Tagged: DVD

‘Terminator Salvation’ Ducati and DVD giveaway

‘Terminator Salvation’ Ducati and DVD giveaway

The real winner of the summer movie sweepstakes may well be motorcycle manufacturer Ducati, which managed to have their sleek cycles appear in two of the box office behemoths: Terminator Salvation and Transformers: Revenge of the Fallen. In the latter, the Hypermotard merged with two other cycles to create the female Autobot Arcee.

In Terminator, the DVD of which went on sale this week, the film featured a Moto-Terminator, inspired by the Ducati Hypermotard 1100 bike. To celebrate this fact, Ducati, Warner Bros. and ESPN have teamed up to offer a contest, ending today. The winner receives a 2010 Ducati Hypermotard 796 Motorcycle, worth a cool $10,340.

To learn more about the cycle and how it was turned into a Terminator, check out the featurette on the DVD.

What? You haven’t rushed out to get it yet? ComicMix can help. Warner Home Video has given us a standard format DVD to award to one of our fans.

Here’s the deal: like the ESPN contest, we’ll give you until Saturday, midnight Eastern time, to post a comment in this topic using your name and e-mail address. We will select a lucky winner at random who will have the DVD mailed out in time for holiday enjoyment.

Universal Announces ‘Flipper’ Format for Home Video

Universal Announces ‘Flipper’ Format for Home Video

We think the following press release from Universal is pretty cool and could be a game changer for those quibbling about being forced to upgrade to Blu-ray.

Universal City, California, December 1, 2009 – In a move that is poised to elevate the Blu-ray™ Hi-Def format and provide consumers with the ultimate in convenience and viewing flexibility, Universal Studios Home Entertainment (USHE) announced the introduction of groundbreaking dual-format discs containing both Blu-ray™ Hi-Def and DVD versions of some of Hollywood’s most iconic films.  An industry first, the new “flipper” discs will launch on January 19, 2010 with the blockbuster superspy thrillers The Bourne Identity, The Bourne Supremacy and The Bourne Ultimatum, starring Matt Damon, premiering as individually packaged Blu-ray™ discs.

For the first time ever, consumers will have the ability to choose between Blu-ray™ and DVD formats, simply by flipping a single disc.  With complete utility in one convenient package, the revolutionary medium can be used on any DVD or Blu-ray™ compatible player, game platform or computer, making it ideal for anyone planning to upgrade to Blu-ray™ at a future date as well as current owners of both Blu-ray™ and DVD systems.  Each side of Universal’s flipper discs includes the entire movie as well as all available bonus features, with the Blu-ray™ side featuring exciting BD exclusives such as U-Control and BD-Live™.

“Universal’s flipper discs are the perfect way for consumers to future-proof their collections while still enjoying their favorite movies on all their existing DVD players,” said Craig Kornblau, President of Universal Studios Home Entertainment.  “The flipper disc offers an easy way for viewers to convert to Blu-ray now or at any time in the future, confident in the fact they will be able to experience their home entertainment purchases in the highest quality picture and sound when they do.”

The release will mark the first time the Bourne trilogy, one of the highest grossing action movie franchises in history, is available individually in Blu-ray’s™ renowned perfect picture and purest digital sound.  Each film is accompanied by an array of exciting bonus features that plunge viewers deeper in to the shadowy world of international espionage, including top-secret files, challenging strategy games,  fascinating filmmakers and actor profiles, commentary, deleted scenes and Universal’s renowned BD-Live™ functionality.

Riddled with deception, intrigue and high-octane thrills, each chapter of the globe-hopping search for Jason Bourne’s true identity raises the stakes another lethal notch as the undercover killer settles old scores and uncovers new secrets.  A commanding roster of acclaimed actors accompanies Damon on his quest, including Chris Cooper, Clive Owen, Brian Cox, Julia Stiles, Franka Potente, Joan Allen, David Strathairn and Albert Finney.

Review: ‘Superman: The Complete Animated Series’ on DVD

Review: ‘Superman: The Complete Animated Series’ on DVD

Once Batman the Animated Series became a huge success, a follow-up featuring the Man of Steel seemed inevitable. That it took until 1996, four years later, was the only crime in the process. The equally successful adaptation from the comics lasted four seasons and 54 episodes, helping set the stage for the bets adaptation yet: Justice League/JL Unlimited.

On Tuesday, Warner Home Video releases a seven-disc Superman: The Complete Animated Series
. Much like the just-released complete JLU series, this merely takes the existing season set discs and repackages them in a nice foil box along with a bonus seventh disc. The companion booklet, therefore, makes the same numbering error by not reflecting the actual discs.

All the love and attention lavished on the Dark Knight was poured into this show, which was brighter and shinier, the villains larger in scope and giving the animators a chance to bust loose. Superman works great in animation and after the lackluster efforts from Filmation, Hanna-Barbera and Ruby-Spears, this one clearly shows the potential fulfilled.

As usual, the voice casting is fairly top-notch with Tim Daly alternating nicely between Superman and Clark Kent, sparring playfully with Dana Delany’s Lois Lane. Clancy Brown is wonderfully malevolent as Luthor and his ever-present menace is well handled, matching the reboot version launched a decade earlier.

The series winks at the fans in many, many ways which shows the love and affection they hold for the source material and their core audience. The largest change they made to the mythos was inserting Brainiac into Kal-El’s origins and it just doesn’t work for me. In fact, the use of Brainiac here may be a weak spot throughout the series, only paying off at the conclusion of the Project Cadmus arc in JLU season one.

Yes, the continuity links between the series also rewards fans and allows the production team the opportunity to plant seeds or wrap up threads they could do otherwise. It’s a shame, therefore, that the Superman appearances in Static Shock are not included here.

Wisely, the series got pretty cosmic pretty quickly and the first season ends with the introduction of Darkseid.  By bringing in the Fourth World characters, the show takes on a scope befitting the World’s Greatest Super-Hero and giving him a host of new opponents that would truly tax him. The seventh disc has some trailers but the highlight is “The Despot Darkseid: A Villain Worthy of Superman” which gathers the producers to reflect on how this really opened things up for them. The 17 minute discussion is filled with tributes to creator Jack Kirby and shows how important he became to the series.

Darkseid wasn’t the only threat and the Man of Steel’s rogues ‘ galleries is nicely introduced one at a time and then recur, varying the tone of the show. And was there any villain better suited to animation than Mr. Mxyzptlk, whose arrival always meant a nice change of pace episode was in the offing.

The stories hold up nicely, the animation fluid and the affection for the hero that started it all is clear in every frame.

The Point Radio: Bringing A Fresh Eye To ‘The Prisoner’

The Point Radio: Bringing A Fresh Eye To ‘The Prisoner’

As amazing as it sounds, actor Jim Caviezel had never been exposed to THE PRISONER before the script landed at his door. In our exclusive interview, Jim talks about how coming at the project from a new perspective gave him an edge few other actors had. Plus, now those JSA episodes of SMALLVILLE are becoming a movie event, Fox yanks DOLLHOUSE from life support and how about DARK KNIGHT on DVD for $3.99.

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Review: ‘Ruby-Spears Superman’ on DVD

Review: ‘Ruby-Spears Superman’ on DVD

[[[Superman]]] did not do well as an animated series despite three different studios attempting to tell his stories. Filmation debuted as a competitor to Hanna-Barbera with the 1966 Superman series then H-B told their stories in [[[Super Friends]]]. It seemed they didn’t fully know how to challenge someone with the amazing powers.

By the late 1980s, Ruby-Spears was a well established company, best known for their [[[Thundarr the Barbarian]]]. In 1988, it was their turn to try their hand with the Man of Steel and tomorrow, Warner Home Video releases Ruby-Spears Superman
, a two-disc set collecting the thirteen episodes from the one season series.

This series came out just two years after Superman had been revamped from top to bottom by John Byrne and Marv Wolfman in the pages of [[[Superman]]], [[[Adventures of Superman]]], and [[[Action Comics]]]. Most of the changes from the comics are not reflected here, the exception being Lex Luthor as a business tycoon scheming to rid the world of Superman.

However, the producers clearly weren’t comfortable with this interpretation so borrowed heavily from the just completed film series. As a result, the Luthor here is not at all a threat and saddled with a dumb blonde, Jessica Morganberry, for a confidant rather than the more interesting, and far deadlier, Hope and Mercy.

Marv Wolfman was the story editor, chosen not because he helped craft this modern day version of the mythos, but based on his other animation credits. He surrounded himself with like-minded professionals including Martin Pasko and Steve Gerber (who may have written the best of the episodes) and got to work. Visually, the series was a cut above its predecessors thanks to the involvement of Gil Kane, no stranger to Superman. It’s fun seeing Kane’s unique designs come to life, if only more of his touch were evident in the main characters.

The characterizations for Clark Kent, Lois, Jimmy, Perry, and the Kents is virtually non-existant which undercuts much of the emotional impact of the stories. The threats, whether from the benign Luthor or extraterrestrial sources, are also largely unimaginative. Why his rogues’ gallery is absent is never addressed and again, that robbed the series of better stories. Wonder Woman guest stars in one episode and she’s diverting but not at all majestic or riveting to watch. Instead, we have tales that sometimes defy story logic or the laws of (comic book) physics.

From an animation standpoint, the series suffers lapses when characters stand in front of oncoming energy blasts or runaway trains when they should be in motion. The voice casting is off for most characters and is unmemorable. This is far from Ruby-Seaprs’ finest moments.

The most interesting aspect of the series is that each episode concludes with “The Superman Family Album”, four minute vignettes in chronological order, detailing Clark Kent’s journey from adoption through the first time he donned his costume. Unfortunately, all the heart-warming elements we loved from the previous incarnations are gone. Instead, Clark is an impatient brat who demonstrates his powers without ever once being taught about the responsibility that comes with them. We jump a few years and he’s suddenly more mature if no less patient, and we never see the lessons the Kents imparted that made him the World’s Greatest Super-Hero. In her introduction, Lana arrives as a blonde, and her relationship with Clark is given short-shrift. Similarly, Lois’ introduction to Superman is badly handled and devoid of emotion. A great idea, terribly wasted with poor creative choices.

The 13 episodes look nice, and the soundtrack, inspired by John Williams, is a cut above but overall, they are less than wonderful adventures.

The box set comes with one unique extra: “[[[Corruption of the Corrupt: The Rise of LexCorp]]]” which attempts to place Luthor’s comic book characterization into the context of the times. Educators and authors along with Superman editor Mike Carlin contribute their thoughts and it’s somewhat engaging, but has little to do with the animated series, certainly it has no resemblance to the Luthor depicted here.

The Point Radio: ‘Battlestar Galactica’ Creator Shares ‘The Plan’

The Point Radio: ‘Battlestar Galactica’ Creator Shares ‘The Plan’

Battlestar Galactica executive producer, Ronald Moore, shares why he is revisiting old territory with the new DVD release The Plan, plus League of Extraordinary Gentlemen costs two librarians their jobs and didn’t we tell you Paranormal Activity would be #1 at the box office?

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The Point Radio: A Miracle to save ‘Dollhouse’, MarvelFest hits NYC, and new trailers hit theaters

The Point Radio: A Miracle to save ‘Dollhouse’, MarvelFest hits NYC, and new trailers hit theaters

As Fox announces their decision to bench Dollhouse for the fall sweep, we sit down with series regular, Miracle Laurie, on her future with the show and in the world of acting. Plus MarvelFest hits NYC (wonder if DC will plan something on the same day?), Glee hits on DVD and there are two hot trailers to catch in theaters this weekend.

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Review: ‘Peanuts 1970s Collection Vol. 1’ on DVD

Review: ‘Peanuts 1970s Collection Vol. 1’ on DVD

Charles Schulz always said he created his [[[Peanuts]]] strips adults but clearly, the comic strip struck a chord with readers of all ages so by the late 1960s, the franchise had become a pop culture hit with tons of merchandising. Notable among them were the television specials which continued for decades.

A key difference between the strips and the animated television fare is that the specials are clearly aimed at younger audiences whose demands on story logic are far lower. That could explain why several of offerings contained in [[[Peanuts 1970s Collection]]] cause you to wonder how things could be. The two-disc set, out on Tuesday from Warner Home Video (who kindly provided a review copy), contains the first six specials from the decade covering 1971-1974. Eight more are no doubt being saved for volume two.

As the 1970s arrived, Peanuts stopped being about the kids and their struggles with childhood and life itself. The existential suffering of Charlie Brown was slowly being replaced with the comical exploits of Snoopy, who had eclipsed his owner in popularity. At the dawn of the new decade, Schulz gave him a buddy, Woodstock the bird. More strip and screen time was taken from the kids and given to the pet buddies. For me, the strip suffered greatly and began its long slow decline in quality during this period.

In [[[There’s no Time for Love, Charlie Brown]]] and [[[A Charlie Brown Thanksgiving]]], the absence of adults weakens the overall story. The former story involves a field trip to a local museum where Charlie Brown needs to write a top-notch report to salvage his grades. Somehow, he and Peppermint Patty, whose school is also taking a trip, wind up in a supermarket and Charlie can’t seem to tell the difference. But, where are the teachers and parent chaperons? Similarly, the holiday episode has Patty, Marcy, and Franklin somehow manage to abandon their families, having invited themselves over to Charlie’s house for the traditional meal while Charlie is expected to travel with Sally and his parents to grandma’s house. At no point does it make sense these kids would be allowed to leave family traditions nor would Charlie’s parents actively allow him to prep a meal (albeit one consisting of toast, popcorn, jelly beans and pretzel sticks). There’s also something just plain wrong about watching Woodstock eat turkey during the end credits.

(more…)

The Point Radio: Wanna See Something Really Scary?

The Point Radio: Wanna See Something Really Scary?

Michael Dougherty (X2, SUPERMAN RETURNS) has managed to turn his obsession for his favorite holiday into a feature film. TRICK ‘R TREAT is a horror anthology just released on DVD and we get the scary details from  Michael and star Lauren Lee Smith. Plus Brian Bendis is plunging ahead full steam on POWERS in comics and TV as well as bringing back the Original AVENGERS to Marvel.

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Review: ‘Red Dwarf: Back to Earth’ on DVD

Review: ‘Red Dwarf: Back to Earth’ on DVD

When traveling in SF circles, inevitably you find pockets of people who adore certain books or films or TV series who cannot conceive of how you consider your life complete without having read or watched “Fill in the Blank”. One of the shows that are on the list I’ve heard over the years has been [[[Red Dwarf]]]. The BBC series was said to be a beloved comedy that skewered science fiction tropes and was a delight to watch. So, when BBC Worldwide offered to send me [[[Red Dwarf: Back to Earth]]] for review, I kindly accepted (which is my way of saying, this was a complimentary copy for those keeping track in Washington).

I knew very little about the show and figured I would watch it with an open mind, eager to see what the fuss was all about. The two-disc set, on sale this week, offers the series as three episodes, as it aired this spring in England, or a director’s cut that spares you sitting through the credits more than once, although a few lines referring to the show as being in three parts have been deleted.

Written and directed by series co-creator Doug Naylor, the story opens nine years after we last saw the crew of the Red Dwarf and we learn that things are not going well. They’re running low on water and the water tank is currently housing a threatening squid-like creature. Before you know it, Katerina Bartikovsky (Sophie Winkleman), reappears on the ship and uses the mining equipment to slice a hole between dimensions with the hopes that they can find a human female who will help repopulate the human race (which apparently went extinct millions of years earlier). Instead, they find themselves transported to Earth circa spring 2009 AD and learn that they are all fictional characters slated to die when the three-part series concludes transmission. From there, they seek the series’ creator and the show shifts tone and feel, parodying [[[Blade Runner]]].

Unfortunately, for those of us just tuning in for the first time, very little backstory and context is provided. I have no idea that the truly annoying Cat (Danny John-Jules) is an evolved version of the cat David Lister (Craig Charles) smuggled aboard the ship three million years earlier.  I have no idea why the Red Dwarf seems to be plying an unpopulated universe and why they are so incredibly incompetent.

The humor was too broad for my tastes, I guess, because I never laughed or smirked. I found the self-referential bits in the 21st Century self-indulgent and wasting a great opportunity to tell a good reunion story. The Blade Runner elements felt shoe-horned in because, apparently, the series would periodically parody other films. I was actually bored and fidgety watching this, leading me to conclude the reunion show was aimed squarely at its fan base and was not at all interested in attracting new viewers.

Disc two contains a nice variety of features such as Smeg Ups (lengthy bloopers) which gives you a glimpse of how much green screen work was done to recreate the look of the ship. You get featurettes on the show’s SFX, see the cast sign pictures and chat (boring), the electronic press kit, four behind-the-scenes pieces, trailers, photo galleries and the obligatory Making of [[[Back to Earth]]]. While somewhat engaging, this disc is also more for the fans of the series who can’t get enough Red Dwarf.

Since the miniseries never aired in the United States, this is your chance to see it for yourself and if you loved the series, I guess you’ll like this.