Tagged: Star Wars

How to piss off nerds

Monday Mix-Up: Where Do You Start…?

How to piss off nerds
A much more literal mix-up than usual… and way, way, way too many levels of wrong. Originally sent around with the caption “How To Piss Off Nerds” and boy, is that spot on.

Link: thisbodysfabric.tumblr.com

Playing with Toy Fair 2011: Recap, Part III & The Coolest Thing There

Lego Mini FiguresThere was a lot of cool stuff to see at Toy Fair 2011, and unfortunately there wasn’t enough time to see everything. I made a point of asking the nice people at Lego for info on some of their goodies, and they were very forthcoming. If you’ve ever picked up a Kubrick figure, you know that part of the fun is the mystery of not knowing what figure you’re getting in the box. Lego builds upon this with their third wave of minifigures.

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Mike Huckabee Scolds Natalie Portman

Mike Huckabee Scolds Natalie Portman

Mike Huckabee's gonna regret his comment about...

Amidala's sweet babboo finds Mike Huckabee's lack of faith "disturbing". Image by Doc_Brown via Flickr

Apparently Mike Huckabee, Fox News host and theoretical presidential candidate, thinks that Natalie Portman, star of Thor, Black Swan, V for Vendetta and the Star Wars prequels is actually Murphy Brown.

Here’s Mike Huckabee, in 2011, on Natalie Portman having a child with her fiancee before they’re actually married:

“One of the most troubling things is that people see a Natalie Portman or some other Hollywood starlet that boasts of, hey look, we’re having children, we’re not married, but we’re having children and they’re doing just fine.”

“There aren’t really a lot of single moms out there that are making millions of dollars each year by being in a movie.”

“I think it gives a distorted image that not everybody hires nannies and caretakers and nurses. Most single moms are very poor, uneducated, can’t get a job, and if it weren’t for government assistance, their kids would be starving to death and would not get healthcare.”

However, it seems that Gov. Huckabee has a short and/or selective memory.

Here’s Mike Huckabee, in 2008, on Bristol Palin having a child with her fiancee before they’re actually married:

“It ought to be a reminder that here is a family that loves one another. They stuck with each other though the tough times and that’s what families do.” … Huckabee said the surprise pregnancy announcement should not affect vice presidential candidate Sarah Palin’s support in the conservative and religious right communities. … “I’m grateful for the way she’s being supported by her family.”

I presume the difference here is that Natalie Portman is Jewish, or Huckabee thinks the father of Portman’s child really is Darth Vader. It makes as much sense as any other reason he can come up with for his double standard.

Hat tip: Ta-Nehisi Coates at The Atlantic.

Geek Girl Con Announces Dates and Guests

Geek Girl Con Announces Dates and Guests

Geek Girl Con, a convention that will celebrate the contribution and involvement of women in all aspects of science fiction, comic books, gaming and related geek culture recently announced the dates and initial invited guests for it’s first gathering.

The first convention will take place October 8-9, 2011 at the Seattle Center in Seattle, WA.

The initial list of invited guests includes comic book writers Gail Simone, Trina Robbins and the married couple, Jen Van Meter and Greg Rucka; Geek-chanteuse Marian Call; and Star Wars crafter Bonnie Burton.

NINE FOR THE NEW spotlights KEVIN RODGERS

NINE FOR THE NEW (New Creator Spotlight)

KEVIN RODGERS-Writer/CreatorWriter/Creator

AP: Kevin, welcome to ALL PULP! First, can you tell us about yourself, some personal background?

KR: I’ve been writing stories since I was 6 years old. I remember when my parents let me use their typewriter. I created a series called “The Ancient Tomb”. Each episode would end with a cliff-hanger that would be resolved in the next installment. I included a synopsis and front cover art work for each one. I’d distribute them to my grandparents and other relatives. It was fun! Over the years, my stories got longer and more complicated. I’m 39 years old now, and I can still remember writing “The Ancient Tomb” stories and realizing just how much I enjoyed writing.

AP: As a writer, what influences have affected your style and interests the most over the years? Do you have a particular genre/type of story you prefer to write?

KR: I enjoy writing fantasy and dark fiction, or horror. Some of my work contains science fiction elements. As a boy, I was fascinated by “The Tell Tale Heart” and “The Fall of the House of Usher” by Edgar Allan Poe. A 1978 miniseries based on Stephen King’s novel, ‘Salem’s Lot, also left a lasting impression on me. I’ve always been a big fan of comic books as well, and “The Green Lantern” is still at the top of the list in that category. I was always amazed by how such enormous powers could be contained in a ring! In the last few years, I’ve become intrigued by the work of Arthur Machen and H.P. Lovecraft.

AP: What about genres that make you uncomfortable? What areas within pulp are a little bit intimidating for you as an author?

KR: I’d say I’m most intimidated by mysteries, due to the fact that I haven’t tried it much. I gave it a try with a story called “Tomahawk Mountain”, which I recently submitted to Pro Se Productions. I hope I did a good job! But until I get more comfortable with that genre, I think mysteries will intimidate me the most.

AP: Are you a pulp fan? If so, how has that affected you as a writer of pulps. If you aren’t a longtime fan, then why pulp?

KR: As mentioned earlier, I’m a big fan of comic books, specifically “The Green Lantern”. I love the fast-paced action and the outlandish situations! I think the original “Star Wars” trilogy and the “Indiana Jones” films also got me hooked on action and adventure. Another film that resonates with me is the original “Batman” movie with Jack Nicholson, Kim Basinger, and Michael Keaton.


AP: What do you think you bring to pulp fiction as a writer?

KR: I want my stories to resonate after the final page has been turned. I try to keep the stories fast-paced and free-flowing, which I think is an important element of pulp. I want to place my characters in bizarre situations that will leave the reader wondering: “What would I have done in that situation?”

AP: Your work has been published recently with PRO SE PRODUCTIONS in their various magazines. First, tell us about HELLHOUND, both about the story and what inspired you?

KR: At the facility where I’m employed, there is an officer tower. There are rumors that strange things happen on the sixth floor of the tower (unexplained footsteps, odd music, and radios that turn on without warning). After hearing some of these rumors, I had a nightmare in which I stepped off an elevator, became paralyzed, and felt electricity flowing through my body. I woke up, jotted notes on a piece of paper, and finished “Hellhound” two days later. Many of my ideas come from dreams, but none have ever been as vivid and disturbing as the one that resulted in “Hellhound”.

AP: You wrote an interestingly titled tale that was published recently by PRO SE. What can you tell our readers about DEMOLITION?

KR: “Demolition” resulted from a much shorter dream, which involved a recurring image of a wall in a basement…that was infested by a swarm of insects. Before I had this dream, I’d been brainstorming about having a character trapped in the basement of a house while it was being demolished. I decided to incorporate the insect wall into that idea…and then it only took me three days to finish the story. Originally, I wanted the title to be “Wrecking Ball”, but I changed it at the last moment.

AP: What is your creative process as far as creating a story and writing? What techniques or steps do you take?

KR: Sometimes I like to go all out and create an outline and synopsis before I get started. But lately, I’ve just been pulling up MicroSoft word on my computer and going with the flow. I think I’m learning that making a story so structured and pre-planned isn’t always best…because being spontaneous allows the story to grow on its own. And I always have to listen to music when I write. Sometimes it’s Beethoven and sometimes it’s Three Days Grace. I was jamming to Nine Inch Nails when I wrote “Demolition”.

AP: What’s coming from Kevin Rodgers? Any projects you want to discuss?

KR: I recently submitted two of my stories, “The Citadel of the New Moon” and “Tomahawk Mountain”, to Pro Se Productions. Hopefully they’ll appear in the months to come! I reworked a couple of old, unpublished stories and submitted them to Dark Valentine Magazine and Weird Tales Magazine. I’m working on a few projects that I hope to complete soon and submit to Pro Se Productions. At the same time, I am polishing and editing a huge novel (900 manuscript pages) that will hopefully generate some interest!

AP: Kevin, it’s been a pleasure!

INTERVIEW WITH LOVECRAFT IS MISSING CREATOR, LARRY LATHAM!

ALL PULP INTERVIEW-Larry Latham-Writer/Artist/Creator (http://www.lovecraftismissing.com/)

AP: Larry, ALL PULP appreciates you taking time to visit today! First, tell us a bit about yourself if you will?

LL: Like everybody else in this business, I grew up reading comics, and remember when the first Marvel titles came out. I can even tell you most of the stores where I bought the first issues of each one, though most of those stores are long gone. I was discouraged from pursuing art, so went into movies instead. I worked in television animation for 25 years, then came back to Oklahoma to help a friend with a low-budget live action film in 2001. After 9/11, everything was so shaky, I thought I would ride it out in Oklahoma, and have just never been able to leave.

I freelanced some, worked in theatre as both actor and set designer, but my basic skill set was not of much value here. I finally found a school, OSU Institute of Technology, that was trying to build up an animation department….and here I am. I teach Maya and Flash. I love it, plus it allows me to experiment and learn new technology.

AP: You’re currently producing an online comic entitled LOVECRAFT IS MISSING. In a nutshell, can you sum up for us what the comic is about?

LL: Not really. I originally conceived it as an animated project, and it was in development for a year or so at Film Roman in L.A. My first notion was that I wanted to try and make a truly ‘adult’ animated series, meaning complex story and characterization rather than T and A and profanity. I wanted to do a horror show, and I am a big Lovecraft fan, but I’ve never much cared for Lovecraft adaptations, be they film or comic book. I wanted to express what I got out of those stories, but I really didn’t want to adapt any of Lovecraft’s actual stories, so I came up with my own. There were a few clichés I really wanted to stomp on, like everybody in the universe having a copy of the Necronomicon. In my story, no one, at least of the good guys, have ever even heard of it. Same with Cthulhu. The magic and mystery of these things is that they are very, very obscure.

AP: The next obvious question is of course just where did you get the idea for this concept? Was it always planned to be a comic book?

LL: I answered part of this above. I didn’t decide to make it into a comic book until I realized it was never going to get made any other way.

AP: Why go web comic with LOVECRAFT IS MISSING? Do you have a preference of web over print? What do you see as the differences between the two?

LL: I made one attempt to get LIM before a real publisher, via Howard Chaykin. He showed it to DC, but they weren’t interested.

By that time, I’d realized that throughout my career, I had always been working with someone over my shoulder, telling me to add this or not do that. I wanted to do something that was wholly mine, be it good or bad. It’s not that all the input I got over the years was bad; some of it was great. But by and large, the people in the executive suites had no animation or creative experience and their input was either superfluous or stupid, often both. I was once told by an NBC exec that the secret to a good cartoon for children was a loud noise every few minutes.

I opted for webcomics because it gave me complete freedom. I don’t make any money, but that’s worth it to be able to say the strip is all mine. I’m glad people like it, but I worry about pleasing myself first.

AP: Let’s talk a little about subject matter. Are you a Lovecraft fan? What about Lovecraft and his life and/or entire mythos appeals to you?

LL: Yep, big Lovecraft fan since high school, though I’ve never been that active in fandom. I’ve read all his stories multiple times, all the bios, most of the letters, most of the marginalia. When his stories work (and they don’t all achieve that) they evoke the dark corners of this old earth. He manages to convey, for me anyway, the notion that while the rest of the world is going on about its business, there are these perverse, mysterious, profane things taking place in secluded places. That’s one of the many reasons I don’t like the near-universality of the Necronomicon, et al., in many pastiches and adaptations, and one of the reasons I don’t think Lovecraftian stories set in the present are very effective. There are secluded corners of the world still, but they are harder to access, and anybody with a cellphone or a laptop can be in touch with like-minded thinkers in literally seconds. In The Call of Cthulhu, it takes the narrator months to accumulate all his data.

AP: We’ve talked about you. Now let’s talk more globally. Why do you think HP Lovecraft has had the effect on the world of literature, pulp and beyond, that he has? What about his work resonates, especially with today’s readers?

LL: I don’t think I can add much to what’s already been said by others. Lovecraft almost singlehandedly moved the weird tale out of the swamp of traditional ghost and vampire stories, and into the cosmos. His personal beliefs wouldn’t have allowed him to dismiss a vampire with a crucifix or lay a spirit to rest with a common exorcism. Things don’t always have explanations, they don’t always turn out well, the universe is a cold and uncaring place.

As far as his life goes, I like eccentrics, and he was certainly that. His story is a sad one, but that is an outside perspective. He seems to have been relatively resigned to his fate and reasonably happy within those limits.

AP: Are there any other pulp concepts that you’d like to work with, to play with as a writer and/or artist? Any established public domain concepts or even, like Lovecraft, other writers you’d like to put your spin on in the future?

LL: Sure. I have an idea for a 30s science fiction comic/novel/whatever that would strive for the feeling John Howitt got in his covers for the Spider and Operator 5. I want to do some short stories for the Shadowmen series from Black Coat Press as soon as a moment frees up, and those will use established characters. And there’s a particular 19th century science fiction potboiler that I want to use as a springboard for a new sotry. But I don’t have any attraction to doing Robert E. Howard is Missing or Clark Ashton Smith on Mars.

AP: How about original concepts, all freshly created by Larry Latham himself? Anything you have in mind of the original character pulp variety?

LL: It depends on how you look at it, I suppose. I have no ideas that rehash Doc Savage or the Shadow or the Spider or hard-boiled detectives. Those were done right the first time. But the next idea I want to do, which I will probably start as part of my MFA in Creative Writing, is very pulpy in concept, and yet it is not something that would interest any of the new pulp publishers. I’m really excited by it and think it is a strikingly original idea, which means I am not going to say anymore about it.:-)

AP: Here’s an easy one to ask, not so easy to answer. Is pulp relevant today? If so or if not, why?

LL: How are we defining pulp? As a type of story that appeared in actual pulp magazines, or one that appeared in a sleazy 1950s paperback? Do you consider crime dramas like CSI pulp? Are serials pulp? For my money, pulp is very relevant today. 24 was pure pulp from start to finish. (It was also, interstingly, a serial within a serial: each season was a serial in itself, yet each season was a chapter in a larger, 8 season serial.) Fringe strikes me as pulp, though without as much action. Star Wars is pulp, series books are pulp, comics are largely pulp, even romance novels harken back to the love pulps. So yes, I do think it’s relevant today, and will remain so because mass-produced shallow entertainment is always appealing. I don’t mean shallow as a put down, but no one is ever going to mistake Doc Savage for Holden Caufield.

AP: You’re showing off your definite comic skills with LOVECRAFT. Do you write prose as well and if so, which do you prefer and why?

LL: I wrote a young adult novel of which I am very proud, but it was rejected by the two publishers I sent it to. It is an historical novel with no fantasy, and there isn’t much call for that right now. I am working on horror short stories, but frankly, I have barely enough time to deal with my daily life: full-time job, family, night school and the time I put in on LIM.

I don’t know that I prefer either one; some ideas fit one medium better than another.

AP: What work do you have coming up that would interest pulp fans in say, the next year? And feel free to drop any LOVECRAFT teasers you want to…

LL: Well, it’s taken two years and four months to get to the halfway point of the Lovecraft is Missing arc, so unless I want to piss off everybody who has followed the strip thus far, that’s all I’ll be working on for the foreseeable future. The current issue, #4, will end in the early spring –a 50+ page effort, I might add—and then I will have to take a few months off (as I’ve done between each issue) to get ahead on issue 5. I’ve been looking forward to issue 5 since I started, as that is where some of my favorite story points will take place. We’ll learn more about Walter Cow and Luther Fickes, meet a few new original characters and rope in some more of Lovecraft’s own characters as well. We’ll find out more about those missing photographic plates that kicked the whole story off, and more about the Santapau device. I have a chase scene in mind that I think is going to be a triple-ding-doozy, and we might—or might not, depending on space—learn the origin of Dr. Kartophilus.

AP: Larry, it‘s been great! Thanks for taking some time for ALL PULP!

LL: You’re welcome. Loved it.

‘Star Wars’ Collection Comes to Blu-ray

‘Star Wars’ Collection Comes to Blu-ray

George Lucas may never finish tinkering with his Star Wars series. At the Consumer Electronics Show today, the anticipated announcement was officially made that the six movies will be collected in a nine-disc box set. The original trilogy will be making their Blu-ray debut — but these are the special editions. Apparently, the original elements from the first releases are fragile and need to be recreated or cleaned to properly reproduce in high definition (yes, meaning another opportunity to sell us product).

All the usual websites are now taking pre-orders but the disc won’t be out for months. Here’s the formal release:

LAS VEGAS (Jan. 6, 2011) – The most anticipated Blu-ray release ever – the Star Wars™ Saga – emerges from light speed this September 2011. For the first time, all six of George Lucas’ epic films (Episodes I-VI) are united in one complete set. Fans worldwide are able to pre-order now with online retailers.

Twentieth Century Fox Home Entertainment will release Star Wars in three distinct sets to meet the needs of every Star Wars fan:

–    Star Wars: The Complete Saga on Blu-ray (9-disc Set includes all six films)
–    Star Wars: Prequel Blu-ray Trilogy (3-disc set includes Episodes I-III)
–    Star Wars: Original Blu-ray Trilogy (3-disc set includes Episodes IV-VI)

STAR WARS: THE COMPLETE SAGA ON BLU-RAY will feature all six live-action Star Wars feature films utilizing the highest possible picture and audio presentation, along with three additional discs and more than 30 hours of extensive special features including never-before-seen deleted and alternate scenes, an exploration of the exclusive Star Wars archives, and much more.

Star Wars: The Complete Saga on Blu-ray will be available for $139.99 US/$179.99 CAN and the Star Wars: Trilogy Sets for $69.99 US/89.99 CAN.  Pricing for each set will vary by international territory.

Flanked by a  legion of his finest  Imperial Stormtroopers, Darth Vader himself joined Twentieth Century Fox Home Entertainment President Mike Dunn at the Consumer Electronics Show (CES) to announce the release, vowing  “The forces of the Empire will be at your disposal to assure the success of this endeavor.’’

“The Star Wars Saga is the most anticipated Blu-ray collection since the launch of the high-def format,” Dunn said. “The epic franchise pioneered sound and visual presentation in theaters and is perfectly suited to do it again in the home, with a viewing experience only possible with Blu-ray.”

“With all six episodes available for the first time in one collection, this is a great way for families and home audiences to experience the complete Saga from start to finish,” said Doug Yates, Vice President of Marketing, Online, Distribution, Lucasfilm Ltd. “And with the quality of high-definition, Blu-ray provides the most immersive home experience possible.”

“The Star Wars franchise has been one of the most anticipated Blu-ray releases by Amazon’s customers,” said Bill Carr, Vice President of Music and Video at Amazon. “We think that Star Wars will be incredibly popular with our customers, and we expect pre-orders to be very strong.”

NINE FOR THE NEW-Interview with Ken Janssens!!

NINE FOR THE NEW (New Creator Spotlight)
KEN JANSSENS.-Writer/Creator
AP: Ken, welcome to ALL PULP! First, can you tell us about yourself, some personal background?
KJ: Well, I’ve been writing for almost two decades in some capacity or another. Though I had a little success, I didn’t really start to break out until the last year or so. I’ve lived my whole life in Winnipeg, Manitoba, Canada and think it’s one of the best places on the planet… when it’s not February and in the middle of a minus thirty-five degree cold snap. But, hey, I’m a Canadian. We’re a hardy stock.
AP: As a writer, what influences have affected your style and interests the most over the years? Do you have a particular genre/type of story you prefer to write?
KJ: My influences come mostly from my childhood. For some reason, I became attached to the “noir” type fare that I came across and have been infatuated with that stuff since. In those days, it was the original Scooby Doo mysteries cartoon and the Three Investigators novels as well as Sherlock Holmes and Jack the Ripper. I love 1880s London and it has the biggest pull for me of any time period. So, from all that, one can gather that I love mysteries and down-to-earth horror stories (or at least stories of a cryptozoological bent).
AP: What about genres that make you uncomfortable? What areas within pulp are a little bit intimidating for you as an author?
PECULIAR ADVENTURES,
Home of ‘THE CEREBUS CLAN’
KJ: I don’t know if any make me uncomfortable but I will say that I’m not much for space adventure stories. There are, of course, exceptions. I’m a fan of the original Star Wars trilogy and the first two Alien movies, but other than that, they aren’t really my thing. Now that I’ve said that, though, I am planning to write a moon-based story for Pro Se Presents. But like any story of a supernatural or sci-fi nature, I will bring it down to earth (no pun intended, honest). To tease it I’ll say it has to do with a road construction worker on the terra-formed moon who happens across a terrorist plot. I like when fantastic topics are provided as the spice of a story, not the stew.
AP: Are you a pulp fan? If so, how has that affected you as a writer of pulps. If you aren’t a longtime fan, then why pulp?
KJ: I am a pulp fan by proxy. I have been a fan of detective comic books my entire life, which would be nowhere without the pulps of the 1920s and 30s. I am tangentially aware of most of the popular pulp characters through my love of the history of all media and am a Philip Marlowe fan. If I was born a half-century earlier, I’m sure I would have been totally into the pulps since they are the embodiment of the “noir” and detective facets that I love.
AP: What do you think you bring to pulp fiction as a writer?
KJ: That’s a tough one. Besides my love of “noir” that I’ve referenced earlier, it would just be my sensibilities as a writer. The human element always comes first with me. I think that helps make my pulp stories relatable and hopefully somewhat absorbing reads.
AP: You’re a staff writer at Pro Se Productions and you may be the king of serial characters there. Tell us about Sherringford Bell.
FANTASY AND FEAR
Home of ‘SHERRINGFORD BELL’
KJ: The Sherringford Bell stories are sort of my modern day take on Sherlock Holmes if he tracked down the demonically-possessed. Sherringford is an ex-FBI forensic psychologist who resides on the miserable and condescending side of life. Along with Nigerian priest Paul Anyogu, who acts as the Watson narrator type for the stories as well as the exorcist on their adventures, Sherringford uses his superior intellect and insight into the human mind in Washington D.C. to do what others can’t. The series often delves into government programs and the lives of political figures as its local dictates.
AP: Now, onto another series at Pro Se. Moving from the supernatural to the adventure serial. Who are the Cerberus Clan?
KJ: The Cerberus Clan is about a family in the 1930s who lose the patriarch of the family and decide to venture to the African Serengeti to learn about his roots. Once there, through some traumatic events, Kate and her two sons become the guardians of a long cave called the Gateway. Though they don’t know to where the cave leads, they do know one thing: their new job is to not let anyone in and not to let anything out. The “anything” of the previous statement seems to be what might be considered monsters. What I really like about the Cerberus Clan is each story appears to give the reader a vague answer to what is at the other end of the cave’s tunnel. The first tale hints that it is Hell but the second one gives a decidely different viewpoint. I know what the real story is behind the Gateway but, of course, that won’t be revealed for a few more stories. Yeah, I’m such an a$$.
AP: And lastly, but definitely not least, let’s talk about the character that was the first story most saw from you at Pro Se.  Tell us about the wonderfully crafted Aloha McCoy.



MASKED GUN MYSTERY
Home of ‘ALOHA MCCOY’



KJ: Aloha McCoy is the closest character that I have to the old hardboiled crime detectives like Philip Marlowe and Sam Spade. She doesn’t like many people and never backs down from a confrontation, no matter how outmatched she is. Aloha is a Hawaiian/Irish ex-gymnast who now runs a youth recreation center. Because of financial difficulties and a twist of fate, she has started to take on private detective cases, even though she is not that good at the whole thing. It is more her perseverance and moxy that get her through the adventure. Aloha, along with her brother Kam—a sumo wrestler-sized party entertainer, lives in “The City” just outside “The Core”. The Core is an Irish-dominated neighborhood that they grew up in and is the most dangerous part of the city. Every case brings them back to this neighborhood to Kam’s dismay and Aloha’s gradual intrigue.
AP: ALL PULP assumes your series at Pro Se will continue, but are there any other projects you want to discuss?
KJ:  Also at Pro Se, my comic book mini-series (which I believe will be serialized in the pages of Pro Se Presents) titled “Caleb Elsewhere” will be out in the future. It is about a disgraced cop who is begrudgingly brought back to assist his son in recapturing a serial killer he had put away over twenty years ago. The obstacles that line up against him are his ex-partner, who hates him and is now the police chief, and his son’s belief in Caleb’s “abilities”.
Anyone that wants to read another of my pulp stories can find it in the anthology book “Pulp Empire, Volume 2” It’s a one-off about a petty criminal that has to make a choice while he is caught in a life-threatening scenario.
A few of my other ventures include a couple comic book proposals to companies as well as two television proposals, one to American television and one to Canadian television. Keep your fingers crossed for me, folks.
AP: Ken, thanks for stepping away from the computer for a few minutes to visit with ALL PULP!
KJ: Always a pleasure. Keep up the good work, All Pulp. We need a site like yours to spread the word about the great pulp fiction out there.

ALL PULP FLASHBACK-NEWS STORIES FROM SEPTEMBER!

And with this final FLASHBACK, ALL PULP’s archiving is complete!!  Enjoy news from the earliest days of ALL PULP!!

Announcing the newest place for Pulp Writers, Artists and Fans to come together!

PULP ARK
MAY 13-15, 2011
BATESVILLE, ARKANSAS!!!

Pro Se Productions, LLC. (www.proseproductions.com) in conjunction with Main Street Batesville of Batesville, AR announces PULP ARK 2011!! Pro Se Productions, a company specializing in pulp storytelling in various mediums, primarily magazines and comics, made its debut in March, 2010! Pro Se also seeks to bring all the over the top, grandiose, slam-bang impact of pulp to the South! PULP ARK, scheduled for May 13-15, 2011 will be a convention dedicated to the Pulp Genre as well as a conference made up of panels, workshops, and activities to appeal to the Pulp writer, the Pulp fan, and that most unique creature, The Pulp Writer/Fan!

PULP ARK will be held in the historical town of Batesville, AR. Nestled in the scenic Ozark foothills, Batesville provides most definitely a small town charm, but has facilities of all sorts, including hotels, major and local restaurants, and several venues for hosting panels, conferences, and vendors. Batesville also affords a relaxed setting, different from most large cities where conventions are held, but also conducive to creativity, relaxation, and a furthering of Pulp fandom!

PUBLISHERS AND VENDORS WELCOME-REASONABLE TABLE RATES
LEADING NAMES IN PULP TODAY AS GUESTS
(OFFICIAL LIST ANNOUNCED SOON!)
PANELS LED BY WRITERS, ARTISTS AND PUBLISHING COMPANIES
WRITERS AND ARTISTS WORKSHOPS BY LEADING NAMES IN PULP TODAY
A PULP STYLE INTERACTIVE ADVENTURE THROUGHOUT PULP ARK
EVENTS FOR SPOUSES AND FAMILY MEMBERS
DISCOUNTS AT LOCAL HOTELS AND RESTAURANTS!

MAY 13-15, 2011-Prepare for the Flood of All that is Pulp-Get your place on the PULP ARK today!

For more information, contact Tommy Hancock, Editor in Chief and Audio Director for Pro Se Productions at proseproductions@earthlink.net  or call or text at 870-834-4022 

STAY TUNED TO ALL PULP FOR FIRST RUN PULP ARK NEWS!!!

 

 CAPTAIN FUTURE FLIES AGAIN, THANKS TO MOONSTONE BOOKS!

Prior to the 1939 World Science Fiction convention, editor Mort Weisinger dreamed up a new character to present to the hordes of ravenous science fiction fans: Mr. Future. Weisinger handed the idea over to young and talented writer, Ed Hamilton, who retooled the initial concept into Captain Future: Wizard of Science. Wiesinger knew they were on to something, but had little idea his initial idea would lead to the birth of the space opera sub-genre that spawned such undying favorites as Flash Gordon, Star Trek and Star Wars.

Over 70 years later, Captain Future returns to serialized fiction in the pages of Moonstone Books with stories penned by Mike “Phantom” Bullock with spectacular art from Norm Lanting and Bullock’s fellow Phantom creator Silvestre Szilagyi. Look for the first Captain Future tale, Voices, in the upcoming Moonstone Pulp Magazine.

FIRST EVER PULP THEMED RESTAURANT OPENS DOORS FOR FIRST TIME TODAY!!

Pulp writer and Owner/Publisher of Age of Adventure Publishing, Wayne Skiver announces today that his dream project (He’s also a master chef as well!) will be opening its doors for a special preview party tonight!  Skiver is owner and proprietor of RAYGUN CAFE (Rue St. Francois, in Historic, Old Town. Florissant, Mo.  That’s St. Louis basically, folks!).  This experience is described as “AMAZING Food served in an explosion of Retro Sci-Fi, Super Hero, and Pulp Art. You won’t believe your tastebuds or your eyes!”

The preview party being held this evening at 6 PM is the (invited) public’s first look at this exciting dining adventure!  It is also a fundraiser for a very worthy cause.  According to Skiver, “A $10 Donation (Not necessary for kids 12 and under) gets you any menu item, side and drink as well as mountains of appetizer sized versions of our other menu items! Part of the proceeds from this event will go towards St. Judes Childrens Hospital.” In a ‘sort of’ All Pulp exclusive, Skiver has provided the menu for tonight’s event as follows:

Chicago style Hot Dogs
Loaded Chili Cheese dogs
Italian roast beef with spicy Giardianera
Italian Sausage with grilled onions
Rosemary Chicken Breast and Bacon Panini
Chipotle Turkey Panini on Herbed Focacia
Signature Spicy Deviled Eggs
Fresh Chili
Summer Vegetable Soup
Red Skinned Mustard Potato Salad
Home made Chocolate chip pecan pie

Raygun Cafe will be open to the public in October and All Pulp will carry the news of the grand opening!!  The intent as Skiver noted, is for Raygun to be more than eating, but to be education and truly an experience.  “Where can you learn about the history of the Pulps? The forgotten heroes of the Golden Age? Where can you experience Science Fiction art from the 1930’s to the 1970’s? Online? Sure…But why not LIVE and IN PERSON? RAYGUN Cafe’ will feature a constantly rotating dreamscape of art and exhibits from Pulp, Comic, and Pop culture! Its a place to meet, explore, and of course EAT! Feed your body and your imagination!”

EPISODES FROM THE ZERO HOUR! DELIVERS ADVENTURE WITH VOLUME 3

 NEW JERSEY – Modern pulp publishers Episodes from the Zero Hour! are proud of their latest installment, Volume Three, featuring globe-trotting adventure with Rex Rockwell, Weird Game Hunter and Mac Samson: The Secrets of the Lost City.

Volume Three, on sale at the Zero Hour! electronic storefront, www.lulu.com/zerohour, also marks the publishers’ first book away from the hard-boiled, neo-noir world of Federal City and its resident Tough Guy for Hire, Tommy “Knuckles” McNichols.
“When Jason and I first imagined Episodes from the Zero Hour!, we never believed that it should be restricted to the hard-boiled stories we featured in Volumes 1 and 2,” said publisher and book designer Anthony Schiavino. “The original pulps ran the gamut from weird fantasy to far-flung science fiction, from tough guy detectives to war heroes and even prototype superheroes. From the beginning, we said we wanted to tell good stories, and didn’t want to be tied down to a specific genre.”
“Volume 3 has been a long time coming, but we think it’s worth the wait,” said author and editor Jason Butkowski. “Rex and Mac are completely different characters from Knuckles, but the stories live up to the standard of good story-telling we strove for with our first two volumes. If you’re looking for a good read that stays true to the sense of adventure from the original pulps, Episodes from the Zero Hour! is your destination for modern pulp.”
Episodes from the Zero Hour! Volume Three contains three tales of adventure featuring Rex Rockwell, Weird Game Hunter, written by Butkowski (author of Episodes from the Zero Hour! Volume One: Featuring Knuckles, Tough Guy for Hire) and illustrated by Rich Woodall (artist of creator-owned comic Johnny Raygun and art director for the ZombieBomb! comic anthology) and three stories featuring Mac Samson: The Secrets of the Lost City, written by newcomer S.E. Dogaru and illustrated by Duane Spurlock (proprietor of The Pulp Rack Web site, www.pulprack.com).
The volume also features the first part of a serialized story, C.T. and the Savage Chimps of Cannibal Mesas, written by Schiavino (creator/writer of the Sgt. Zero independent comic) and Butkowski and illustrated by Dave Flora (artist/writer/creator of independent comic Ghost Zero) and the usual back-ups and special features that Zero Hour! Productions have become known for.
The synopsis for Rex Rockwell, Weird Game Hunter, from the book jacket: Behind the walls of Blaylock Manor, hidden from prying eyes, lies the Evy Rockwell Nature Preserve for the Weird and Unusual, home to some of the strangest animals ever to roam the Earth. Rooted in the myths, folklore and fables of primitive people, these beasts – collected by Rex Rockwell and his band of adventurers – live out their lives, protected from a world that would fear and kill them. Rockwell and his team travel the world, employing the latest technological marvels and ancient mystical relics to discover the undiscovered and protect mankind from threats beyond human understanding.
“Jason’s created a universe where myths come to life, and a team of adventurers protect us for the things that go bump in the night,” said Schiavino. “He takes inspiration from steampunk and gothic fiction, as well as a litany of world folklore and legends, and weaves a cryptid Victorian fantasy that draws you in from page one.”
The synopsis for Mac Samson: The Secrets of the Lost City from the book jacket: Mac Samson’s been a lot of things in his years: hired muscle, treasure hunter, thief, rum runner… but it’s when an exotic women from his past shows up that he gets pulled into the greatest adventure of his life! What secrets does the mysterious journal of Professor Jennings hold?! Why is the Third Reich tirelessly pursuing his lovely companion?! And will Mac survive this pulse-pounding, globetrotting, gun-toting escapade wrought with intrigue, danger, explosion and fearsome air battles to discover the secrets of the Lost City?!
“Stefan has created a reluctant hero who can stand toe-to-toe with the best of the best in terms of pulp and pulp-inspired protagonists,” said Butkowski. “Mac Samson is a tough-talking, two-fisted throwback to an era when the world was in turmoil, and heroes stepped up to do the right thing, whether it was convenient or not.”
Episodes from the Zero Hour! Volume Three is now available at www.lulu.com/zerohour in hardcover for $21.60 and paperback for $14.00. In addition, all three volumes of the Zero Hour! publications will soon be available in eBook format, to bring the best of modern pulp to the latest platforms in book distribution.
###
A BLINDING FORCE PRODUCTIONS SERIALIZED FEATURE
EPISODES FROM THE ZERO HOUR!
VOLUME THREE

Written by Jason Butkowski and S.E. Dogaru
Cover by Rich Woodall
Illustration by Rich Woodall and Duane Spurlock
Production and design by Anthony Schiavino

180 Pages
PRICE: $14.00 for paperback / $21.60 for hardcover

Find them on Facebook and at their electronic storefront: LULU.COM/ZEROHOUR


FOLLOW UP TO GREEN HORNET ANTHOLOGY ANNOUNCED BY MOONSTONE!!

Cover by Ruben Procopio

Cover by Kaluta

Moonstone Books announces the title and cover art to its follow-up to The Green Hornet ChroniclesThe Green Hornet Casefiles will feature more great stories featuring the fabulous ’60s version of The Green Hornet and Kato.

Rubén Procopio’s cover effectively teases the mysterious and thrilling tales to be found on the pages between the covers.
And Moonstone doesn’t stop there! The alternate cover is by none other than Michael Wm. Kaluta!

Co-Editors Joe Gentile and Win Scott Eckert are currently hard at work editing the stories. The book is due out in April 2011.

In the meantime, be on the lookout for Volume One, The Green Hornet Chronicles, hitting shelves any day now!



NEED ACTION, MYSTERY, ADVENTURE?? THEN VISIT SOVEREIGN CITY FROM PRO SE PRODUCTIONS!

Pro Se Productions, LLC, the company putting monthly back into pulp with its PRO SE PRESENTS titles (Peculiar Adventures, Masked Gun Mystery, and Fantasy and Fear) announces the SOVEREIGN CITY PROJECT!  Three writers join together to undertake the building of a Pulp Universe in a grand style!
Derrick Ferguson begin_of_the_skype_highlighting     end_of_the_skype_highlighting, Barry Reese begin_of_the_skype_highlighting     end_of_the_skype_highlighting, and Tommy Hancock, all published pulp authors and fans to boot, are the creators of THE SOVEREIGN CITY PROJECT.   “The task,” Hancock stated, “was not only to come up with three ideas that shared the same space, but to figure out how to develop that space in a way that blends creativity and design was the trick.  But then we came up with Sovereign City.”
The city, so named because of its prime location, having access to any and all a city needs to grow into a metropolis, is as much a character as the three action packed, two fisted concepts the three writers have placed in Sovereign-
FORTUNE McCALL by Derrick Ferguson-An enigmatic, charming man makes his mark on Sovereign City by fighting crime and injustice from the deck of his floating casino!  With a cast of characters as exciting as the adventures he leads them into, Fortune McCall is a man of muscle, mind, and means to bring Sovereign City out of the darkness!
Barry Reese’s LAZARUS GRAY
(Art by Tarik El)

LAZARUS GRAY by Barry Reese begin_of_the_skype_highlighting     end_of_the_skype_highlighting-A man wakes up on a Sovereign City beach.  No name, very few clues, but with a purpose.  To seek out evil in every shadow and hole that Sovereign City has and to save the city some thought would save the world from its own version of Hell.  Surrounded by skilled, colorful aides, Lazarus Gray delves into the mysteries of Sovereign as well as his own!
DOC DAYE, 24 HOUR HERO by Tommy Hancock-Born to heroism.  Raised for perfection.  The Savior of Sovereign City.  Doctor Tempus Daye, scientist, scholar, adventurer, hero, and more, but also a man with a curse that could not only destroy his life, but could ultimately mean the fall of Sovereign itself.  How does a man who was created to save the world protect it from himself??
THE SOVEREIGN CITY PROJECT debuts in September’s PRO SE PRESENTS PECULIAR ADVENTURES #2, with the first LAZARUS GRAY story.  FORTUNE MCCALL debuts in October’s issue of PSP MASKED GUN MYSTERY #2, followed in November by DOC DAYE in PSP FANTASY AND FEAR #2.   Each issue of PRO SE PRESENTS starting in September will have at least one SOVEREIGN story within its covers. 

“I’m thrilled to be a part of this collaboration” reported Barry Reese begin_of_the_skype_highlighting     end_of_the_skype_highlighting, “and think that my new character, Lazarus Gray, will have a lot of legs. The idea of a shared universe is something that I think a lot of pulp fans will really embrace and the nice thing about it is that all three of us have the freedom to maintain our own natural styles, while simultaneously sharing the load of building a whole new world!”

For release dates on all of Pro Se’s wonderful Pulpiness, check out www.proseproductions.com!

THE ROOK FLIES AGAIN IN HIS FIFTH VOLUME!

Wild Cat Books is proud to announce the fifth volume in The Rook Chronicles. Thrills and chills galore, featuring many characters, both old & new, and villains & enemies from The Great Old Ones to Count Dracula himself… Not to mention the death of a Pulp Hero!


The book will be 6″x9″, 316 pages, and priced at $14.95. Great artwork by Anthony Castrillo and a special bonus “Rook” story by Stacy Dooks… and there’s even have a Pin-Up by the legendary Fred Hembeck!

NOTED COMIC AND PULP VETERAN WINS AWARD!

Springfield, Ohio played host to the second annual Champion City Comic Con this past weekend. A show dedicated and focusing not only the collecting of comics, but the independent creators who make and self-publish their own books. Among the half-dozen guests invited to the show was comics veteran (and pulp writer and publisher), writer Ron Fortier. Later, during the awards ceremony, the Champion City Comic Con Award for Best Continuing Independent Series went to Mr.Jigsaw – Man of a Thousand Parts, by Ron and artist Gary Kato. Mr.Jigsaw, a comedy super hero has been around for over twenty years and has appeared in a half dozen comic publications in that now. This is the first on-going series of his adventures and is published by Rob Davis’ Redbud Studio through on-demand facilities of Ka-Blam.

The books are sold via the Indy Planet internet store and by Ron and Gary at their con appearances.

There have been seven issues released in the past year and a half with number eight currently in production.

PULP 2.0 PRESS UPDATE:  13 September, 2010
RADIO WESTERN ADVENTURES TO INCLUDE NEVER-BEFORE-SEEN LESTER DENT WESTERN TALE “SNARE SAVVY!”

Los Angeles, CA : Pulp 2.0 Press Mad Pulp Bastard Bill Cunningham announced today that the publisher is adding a never-before-seen Lester Dent tale to its upcoming wild west book release RADIO WESTERN ADVENTURES (RWA).  Dent of course is the world-famous pulp writer of the 30’s and 40’s who created the legendary DOC SAVAGE and THE AVENGER pulp characters. This wild west tale, “Snare Savvy” written in 1932 will join Donald F. Glut’s cover tale,  “Who Really Was That Masked Man?” to create a western “double feature” tribute to Jim Harmon,  the Old Time Radio historian and author, to whom this special book is dedicated.
The contract for “Snare Savvy” was negotiated by the author’s agent, noted pulp writer and historian Will Murray on behalf of the Dent estate.  The story is a classic western featuring Dent’s smart alec cowboy character Haw Kain who rides into town and a whole mess of trouble when he goes up against greedy land grabbers looking to strike it rich.
“We are pleased as punch to be able to add Dent’s ‘Snare Savvy’ to Radio Western Adventures,” said Cunningham. “ It makes an already unique book like RWA that much more special to western and pulp fans. As I read it I could easily see Roy Rogers and Dale Evans as the lead characters Haw Kain and Genie Quayle. Their banter matched perfectly, each giving as good as he or she got. I’m ecstatic over the prospect of publishing a pulp master like Dent’s work, and grateful that Will Murray thought Pulp 2.0 would be a good publisher for the tale.”
Radio Western Adventures will be published on Amazon’s Kindle platform for digital reading and will later come out as a print release via Createspace.  The Kindle edition will feature both stories as well as an essay tribute to Jim Harmon whose love for radio western heroes was well known amongst fans. This digital edition will also include several photos resurrected from Don Glut’s archives showing the profound influence these radio cowboys had on the author and his peers. Pulp 2.0 Press’s print edition will include all of the above plus even more bonus features exclusive to the print version.  Both versions will feature a stunning cover by artist Nik Macaluso (www.scripttease.tv) who created the fantastic blaxploitation cover art for Pulp 2.0’s first release BROTHER BLOOD (also by Glut).
For more information on this book please visit our website at:  www.pulp2ohpress.com  
About Pulp 2.0 Press:
Pulp 2.0 Press, headquartered in Los Angeles, CA was initially formed to republish classic pulp and paperback series which had fallen out of print. The company’s mandate is to place affordable pulp entertainment into eager fans’ hands using the latest internet technology. This includes print, ebooks, video, audio, merchandise and games. To us, ‘pulp’ is not a particular genre, format, medium nor literary time frame. Pulp is an attitude.
In this way, Pulp 2.0 Press is positioned in a slightly different, more expansive manner than other publishers. The company is poised to create, develop and distribute ‘pulp entertainment’ across a variety of media through the portal of the internet and mobile devices.

BLACK COAT PRESS ANNOUNCES SEPTEMBER RELEASES!!
Black Coat Press, a publisher known for its international pulp fiction, announces the following releases for September, 2010.

In Helgvor of the Blue River (1929), two desperate women flee their barbarous tribe, and cross paths with a prodigious warrior. The Giant Feline (1918) features two friends of different races who set off in search of greener pastures for their tribe, befriend a wild creature, and ally themselves with Wolf-Women… Rosny’s final, action-packed prehistoric adventure novels chart the domestication and integration of savage human instincts into sympathetic culture. Together with Vamireh and Quest for Fire, they combine the restless vigor of youth, the violence and wisdom of ages, the species-imperative of accepting difference and diversity, and the exhilarating joy of defying tyranny and death.

Daniel Diersant drives his Volkswagen up to the factory gates and presents his pass to the guard. Over and over and over, Daniel Diersant drives his Volkswagen up to the gates, in the course of this narrative, only sometimes they are not quite the same gates, nor is the guard the same, nor does the pass read precisely the same, and perhaps the picture on it is of another man’s face. But then, Daniel Diersant may be Dr. Robert Holzach from time to time, despite the fact that Dr. Holzach may not have been born yet…



Chronolysis is one of the most important French SF novels of the 1970s. It deals with time and its manipulation through the use of chronolytic drugs. Its protagonists are psychronauts, helpless explorers of a confusing, multidimensional universe, facing threats from alternate realities, such as Harry Krupp Hitler 1st, Emperor of the Undetermined, or the mysterious Phords from the future world of Garichankar. They search for secret paradises, hidden within the folds of space and time, away from their bleak realities, such as the tropical realm of Oblivion-by-Ruaba.


This volume also includes a foreword by Theodore Sturgeon, a biography and illustrated bibliography of Jeury and a never-before-published short story translated by Jean-Marc & Randy Lofficier.




A team of spelunkers is found dead in mysterious circumstances in the shadow of the once-proud Cathar redoubt of Montségur, in Southern France. What mysterious treasure were they seeking–and did they find it? A ruthless battle over long-buried secrets is going to pit the Roman Catholic Church against an ancient secret society and descendents of the Nazis who once looked for the Holy Grail in Montségur, with the very future of Humanity at stake…




Published in France two years before the world-famous Da Vinci Code, The Song of Montségur is an award-winning, fast-paced supernatural thriller which blends elements from French history with modern-day conspiracies.


Brian M. Stableford has been a professional writer since 1965. He has published more than 60 science fiction and fantasy novels, as well as several authoritative non-fiction books. He is also translating the works of Paul Féval and other French writers of the fantastique for Black Coat Press which also published his most two recent fantasy novels: The New Faust at the Tragicomique, The Wayward Muse and The Stones of Camelot.






VAMPIRES VS. WEREWOLVES!

Age of Adventure is currently in production on an anthology that will pit two sets of classic monsters against one another! Featuring a cover by the incredible Rob Moran, this anthology will feature tales that run the gamut from traditional horror to post-modern reinterpretations of the classic myths. Expect this one to arrive in time for Halloween!

THE SEA-WITCH AVAILABLE FOR PRE-ORDER!             
For a limited time, Joel Jenkins’ newest foray into the world of pulp fiction, The Sea-Witch, will be available for pre-order via the Pulpwork Press website! And if you order from the US, you’ll receive free shipping, with reduced shipping for everyone else!



To get a taste of what it’s all about, visit Pulpwork Press’ UPCOMING RELEASES page at http://www.pulpworkpress.com/upcomingreleases.htm. Then stop by our store and order your copy today!


And later on this month, ALL PULP will be interviewing Joel Jenkins about not only The Sea-Witch but his other Pulpwork Press projects, including the acclaimed Dire Planet series.





Coming in September!  PRO SE PRESENTS PECULIAR ADVENTURES #2!!
Alternate histories!!!  Unknown worlds!!!  Heroes that save the world right after their morning coffee!!! What, you say you don’t know where to get all that, plus a weirder than weird tales comic adventure starring some guy named Gary Wooten?? Well, look no further!  Coming in September from Pro Se Productions, PRO SE PRESENTS PECULIAR ADVENTURES #2 will meet all your strange tales and high adventure needs and then some!  Read stories by newcomers Lee Houston, Jr. and Robert Butt!  Marvel at the continuing adventures of Perry Lell, Girl of a Thousand Earths by Megan Smith begin_of_the_skype_highlighting     end_of_the_skype_highlighting begin_of_the_skype_highlighting     end_of_the_skype_highlighting and the Cerberus Clan by Ken Janssens!  Thrill to the wild, weird world of alternate realities by veteran Joshua ReynoldsDO NOT MISS THE DEBUT OF THE SOVEREIGN CITY PROJECT!  The first story in this fantastic endeavor appears in this issue, introducing a mysterious character who walks the supernatural line in Sovereign City!  Be sure to read Lazarus Gray’s debut adventure by veteran author Barry Reese!  And discover a sneak peek at an upcoming anthology from John Morgan Neal and friends that defines adventure!  And lastly, concerning the title character, hold on tight, Oddfellowians, for the debut of pages of the official Fan’s Guide to the Varied Adventures of Peculiar Oddfellow, recently rediscovered and written by his number one fan!  There’s even more than that coming to you this month in PRO SE PRESENTS PECULIAR ADVENTURES #2 from Pro Se Productions!

PRO SE PRESENTS PECULIAR ADVENTURES #2
Edited by Nancy Hansen begin_of_the_skype_highlighting     end_of_the_skype_highlighting begin_of_the_skype_highlighting     end_of_the_skype_highlighting, Editor in Chief, Tommy Hancock
Watch http://www.proseproductions.com/ and this site for release details!



Shipping this week! Doc Savage # 6 from DC’s First Wave line!

Written by BRIAN AZZARELLO & IVAN BRANDON · Co-feature written by JASON STARR · Art by NIC KLEIN · Co-feature art by SCOTT HAMPTON · Cover by J.G. JONES · Variant cover by JOHN CASSADAY
The US government has offered Doc and his men a deal: run a secret mission in the war-ravaged, blockaded ruins of the Middle East, and they’ll wipe the slate clean of the frame-up job that the Secretary of State ran on them. Doc Savage is nobody’s errand boy – but if the mission involves saving the life of one of his former compatriots, he might just have to cut a deal with the men who set him up! Eisner Award-winner Brian Azzarello joins Ivan Brandon for a six-part epic that reveals the most dangerous corner of the FIRST WAVE world!


And in the JUSTICE, INC. co-feature, a new story sheds light on the criminal past of Smitty, one of Benson’s most trusted detectives… and sets both men on a bloody odyssey that will clearly draw the line between “Vengeance and Murder!”





NEVER BEFORE SEEN IMAGES FROM MOONSTONE’S FROM THE VAULT: THE PULP FILES!!


Before Batman, Superman, Daredevil, Punisher and Wonder Woman there was a group of heroes who influenced those who created today’s icons. From Gladiator, Spider, Black Bat and Golden Amazon to Captain Future, Phantom Detective, Rocketman and many more sprung all that comic readers know and love today. Now, Moonstone Books is bringing back those original characters, some for the first time in comics, so you can enjoy what laid the foundation for the entire comic book medium. As a primer to this new originals universe, Moonstone is releasing the Pulp Handbook, packed from cover to cover with everything you need to know in order to embrace the characters Stan Lee, Joel Simon, Jack Kirby and many other comic book pioneers loved.
CLICK ON THE IMAGES BELOW FOR HANDBOOK PAGES ON THE BLACK BAT AND DEATH ANGEL!!
(Written by Mike Bullock, Art by Mike Metcalf, Layout/Assembly by Josh Aitken)










On Sale Now!


THE PHANTOM UNMASKED #2, Written by Martin Powell, illustrated by Hannibal King, cover by Franchesco.


Investigator Laughton Brice, brilliant as she is icily beautiful, traces the true origins of The Phantom into the Deep Woods, ultimately meeting the Ghost Who Walks face to face. In a deadly cat-and-mouse game of deceitful double-crosses and unexpected alliance, the Man Who Cannot Die finally faces his most evil and ancient adversary. Conclusion of the Moonstone series.





Coming October 1, 2010 – the newest pulp thriller from author Bill Raetz: SIN CITY SPY!


“Las Vegas. It’s known as the city of sin. But beneath all the sleaze lies the underworld of shady deals, thugs, and double-crosses—the stomping ground of a spy!”


More details on the author ad his works can be found at The World Espionage Bureau!













 Dateline:  Friday, September 3, 2010
BROTHER BLOOD is now on Kindle! The modern horror classic by Donald F. Glut is now electronic!  Only $2.99 delivered direct to your devices. Yes, this book is DRM free.  Its publisher, Pulp 2.0 Press wants you to read it how and where YOU want to read it.


Pulp 2.0 Press is also readying BROTHER BLOOD, as well as other books in its catalog, for other devices like the IPad.


http://www.amazon.com/Brother-Blood-ebook/dp/B0041KL61W/ref=sr_1_16?ie=UTF8&m=AG56TWVU5XWC2&s=digital-text&qid=1283565109&sr=1-16


Check out Pulp 2.0 Press’ website, http://pulp2ohpress.com/, for more information in coming days!!







Dateline: Friday, September 3, 2010                                                                          

The Green Hornet Chronicles is at the printer and is shipping soon from Moonstone Books!




Edited by Joe Gentile and Win Scott Eckert
Covers by Glen Orbik and Rubén Procopio/interior illustrations by Procopio


CONTENTS:


“Reflections on The Green Hornet”: Introduction by Van Williams


“The Night Car” by Will Murray


“I Had The Green Hornet’s Love Child!” by Greg Cox


“Weakness” by C.J. Henderson


“Topsy-Turvy” by James Chambers


“Nothing Gold Can Stay” by Richard Dean Starr


“Just a Man” by Thom Brannan




“The Cold Cash Kill” by James Reasoner


“Flight of the Yellow Jacket” by Howard Hopkins


“By Scarab and Scorpion” by Mark Ellis


“You Can’t Pick the Number” by Rich Harvey


“Eyes of the Madonna” by Ron Fortier


“Stormy Weather” by Patricia Weakley


“The Auction” by Terry Alexander


“Go Go Gone” by Robert Greenberger


“Mutual Assured Destruction” by Bill Spangler


“The Crimson Dragon” by Mark Justice


“Fang and Sting” by Win Scott Eckert


“The Inside Man” by Matthew Baugh


“The Soul of Solomon” by Harlan Ellison(R)


“Life at 90 MPH”: Afterword by Dean Jeffries


“The Green Hornet’s Hunch” by Dennis O’Neil (bonus story in Limited Editions only)


The Green Hornet Chronicles is at the printer and is shipping soon from Moonstone Books!









Shipping to comics shops 9/9/10!

Domino Lady Noir
Apr101013
(W) Nancy Holder (A) Shawn Van Briesen (C) Michael J. Williams
Great jumping on point! Bram Stoker Award-winner and New York Times best-selling author Nancy Holder tells of bad love gone bad in the comic novella “D.O.A.” Steamy white hot passion, the business of violent crime, and a girl who should know better! Gorgeous greyscaled art by Shawn Van Briesen!



Coming from Moonstone Books in September 2010! Part of Moonstone’s “Return of the Originals” line! By the team of Bullock and Metcalf!

DA Anthony Quinn is sick of watching criminals slip through his fingers due to legal technicalities. When a mobster’s attempt to destroy evidence goes horribly wrong, Quinn finds himself blinded by acid and hopelessly broken. Now sightless, Quinn sharpens his other four senses to near superhuman levels and develops a sixth ‘radar’ sense. He vows to work outside the law to do whatever it takes to bring criminals to justice. 


Before the caped crusader patrolled the streets, before horn head prowled the back alleys, the original dark avenger hunted evil men. The Black Bat is back and hell’s coming with him!

The second feature stars Death Angel, the avenging hand of justice. The critically acclaimed new pulp character co-stars in this gritty, noir battle of good versus evil on the mean streets and in the darkest recesses of the human mind.



Dateline Friday, September 3, 2010


PRESS RELEASE –
Lance Star: Sky Ranger comic book “One Shot!” now available!




Lance Star: Sky Ranger “One Shot!” is now available at Indy Planet: http://www.indyplanet.com/store/product_info.php?products_id=4019


November, 1941. Ace Air Adventurer Lance Star accepts a dangerous mission into an enemy stronghold to stop the Nazi’s from uncovering plans for a weapon long believed destroyed. Lance flies a solo mission to Kiev where he is to plant explosives and destroy a weapons facility when he runs into an old enemy. Now, Lance is faced with a choice. Complete the mission? Or take down the Sky Ranger’s greatest adversary? He’s only going to get one shot at this. Will he choose the mission or revenge?


Featuring high-flying adventure, aerial dog fights, explosive action, and stunning artwork, Lance Star: Sky Ranger “One Shot!” is pure pulp fun from start to finish.


“Lance Star: Sky Ranger “One Shot!” is exactly the sort of high-flying, action-packed air war yarn I really enjoy. It’s fine pulpish fun from start to finish. Bobby Nash and James Burns are aces!”


— James Reasoner






Lance Star: Sky Ranger
“One Shot!”
Written by Bobby Nash
Art/Letters/Colors by James Burns
24 pages
$3.00


Read Bobby Nash’s work. Your life will be better because of it. Trust me, I know!
–Beau Smith


Based on the characters created for the Airship 27/Cornerstone Books Lance Star: Sky Ranger pulp anthologies that can be found at http://www.gopulp.info or wherever your favorite pulp fiction is sold. More high-flying action is on the way with the Lance Star: Sky Ranger novel, “Cold Snap” by Bobby Nash. Coming soon.


Since 2006, Lance Star and his air aces, the Sky Rangers have thrilled readers with their amazing adventures. The first Lance Star: Sky Ranger pulp anthology was published by Wild Cat Books in 2004. Vol. 1 was reissued in 2006 by Airship 27 Productions and Cornerstone Books where they remain available today. A second volume of anthology tales was released in 2009 and is also still available. You can find out information on the Lance Star: Sky Ranger Pulp Anthologies, volumes 1 and 2 on the site. Additionally, Bobby Nash is currently working on the first Lance Star: Sky Ranger novel, “Cold Snap.” Nash says that he hopes “Cold Snap” and “One Shot” will be the first of many Sky Ranger projects to come.


Keep watching www.lance-star.com and http://bobby-nash-news.blogspot.com for updates.


Lance Star: Sky Ranger and all related characters are © copyright 2010 Bobby Nash. All Rights Reserved.

Dateline Friday, September 3, 2010
PRESS RELEASE –
TALES OF THE BAGMAN
(A New Hero in Old Chicago)


Airship 27 Productions & Cornerstone Book Publishers are happy to announce the release of their thirtieth title, TALES OF THE BAGMAN by B.C. Bell. This book features the debut of a brand new pulp hero, the Bagman, and he’s unlike any other crime buster you’ve ever seen before.


In the 1930s, Chicago was one of the fastest growing metropolises in the country. Situated on mighty Lake Michigan, it was the home to millions of hard working Americans looking to a better themselves. The Windy City was also shackled by its bootleg history, a time of violent gang wars that had permanently established a brutal underworld empire second to none. Corruption was the order of the day and both the police and government were in the pay of the mob bosses.


Frank “Mac” McCullough was a foot-soldier in one of the city’s toughest families until he was ordered to rough up his uncle; a decent man with a gambling problem. The innate decency in Mac rebelled and suddenly he found himself up against the very men he had once admired and followed. Determined to put an end to their lawlessness, he put a bag over his head as a crude disguise only to become labeled the Bagman by the press.




Now writer B.C. Bells tells the amazing stories of old Chicago’s most unique hero. Aided solely by a tough, black WW I veteran named Crankshaft, Mac wages war against the mobs in these fast pace, non-stop action tales pulp fans will cheer. “Bell’s writing is a terrific mix of pulp action and wry humor,” applauds Airship 27 Productions’ Ron Fortier. “It’s really a breath of fresh air in the pulp genre and we know our fans are going to love the Bagman.” Designed by Rob Davis, the book features nine illustrations by Kelly Everaert and a gorgeous cover by Laura Givens. Airship 27 Productions is thrilled to present pulpdom’s newest avenger, THE BAGMAN.


AIRSHIP 27 PRODUCTIONS – PULP FICTION FOR A NEW GENERATION!
ISBN: 1-934935-76-X
ISBN 13: 978-1-934935-76-7
Produced by Airship 27
Published by Cornerstone Book Publishers
Release date: 09/03/2010
Retail Price: $21.95

Available now at on-line store (http://www.gopulp.info/)