Tagged: Superman

Mindy Newell: Lord Of The Sith

Newell Art 130318 “The megalomaniac differs from the narcissist by the fact that he wishes to be powerful rather than charming, and seeks to be feared rather than loved. To this type belong many lunatics and most of the great men of history.”

Bertrand Russell

Why Is It Always About You? The Seven Deadly Sins of Narcissism:

1. Shamelessness: Shame is the feeling that lurks beneath all unhealthy narcissism, and the inability to process shame in healthy ways.

2. Magical thinking: Narcissists see themselves as perfect, using distortion and illusion known as magical thinking. They also use projection to dump shame onto others.

3. Arrogance: A narcissist who is feeling deflated may reinflate by diminishing, debasing, or degrading somebody else.

4. Envy: A narcissist may secure a sense of superiority in the face of another person’s ability by using contempt to minimize the other person.

5. Entitlement: Narcissists hold unreasonable expectations of particularly favorable treatment and automatic compliance because they consider themselves special. Failure to comply is considered an attack on their superiority, and the perpetrator is considered an “awkward” or “difficult” person. Defiance of their will is a narcissistic injury that can trigger narcissistic rage.

6. Exploitation: Can take many forms but always involves the exploitation of others without regard for their feelings or interests. Often the other is in a subservient position where resistance would be difficult or even impossible. Sometimes the subservience is not so much real as assumed.

7. Bad Boundaries: Narcissists do not recognize that they have boundaries and that others are separate and are not extensions of themselves. Others either exist to meet their needs or may as well not exist at all. Those who provide “narcissistic supply” to the narcissist are treated as if they are part of the narcissist and are expected to live up to those expectations. In the mind of a narcissist there is no boundary between self and other.

Sandy Hotchkiss & James F. Masterson (2003)

There are a lot of megalomaniacal, narcissistic bad guys in the comics world. Some of the classics are Wilson Fisk, a.k.a. The Kingpin, Johann Schmidt, a.k.a. The Red Skull, Victor Von Doom, a.k.a. Doctor Doom, and Lex Luthor, a.k.a.…well, Lex is so megalomaniacal and narcissistic he doesn’t bother with a codename. They’re the perfect foils for their arch-nemeses – and our heroes – Daredevil, Daredevil, Captain America, Reed Richards (and the rest of the Fantastic Four), and Superman.  And we like them, and sometimes we even root for them, because they reflect our unspoken and unconscious thoughts, desires, and dreams in a healthy, subliminal manner. Meaning that we’re all a bit megalomaniacal and narcissistic; otherwise we’d never get out of our beds to face the world. (Just as our heroes reflect our need to set right what we perceive to be wrong.)

But when pathological megalomania and narcissism invade the real world, we get Scott Peterson. We get Bernie Madoff (and what a perfect name for the guy who redefined the pyramid scheme). We get Jack Abramoff. We get Osama Bin Laden and the Ayatollah Khomeini.

We also get Dick Cheney, or as Jon Stewart calls him, “Darth Cheney.”

I watched The World According To Dick Cheney on Showtime this past Friday night. TWATDC is a quasi-documentary by R. J. Cutler (who is also responsible for The War Room, about Bill Clinton’s 1992 Presidential campaign), by which I mean that it is basically one long interview with the former Vice-President.

I wasn’t expecting a mea culpa, and there isn’t one, ala Robert McNamara, the Secretary of Defense during the Vietnam War. (See The Fog Of War: Eleven Lessons From The Life Of Robert McNamara, which won the Academy Award for Documentary Feature in 1993)

I mean, I always said that Dick Cheney was a scary guy, and that he was the Shadow President running a shadow government during Dubbya’s term of office.

But, holy shit, man, it’s one thing to know it….

And it’s one thing to know it.

Know what I mean?

If you don’t, I suggest you watch The World According To Dick Cheney.

Go ahead.

I’ll wait.

Newell Art 2 130318

Now you know.

I’ll take my pathological megalomaniacal narcissists in four-colors, please.

Not in the real world.

TUESDAY MORNING: Emily S. Whitten

TUESDAY EVENING: Michael Davis

 

WHAT’S NEW FROM RADIO ARCHIVE?

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  • March 15, 2013

RadioArchives.com Newsletter

 
March 15, 2013

Continuing to Celebrate the 80th Anniversary of Doc Savage and King Kong
Radio Archives has some great Doc Savage and King Kong products for you in the next couple months. Four exciting products in fact and you can order the second one, Doc Savage: The Forgotten Realm today! Here’s Will Murray to tell you more:
Last year, Altus Press reissued my 7th Doc Savage novel, The Forgotten Realm, after being out of print for nearly twenty years. Response to this tale of maddening mystery and mayhem was so positive that we decided to jump ahead In the more-or-less chronological release of my first Doc  Savage adventures and record The Forgotten Realm for Radio Archives. Here it is!

 

by Will Murray and Lester Dent writing as Kenneth Robeson
Read by Michael McConnohie.
 
 
Back in 1933, Lester Dent outlined a great Doc Savage story involving a lost city of Romans hidden in the African Congo. For reasons unknown, he abandoned the best part of his plans, taking the tale in a different direction, to another part of the world.
 
Sixty years later in 1993, Will Murray dusted off that plot and turned it into his seventh Doc novel, The Forgotten Realm. It’s the bizarre story of a mystery man who escaped from a Scottish madhouse, who embroils archeologist Johnny Littlejohn in a quest that ranges from the British Isles to the impenetrable core of the Dark Continent. And whenever Johnny swings into action, the mighty Doc Savage is not far behind!
 
Here is another riveting exploit of the superhuman Man of Bronze. This is pulp high adventure at its most exciting. Tricks and traps propel the plot. Not everyone is who he seems to be. The colorful cast includes the mysterious X Man, the brutal Waterloo O’Neil, the mystic Goona Bey, and lovely Princess Namora. Doc, Johnny, Monk and Ham are on hand to pit their powers against the forces of evil. As always, the thrilling narrative grips straight through to the ultimate climax, and the final reveal.
 
Before it’s all over, Doc Savage will struggle against marauding sea serpents, murderous rogues, and end up in a gladiatorial arena battling ferocious lions in the best tradition of Tarzan of the Apes. All to unravel the riddle of the enigmatic individual known as X Man—who may or may not be a survivor of a lost Roman outpost still operating as if time had passed it by. A place beyond the fabled Veil of Silence called Novum Eboracum, which translates as New York!
 
The multi-talented Michael McConnohie again brings another fantastic Doc Savage adventure to life, one that takes the listener on a roller coaster of thrills and perils that you won’t want to end. This is the Man of Bronze at his most magnificent, using his might and mechanical skill to battle across two continents to a satisfying pulp conclusion. 10 hours $39.98 Audio CDs / $19.99 Download.
 

 
 
A great mind ready to help humanity. A savage monster bent on death and destruction. And both are the same person. Robert Louis Stevenson’s classic tale, The Strange Case of Dr. Jekyll and Mr. Hyde has thrilled and chilled readers for nearly two centuries in print, film, and on stage. One of the best adaptations of this classic tale of good and evil was actually for radio and the final 6 hours are now collected in Dr. Jekyll and Mr. Hyde, Volume 2 from Radio Archives.
 
The man behind Dr. Jekyll and Mr. Hyde was George Edwards and just the right person to bring this dynamic tale of split personality to life. An Australian actor and producer, Edwards lived many lives before coming to the career he is most known for. Vaudevillian, acrobat, stage actor, and comedian, Edwards shone brightest in bringing wonderful stories to life on Australian radio. The man behind other series, such as Afloat with Henry Morgan and Adventures of Marco Polo lent not only his production skills to Jekyll and Hyde, but shared his amazing vocal talents as well.
 
Edwards was well known as “The Man with a Thousand Voices.” Not only could he mimic multiple voices, Edwards could carry on complete conversations between characters he was playing. Many scenes in Dr. Jekyll and Mr. Hyde with multiple characters are all voiced by George Edwards. Edwards also brought authenticity to the roles he played, able to reproduce any tone or accent with his voice, save that of children or young women. The amazing aspect of this was that when not in front of a microphone, Edwards often spoke with a stutter.
 
The final 24 episodes of this classic Radio serial are collected in Dr. Jekyll and Mister Hyde, Volume 2. Stevenson’s story, Edwards’ performance and production, and the intense pacing of each episode make Dr. Jekyll and Mr. Hyde Volume 2 a necessary part of any Classic Radio fan’s collection! 6 hours $17.98 Audio CDs / $8.99 Download.
 
 
 
 
 

 

New Will Murray’s Pulp Classics eBooks

 
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 

New York lay helpless under the heel of the Black Police, and when men dared oppose this ruinous reign of the Underworld, they were struck down by a frightful plague! Nowhere, it seemed, was there succor for the defenseless. Even the Federal Government, which had stepped in to hold a New Deal, was beaten by intimidated votes at the polls. In this moment, one mad hope dawned. For Richard Wentworth, as the Spider, had come down from his mountain retreat. With him was Stanley Kirkpatrick, former Commissioner of Police, and a whole fugitive legion of honest fighting men — sworn to take the law into their own hands and strike blow for blow against the most monstrous criminal set-up known to modern man! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.

 
With his last camp of honest fighting men scattered by the Black Police, and the Underworld’s Master in supreme control of the state — Richard Wentworth had reached trail’s end! For nowhere was their succor for the thousands of oppressed, and even a duped federal Government was arrayed against them. Yet it was now that Wentworth knew, alone and unaided, he must strike one final desperate blow. As the Spider, in the dread disguise of his crime-fighting role, he took his stand. There, facing the legions of the world’s mightiest mass-murderer, the Spider struck again and again — to raise the Empire State from the dust and free an entire, despairing people from the scourge of living death! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.

 
Purple armies from the prairies and a great Purple navy looming over the western horizon made ready to clamp the fetters of slavery on America’s last defenders. But a grim line of fighting men waited in the Emperor Rudolph’s path with a soldierly serenity that said, “Here we die.” And every life laid on this altar of freedom gave Jimmy Christopher, Operator 5 of the Intelligence, new respite as he followed a trail of desperate adventure studded with disgrace and death. Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.
 

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine by Arthur J. Burks, reissued for today’s readers in electronic format. $2.99.
 

99 cent eBook Singles
Each 99 cent eBook Single contains a single short story, one of the many amazing tales selected from the pages of Terror Tales and Rangeland Romances. These short stories are not included in any of our other eBooks.

A tale of one dark night’s adventure that you will not soon forget… In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.

When she saw savage blood-lust in the eyes of her lover, Nellie knew that he had become one of the lost children of the moon. In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.

Why should a man who loved his daughter, send her, long after his death, into the clutches of an unearthly creature of satanic passions? In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.

 

What secret horror was it that forced that group of fear-frozen people to hurl themselves, one by one, into the storm-lashed maw of the canyon far below?… In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
 

Alice came to Robber’s Roost to write a story — and found herself the kiss-besieged heroine of a big bad wolf… and a guitar-strummin’ ghost. She got first-hand savvy on romantic plots — when a phantom desperado haunted her house… and her heart. One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.

 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available at:
 

 
Search for RadioArchives.com in iTunes.
 
 
 
 
 

Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 

See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of  the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
 
 

Will Murray’s Monumental New Novel
Doc Savage vs. King Kong!
 
Eighty years ago in February, 1933 the Street & Smith company released the first issue of Doc Savage Magazine, introducing one of the most popular and influential pulp superheroes ever to hit the American scene. Doc Savage was the greatest adventurer and scientist of his era, and while his magazine ended in 1949, he influenced the creators of Superman, Batman, Star Trek, The Man from UNCLE and the Marvel Universe—to name only a few.
 
While that first issue of Doc Savage was fresh on Depression newsstands, RKO Radio Pictures released one of the most important fantasy films of all time. Everyone knows the story of how King Kong was discovered on Skull Island and hauled back to New York in chains, only to perish tragically atop the world’s tallest skyscraper, the Empire State Building.
 
As it happened, that was where Doc Savage had his world headquarters. For decades, fans have wondered: Where was Doc the day Kong fell?
 
On the eightieth anniversary of these fictional giants, Altus Press is proud to release the first authorized clash between The Man of Bronze and the Eighth Wonder of the World—Doc Savage: Skull Island. Written by Will Murray in collaboration with Joe DeVito, creator of KONG: King of Skull Island, Doc Savage: Skull Island is a new pulp epic.
 
The story opens when Doc returns from his secret retreat in the North Pole to discover the cold corpse of Kong lying on his doorstep.
 
“I know this creature,” Doc tells his dumbfounded men.
 
Tasked to dispose of the remains, the Man of Bronze then relates the untold story of his epic encounter with Kong back in 1920, after Doc returns from service in World War I, long before Kong became known to the civilized world as “King” Kong.
 
Doc Savage: Skull Island is a multi-generational story in which Doc and his father—the man who placed him in the hands of scientists who made him into a superman—sail to the Indian Ocean in search of Doc’s grandfather, the legendary Stormalong Savage, whose famous clipper ship has been discovered floating, deserted, her masts snapped by some incredible force.
 
The quest for Stormalong Savage leads to the fog-shrouded Indian Ocean and—Skull Island! There, Doc Savage faces his first great test as he encounters its prehistoric dangers and tangles with the towering, unstoppable Kong.
 
“When Joe DeVito brought this idea to me,” says Will Murray, “I knew it had to be written with reverence for both of these immortal characters. So I used the locale of Skull Island to tell a larger story, an untold origin for Doc Savage. It all started back on Skull Island….”
 
“Pulling off the first ever face-off between Doc Savage and King Kong was both challenging and exhilarating,” adds DeVito. “Will’s unique take on the tale scatters the primordial mists surrounding Skull Island long enough to reveal secrets of both classic characters hidden since their creation.”
 
Doc Savage: Skull Island has already been hailed as “The Doc Savage novel that Doc fans have been waiting on for 80 years!”
 
Doc Savage: Skull Island is the fifth entry in Altus Press’ popular Wild Adventures of Doc Savage series. Cover by Joe DeVito. $24.95.
 
 

The legendary Master of Men returns in two classic stories from one of the pulp era’s most popular magazines. First, in “Emperor of the Yellow Death” (1935), an exotic women of the East, as deadly as she is beautiful, is servant to a criminal genius. More ruthless than any of his Mongol ancestors, Wang-ba stages a villainous uprising designed to enslave all of America. To defeat him, Richard Wentworth, alias The Spider, must face hidden death-traps, hordes of maddened gunmen and a pool of man-eating turtles. Then, in “Slaves of the Burning Blade” (1941), is a foreign sabotage ring responsible for a recent reign of terror or is a criminal genius known as The Knife really to blame? Only The Spider knows for certain, but will he survive being hounded by both the police and a vigilante band known as the Knights of Liberty so as to reveal the truth? These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. $14.95. On sale for $12.95, save $2.00

 

The Master of Darkness teams with Scotland Yard’s Eric Delka in two thrilling tales of international intrigue by Walter Gibson writing as “Maxwell Grant.” First, The Shadow investigates an international spy ring with the assistance of “The Man from Scotland Yard” (in his first appearance). Then, The Shadow and Delka’s investigation of missing submarine plans sets them on the trail of the legendary Parisian super-criminal, Gaspard Zemba, in Walter Gibson’s all-time masterpiece of misdirection! This instant collector’s item showcases both classic pulp covers by George Rozen and all the original interior illustrations of Tom Lovell, with commentary by popular culture historian Will Murray. $14.95.
 

 
The pulp era’s greatest superman returns in two action-packed novels by Lester Dent writing as “Kenneth Robeson.” First, what could cause an entire island to vanish into thin air? Doc Savage and his aides must unravel the strange secret of “Mystery Island” to save England from environmental armageddon. Then, the Man of Bronze (in a rare solo adventure) encounters a strange bearded giant floating in the Bay of Fundy. This double-novel collector’s edition leads off with a classic color cover by Emery Clarke, and showcases all of Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels. $14.95.
 
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $25.00

 

Review of Emperor of the Yellow Death from The Spider, Volume 6
By David White
 

This counts as the third time I have read a story where The Spider battles a threat against the world from the Orient. They have been some of the finest Spider stories, in my mind, that have been written. There is always a high degree of treachery and cunning that pushes The Spider to the very brink of death. This story is no exception.
 

The Spider starts thing off battling a tiger and a tigress, the first being actually ten feet long and of the seven hundred pound variety. The Spider in this instance proves that not only is he the Master of Men, but deadly beasts as well. The tigress is an Oriental beauty, whose glamour is matched only by her deadliness. All this and then the diabolical Wang-Ba. He is known as The Turtle who will carry the world on his back. A stark raving mad genius that doesn’t care how many bodies he has to climb to take over the world, he has what seems like an unlimited amount of resources to help him, even a submarine.

Wang-Ba wastes no time in attacking the Spider. In one fell swoop, he not only captures the Lovely Nita, but also transforms Jackson into a raving lunatic. Wang-Ba is not your typical madman though. He feels that he is doing the world a favor by ridding it of all its criminals. Of course if a few hundred innocents die in the process…oh well.

Richard Wentworth plays his violin a bit to clear his mind before heading out against the powerful Oriental. The two literally lock in a struggle of wills, The Spider once again proving why he is called The Master of Men. Wang-Ba has already thrown his plans into action. He will literally hold New York hostage until his demands are met. For each demand the nation does not meet, he will kill ten officials and five hundred citizens.

The Spider is really in trouble this time. Wang-Ba seems to almost play with him at times. But in true Spider form, he shows that until he has breathed his last, the battle is never lost. Girasol Replica #GC181 $35.00 / eBook #RE027 $2.99 / Double Novel reprint #5506 $14.95 On sale for $12.95, save $2.00

 
 
Comments From Our Customers!

 
Jo Peters writes:
I got the Spider free ebook. Love it. No problems downloading or reading the Nook version. Would love it if you could create ebooks of the Shadow and Doc Savage books. Please????
 
Lee Roselli writes:
I would recommend to everybody to purchase their Shadow Magazines from you. Excellent and fast service, the books come in a secure and safe box to prevent damage during shipping. I want to thank you for the graphic Sherlock Holmes book you gave me. Excellent How did you know that I read all the Sherlock Holmes stories I can. I will be buying some more Shadow stories shortly.
 
Paul Gray from the United Kingdom writes:
I am very impressed with volume 1 of Cocoanut Grove recordings. The music is a good example what was being played by the dance bands of the time. It has charm and style and is very tuneful compared with a lot that is being pumped out these days. I am a musician and I play 3 nights a week at an up-market hotel down on the South Devonshire coast, about 35 miles away. The band is a four-piece group consisting of piano, electric guitar, bass and myself on drums. We have customers coming up to us saying that we are unique in playing genuine accoustic music, and playing plenty of good old standards and a few of the more melodic recent tunes, without all the contrived electronics that bombard the ears. I say all this because there is obviously still a demand for the sort of music that the Cocoanut Grove bands played all those years ago. The big thing that makes all the difference to your sets of recordings is the amazing clear quality of sound that makes you feel that you are actually there. I will certainly be ordering volume 2 very soon as a download. I am only buying downloads now instead CDs because I dont have to waste money on expensive postage and the extra customs and postage over here – with downloads I can buy three from you for the cost of one set of CDs and feel happier that all the money goes to you to carry out more amazing work in future.
 
Ernst H. Spellmeyer writes:
Once again I want to thank you for your prompt response in filling my last request for the three sets of Radio CD’s. I listened briefly to the first episode in each set of the three sets of CD’s. Dragnet, Volume 4 was wonderful, just like Volumes 1 and 2; Have Gun Will Travel also was really great. John Dehner makes a terrific Paladin, just as good – if not even better – than Richard Boone, the TV Paladin. Mr Dehner was quite an actor. His voice inflections and demeanor were totally different from his previous role in the Radio series Frontier Gentleman. Now, Luke Slaughter of Tombstone in a separate category all together!! Wow!! what perfect sound and sound effects, coupled with period characters. Sam Buffington is wonderful as Luke Slaughter. Everyone should have this set in their CD collection!! It’s terrific!! I wish you continued success with Radio Archives. I will continue to sing your praises to others! I enjoy doing business with you!
 
Henry Picchioni writes:
Your service has always been top notch and it is always a pleasure to do business with you. Keep up the good work and thanks for the good reads.
 
Beth Barrows writes:
I’d like to receive the newsletter, please. I very much enjoy the Shadow, Spider and Doc Savage and look forward to more of their adventures. Oh and say hi to Will from me.
 

If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!

 
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
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Michael Davis: Captain Action!

captain-action-550x852-9642213

My favorite toy ever is Captain Action.

I mean EVER.

When I was around four, my mother took my sister and me to a toy store. She told us we could have any one thing we wanted. My sister made a quick decision and choose a Barbie. I spent some time trying to choose between a guitar and a GI Joe. I finally made the decision and went with the Joe.

I was as happy as I had ever been with a toy.

GI Joe soon became my favorite toy, best friend and constant companion. Not too long after I got a Black GI Joe which was just a white GI Joe painted brown.

I could not have been happier.

After a time I had seven or eight Joes, as I made sure all my relatives knew my fascination with the action figure. Christmas and birthdays always brought me a new Joe.

My Joes were the highlights of my young life.

One fateful Saturday morning I was watching cartoons and on came a commercial for Captain Action.

Whoa.

Captain Action was cool all by itself but what was this I was seeing?  Did I dare believe my eyes? Did the good Captain ALSO change into OTHER SUPERHEROES???

OH YES HE DID!!

I had to have him. I had to have him, I HAD TO HAVE HIM!!!!

I waited impatiently for my mother to get out of bed. Saturday mornings were the only day she was able to sleep in. My mother worked two jobs six days a week, on Saturday she only worked one.

So I waited and waited for what seemed an eternity for her to get out of bed. When she did, I had to wait a wee bit longer (which seemed like decades) because she had to have her coffee. Facing my mother even today without her having had her coffee is a dangerous thing to do.

The second she went into the kitchen I joined her at the table with what had to be the biggest smile I’d ever had. I waited for her to brew her coffee (old school brewing, people, none of this bullshit Mr. Coffee) have that first sip but before I could start in on what I thought was going to be my best ‘I’ve GOT to have it’ plea my mother said;

“What do you want?”

“Captain Action!”

“What’s Captain Action?”

“It’s this cool superhero that changes into other superheroes!’

As if on cue, I heard the commercial playing on the living room television, and I left the table screaming like a mad child.

“Come see!! Come see!!”

My mother stood behind me while I stared again at the object of desire, convinced I would never ever want anything as bad.

“See? That’s Captain Action? Can I have it? PLEASE?”

“Oh, it’s like a GI Joe,” my mother said.

“FUCK GI JOE!!!”

No, I didn’t say that but thinking back that’s how I felt.

After the commercial I resorted to speaking so fast and with so much passion prying that my mother would see how my life would be over if I did not have that toy. I figured as long as I didn’t hear “no” there was still a chance. As every kid knows if you keep talking and don’t give your parents an opportunity to chime in they can’t say “no.”

“Michael, stop!”

Shit.

“Get your coat, you can come shopping with me and we will see about your toy.”

THANKYOUGOD!!!

Off to Gertz we went! Gertz was THE department store back in the day. When we got there my mother walked right to the toy department and brought me Captain Action and the Batman and Superman costume changes.

At that point I had to wonder, who was this woman and what had she done with my mother.

This was entirely way to good to be true.

As I would find out soon… it certainly was.

End of Part One.

 

John Ostrander: Getting Old in the Comic Industry

Ostrander Art 130310On his blog last week, Jerry Ordway wrote bravely and feelingly about being a pro in comics when your age is over 50. Here’s a man who has been a comic book star of long standing and now finds it hard to get any work. His skill, ability, and desire haven’t diminished; he’s just older (and more experienced) than he was back then. He had an exclusive contract with DC and, in its final year, the company treated him deplorably, not giving him any work but not letting him get any work elsewhere.

I completely sympathize with him and can echo many of his statements. Is there ageism in comics? Demonstrably, at least for talent. On The Other Hand… some of the top editors at both Marvel and DC are around our ages. If the theory is that the talent needs to be younger in order to “get” or appeal to the younger reader, why are the editors immune? I sometimes feel like I’m in the “Bring Out Your Dead” segment from Monty Python And The Holy Grail.

Me to editor: “I’m feeling better!”

Editor to me: “You’re not fooling anyone, you know!”

I can’t claim that it’s universal. Dark Horse has been very good in giving me work and, in turn, I think I’ve given them good work in return. But I don’t seem to get any replies to e-mails that I send to the Big Two. OTOH, there are writers my age (or thereabouts) who do get work. Often they’re good friends with the given editor or Editor-In-Chief. I can’t complain about that, either; it’s worked in my favor in the past and can still work for me. Randy Stradley over at Dark Horse has been a friend as well as an editor and I get work from him.

Editors are also under far more pressure these days to produce higher sales. I and others used to nervously kid that, even with companies that were large conglomerates, comics were relatively free to do what they wanted because the money their sales brought in were chump change to Corporate Masters. That’s changed; superhero movies and games and TV shows are all big business and rake in tons of money and with that comes greater corporate oversight. With that comes the desire for more sales (How do you determine if you’re successful in corporate America? If you sell more of whatever you make than you did before and/or more than the competition). With that comes other problems.

The comic book market has a finite number of buyers with a finite amount of money to spend on the product. Digital sales might change that and expand the market base but I don’t know if the figures are in on that yet. So – how do you increase sales in a finite market?

One of the truisms of Hollywood is that “Nobody Knows Nuthin’.” Often, the folks in charge don’t really know what sells or why. Oh, they have theories but most often they look at what’s sold and try to do more of that or see who sells and try to hire them. You might think, if that held true in comics as well, that guys like Jerry Ordway would get more work.

Ah, but in comics, they believe the fans have short attention spans and what works in “new.” Not new characters or concepts but new variations on what you have, i.e. Superman minus red swimming trunks on his costume. That’s new, right?

I’m not dissing the notion. Fans, especially male fans, get bored after a few issues. They want something they haven’t seen before. That’s where folks like Jerry and myself run into problems; it’s assumed by editors and perhaps by fans that they’ve seen all we have to offer. Doing something well is not the point; giving the fans something new with which to get excited is the point.

OTOH, the fan base is the fan base. It’s getting older as well and, from what I’ve seen, it’s not growing. Isn’t it reasonable to assume that they would want to see an old favorite like Jerry Ordway? The object of the game is to get the reader to part with their hard earned money to buy a given book; Jerry’s done that. Combine him with a writer like Gail Simone or Geoff Johns and you think that wouldn’t sell? He knows how to do the work and how to please the fans.

Part of the problem also is, to get more sales, you need either a) for the fans to have more disposable income to spend on comics and/or b) bring in more new readers, preferably younger readers. On the latter, I’m not so sure that ship hasn’t sailed. The time to bring in new readers is about when they’re ten. Comics didn’t do that; they didn’t produce kid friendly comics (they still don’t) and would-be readers got lost to the video game market.

And don’t get me started on how they’ve ignored female readers. That’s a column right there and Mindy and Martha write about more knowledgably than I. That doesn’t mean I won’t add my two cents as well at some point.

In fact, this whole topic needs everyone’s two cents. I picked this topic up because I think it needs to be pursued. If you want folks like Jerry (or, yes, me) to get more work, say so in letters, in blogs, in other columns. If you think that comics are stories, not just product, and who does them are not just widgets, say something. If the conversation dies, if no one cares, then there’s no reason for the companies to care, either.

Keep the discussion going.

MONDAY MORNING: Mindy Newell

TUESDAY MORNING: Emily S. Whitten

 

Martha Thomases: Respect!

Martha Thomases: Respect!

Thomases Art 130308Instead of having a calendar, I have a newspaper (kids: ask your parents). If it’s Tuesday, it’s Science Times. Wednesday it’s Dining. Thursday, my favorite, has Style and Home. Friday is two Arts sections. Saturday is Charles Blow.

And Monday shines a spotlight on the commerce in media in the business section.

This is great for me, because I write this column on Tuesday. This week, there was a discussion of the new Disney film, Oz the Great and Powerful, opening this weekend.  It’s a big gamble for Disney, investing in characters they don’t own, at a time when many expensive fantasy films have not performed to expectations (I’m looking at you, Jack the Giant Slayer).

Hollywood is always looking for the next big thing. At the same time, the people making the financial decisions can be very conservative, especially when we’re talking big-budget special effects. So I guess what I mean is, Hollywood is always looking for the next big sure thing.

The problem is that money people are not always good judges about what the public will like. If it was only a question of appealing to the lowest common denominator, that would be simple, and the multiplex would play all Twilight all the time. That might bring in a steady rate of return, but eventually, the public would get bored and want to see something else. And that something else might cost a lot less than Twilight, and, while that movie not make Twilight money, would make a much more for each dollar invested.

This is why the movie companies look for ideas in other media. This is why they adapt stories from novels, or television shows, or even comic books.

Which brings me to the other story in Monday’s paper. David Carr wrote about The Walking Dead, and how it is more successful on cable’s AMC than many shows on the broadcast networks.

I haven’t been reading the comic, although Robert Kirkman is one of my son’s favorite writers. Still, I’m not surprised the show is so successful. Through dozens of issues, Kirkman wrote characters that appealed to people, that engaged them in a story. Other comics have spawned successful series on television, including Superman (with and without Lois in the title), Superboy, Flash, the Incredible Hulk and Green Arrow.

Comics have been less consistently successful as movies, and I think that’s because the producers do not have to rely as much on character. They seem to think a few good fight scenes will make up for ridiculous plots and people. Look at the difference in the way the Hulk was portrayed on television and on screen right up until The Avengers.

I think the difference is that Joss Whedon understands comics and why they are appealing. He’s actually written them. He has respect for the idea that the action flows from the character, not the other way around. He knows how to tell a character that has proven herself.

Which brings me to this week’s other hot topic. My old pal, Jerry Ordway, wrote a blog post about how difficult it is for comic creators of a certain age to get work. Jerry worked on the death and return of Superman story lines, the bestselling comics of all time. He continues to do work of excellent quality, but because he’s not the flavor of the month, he can’t get any assignments.

Other mass-market entertainment doesn’t play by these rules. Yes, it’s smart to always be scouting hot young talent, because it’s hot and it’s young. Even so, booksellers always want the next Stephen King book, or John Grisham, or J. K. Rowlings, and iTunes pushes Elvis Costello and Judy Collins. Martin Scorsese and Steven Spielberg still make movies.

The market appreciates proven talent because, well, it’s been proven. It would be great if comic book companies appreciated it too.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

 

DOC SAVAGE! KING KONG! AND MORE FROM RADIO ARCHIVES!

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  • March 3, 2013

RadioArchives.com Newsletter

 
March 1, 2013

It’s the 80th Anniversary of King Kong and Doc Savage
Radio Archives has some great King Kong and Doc Savage products for you in the next couple months. Four exciting products in fact and you can order the first one, Doc Savage: Skull Island today! Here’s Will Murray to tell you more:
“For eight decades, fans of both characters have tried to imagine a face-off between Doc Savage, the Man of Bronze, and King Kong, the Eighth Wonder of the World. These legendary characters debuted only weeks apart in the Winter of 1933. Now, I am privileged to have written the previously untold tale of what happened after King Kong fell from the Empire State Building, which just happened to be Doc Savage’s headquarters! Don’t miss this latest and greatest Wild Adventure of Doc Savage—Skull Island!”
 

Will Murray’s Monumental New Novel
Doc Savage vs. King Kong!
 
Eighty years ago in February, 1933 the Street & Smith company released the first issue of Doc Savage Magazine, introducing one of the most popular and influential pulp superheroes ever to hit the American scene. Doc Savage was the greatest adventurer and scientist of his era, and while his magazine ended in 1949, he influenced the creators of Superman, Batman, Star Trek, The Man from UNCLE and the Marvel Universe—to name only a few.
 
While that first issue of Doc Savage was fresh on Depression newsstands, RKO Radio Pictures released one of the most important fantasy films of all time. Everyone knows the story of how King Kong was discovered on Skull Island and hauled back to New York in chains, only to perish tragically atop the world’s tallest skyscraper, the Empire State Building.
 
As it happened, that was where Doc Savage had his world headquarters. For decades, fans have wondered: Where was Doc the day Kong fell?
 
On the eightieth anniversary of these fictional giants, Altus Press is proud to release the first authorized clash between The Man of Bronze and the Eighth Wonder of the World—Doc Savage: Skull Island. Written by Will Murray in collaboration with Joe DeVito, creator of KONG: King of Skull Island, Doc Savage: Skull Island is a new pulp epic.
 
The story opens when Doc returns from his secret retreat in the North Pole to discover the cold corpse of Kong lying on his doorstep.
 
“I know this creature,” Doc tells his dumbfounded men.
 
Tasked to dispose of the remains, the Man of Bronze then relates the untold story of his epic encounter with Kong back in 1920, after Doc returns from service in World War I, long before Kong became known to the civilized world as “King” Kong.
 
Doc Savage: Skull Island is a multi-generational story in which Doc and his father—the man who placed him in the hands of scientists who made him into a superman—sail to the Indian Ocean in search of Doc’s grandfather, the legendary Stormalong Savage, whose famous clipper ship has been discovered floating, deserted, her masts snapped by some incredible force.
 
The quest for Stormalong Savage leads to the fog-shrouded Indian Ocean and—Skull Island! There, Doc Savage faces his first great test as he encounters its prehistoric dangers and tangles with the towering, unstoppable Kong.
 
“When Joe DeVito brought this idea to me,” says Will Murray, “I knew it had to be written with reverence for both of these immortal characters. So I used the locale of Skull Island to tell a larger story, an untold origin for Doc Savage. It all started back on Skull Island….”
 
“Pulling off the first ever face-off between Doc Savage and King Kong was both challenging and exhilarating,” adds DeVito. “Will’s unique take on the tale scatters the primordial mists surrounding Skull Island long enough to reveal secrets of both classic characters hidden since their creation.”
 
Doc Savage: Skull Island has already been hailed as “The Doc Savage novel that Doc fans have been waiting on for 80 years!”
 
Doc Savage: Skull Island will be released in March, as the fifth entry in Altus Press’ popular Wild Adventures of Doc Savage series. Cover by Joe DeVito. $24.95.

 
 

 
The Strange Case of Dr. Jekyll and Mr. Hyde is considered one of the greatest tales of horror to date. When one of the best, but most underrated producers of the Golden Age Radio added in his production and vocal skills, a true radio serial classic was born and is now collected in Dr. Jekyll and Mr. Hyde, Volume 1.

Dr. Jekyll and Mr. Hyde is just one of over 300 radio series and serials produced by George Edwards over the course of his twenty year career in radio. Telling Robert Louis Stevenson’s classic tale of a man divided, this fifteen minute serial debuted in 1943, running for 52 episodes, and was produced by Edwards, a well-known Australian radio personality. The man behind other Australian series, such as Afloat with Henry Morgan and Adventures of Marco Polo lent not only his production skills to Jekyll and Hyde, but shared his amazing vocal talents as well. Edwards’ skill to do multiple voices in a single episode definitely fit the needs of Dr. Jekyll and Mr. Hyde.

Dr. Jekyll and Mister Hyde, Volume 1 collects the first 28 episodes, 7 hours, of one of the best serial adventures of the radio era. The intense pacing of each episode as well as the high quality production values and the talented voice acting of George Edwards and the rest of the cast make this a must have for any fan of Classic Radio. 7 hours $20.98 Audio CDs / $10.49 Download.
 
 
 
 
 
 
 
 

 

 

Will Murray’s Pulp Classics #22
by G.T. Fleming-Roberts
Read by Michael C. Gwynne. Liner Notes by Will Murray
 
 

In 1949, Popular Publications, which had been out of the hero business since the cancellation of The Spider in 1943, decided to renter the fading field. The Shadow was still going strong on radio, even if his pulp magazine had been folded a few months before.
 
Veteran mystery pulpster G. T. Fleming-Roberts was tapped to pen the new series under his own name. He had a knack for clever plots, contemporary dialogue, and avoiding the most egregious pulp clichés. In that post-war era, readers expected their heroes to be more realistic, so Fleming-Roberts and his editors went for broke.
 
Their hero, Daily World copywriter Lee Allyn—apparently named in a nod to serial Superman Kirk Alyn—was a meek horn-rimmed fellow who possessed few heroic qualities. But between midnight and dawn, thanks to a scientific experiment that went awry, he turned invisible—except for his floating disembodied eyes.
 
It was as if Clark Kent had learned to become as invisible as Lamont Cranston, but remained a mild-mannered newspaperman.
 
Captain Zero fought crime in small-town settings, aided by fellow journalist, Doro Kelly. He had a lot in common with the early Spider-Man. Luck—both good and bad—dogged his nocturnal forays. He was often outnumbered, not to mention outfought and outwitted. For Lee Allyn, fighting crime was no lark. Especially when you didn’t even have a car—never mind a super-car.
 
In his first bumbling case, City of Deadly Sleep, Captain Zero gets the tar repeatedly beaten out of him by rival gangs before pulling out a victory by the skin of his invisible teeth.
 
Unfortunately, despite a trio of well-crafted stories, the time had passed for heroes like Captain Zero. He expired after only three stories. But they are refreshingly different, and RadioArchives.com is proud to bring them to crackling life in a series of audiobooks narrated by the unseen Michael C. Gwynne.
 
Also included are a fascinating fact story featuring Sherlock Holmes’ creator, Arthur Conan Doyle, called “Elementary, my Dear Corpse!” along with Russell Bender’s tense crime tale, “Killer for Sale!” 7 hours $27.98 Audio CDs / $13.99 Download.

 
 

 

New Will Murray’s Pulp Classics eBooks

 
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 

Over Manhattan fell the mystic murder-spell which had transformed America’s moneyed aristocracy into ruthless fiends and criminals! New York’s First Families, no longer the sturdy pillars of society, had launched upon a career of slayings and thievery that outdid even the Underworld! Against this high-hatted holocaust, the law was powerless. Only Richard Wentworth, as the Spider, could fight for a betrayed civilization — battling a Hindu horror league that had worked a monstrous miracle by turning the Best People into butchers! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.

 
Deeper and deeper New York had sunk in the toils of the Underworld czar — until its entire population had been regimented by the Black Police into a Kingdom of Crime! Everywhere marched the evil emperor’s cohorts, collecting the taxes that meant death; and the law was at a standstill. In that moment of desperation, one man had a heaven-sent inspiration. For now Richard Wentworth, as the Spider, resolved to fight the Underworld with its own merciless weapons. With New York’s own police commissioner at his side, he raised a fugitive, fighting legion of honest men who, like Robin Hood’s band of old, took the law into its own hands — to come from secret lairs, strike and punish criminals — then slip back into the shadows again! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.

 
The United States forces have been driven to their last, desperate stronghold before the blood-maddened ruthless hordes of the self-styled emperor, Rudolph I, even as a courageous but blind nation, wrapped in the dreams of false security, had practiced the foolish doctrine of “It can’t happen here!” America’s patriotic Death Battalion was the last ragged hope of embattled patriots — the women of the nation who hurled themselves bravely and futilely against the war-mad forces of the Purple Invaders. When they fell before the terror-inspiring and deadly barrage of cholera bombs, a few stricken survivors turned for their hope of averting ultimate disaster to one man — Jimmy Christopher — who, as Operator 5, was to face the most overpowering and deadly odds in all his embattled career! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.
 

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine by Wyatt Blassingame, reissued for today’s readers in electronic format. $2.99.

 

Into the city of Bagdad, once host to the forty thieves and hot bed of ancient sin-has come the Dragon Lord of Crime, Wu Fang — his purpose and his mission Death — but death more ghastly than any the mind of man can conceive, wrested from the secrets of forgotten centuries and now employed in gaining the mastery of the earth. Wu Fang is a Chinese criminal mastermind and scientific genius. With his hybrid monkey-men, he plans to conquer America. He is member of various secret societies and has spies everywhere. Opposing him is Val Kildare of the F.B.I.  His aides, reporter Jerry Hazard, archaeologist Rod Carson and newsboy Cappy, help him in his battles against the sinister man of evil known as Wu Fang. $2.99.

 
 
99 cent eBook Singles
Each 99 cent eBook Single contains a single short story, one of the many amazing tales selected from the pages of Terror Tales and Rangeland Romances. These short stories are not included in any of our other eBooks.
 

From the measureless crypt of Time, Frazier called Sekhmet, Queen of the Lions. But the price he paid was dear… In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
 

Lovely Benedicta made lively plans to surprise her sweetheart and his cantina-dancer lady friend at the forbidden fiesta. One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.

 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available at:
 

 
Search for RadioArchives.com in iTunes.
 
 
 
 
 

Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 

See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of  the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
 
 

 

A review by Jim Beard
 
If you’re like me, you probably wondered what exactly we’d be getting in the new Doc Savage novel, SKULL ISLAND, it being both a Doc story featuring King Kong and a way to celebrate the 80th anniversaries of both legendary creations. Well, after reading the book, I’m happy to report that author Will Murray’s put some definite heart and soul into it and crafted what is now my most favorite of the recent “Wild Adventures of Doc Savage” series of novels.
 
But, that said, it’s different from just about any other Doc book you’ve ever read, something we’re clued in on by the “Will Murray” byline and the absence of the traditional “Kenneth Robeson” house name.
 
For me, the story was literally one that I didn’t want to put down; it’s that engaging. It begins at the end, right after Kong’s infamous nosedive off the Empire State Building, which leads directly to Doc’s involvement – or, rather, his telling of a tale to his aides of when he first met the giant simian. Yes, the great majority of the novel is a flashback to Doc Savage’s early days and therein is found its fascinating core. In essence, what we have here is the heretofore Secret Origin of Doc Savage.
 
Doc and his father – yes, you read that right; his father – head off on a quest for Doc’s grandfather, Stormalong Savage, which takes them into strange waters and exotic climes…and ultimately Skull Island. There they run afoul of enemies of many different stripes and discover wonders beyond their imagining. And a humongous ape-like “god-beast” called Kong.
 
Murray’s defining of the relationship here between Clark Senior and Clark Junior is practically worth the price of admission alone. This is a young Doc, fresh out of World War I and not exactly the bronze hero of the pulp adventures we know so well, and it’s with that admission that I can see some potential backlash with diehard Doc fans. This is a Doc who has not quite found his mission in life yet, nor honed all his skills and formed his famous tenets – most especially the rule against killing. This Doc kills and kills in often savage ways, which at points drenches the narrative in a bloodbath that may even disturb some readers. But, and it’s important to point this out, there’s a method behind Murray’s seeming madness – it all leads to something and something significant, namely the forging of the Doc Savage of the famous pulp adventures. And Murray does this all with style and careful thought and exciting imagery and action.
 
One of the things I loved about this novel is its use of language, precisely that which flies back and forth between elder and younger Savage in many bouts of witty verbal “fencing.” Will Murray has obviously crafted all his Doc books with care, but in SKULL ISLAND I believe I saw even more attention to detail, to dialogue, to atmosphere and to adventure. The story moves right along, only slightly bogging down a bit past its mid-section, and really defines the term “page turner.” Murray gives this one his best and finest and the book benefits from that in ways too numerous to list.
 
As I said before, this is a story of origins. Here we learn the origin of Doc’s trilling, of his disdain of guns and his inexhaustible search for knowledge, even the origin of the Hidalgo Trading Co. hanger. We also discover more information on the Savage family then we’ve ever had revealed to us before and hints of not only some of Doc’s other early adventures – did you know he was on the Titanic? – but also those of his father and grandfather, both famous explorers in their own right. Heck, we even hear about Doc’s uncle, another adventurer in the family. I wouldn’t be at all surprised if the author is suggesting here that readers might care to hear more of these adventures, as separate works.
 
But, again, it’s the relationship between father and son that really stands out in the novel, one that careens between dysfunctional and loving, and it’s that which will stay with me for some time to come. In fact, knowing the fate of Clark Savage Senior in 1933’s MAN OF BRONZE will perhaps add another layer of pathos to your reading of SKULL ISLAND.
 
And, oh yes, King Kong is here, too. You will discover much more about his origins, also, as well as Skull Island’s original inhabitants. And that’s all fascinating as well. Dinosaur fans will especially have reason to love this book. Kong and his environs are not given short shrift in the slightest; the King looms over this book with all the weight and gravity he deserves.
 
In all, I’m a richer pulp fan for having read SKULL ISLAND. Will Murray takes our expectations and delivers upon them while still striking off on his own path, assembling a story that will please both Savage and Kong aficionados and remind us all just how cool pulp can be. There’s heart and soul here, like I said, and I for one can’t quite see how Murray will manage to top this one….but I know he will, somehow.
 
Get this book and settle in for a trip to the South Seas and beyond, Savage style.

 

Richard Wentworth, in the guise of his crime-fighting alter-ego, returns in two 1930s tales of The Spider. First, in “Builders of the Black Empire” (1934), swift and terrible death rides the waves as modern day pirates turn the seas into a battlefield, striking down majestic ocean liners and lumbering cargo ships with violent abandon. To defeat these seafaring slaughterers, The Spider must match wits with a criminal genius whose cruelty runs the gamut of terror, mass destruction and torture! Then, in “Satan’s Shackles” (1938), Wentworth hangs up The Spider’s guns and seeks peace and contentment in the rural countryside  while his fiancee Nita van Sloan recovers her health. But even here, a gang of vicious criminals is at work, threatening not only the citizens of Harper’s Falls but The Spider’s own hidden identity! These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. $14.95. On sale for $12.95, save $2.00

 

The Master of Darkness teams with Scotland Yard’s Eric Delka in two thrilling tales of international intrigue by Walter Gibson writing as “Maxwell Grant.” First, The Shadow investigates an international spy ring with the assistance of “The Man from Scotland Yard” (in his first appearance). Then, The Shadow and Delka’s investigation of missing submarine plans sets them on the trail of the legendary Parisian super-criminal, Gaspard Zemba, in Walter Gibson’s all-time masterpiece of misdirection! This instant collector’s item showcases both classic pulp covers by George Rozen and all the original interior illustrations of Tom Lovell, with commentary by popular culture historian Will Murray. $14.95.
 

 
 
The pulp era’s greatest superman returns in two action-packed novels by Lester Dent writing as “Kenneth Robeson.” First, what could cause an entire island to vanish into thin air? Doc Savage and his aides must unravel the strange secret of “Mystery Island” to save England from environmental armageddon. Then, the Man of Bronze (in a rare solo adventure) encounters a strange bearded giant floating in the Bay of Fundy. This double-novel collector’s edition leads off with a classic color cover by Emery Clarke, and showcases all of Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels. $14.95.
 
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $25.00
 
 

 

By Dr. Art Sippo

 

In ‘The Pirate of the Pacific’, on their return from their arctic adventure in which they travelled underneath the north polar ice cap, Doc Savage and his crew are attacked by hostile aircraft.  Cleverly escaping from this trap, Doc returns to New York where he receives an urgent message from his friend Juan Mindoro of the island nation, the Luzon Union.  He and his country are in serious trouble and only Doc can help.  But the crafty Liung-Sun and his band of Mongol cutthroats roam New York seeking to kill Doc and anyone who might assist him or Juan Mindoro.  Sugar Magnate Scott Osborn become the target of the wily villain’s wrath.  But Liung-Sun is only the advanced agent for the infamous Tom-Too, the mastermind called the Pirate of the Pacific who is planning to overthrow the Luzon Union as a stepping stone to conquering the entire Pacific region.

 
Doc Savage finds himself in a series of battles fighting his way across the Pacific Ocean to the Luzon Union.  He becomes enmeshed in an all-out revolution that threatens to destabilize the entire region.  The powerful Juan Mindoro is in hiding for fear of his life.  Who is the mysterious Tom Too?  Can Doc and his crew of five aides defeat this horde of marauding pirates?  Doc and his crew find themselves in the midst of a war.  Can even they prevail against these odds? Find out when You pick up this and another full length Doc Savage novel in Doc Savage, Volume 6. Double Novel reprint $12.95

 
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John Ostrander: Revamp, Reinterpret, Regenerate, Reinvigorate

Ostrander Art 130303There’s been a lot of pushing the reset button in pop culture recently and I find the results interesting. J.J. Abrams rebooted the Star Trek franchise a few years back and, while some fans complained, I think it was successful. Certainly it was financially successful, which is what the Hollywood moguls really care about.

At the start of Daniel Craig’s run, the James Bond movies were also rebooted, culminating in the recent spectacular Skyfall, which – again this may be heresy to some – was the best Bond film ever. It’s visually stunning and takes Bond himself to greater depths and heights than I’ve seen up until now.

Sherlock Holmes has been reinterpreted into the modern age with two versions, the BBC’s magnificent Sherlock and Elementary on CBS. Both are true to the basics and it’s amazing how well the classic fictional detective gibes with modern times.

Of course, we’ve witnessed DC’s rebirth with the New 52. Again, you can argue as to whether it is artistically successful but I don’t think you can argue that it hasn’t been financially successful thus far. This summer will see a movie rebooting of Superman with Man of Steel. The Christopher Nolan Batman trilogy rebooted that cinematic history as The Amazing Spider-man did with that character’s movie version. X-Men: First Class reimagined Marvel’s mutants and so on. The next Star Wars chapter and the announced Star Wars solo films, while they will undoubtedly respect the previous movies, will probably play hob with what is known as the Extended Universe, the complex continuity that has sprung up around the films via novels, comics, games and more. Depending on how they turn out, that may not be a bad idea.

All my professional comic book writing career, I’ve played with and enjoyed continuity. I respect it but I don’t worship it and I don’t think it is cast in stone. Sometimes, continuity becomes like barnacles on the bottom of a boat and need to be scraped off in order to make the boat (or the franchise) sea/see worthy again.

One of the most successful franchises is the BBC’s Doctor Who and part of its longevity (it celebrates 50 years this year) is its ability to change the actor who is playing the Doctor. It’s built into the series; the Doctor is an alien being who regenerates from time to time into virtually a new character, played by a different actor. The new Doctor doesn’t look, act, dress or sound like any of the other incarnations. The re-invention is a part of the continuity and that’s very clever.

I think this is very healthy; characters and concepts can and should be re-examined and re-imagined for the times in which they appear. They have to speak to and reflect concerns that its current public has if they are going to remain vital and alive.

Can it be overdone or badly done? Absolutely. Some remakes get so far from what the character is about that they might as well be a different character altogether. You want to take a look at the essence of the character, what defines them, and then see how you get back to that, interpreting it for current audiences. Some folks revamp something for the sake of revamping or to put their stamp on the character. I don’t think that usually works very well. Change what needs changing, certainly, but be true to the essentials of the character or concept.

Have I always done that? I don’t think so; when I was given Suicide Squad, I didn’t go back to the few stories that were originally published and work from that. I created a new concept for the title. However, I did reference the old stories and kept them a part of continuity, albeit re-interpreting them. I think we played fair with the old stories.

On The Spectre, Tom Mandrake and I took elements from as many past versions of the character as we could while getting down to what we felt were the essentials. Really, our biggest change was not the Spectre himself but his alter-ego, Jim Corrigan. Originally, he was plainclothes detective in the 30s and our version reflected that. I think that was a key to our success.

Even with my own character GrimJack, after a certain point I drop kicked the character at least 100 years down his own timeline into (shades of the Doctor) a new incarnation. I gave him a new supporting cast and the setting changed as well. It made the book and the character fresh again and made me look at it with new eyes.

The old stories will continue to exist somewhere; they just won’t be part of the new continuity. At some point, that new continuity will be changed as well as the concepts and characters are re-interpreted for a newer audience. That way they’ll remain fresh and alive. Otherwise, they’ll just become fossilized and dead. Who wants that?

MONDAY MORNING: Mindy Newell

TUESDAY MORNING: Emily S. Whitten

 

Martha Thomases Makes Her Own Apologies

Martha Thomases Makes Her Own Apologies

Thomases Art 130301According to this story, which is a rumor on a rumor-mongering site (which I love!), Dan DiDio recently apologized to DC creative talent at an editorial retreat. He admitted that there had been problems in the communication between editorial and talent, including editorial demanding changes to work that had already been approved.

Since, on my other soapbox, I have recently complained that men rarely apologize, it feels like I should do something to acknowledge this.

I should make my own apologies.

For the purposes of this column, we’re going to limit my apologies to the field of comics. Even the Internet doesn’t have enough space for everything else.

10. Kevin Smith, I’m sorry it feels like I’m stalking you. About 20 years ago, we met at an exhibit of original comic book art. I liked Clerks. Later, when your movies made more money, I would point to you at conventions and tell people I knew you. That must have been creepy for you, some strange old woman pointing and staring.

9. And, while I don’t know Dave Sim (nor do I wish to), I’m sorry that Friends of Lulu contributed to pushing him over the edge. I don’t think it will make him feel any better to know that we considered neither him nor his feelings one little bit.

8. When I would meet booksellers at Book Expo America who said they didn’t read comics because they didn’t like superheroes, I would ask them to tell me a movie they liked, and then recommend the appropriate title for them. This is fine in a sales environment, but not great at parties in my real life. I’m so sorry, and completely understand why you walked away as quickly as you could, Patti Smith. Still, I thing you would like Rogan Gosh.

7. At the same time, there are books that were everything I ever wanted between two covers, like Leave It to Chance, and, despite buying at least 20 copies of each issue to give away, plus multiple copies of the trade, I did not do enough to keep them alive. I wish it was still around so I could do more to make amends.

6. Despite Alan Moore’s objections to the projects even existing, I went to see From Hell, V for Vendetta and Watchmen in movie theaters. And, to varying degrees, liked them. I feel like I’ve betrayed one of my favorite writers.

5. And, by going to see Watchman, I inadvertently encouraged Zach Snyder. His sense of production design is admirable, but he has no sense of pacing, much less, you know, character or story. I tremble in fear about what he’s going to do to Superman.

4. Neil Gaiman always drew a long line when he was signing things at the DC booth during convention season, even way back in the 1990s. It was often my job to be “the bitch at the end of the line,” meaning I had to tell people that there would be no more books signed. It was necessary so Neil could do other things besides sign books (eat, pee, sleep), so I’m not sorry that I was looking out for him. Rather, I’m sorry I performed my duties with so much glee.

3. And while we’re on the subject, it was my fault, and I regret that I caused you such anxiety, Neil Gaiman and Dave McKean, when I didn’t provide adequate information to you or your driver to get to that morning interview on the FX Network back when DC published Mr. Punch. I’m sure it was really nerve-wracking to be driving around Manhattan at six in the morning, lost. On the other hand, Tom Bergeron was really nice. And a fanboy.

2. The biggest story of my time at DC was the Death of Superman. People remember that he died, then came back. They don’t remember that the narrative point was the next storyline, “World Without a Superman.” DC wanted to show how important Superman was, and how we responded to his absence. And now they’ve killed off Damien Wayne, just when I was starting to like him. This is no legacy for a pacifist.

1. When Image Comics started, I admired their defense of creator rights, but didn’t particularly like the books they published at the time. As a result, I didn’t pay enough attention to their work as the company matured. I’ve missed a lot of good stuff, and it’s my own damn fault. Please forgive me, and please keep releasing complete runs digitally so I can catch up.

SATURDAY: Marc Alan Fishman On Technobabble

SUNDAY: John Ostrander On Revamp

 

Lego: Batman: The Movie – DC Super Heroes Unite Comes to DVD in May

LEGO Batman cover artBURBANK, CA (February 26, 2013) – DC Comics’ greatest superheroes and their arch nemeses face-off in an action-packed, hilarious battle in LEGO Batman: The Movie – DC Super Heroes Unite. Based on the popular video game, TT Animation produced the full-length animated feature for May 21, 2013 distribution by Warner Bros. Home Entertainment as a Blu-ray™ Combo Pack ($24.98 SRP) and DVD ($19.98 SRP), On Demand and for Digital Download. The Blu-ray™ Combo Pack will include UltraViolet™*. Release will include an exclusive Lego Clark Kent/Superman figurine on pack while supplies last.

LEGO Batman: The Movie – DC Super Heroes Unite provides the ultimate blend of action and humor guaranteed to entertain fanboys of all ages. The film finds Lex Luthor taking jealousy to new heights when fellow billionaire Bruce Wayne wins the Man of the Year Award. To top Wayne’s accomplishment, Lex begins a campaign for President – and to create the atmosphere for his type of fear-based politics, he recruits the Joker to perfect a Black LEGO Destructor Ray. While wreaking havoc on Gotham, Lex successfully destroys Batman’s technology – forcing the Caped Crusader to reluctantly turn to Superman for help.

LEGO Batman: The Movie – DC Super Heroes Unite features the definitive voice of Lex Luthor, Clancy Brown (The Shawshank Redemption, SpongeBob SquarePants), who set the standard for Luthor’s vocal tones in the
landmark Warner Bros. Animation television production, Superman: The Animated Series.

Renowned videogame/animation actors Troy Baker (Bioshock Infinite, Batman: Arkham City) and Travis Willingham (Avengers Assemble, The Super Hero Squad Show) provide the voices of Batman and Superman, respectively. The cast also includes Christopher Corey Smith (Mortal Combat vs. DC Universe) as the Joker, and Charlie Schlatter (Diagnosis Murder) in a hilarious turn as the voice of Robin.

Award-winning director/producer Jon Burton helms the film from a screenplay by David A. Goodman based on a story from Burton and Goodman. Jeremy Pardon is director of photography, and executive producers are Jill Wilfret and Kathleen Fleming. Executive producers are Benjamin Melnicker and Michael Uslan.

“LEGO Batman: The Movie – DC Super Heroes Unite packs the right combination of action and humor to delight superhero fans from ages 3 to 103,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation and Partner Brands Marketing. “We’re proud to provide a film that can be enjoyed by adults and children alike, making for ideal family entertainment.”

LEGO Batman: The Movie – DC Super Heroes Unite Blu-ray™ Combo Pack has over 2 ½ hours of exciting content, including:
•       Standard and high definition versions of the feature film
•       UltraViolet™*
•       Featurette – “Building Batman” – An all-new featurette.  Ever thought about making your own batman movie? Join a group of children as they learn from master LEGO builder Garrett Barati, and animate their own Batman mini-movie with LEGO.
•       Teaser– “Lego Batman Jumps Into Action” – Garrett Barati’s original Batman teaser, created for LEGO Super Heroes, shows what this master stop-motion animator can do with just a few click, click, clicks of LEGO.
•       Shorts – “LEGO/DC Universe Super Heroes Video Contest Winners” – The excitement of DC Universe Super Heroes and the joy of LEGO building brings together action-packed short films from five winning submissions
•       Two bonus episodes from Batman: The Brave and the Bold (“Triumvirate of Terror” and “Scorn of the Star Sapphire”) and one episode from Teen Titans (“Overdrive”)
•       Assorted trailers

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