We’ve got more secrets to share from SyFy‘s SANCTUARY, as Amanda Tapping gives us hints on this season’s shocking finale (still a few weeks away). Plus DC sells five million comics in just a few weeks, and NY Comic Con is ON and we are on the floor.
Evangeline Lily has found her way to the big screen again, starring this weekend with Hugh Jackman in this weekend’s REAL STEEL. We talk about the film, her passion for writing and life after LOST plus Horror Genius Wes Craven reports on how SCREAM 4 begins that francise all over again – plus NBC drops the axe on two shows.
After a summer long publicity build up, Fox has debuted TERRA NOVA in primetime – did you see it? Series star Stephen Lang tells you what you may have missed, plus SNL Vets Maya Rudolph and Emily Spivey mine for prime time comedy gold in NBC‘s new UP ALL NIGHT. And an ARRESTED DEVELOPMENT movie – and series?? Really?
We talk more with Joel McHale about the new season of COMMUNITY, how he’s taking himself a little more seriously and what’s up with Jeff & Annie. Then we showcase another new NBC comedy – FREE AGENTS with Hank Azaria and Kathryn Hahn, plus FRINGE fans can relax. We found Peter Bishop – and he’s at DC Comics.
David E. Kelly‘s HARRY’S LAW has made it to a second season at NBC, and we sit down with star Kathy Bates to talk about what is coming up on the show including a few major cast changes. Plus Fox nabs The Spectre and Harlan is headed to court again.
Yes it is a 60s-era series, but don’t call NBC‘s new series, THE PLAYBOY CLUB, “MADMAN with a tail & ears”. The crime drama also has a strong music element – and the series stars Amber Heard and Eddie Cibrian explain it all. Plus more DC sell outs, updates on the CLUE and THREE STOOGES films and somebody ripped off Darth Vader!
The World Trade Center. The Pentagon. Shanksville, Pennsylvania.
I’m watching the memorial services.
Tom Brokaw, David Gregory on NBC and MSNBC. Anderson Cooper and Candy Crowley on CNN. President Obama with Michelle and President George W. Bush with Laura. Mayor Bloomberg. Rudy Giuliani. Vice President Biden.
Breaking news: a truck bomb has killed at least 50 American soldiers in Afghanistan.
The ticker on CNN now reads: Global Terror Evolves. Al Qaeda under attack but keeps changing as Peter Bergen says: “Ten years out, terrorism remains, but is very different.”
Yesterday I read the “debut” issue of Action Comics #1. The one with Superman in a t-shirt, jeans, and Timberland boots.
It’s a different look for him.
He’s different.
The story opens as Superman breaks into a corporate (corporate = evil) meeting and manhandles the CEO (CEO = malevolence). The police (hired mercenaries?) rush in. They order Superman to put down the CEO. His answer, in the last panel on page three: “Just as soon as he makes a full confession. To someone who still believes the law works for the same for rich and poor alike…”
I turn the page.
Two-page spread, splash panel. Superman is standing on the edge of the roof, holding the CEO up with one hand, threatening to drop him. His eyes are burning, glowing red. He’s firing up his heat vision, eyes burning and glowing red. The CEO is screaming for someone to save him. The cops have their weaponry aimed at him. It’s a stand off. And Superman finishes his thought:
“…because that ain’t Superman!!!!”
It sure ain’t.
I could write a thesis on how American culture has changed since the last ten years. But better men and women, better writers and thinkers have done that already, so I won’t.
But I will say that I believe there is a disease that is rampant in this country. It’s a highly contagious disease that causes its victims to change facts. In America its sufferers believe that the United States and its government has always “played fair.” That the original colonists never slaughtered the native culture they found here or that 100 years later the U.S. Cavalry didn’t lace blankets with smallpox to kill the “Indians” of the Great Plains. That those who wrote the Declaration of Independence and the Constitution of the United States of America worked tirelessly until slavery was no more in the United States. That slavery itself was a fair and equitable system in which master and slave worked for the common good. That President Franklin D. Roosevelt, a scion of one of the wealthiest families in America, was a socialist. That Eisenhower was a tool of the communists. That the Civil Rights Act was propagated and staunchly defended by Southern Republicans and fought with tooth-and-nail by the Democrats. That the World Trade Center was brought down by controlled demolition explosions and that a missile hit the Pentagon was launched by “elements” inside the Bush administration. That Social Security is a Ponzi scheme. That Obama isn’t an American.
This is the culture of America today, September 11, 2011. It’s a suspicious and cynical culture that would rather dream nostalgic dreams of a past that wasn’t than to work together to shape those dreams into reality.
But is it so different from the culture that shaped two kids from Cleveland in 1932, two kids who believed in “the American Dream” of truth and justice for all, and created an avenging crusader a “superman” who beat up mobsters and wife beaters, profiteers and lynch mobs? That culture supposedly welcomed immigrants, and then barred them from communities and colleges and jobs. It was a culture that restricted voting and allowed segregation. The Superman created in 1932 and who debuted to the world in 1938 was a result of the suppressed anger of two Jewish boys who saw the inequities and untruths in the American reality, but still believed in the American dream.
Ronald Reagan, for all his faults, was right when he spoke of America as that “great shining city on a hill.” America, the idea of America, is still, will always be, in my not-so-humble opinion, the quest, the Arthurian legend, come to life.
My question is, and my worry is, how can the kids reading Grant Morrison’s 2011 version of Superman still believe in that quest, those ideals, that American dream that the hero has always represented when he clearly states, That Ain’t Superman?
PRIME SUSPECT was one of the most revered BBC series of all time. Now NBC is bringing a new version to their fall season with Maria Bello in the lead role. We talk to her about the good and bad things in taking the part, and what is the deal with that hat?? And a BEETLEJUICE sequel? Yep!
As this summer season winds down, Sony is looking three years ahead. According to Deadline, they have already staked out May 2, 2014 for the sequel to 2012’s Amazing Spider-Man. James Vanderbilt, who penned the first script, has already been tapped for the sequel although it’s way too soon to know anything about the content. The first film continues production although footage shown at Comic-Con International wowed skeptical audiences. Additionally, fans were stunned when star Andrew Garfield took the mike, dressed in a store-bought Spidey suit and read from notes about what the character means to him, apparently truly heartfelt words.
UPDATE: The Hollywood Reporter says that Marvel has staked out two weekends in 2014 for two unnamed films. Two weeks after the Spider-Man sequel, May will see Marvel To Come #1. The second Marvel movie will open June 27, and since that’s around July 4 we’re willing to bet this will be eventually be called Captain America 2 .
Meanwhile, Naturi Naughton, about to be seen weekly in NBC’s The Playboy Club, has been signed to portray Cecilia Reyes in 20th Century-Fox’s The Wolverine. The sequel, starring Hugh Jackman, is in production for a 2012 release. Directed by James Mangold, the story is largely based on the classic Wolverine miniseries written by Chris Claremont and illustrated by Frank Miller and is set in Japan. Reyes was not a character in that story, introduced decades later.
In the Marvel Film Universe proper, 2013’s Thor 2 may see Brian Kirk in the director’s chair. Kirk, who gained acclaim for his work on HBO’s Game of Thrones, would replace Kenneth Branagh, who bowed out recently.
In a decision seeming out of left field, Twitchfilm reports that Marvel Studios has placed the futuristic Guardians of the Galaxy into active development. First introduced in Marvel Super-Heroes #18, released in 1969, the quartet of freedom fighters from the 27th Century. The team has grown and evolved through the years with more than a few ties to the modern day Marvel Universe. Whether those connections would remain on screen is unknown. It joins Black Panther, Ant-Man, Doctor Strange, and Iron Fist in the second tier of characters being readied.
While an early announcement, Amazing Spider-Man 2 is not the first major property to stake out 2014 dates. Already on the schedule are DreamWorks’ Mr. Peabody & Sherman, due out March 21 and their How to Train Your Dragon 2 is expected June 20. In the same THR report, Pixar has claimed Memorial Day weekend for an untilted film as well.
As for Marvel’s rival, DC Entertainment has announced no super-heroics beyond 2013’s Supeman: Man of Steel although The Flash, Green Lantern 2, and Justice League of America were all recently mentioned by Wanrer Bros. President Jeff Robinov as being developed
One of the joys of the Warner Archive program is that movies and television shows for small groups of fans can be released. The restoration costs seem to have reached a reasonable scale and these direct-to-order projects don’t really require the bells and whistles higher profile releases deserve. As a result, we can revel in the stuff we grew up or recall fondly. In my case, that includes a ton of Hanna-Barbera and Ruby-Spears stuff that has been coming out over the last year or two. It also meant I finally got a good copy of the pilot to theSearch series.
And while some will turn their noses up to those offerings, they may begin salivating at some of the others that have been released; titles which I personally find not worth our time and attention. One such series is the short-lived NBC clunker Man from Atlantis, best known as the vehicle that gave the world Patrick Duffy pre-Dallas. The premise is certain high concept enough to have been interesting: amnesiac Mark Harris displayed the ability to breathe underwater and withstand the crushing deep sea water pressure. His origins remained murky but as was the formula from the 1970s, he was immediately set up with a purpose that served others rather than himself: working for the Foundation for Oceanic Research, a front for top secret activity. He was accompanied by a team of humans (co-stars Belinda J. Montgomery and Alan Fudge) aboard the high-tech sub called the Cetacean. And rather than delve into her personality or explore the things that made him unique, he became another handsome, shirtless hunk who went through the motions.
NBC’s Fred Silverman green lit the series, first as a number of telefilms, running four during the 1976-1977 television season and these are collected in the just-released two-disc Man from Atlantis: The Complete TV Movies Collection.
The concept proved durable enough it was given a weekly series order and those 13 episodes have also been collected and released as a four-disc Man from Atlantis: The Complete Television Series. I should stress, the pilot film was previously released on its own. (more…)
