “Tarzan: Lord of the Louisiana Jungle.”
“My interest was first peaked when I was told many years ago that after making the movie the monkeys and apes refused to get back in the cages, so they left them,” said Bohl.  “After research, I found out that the making of the film was as amazing as the movie itself.”
Over a period of four years, Al and his daughter combed through hundreds of photos and documents and videotaped up to seventy hours of interviews and locations.  They interviewed scholars, authors, historians, fans, experts in merchandise, actors, an expert in primates, the curator of the Burroughs’ collection and the family of Edgar Rice Burroughs.  Their travels in Louisiana included Morgan City, New Orleans, Patterson and Baton Rouge.  They also gathered interviews in Los Angeles and Tarzana, California.  More footage was taped in Ohio, Kentucky and Chicago, Illinois. 
Bohl said, “Besides the ape question, our documentary investigates many things such as the claims of the killing of a lion on screen, the use of African Americans as natives and the life of Edgar Rice Burroughs who many feel is the father or grandfather of American science fiction.”
In addition, the Bohls re-edited the original “Tarzan of the Apes” silent film and added an entirely new orchestral musical score written by Kermit Poling of Shreveport.
The documentary and new version of the silent Tarzan film will be premiered on April 13 and 14, 2012 in Morgan City during the first Tarzan Festival in the character’s history.  For more information on the festival contact: www.cajuncoast.com.
The Louisiana State Museum in Patterson, LA opens a year-long exhibition entitled “Tarzan: Lord of the Louisiana Jungle.” It features a wide variety of Tarzan memorabilia from the last one hundred years.  
“Tarzan continues to be famous on an international scale,” said Bohl, “I believe people will be absolutely amazed by the very large display of Tarzan books and merchandise in this exhibition.”  One item of note is an actual painting done by the chimpanzee that died recently who was believed to be the oldest living “Cheetah” from the Tarzan movies. For more information about the exhibition contact:: www.louisianatravel.com/louisiana-state-museum-patterson.
ILLUSTRATING THE EARTH’S CORE!

ILLUSTRATING THE EARTH’S CORE!

Tarzan ™ ERB, Inc. Artwork © Tim Burgard.

Sequential Pulp Comics shared this beautifully elegant preview page by artist Tim Burgard for the Martin Powell penned graphic novel, TARZAN AT THE EARTH’S CORE. The graphic novel is licensed and authorized by Edgar Rice Burroughs, Inc. and published by Sequential Pulp/Dark Horse Comics.

Look for TARZAN AT THE EARTH’S CORE coming in 2012 as part of the 100th Anniversary celebration of pulpdom’s favorite Ape-Man.

Tarzan ™ ERB, Inc. Artwork © Tim Burgard.

You can learn more about Sequential Pulp Comics at http://www.sequentialpulpcomics.com/
You can learn more about Dark Horse Comics at http://www.darkhorse.com/

Review: Lord Of The Jungle #1

Reviewed by Joshua Pantalleresco
Lord of the Jungle is Dynamite’s Adaptation of Tarzan.  I have to admit I was both enthusiastic and skeptical when I heard of this book.  I was skeptical because Tarzan’s depth of character is rarely explored.  His animal cunning is always apparent, but one of the things that always got me was how intelligent Tarzan is.  He taught himself to read in the original novels.  That kind of intelligence is often missed as part of the character. 

The first two images of the comic are two skeletons.  It’s a very grisly image and hints at the tragedies that occur in this issue.  Yet the third panel managed to dispel one of my misgivings immediately.  Tarzan is learning how to read.  This is going to be an intelligent Tarzan.  The contrast on that first page is very fitting.  There is a kind of beauty in the jungle, yet there is a grim, savage reality and it’s all displayed on page one.  

The rest of the issue takes place twenty years prior when Tarzan’s parents John and Alice were stranded in the jungle by pirates.  There, John and Alice are forced to survive the hostile environment they have found themselves into.  Now the ending if you have read Tarzan is obvious, that said there’s definitely a few touching moments in the first issue.
One of my favorites was when Alice and John defended themselves from a mighty gorilla.  John picked flowers for Alice when a bull ape came from nowhere and attacked.  Both characters managed to protect each other and it gave the scene a very triumphant feel to it and showed how much of a team they were when they worked together.  It mirrored nicely with the end when John died defending the baby by himself.    Tarzan at that point is taken in by the apes. 

Arvid Nelson did a fantastic job with adapting Edgar Rice Burroughs’ John Carter series with Warlord of Mars, and so far it seems he is going to repeat that magic here.  Arvid is faithful to the original material and manages to add and expand moments that were in the novels.  He’s off to a good start adapting this great classic to comics.

I really love Robert Castro’s pencils.  I love his ability to contrast beautiful moments with terrifying imagery.   He’s able to balance some of the horrors of the jungle with some amazing shots.  The opening page is living proof of this, but he manages to do it again and again in the issue.  That one shot of baby tarzan is surrounded by panels of monsters and tragedy.  My favorite image in the book is the landscape shot of Lord Greystroke’s home on page two.   It felt very majestic, even as a shadow of its former brilliance.

Simon Bowland and Alex Guimaraes deserve credit.  The storybook on page one is just brilliant and fun lettering.  It added a kind of innocence to the scene that was sorely needed.

All in all, this is a solid book and a nice addition to any pulp reader’s library.  For one dollar you can’t go wrong.  Hopefully the rest of the series has the same quality throughout.

Sequential Pulp And Tarzan Travel To The Earth’s Core!

New Pulp Author Martin Powell unveiled the cover to Tarzan At The Earth’s Core graphic novel adaptation that he is writing with art by Tim Burgard, and authorized by the estate of Edgar Rice Burroughs. The Tarzan At The Earth’s Core graphic novel will be released in 2012 from Sequential Pulp Comics and Dark Horse Comics.

You can learn more about Sequential Pulp Comics at http://www.sequentialpulpcomics.com/
You can learn more about Dark Horse Comics at http://www.darkhorse.com/

MICHAEL DAVIS: Comics in Black… And White

I am a black man.

Well that’s not really true. I’m a tall and unbelievably handsome black man. I work in television, mainstream books and comics. Most of the works I’ve created in all of those mediums have featured black people in foremost roles.

I create black characters because I’m a black creator and I’d like to see more black people represented in the media and I think it’s my job to…yada, yada, yada…

Over the years I’ve said a zillion times that the reason I create black characters is because I felt we were under represented and I did believe it was my responsibility to create characters so young black kids can feel themselves represented.

But is it really my responsibility to create black characters because I’m a black man now? Have we come far enough in the country and the industry for me to give up the fight?

When I was growing up there were no black superheroes of color except for the Black Panther and Luke Cage, Hero For Hire. So my two black superheroes role models were an African King and an ex-con who was a superhero only when he got paid to be.

As hard as I tried I just could not identify with The Black Panther; he was an African king in his secret identity. “Oh, that’s a wonderful black man to aspire to be like.” I’m sure some of you are thinking.

Really?

I was born in Queens and the last thing I wanted to imagine myself growing up to be was an African king. I’d seen enough Tarzan movies as a kid to know I would not look good with a bone through my nose. I mean… ugh.

What about, Luke Cage Hero For Hire?

Really?

Hero for hire?

Really?

Like I said, I grew up in Queens or to be more precise, the hood in Queens. I could not imagine being a superhero that sold his services, that as they say in the hood is ghetto.

The young Harlem mother and her child were coming home very late one evening. The bus they were on was empty except for the driver and some gang bangers who looked like they wanted to start some trouble.

She was not worried, there was a rule written in stone in the hood among gangs, mothers and kids were off limits.

Written in stone…

The problem was these gang bangers could not read.

 “Yo, (bad word starts with B) what cha lookin at?”

He rose, slowly removing a gun from his jacket.

 “I said (bad word starts with B) what cha lookin at?”

She was frozen in place. She had never seen a real gun before and it was at the moment she knew this was the end of her life. She held her child close to her and said softy, “Close your eyes honey it will be OK.”

The bus stopped. Cage entered the bus. Paid his fare and stared down the thug with the gun. The woman’s face lit up as she realizes she is saved!

 “Oh, thank God! He was about to shoot me! I’m sure of it! He called me a…”

Cage puts his hand up to silence her then says; “I can save you for $500, your kid for another $500 so that’s $1000,00.”

The woman looks at Cage, she can tell by the stern look on his face he is not kidding. “ All I have is $500 to my name!”

 “Then you better tell your kid to keep his eyes closed.”

Really? Hero for Hire? Really?

Neither The Black Panther nor Luge Cage, neither of those black heroes seemed as good as the white heroes I was so in love with. Superman, Batman, Spider-Man and the like.

Superman was an orphan from another planet whose parents were blown the F up and he had a cool ass secret identity. He was Clark Kent, reporter for a great metropolitan newspaper. Batman’s secret identity was equally as badass, another orphan whose parents were shot the F up. His cool ass secret identity was rich ass playboy Bruce Wayne.

Spider-Man was another orphan whose parents were shot the F up AND as a bonus he was responsible for his Uncle Ben being shot the F up. His cool ass secret identity was a high school student and he worked for a great metropolitan newspaper as a photographer.

Why couldn’t I have a black hero whose parents were shot the F up? Why couldn’t I have a black hero who was an orphan? Why couldn’t I have a black hero whose cool ass secret identity was to work for a great metropolitan newspaper and not as a janitor?

No. I got an African king. In my mind, Tarzan (according to the movies my seven year old ass was watching) would soon rescue a white couple from a boiling pot the Black Panther had placed them in while waiting for a visit from The Fantastic Four, and I got a hero who people had to pay to protect them or in other words…

Super Pimp.

Also, Super Pimp didn’t even have a secret identity. Like I said, ghetto.

That’s what I grew up with. That’s what the African American comic book artists of my generation grew up with. It’s no wonder many of us felt it was our responsibly to create black heroes that our black kids could use as real role models, heroes that spoke to them not just in skin color but in experience.

When I was a kid a black GI Joe action figure was just a white GI. Joe painted brown. That made him black to me back then but that was not good enough for my kids when I had them.

Don’t get me wrong; I grew to love Lee and Kirby’s Black Panther. I realized just how cool it was to have an African king be his secret identity. That’s around the time I also realized those Tarzan movies were racist bullshit. Hasbro eventually came out with a black version of GI Joe that was a Black Joe. The lips, nose and even hair were modeled after black features. I still remember when I got my first real Black Joe. It was so damn cool.

As for Luke Cage, Hero for Hire?

That, in my opinion was and will always be ghetto. I mean damn, a Super Pimp? Come on! Really?

I grew up wanting and frankly needing black heroes that I could look up to and that spoke to me.

That was then.

Now, there is still need for more black superheroes as there is a need for many heroes of color but is it the job of people of color to create them?

Or…

Are the characters of any creator as valid as any other creator regardless if the creator is black or white?

In other words, would Blade be even cooler if a white guy did not create him? Would Spawn be even more badass if a black creator had created him?

Can white creators create viable black characters and vice versa? It seems the answer is an easy “yes” if you look at the success of some black characters created by non-black creators. It’s a easy yes in the marketplace to be sure but how about in the industry and the homes of those black kids who grow up wanting to be Blade?

Does it matter that an white guy created Blade? Should it matter? A great white guy and my dear friend Marv Wolfman but a white guy nevertheless.

Should we even care?

Anyone? Bueller? Bueller…?

WEDNESDAY: Mike Gold

WOLD NEWTON DAY 2011-HANCOCK’S TIPS HIS HAT TO MYTHS OF THE MODERN AGE

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock
MYTHS FOR THE MODERN AGE:  PHILIP JOSE FARMER’S WOLD NEWTON UNIVERSE
Various Authors
Edited by Win Scott Eckert
Monkeybrain Books
2005

This is the first review of three today in recognition of Wold Newton Day.   What is Wold Newton Day?  In short, it commemorates the date in 1795 when a meteor crashed into the small English village of Wold Newton.  According to iconic Author Philip Jose Farmer, this meteor crashed as a group of people were passing through the village and radiation from the space borne rock affected the genes of these already mostly fantastic specimens in such a way that their descendants became both the Heroes and Villains of Fiction via mediums of all sorts.  This posit by Farmer led to Sherlock Holmes and Tarzan sharing family as well as hundreds of thousands of others being tangled together in the Wold Newton Family Tree.  Other writers and scholars have taken up the cause of Wold Newton and have developed fantastic tales as well as scholarly works about both Farmer and the wonderful universe he brought into existence.

MYTHS FOR THE MODERN AGE is a wonderful piece of scholarship, a grand escapade into imagination, and a fitting remembrance of a man who with words and ideas literally captivated creators both while he lived and will likely for centuries to come.  In his introduction to the volume, Mr. Eckert, the editor, poses several questions, queries about Holmes, Moriarty, Mowgli, Doc Savage, The Scarlet Pimpernel, and more and although he states that the essays that follow do not answer every question, they prove a good place to start.

Counting the introduction, MYTHS contains 29 works, essays focused on Farmer, his work, and on Wold Newton.   Authors such as Rick Lai, Brad Mengel, Matthew Baugh, Dennis E. Power, Jess Nevins, Farmer himself, and many others fill these pages.  Names like Tarzan, Captain Nemo, Rick Blaine, Lord Rufton, Charlie Chan, Zorro, Chtulhu, Fu Manchu, Joh Carter, and oh so many more dot these pages like spectacular plumage of a grand bird.    Although not a Wold Newton Scholar, I do have a background as a historian and can say that the research and effort to be academic that went into each article is impressive and notable.   These are not people sitting around having fanboy chats, although I’m sure they all have and would do that.  This is instead a serious endeavor to bring true study to Wold Newton as a concept, to Farmer as a Man, and to the duty of imagination in furthering our society.

FIVE OUT OF FIVE TIPS OF THE HAT-You need to know what Wold Newton is?  You want to know more than just the basics?  This is as close to a Wold Newton Textbook as we may ever get.

David Burton-A Retrospective



The world in general and the Popular Art and Pulp Community in specific lost a shining talent and unique voice on Thursday, December 8th, 2011.  David Burton, an artist known for various works, including several Edgar Rice Burroughs inspired works, Comic based images, as well as original work for Publishers of all varieties, passed away this past  Thursday.  Although details are not readily available, David had had a series of health issues, most recently being considered for a heart transplant.  While at home on the 8th, something occurred that caused David to have to re-enter the hospital and he left this world later that day.

At times like these, the only thing that many of us who knew David and even those who only knew him through his work have to comfort us are our thoughts and memories of him and the love and support of those around us.   What follows is a collection of remembrances and commemorations collected in the last few hours, both sent directly to All Pulp as well as some simply taken from where they were originally posted.   If you didn’t know David, then read on please and discover one of those talents that definitely left us just as his star was rising.  If you were fortunate enough to have even known him for a moment, then join the rest of us who did in remembering and recalling and even in mourning, though the actual feeling is more of rejoicing….rejoicing that I even got to know David for a brief second and the positive ways he affected so many that he touched.


First, my own thoughts-
I met David via Facebook, the wonders of social networking.   I was looking for cover artists to capture that feel of classic Pulp covers, particularly for one project we were debuting in our magazine.   I came across David’s stuff about the same time he came across our ad looking for someone.  I’m not sure how we connected, but we did indeed and from that instant, David immediately became concerned for me.  Not simply the project, but for my well being.  He asked about my family, talked about the other writers in the magazine, asked how I came to be a writer, all of that.  We talked about favorite foods, movies, etc. and in between these blasts of personal ‘get to know’ time that actually is somewhat unusual from an artist who you’re initially contracting with for just one piece, David would send these wonderful snippets…a pencil layout here, a color study there….until finally the finished piece was completed.  The job done, I thanked David, paid him, and went on.  But I didn’t go on alone.  David talked of other projects, but mostly just checked in as if we were buddies, which I quickly realized we most definitely were that…friends.


We never got to do more work together because David’s medical issues reared their ugly visages about then and he didn’t get back to a point to take on much work.  The one regret I have is that when David emailed me a few months back and said he thought he was ready to take on work, even though it would need to be single figure type stuff, I didn’t make more effort to give him work, only because I wanted him to feel better and to get even stronger.  It’s not the art that didn’t get created that I’m remorseful for now.  It’s the fact that I didn’t get another chance to spend that much time with David again.   Godspeed, David.


From Danny and Heather Kelley-

We have known David Burton for some years now. He was a great friend one who we came to call our Brother. His art work was so amazing, we modeled for several pieces of his art for him. One particular piece will always be my favorite. I had a photo taken of me in Metropolis , Ill at the Superman celebration a few years back of me as Superman and a little girl who had came up to me. David wanted to paint it and it came out amazing. He made two of it one for me and another to donate to a charity auction in Metropolis .We spoke on the phone and emailed each other frequently. He was a amazing talent and a very humble kind person.   He would get so excited and get us excited every time he saw a new pic of us he wanted to draw. It was always like Christmas waiting to see what he would come up with. With his passing it leaves a empty place in our lives as I am sure with countless others he touched with his art. But his memory will live on with us through the art works we have on our wall from him.. David we love you and will miss you my dear friend. I know you will be painting the skies in Heaven.




From Bill and Sue-On Hillman, http://www.ERBzine.com
David was a wonderful talent and a fine interpreter of Edgar Rice Burroughs’ creations.  Over the years he shared so many fine pieces of art with us for our ERBzine readers:

ERBzine Artist Profile: David Burton
An Artist Journal Vol. I: “A Princess of Mars” By David Burton
An Artist Journal Vol. II: “A Princess of Mars” By David Burton
An Artist Journal Vol. III: Tarzan of the Apes By David Burton

An Artist Journal Vol. IV: Tarzan of the Apes By David Burton
David Burton’s Special Illustrated Editions of ERB’s “A Princess of Mars” and “Tarzan of the Apes”:
ERBzine ERB Artist Encyclopedia
David will be sadly missed by his many friends and by the many fans of his work.

From Ron Hanna-

Back in 2006, David sent me an e-mail when I lost my cat, and he even wrote a Poem especially for me… I would like to share this with you… I loved him:

Dear Ron,

I can understand this all too well. Not long ago, my cat Muse had to be put to rest for the same thing. The loss is never easy and shouldn’t be. Just remember that she’s always going to be around you and that she loves you.

Dearest friend
Who’s been my World
I shall never hold you
And feel your warmth
Yet
I shall always know
That you are near
For your warmth
Now has a place
That I had never known
But forever is now
Ahead
For we are on our way
Do not fear
My dearest friend

For we shall someday
Meet
And know that all
Was for us
And we shall have
Ever the tomorrows
That have yet to be
This warmth
That I now hold
So dear
I shall never let go
For I know it place
My heart
Is no longer its home
But my life is its home
For you have brought
Not but love
To it















From Mary Fabian-

Rest in Peace, my friend. Let your artist pen draw everlasting beauty over the stars. May our Lord hold your family in His Loving arms.










From Ver Curtiss-

I cannot adequately express my sadness at the news of David Burton’s passing. David was a true friend, an amazing artist, and an incredible human being. He was truly a brother, though we never met face to face. I hope we will have that opportunity to meet some day in a better place than this beautiful but fallen world of ours. He will be truly missed.














From Dough Hubler-

A sweet and dear friend has passed and I want to honor and remember.  David Burton, a gifted artist, a child of God, and a brother! Godspeed and rest in His arms, David! We’ll see each other again!














From Andy Nunez-

David was an amazing artist and new some of the most influential paperback and comic illustrators of our time. He always encouraged me to go beyond my abilities with each piece of artwork I turned out for my books. His heart was bad and he was in line for a transplant. He had to go to the hospital today and he did not return. I can only pray I meet him again beyond this existence.














These and many other tributes and remembrances and dedications to the life, work, and memory of David Burton are sprouting all over in the last several hours and will likely continue for years to come.    When one such as David passes, it’s hard for us not to see it as a loss, but we also scored a major victory just having David as a part of our lives.  

Rest in Peace, Dear Friend



DISNEY RELEASES JOHN CARTER OF MARS TRAILER

DISNEY RELEASES JOHN CARTER OF MARS TRAILER

Based on the Edgar Rice Burroughs Barsoom novels, the full-length trailer for Disney’s John Carter of Mars movie has been released.

John Carter of Mars is inexplicably transported to the mysterious and exotic planet Mars, and becomes embroiled in a conflict of epic proportions and discovers that the survival of the planet and its people rests in his hands.

John Carter is a sweeping action-adventure set on the mysterious and exotic planet of Barsoom (Mars). John Carter is based on a classic novel by Edgar Rice Burroughs, the creator of Tarzan, whose highly imaginative adventures served as inspiration for many filmmakers, both past and present. The film tells the story of war-weary, former military captain John Carter (Taylor Kitsch), who is inexplicably transported to Mars where he becomes reluctantly embroiled in a conflict of epic proportions amongst the inhabitants of the planet, including Tars Tarkas (Willem Dafoe) and the captivating Princess Dejah Thoris (Lynn Collins). In a world on the brink of collapse, Carter rediscovers his humanity when he realizes that the survival of Barsoom and its people rests in his hands.

For more information on Disney’s John Carter of Mars movie, visit http://disney.go.com/johncarter or follow on Twitter at @JohnCarter.