Tagged: DC

Roy Rogers at the End of the Trail

Roy Rogers at the End of the Trail

  • News
  • July 10, 2010






I’m probably the last
guy on earth who should ask this question… but… hell, is nothing sacred?

We’ve got us a big ol’ auction coming up here in New York
this coming week. Christie’s is going to bang off some stuff once owned by Roy
Rogers and Dale Evans.

OK, some of you know where this is going.

The cool stuff comes from the now-closed Roy Rogers and Dale
Evans Museum in Branson, Missouri, the latest in a long line of celebrity
failures in that remote resort town. They’ll be auctioning off Roy’s silver
dollar studded 1964 Bonneville convertible, worth maybe $150,000.
They’re also hammering the hand-drawn music for Roy’s theme song, “Happy Trails”
and they think it’ll go for maybe $500. That seems cheap. And, sigh, so does this.

Yep, they’re auctioning off Roy Rogers faithful companion, Trigger.
Back in 1965 Roy took him to the taxidermist and had his old pal stuffed and
mounted. That’s kind of… I dunno… weird.
And in an icky sort of way, too. I mean, stuffing your horse. Hell, I grew up
watching that horse on teevee! He even had his own comic book! It outsold damn
near everything published by DC at the time!

At least Roy and Dale didn’t live to see Trigger go under
the gavel. And I do not think they were stuffed.

But if there’re a couple slots open near Walt Disney…

Thomas Jane is Hung up on Jonah Hex

Thomas Jane is Hung up on Jonah Hex

If at first you don’t succeed, take the animated role.

Therein lies the lesson of Thomas Jane’s quest to play the role of comic book anti-hero Jonah Hex. The star of HBO’s popular series Hung once lobbied to play the theatrical role of Jonah Hex and, though he fell short in that attempt, Jane has found another path to the character as the disfigured cowboy’s voice in the DC Showcase Original Short, Jonah Hex.

The all-new, animated Jonah Hex appears as a companion piece on the upcoming Special Edition Blu-Ray and 2-Disc Special Edition DVD release of Batman: Under the Red Hood, the latest entry in the ongoing series of DC Universe Animated Original PG-13 Movies coming from Warner Home Video on July 27, 2010.

In the short, the tough-as-nails bounty hunter always gets his man – until someone else gets to him first. In this case it’s a murderous madam who wants to steal more than just bounty from Jonah Hex. The animated short Jonah Hex is based on a story from the award-winning comic series, and scripted by renowned author Joe Lansdale. Jane leads a voice cast that includes Linda Hamilton (The Terminator), Michelle Trachtenberg (Mercy, Buffy the Vampire Slayer), Michael Rooker (Days of Thunder) and Jason Marsden (Spirited Away).

A lover of both comic books and westerns, Jane felt a certain kinship to the character – and the result is clearly evident in his vocal depiction of Hex and the emotional range of the performance. Jane was the ultimate perfectionist throughout the recording process, never settling for good takes when great was attainable. From the original recording session through follow-up ADR, the give-and-take between Jane and the filmmakers – including executive producer Bruce Timm – was quite collaborative in achieving the final presentation.

Jane currently headlines HBO’s Hung, though he’s active in numerous other projects, including films being developed by his own production company, Raw Studios. Coincidentally, Jane founded Raw Studios with Timothy Bradstreet and Steve Niles, the screenwriter of the first DC Showcase short, The Spectre. Jane’s directorial debut, Raw Studios’ Dark Country, continues to play to rave reviews and enthusiastic crowds at conventions and festivals around the world.

No stranger to the fanboy/comics realm, Jane co-wrote his own comic book miniseries, Bad Planet. He played the title character in the 2004 version of The Punisher, starred in Mutant Chronicles, and had roles in both The Crow: City of Angels and Buffy the Vampire Slayer. He has drawn widespread acclaim for many of his non-fanboy roles, especially his turn as Mickey Mantle in the HBO film, 61*. His numerous credits run the gamut from Magnolia, Deep Blue Sea and The Thin Red Line to Boogie Nights and Face/Off.

After shooting all morning on the set of Hung, Jane came into the recording studio to put some final touches on his Jonah Hex performance – and to chat about his attraction to anti-heroes, his adoration of comics, and how he came to (literally) rub elbows with Ringo Starr. This is what Thomas Jane says …

QUESTION: This isn’t your first run at the role of Jonah Hex, is it?

THOMAS JANE: I’ve been a fan of the comic and the character and that whole western world. I’m glad to be voicing the role, and I actually wanted to do the live-action film. When they were casting the movie, I had a guy come and do my makeup, we took some photos and sent them off to Akiva Goldman. I know some of those photos have leaked out online. They had a different director at the time, and Josh Brolin had just hit with the Coen brothers movie, so he had pick of the litter. And that spelled outski for me.

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Jason Isaacs Muses on being the eternal Ra’s al Ghul

Jason Isaacs Muses on being the eternal Ra’s al Ghul

Jason Isaacs, renowned for his villainous turn as Lucius Malfoy in the Harry Potter films, assumes another dark iconic role as the voice of Ra’s al Ghul in Batman: Under the Red Hood, the latest entry in the ongoing series of DC Universe Animated Original PG-13 Movies coming July 27, 2010 to Blu-ray, DVD, OnDemand and for Download.

Isaacs, who portrays Malfoy in five Harry Potter films, is well known for his lead role on the Showtime series Brotherhood, as well as starring opposite Mel Gibson in the revolutionary war adventure, The Patriot. The British actor has also racked up credits in films like Armageddon, Black Hawk Down, Peter Pan, Grindhouse, DragonHeart and Green Zone; TV series including The West Wing, Entourage and The State Within (for which he received a Golden Globe nomination); and in the voiceover realm in everything from documentary narration and commercial advertisements to video games and the popular animated series Avatar: The Last Airbender,

In Batman: Under the Red Hood, Isaacs gives Batman’s nemesis Ra’s al Ghul a sympathetic twist as the villain attempts to right his own wrongs and help Batman in his efforts against both Red Hood and the Joker. Isaacs is an integral part of an all-star cast that includes Bruce Greenwood (Star Trek), Jensen Ackles (Supernatural), Neil Patrick Harris (How I Met Your Mother) and John DiMaggio (Futurama).

Produced by Warner Premiere, DC Entertainment and Warner Bros. Animation, Batman: Under the Red Hood will be distributed by Warner Home Video as a Special Edition version on Blu-Ray™ and 2-disc DVD, as well as being available on single disc DVD, On Demand and for Download.

Isaacs splits his time between the UK and the US, but still found a few moments to chat about his latest animation voiceover role, his yearning for an actual super power, and his childhood addiction to comic books.

QUESTION: This isn’t really the Ra’s al Ghul we’re accustomed to seeing – what’s the nutshell synopsis of his part in Batman: Under the Red Hood?

JASON ISAACS: This role is a bit unusual for Ra’s al Ghul as he’s been Batman’s nemesis a lot in the past.  But this time he is actually full of regret for a mistake that he has made, and his inability to control the Joker.  A lot of what happens for Ra’s in this story is him explaining to Batman how things went so badly awry, and how Robin ended up quite so dead.

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Wonder Woman’s Latest Makeover

  • News
  • June 30, 2010

Hey, Wonder Woman! You’re driving me nuts.

DC Comics has announced they’re changing Wonder Woman’s costume. Let’s forget that her costume is truly iconic. Let’s forget it’s been one of the most licensed images in American comic books. Let’s even forget that
artist/co-publisher Jim Lee’s new design isn’t bad at all. Let’s just question the wisdom of capricious change.

We’ve been through this before. In 1968, DC took her out
of her costume and dressed her as Emma Peal from The Avengers teevee show. It didn’t work. In 1982, DC altered the eagle to look like a double-double-you. Since then, that image has been softened to appear almost indistinguishable.

DC has re-launched, re-booted, re-vitalized and changed
Wonder Woman more often than a new mom changes her baby’s diaper. Some incarnations were quite good, but few lasted long enough to establish an audience.

DC has repeatedly proven themselves either unwilling or incapable of developing their artistic successes. It looks like every time somebody new comes in, he’s got to “save Wonder Woman” just to make his bones.
Perhaps the numbers crunchers panic easily – that’s certainly been known to happen. Perhaps they should just focus on making great comics instead of
overdoing lame “events.”

Wonder Woman has been a role model to thousands of young
girls and has been an entry-point for a lot of women into this still-male
dominated medium. DC should honor Wonder Woman and her heritage by treating her with the same reverence with which they treat Superman. The way publisher has treated Wonder Woman for the past couple decades has been quite sad.

Superman & Batman Repeat Appearance on Next Animated Feature

Superman & Batman Repeat Appearance on Next Animated Feature

  • News
  • June 29, 2010

As has been unofficially discussed on the net, Warner Premiere continues to exploit DCE’s major heroes. The details on the next release were officially unveiled today in the following press release.

BURBANK, CA, (June 29, 2010) – To save an earthbound Kryptonian, the Man of Steel and the Dark Knight unite once again – this time to battle the powerful forces of Darkseid – in Superman/Batman: Apocalypse, the ninth entry in the popular, ongoing series of DC Universe Animated Original PG-13 Movies coming September 28, 2010 from Warner Premiere, DC Comics and Warner Bros. Animation. The highly anticipated, full-length film will be distributed by Warner Home Video as a Special Edition Blu-Ray™ and 2-Disc Special Edition DVD as well as single disc DVD. The film will also be available On Demand and for Download.

Fan favorites Tim Daly (Private Practice) and Kevin Conroy (China Beach) return to their seminal roles as Superman and Batman, respectively. The celebrity-laden guest cast is headed by Andre Braugher (Men of a Certain Age) as the daunting Darkseid. Sci-Fi heroine Summer Glau (Serenity/Firefly, Terminator: The Sarah Connor Chronicles) provides the voice of Supergirl, and seven-time Emmy Award winner Ed Asner (Up) reprises his Superman: The Animated Series/Justice League role as Granny Goodness.

Based on the DC Comics series/graphic novel Superman/Batman: Supergirl by Jeph Loeb, Michael Turner & Peter Steigerwald, Superman/Batman: Apocalypse is produced by animation legend Bruce Timm and directed by Lauren Montgomery (Justice League: Crisis on Two Earths) from a script by Academy Award-nominated screenwriter Tab Murphy (Gorillas in the Mist).

After a spaceship splashes down in Gotham City Harbor, Batman and Superman encounter a mysterious Kryptonian with powers as great as those of the Man of Steel. The Kryptonian is soon revealed to be Kara, cousin of Superman, who takes her under his wing to educate her about the ways of Earth. However, the villainous Darkseid has other plans. Seeing an opportunity to finally defeat Superman, Darkseid abducts and gains control of Kara, utilizing the powerful Kryptonian to do his bidding. It’s up to Batman and Superman to save Kara, but they’ll have to take the fight to Darkseid within his hostile world – where unknown, deadly threats lurk around every corner, including a brainwashed Kryptonian able to match Superman blow-for-blow.

In addition to the feature film, the Superman/Batman: Apocalypse Special Edition Blu-Ray™ and 2-Disc Special Edition DVD include the third DC Showcase animated short, Green Arrow.  Screenwriter Greg Weisman’s story finds Oliver Queen at the Star City International Airport to pick up his girlfriend, only to be forced into action as Green Arrow to protect the 10-year-old Princess of Vlatava from his old nemesis Merlyn the Magnificent and the League of Assassins. The short features the voices of Neal McDonough (Desperate Housewives) and Malcolm McDowell (Entourage). Bruce Timm is executive producer.

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SpinTunes Presents Super Song Fight 2010!

SpinTunes Presents Super Song Fight 2010!

  • News
  • June 26, 2010

Frequent commenter and musician extraordinaire, Russ Rogers, gave us a lil’ hat tip towards a funky-cool contest you crazy ComicMixers will dig. The contest? Why it’s SpinTown’s SpinTunes Superhero Song Fight contest for 2010! Asking those out there in the interwebs to submit songs inspired by and written about Superheros and Supervillains… SpinTunes now has created a cool little player where you the adoring public can link up to, crank the volume on your favorite cans, and rock out to some gamma irradiated rock and roll.

The contestants are a swath of indie folk/rock/alt-funky goodness. Contributors like Denise Hudson and Joanne Abbot lend flighty ballads (‘Invisible Woman’ and ‘Why’) to the contest. Russ’s group, Godz Poodlz, released a Genesis twinged ode to DC’s resident Hazmat habit wearing hero, the Human Bomb. Over the pond plunker Danny Blackwell drops a ditty titled “Love Song From Robin to Batman” which is pretty self explanatory. And there’s a ton of others all waiting to tickle the hairs in your inner ears with musical hero goodness.

SpinTunes stems from the blog of SpinTown, as run by a Travis Langworthy, a teacher with a good ear for tunage, and a heart of gold. The SpinTune contest is voted on by a panel of judges, so no need to cram the ballot box, but feel free to head here, and listen to the tunes, and let them know what makes your boogie woogie, woogie woo.

Bruce Timm sets the record straight on DC Universe Animated Original Movies

Bruce Timm sets the record straight on DC Universe Animated Original Movies

  • News
  • June 24, 2010

Who’s under the Red Hood? Bruce Timm knows, but he’s not telling. However, he answers a bevy of other questions in a Q&A focused on the July 27 release of Batman: Under the Red Hood, the latest entry in the ongoing series of DC Universe Animated Original PG-13 Movies.

Batman: Under the Red Hood is just the latest finished product to come from Timm’s canon of super hero vehicles at Warner Bros. Animation. A veritable legend among the creative forces in animation today, Timm has spearheaded the elevation of DC Comics’ characters to new heights of animated popularity and introduced generations of new fans to the characters via landmark television series and made-for-DVD films. The latter task includes the creation of the current series of DC Universe Animated Original Movies, which now number eight in total and each has been greeted with critical acclaim and nifty sales.

Warner Premiere, DC Entertainment and Warner Bros. Animation, will be distributing Batman: Under the Red Hood as a Special Edition version on Blu-Ray™ and 2-disc DVD, as well as being available on single disc DVD, On Demand and for Download.

Timm paused long enough in his unthinkably busy schedule for a few cigarettes and a battery of questions, responding in true Timm form – whether it be discussing the casting and art direction, revealing his across-the-board love for all versions of Batman, or setting the record straight on quotes attributed to him from a certain widely reported interview-that-never-was. This is vintage Bruce Timm – read what the man has to say …

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Superman Can Come to Your Home Town

Superman Can Come to Your Home Town

  • News
  • June 23, 2010

As reported this morning in USA Today, DC Comics is hosting a contest tied to the arrival of J. Michael Straczynski as the Man of Steel’s new writer. As Superman walks from coast to coast in his quest to understand America, readers can lobby for the hero to pay their hometown a visit.

This is a stunt reminiscent of a long-running feature in Captain Marvel’s 1940s adventures as he paid visits to towns with prominent newsstand wholesalers, attempting to boost circulation around the country.

Here’s the formal announcement:

New York, June 23, 2010– Starting in July 2010, coinciding with the 700th issue of Superman, DC Comics will be celebrating this remarkable anniversary of America’s greatest hero with a historic journey…not to alien worlds or distant galaxies, but through the streets, roads, highways, homes, farms, suburbs, and inner cities of America. And America itself, in the person of those very real places, is invited to the party.
 
Beginning with the city of Philadelphia, Superman will walk across America, a journey that is expected to take most of a year. He will pass through Illinois, Iowa, Nebraska, Colorado, Utah, Nevada, California, Oregon and Washington. Along the way, Superman will be passing through real towns, real cities, real neighborhoods. And your town, your city, your neighborhood may be among those chosen for his historic journey. Superman will literally pass through your town as visualized in the pages of his book. If your town is within 50 miles of the line marking Superman’s journey, then you are eligible to participate.
 
If your town is chosen, then it will become part of an issue of the Superman comic. For over fifty years, Superman has been America’s greatest hero, and now he is returning to those roots. The series of issues will examine how Superman sees America, and how America sees Superman. And for those towns selected, it will be a once in a lifetime opportunity to be part of his historic journey.

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DC Comics Goes Digital; Apps Announced for iPad, iPhone, and PlayStation

DC Comics Goes Digital; Apps Announced for iPad, iPhone, and PlayStation

  • News
  • June 23, 2010

It’s official. The last big holdout has made it to Apple products.

DC Comics is partnering with comiXology and PlayStation®Network for two separate digital comics distribution deals launching today. In addition, a DC Comics App for the iPhone®, iPad® and iPod® Touch is available allowing consumers an easy way to access DC Comics’ content.

Most interestingly, DC’s
partnership with comiXology also includes a first-of-its-kind Retailer
Affiliate Program, which will collect a portion of digital revenues to
be invested back to and on behalf of comic book retailers in a variety
of initiatives.

“At DC Comics, it has been a top priority that DC forges a meaningful, forward-looking digital strategy,” said Jim Lee, Co-Publisher, DC Comics. “As both a comic book creator and Co-Publisher, it was incredibly important that our plan includes not only creator incentive payments, but also an innovative component that supports comic shop owners. We see digital as an opportunity to grow our entire business.”

Both the comiXology and the PlayStation Network Digital Comics launch offerings will include classic titles from DC Comics, Vertigo and WildStorm, such as Batman: Hush, Green Lantern: Rebirth, Fables: Legends in Exiles and Planetary: All Over the World and Other Stories. Both programs will share a tiered pricing format, with digital comics priced from $.99 to $2.99 per issue. The Justice League: Generation Lost mini-series will be available through both platforms day and date with each issue’s print edition on-sale date, with both the digital and print editions priced at $2.99. Several comics will be available for free at launch, including the first installment of the ZUDA series Bayou and select stories from Batman: Black & White, and one issue of Neil Gaiman’s critically acclaimed
Sandman will be available digitally exclusively through comiXology each
week.
 
To further promote today’s announcement, DC Comics is offering a free 10-page preview of the 700th issue of Superman available through both platforms, day and date with the issue going on sale in comic book stores. The 10 page story is a prelude to writer J. Michael Straczynski and artist Eddy Barrows’ highly anticipated “Grounded” storyline that will be published in Superman which will examine how Superman sees America, and how America sees Superman.

The Other Adrienne Colan

The Other Adrienne Colan

  • News
  • June 22, 2010

We are saddened to report the passing of Adrienne Colan, wife of Gene Colan, over this past weekend. Clifford Meth, pictured here at right with the Colans, adds this personal note for his friend.

The news hasn’t been great in the Colan home these last few months. If you’ve followed it, and if you’ve read between the lines, you’ve weeded out a kernel of truth and likely a whole cob of mistruths. And none of that really matters, now. It was all rubber-necking anyway.

But there are truths I’d like to share about Adrienne Colan, and chief among them was her and Gene’s love for each other. It read like an epic poem. The hardships and tragedies and obstacles were too numerous to count, but for half a century they remained at the center of each other’s universes. For richer or for poorer. In sickness and in health. For better or worse.

The Adrienne Colan you met at conventions was the real McCoy. She was tough and funny and uncompromising; warm and intelligent and spiritual. And her sense of humor was splendid. I think that’s where we met—at that dark crossroads where everything was tragic-comic. Our friendship existed outside of my friendship with Gene; we corresponded for decades, sharing dreams and fears.

And I guess I loved Adrienne. Now that the end has come amidst ashes and tears, I owe myself that honesty. I loved her attention, loved sending her a new story and when she got something I’d written and dissected it (and me with it); loved that she was intellectually curious about everything I shared and painfully honest with me…and with herself.

“Something I find fascinating about you is how you came to give yourself permission to live by your own standards without alienating those that love you and
you love,” she wrote to me last December, following a personal tragedy. “How and where does one go inside to know they have that right to live by their own truth?  I’m so interested in this because I’ve always had a POV about how I need to live my life but continued to allow myself to be crushed by [others]… I’ve allowed their version of right and wrong choices to annihilate my world view. That’s what the weight is about. And I can’t begin to tell you dear Clifford how awful it is [for] one’s psyche to still be crawling my way out of that at the age of 67. At this age I feel I acquiesced to letting myself ‘die’… But I’m responsible, so I eat.”

And there it was—that dark humor inside the sadness. So I eat. You could hear her say it.

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