Tagged: DC

Reviews from the 86th Floor by Barry Reese


FIRST WAVE # 5
Written by BRIAN AZZARELLO
Art by RAGS MORALES & RICK BRYANT
Cover by J.G. JONES

Well, the series finally continues. This six-issue miniseries was supposed to “kick-off” DC’s First Wave line of titles but it’s still chugging along for some reason, unable to reach the finish line.

Artwise, this continues to be a winner. There are small quibbles here and there but overall Rags Morales is the main attraction to the series (aside from the visceral thrill of seeing The Spirit, Doc Savage and Batman all cavorting about on the same page).

The story, though…. Sigh. The best thing I can say is that, compared to DC’s Doc Savage series, this thing reads like Watchmen. But that’s only in comparison — on its own merits, the labyrinthine plot is confusing at best and boring at worst. I do like the twists on Batman’s personality and the writer does seem to realize that pulp should be exciting — meaning there’s more derring do than most recent issues of Doc’s series — but it just all feels flat. It’s like the creators don’t really care, so why should I?

Basically, the Golden Tree organization is trying to do some awful thing and it involves floating cities and robots, along with icky irradiated gold that is injected into people’s veins. Sounds exciting, I know, but trust me — that sentence I just typed is more goosebump-inducing than anything on the printed page. I continue to actively dislike this version of The Blackhawks and think that Rima the Jungle Girl’s role feels absolutely unnecessary.

Maybe it will read better in trade — but somehow I doubt it. DC has fumbled this First Wave stuff from day one. How can you miss with The Spirit… Batman… and Doc Savage??? Three of the greatest characters ever created — simply tell a story that’s worthy of those three and you’re guaranteed success. But DC, from the beginning, seemed more interested in changing the characters to fit what they wanted to do, rather than the other way around.

NOW INTERVIEWED-JAMES PALMER, PULP WRITER!

JAMES PALMER-Creator/Writer
AP: Tell us a little about yourself and your pulp interests. 
JP:  Well, I live with my wife and two year-old daughter in Northeast Georgia.  I have a BA in English, and I’ve loved science fiction my whole life. I grew up reading comic books and watching reruns of stuff like Star Trek and Lost in Space.  I also read anything I could get my hands on, especially if it was SF-related.  I didn’t find out about the pulps until my late teens, when I really got into SF fandom and the history of the genre, and found out there used to be hundreds of magazines published every month devoted to the stuff I loved.  I started reading H.P. Lovecraft and, about two years ago, Robert E. Howard.  I wanted to write these kinds of stories, but didn’t know of anyone still publishing them.  Van Allen Plexico told me about the gang at the Pulp Factory, who extended me an invite, and the rest, as they say, is history!
AP: What does pulp mean to you?
JP:  To me, pulp is more of an attitude than a name for the cheap paper the old magazines were printed on.  It’s definitely more of a genre today.  Pulp is action, thrills, adventure, and often means there is “no story to get in the way of the plot” as Joe Bob Briggs used to say.  But just as often it rises above its own format to become Art with a capital A.  More than that, it’s a nostalgic look back at a golden time when reading was a form of mass entertainment.
AP: By day you are a freelance copywriter and by night you write fiction.  How are these styles of writing similar and different and does one style of writing impact the other?
JP:  To me, they are very different.  I feel like I’m using two different parts of my brain when writing one instead of the other.  But they do use the same skills.  Freelancing taught me the importance of sticking to deadlines, both self-imposed and those of your clients.  Freelancing taught me to treat writing just like any other business.  Freelancing also teaches you things like brevity, how to be clear and concise, and to create written works that are designed to produce certain effects in the reader (usually ‘buy this now!’).  These are important skills in fiction writing as well.
AP: You have worked on short tales for Voices For The Cure (which you also edited) and Gideon Cain – Demon Hunter, and others.  What draws you to these shorter tales?
JP:  A short story is like a brief visit from an interesting stranger, while a novel is like a relative who moves in and stays a while.  I like short works because they can come at you from out of nowhere, create a world in your head, and then leave.  I think they are often harder to write than novels, and many professional novelists share this view, but since SF and the pulps share this tradition of short fiction, I think shorts are important to keep alive just for the form itself.
AP: You edited Voices For The Cure for White Rocket Books, which raised money for The American Diabetes Association. Tell us a bit about the book, the inspiration for it, and why this charity was chosen.
JP:  I did this anthology two years ago, basically because I wanted to have something in print with my name on it in time for that year’s Dragon*Con.  Their charity auction that year raised money for the American Diabetes Association, and my wife and her parents have Diabetes, so those two facts came together in my brain as the idea for the anthology.  Another Dragon*Con attendee, a young writer named Davy Beauchamp, has done a few charity anthologies called Writers for Relief, which benefited Hurricane Katrina victims and some other worthwhile causes, so I knew there was a place for this type of anthology.  The moment I thought of it, it just felt like a great idea.
I am still blown away by how neatly all of this came together.  A photographer friend of mine did the cover, someone I found online donated the cover design, and I asked most of my favorite writers for stories.  Word even got out that I was looking for stories and husband and wife authors Gary A. Braunbeck and Lucy Snyder contacted me asking to be included.  I did the interior layout and editing and published it through Lulu.  After Dragon*Con was over, Van Plexico contacted me about publishing it through his White Rocket Books (http://www.whiterocketbooks.com/) imprint, meaning it got it’s own ISBN number and can be ordered from bookstores and Amazon.com. 
AP: Do you have a favorite genre in which to work or do you like to play the field and work in as many different genres as possible?
JP:  I like a little bit of everything, but mostly SF.  For my pulp stuff, I’ve been delving into fantasy and weird horror for some reason, but I really like to keep the H.P. Lovecraft/Robert E. Howard vibe going in my pulp stuff.  I like creating homages to those guys.  But my first love is science fiction, and I am striving to write mainstream short SF and novels.  But even within one genre, I like blending different elements together to make something new.
AP: What, if any, existing characters would you like to try your hand at writing?
JP:  I mostly like to make up my own characters, but I would love to write The Spider as well as Solomon Kane or Conan.
AP: Who are some of your creative influences?
JP: I have so many!  My favorite writers include Alfred Bester, Ray Bradbury, Harlan Ellison, Dan Simmons, Stephen King, Ernest Hogan, Robert J. Sawyer, Cory Doctorow, Charles Stross, and of course H.P. Lovecraft and Robert E. Howard.  I grew up on 1980s Marvel and DC comics so there’s a lot of that buzzing around in the background as well.
AP: What does James Palmer do when he’s not writing?
JP: I don a mask and fedora and fight crime.  Seriously though, I like to read, watch a little TV and movies, and spend time with my wife and daughter.  Family is very important to me.  If I didn’t have these wonderful women in my life, none of the writing stuff would matter.
AP: Where can readers learn more about you and your work?
JP:  My official website is http://www.jamespalmerbooks.com/.  I’m on Twitter as @palmerwriter and @jamespalmercopy (my copywriting business).  They can also find me on Facebook.
AP: Any upcoming projects you would like to mention?
JP:  I’m writing some series characters for Pro Se Productions.  Next up for them is my second Lao Fang story “The Hand of Yogul”, which will appear in the January issue of Fantasy & Fear.  I’m also writing a paranormal detective series for them called Sam Eldritch:  Occult Investigator for Hire, but I’m still working on the first story.  I have a story scheduled for the second Mars McCoy volume from Airship 27, alongside a story by Van Plexico.  The first volume hasn’t even come out yet, so I have no idea when that one will see print.  And I just volunteered to write a couple of stories for Pro Se’s new anthologies The Black Fedora and High Adventure History, as if I didn’t have enough on my plate already. Ha!
AP: Are there any upcoming convention appearances or signings coming up where fans can meet you?
JP:  I love conventions, and would like to do more in the future.  My next appearance will be at TimeGate (www.timegatecon.org) in Atlanta, Georgia May 27-29, 2011.  I also hope to do Dragon*Con (www.dragoncon.org) again next Labor Day weekend September 2-5 2011.
AP: And finally, what advice would you give to anyone wanting to be a writer?
JP:  First of all, don’t do it unless you can’t realistically see yourself doing anything else.  It’s a tough business, especially if you want to make any money.  Next, treat it like a business.  Learn how to do the type of writing you want to do, and learn your market.  Learn what sells, what doesn’t, and who the major players are.  Learn how to properly query editors and agents!  Harlan Ellison used to ask people, “Do you want to write, or do you want to have written?”  I think that’s an important distinction to make going in.  Ask yourself that question, and your honest and heartfelt answer will tell you what else you need to do.
AP: Thanks, James.
The Best Present You Can Give A Kid This Year

The Best Present You Can Give A Kid This Year

This is a longbox full of random comics. Your local comic book store has tons of them– various stuff he’s picked up and hasn’t filed yet, or overstock that he couldn’t sell, or low grade books, what have you.

My father used to go to Port Comics, a little store off of exit 64 of the Long Island Expressway (the same store where I first met Tom Brevoort, when we were both young punk fans) and every so often he’d buy a longbox or two from Bill the owner and give them to me.

And as you’d expect from someone who now runs a site like this, I devoured them. I had no idea what I might find– DC horror books, Marvel reprints, Archie superhero titles. Didn’t care. It was all new to me, it was all neat to read, and it got me discovering wondrous stories and characters and art and more, and getting even more involved in a medium that I loved.

And right now, you can probably pick up one for around $30 and give it to a kid this holiday season. Or you can wait until he’s home sick with a bad cold this winter and give it then, when he’ll have time to read. Or drop it off at your local Toys For Tots drive, and imagine the look on the volunteer’s face who first tries to pick it up.

So go to your local comic store and ask for a longbox or two filled with random stuff. Be sure to ask for few duplicates, you don’t need 200 copies of Spawn #1. If you don’t know where your nearest comic store is, go to the Comic Shop Locator to find out. Or go to eBay and search for “comic lot” and find something in your price range.

Just be prepared to answer questions:

“Who’s this Darkhawk guy?”

“Where does the Black Widow know Daredevil from, I thought she hung around with Iron Man?”

“How does Cosmic Boy keep his uniform up?”

And hopefully you’ll get the best question of all– “Hey, when can I get some more?”

MOONSTONE MONDAY- Artist Silvestre Syzilagyi interviewed!!

Silvestre Syzilagyi-Artist, Moonstone

AP: Silvestre, thanks for taking time to sit down with All Pulp.  Before we jump head first in, how about telling us a little bit about yourself?

SS: I’m just a guy who loves drawing cars, trains and telling stories
in comic book form, but I love all kind of story-telling, mainly with
images (Movies, TV Shows, even some advertisement.) I’ve been drawing
ever since I was a kid, and began drawing amateur at thirteen and pro
at twenty, in local companies, in Argentina.

AP: What inspired you to become an artist? Who or what styles have
influenced your work the most in your career?

SS: Mainly (Carmine) Infantino’s Flash 113 (the first one I’ve got) and Gil Kane-Murphy Anderson’s Green Lantern 4 (got it together with Flash 113), both in Mexican editions. Plus James Bond’s Dr. No and
Goldfinger. Though I’ve been trying to do super-characters in Wayne Boring’s style way earlier.

Then came Curt Swan with John Forte’s inking, Russ Manning’s Magnus, Fujitani’s Doctor Solar, Dan Barry, Alex Toth’s Eclipso, and again Infantino and Anderson with Adam Strange, Edgar Pierre Jacobs with Profesor Mortimer, Carl Barks, Wilson Mc Coy and Sy Barry on Phantom… But mainly and mostly Alex Raymond on Rip Kirby and Al Williamson with Secret Agent X-9.

Plus lots of movies (John Ford, William Wyler, Robert Bresson, Sergio Leone, and many more). And novels, and real life stories… And Classic painters Van Gogh, Vermeer, Caravaggio… Some local artists: García Lopez (when he was here), Alberto Breccia, Arturo Del Castillo, Ruben Marchionne… Someone has said that everything you see or hear has an influence on you, and I believe it’s true.

AP: How did you break into the ‘art’ business, and by that we mean,
how did you break in in general and specifically into the comic end of
things?

SS: I began going to local publishing companies with samples. It took me almost four years to land my first story, done in team with my friend Gaspar Gonzalez.

AP: Is comic art your preferred type of art? If so, why, what appeals to you about the sequential form of comics?

SS: Yes, I like comics over other kinds of storytelling. Maybe because we were poor and you can manage comics with just paper and pencil.

AP: You’ve worked or are working on several characters for Moonstone. What properties have you drawn?

SS: I’ve only done Twilight Crusade’s Succubus, The Phantom and Honey West so far.

I did lots of work for local and Italian publishing companies, plus
ghosting for fellow artists, even with stories for Marvel, DC and
Eclipse.

AP: The Phantom is a major character, not just because of its long
history, but because it has a dedicated fan base. How much did that
history and those fans influence how you handled your art chores on
the Ghost Who Walks? Did you make any design changes in the Phantom?

SS: I’ve followed and collected local editions of Phantom as a kid
Wilson Mc Coy and Sy Barry, later, plus Gold Key’s Phantom by Bill
Lignante, I loved them all, and when I began drawing Phantom for
Moonstone, I just tried to get as near as I could to those great
artists.

AP: In your opinion, why is The Phantom so popular? What keeps people reading this guy in purple tights who lives in the jungle?

SS: Well, I sure don’t know that. Should I know the answer, I’d use the formula to get rich.

AP: You’ve also done some work on Captain Future? How, if it does at all, does the style and technique you use for Captain Future differ from what you did on The Phantom?

SS: So far I’ve only been sketching and gathering Captain Future references, but I’ll try to get all together and see if Mike, Joe and readers like it. I hope so. I’ll enjoy drawing him, for sure.

As a reference, I’ll say that I did some SF stories for local companies some years ago. As a matter of fact, I did almost all kind of stories: war, western, historical, romance, police action-detective, you name it.

AP: Honey West is another Moonstone property that you’ve graced with your skills. Do you approach a story differently with a female protagonist artistically than you would any other piece?

SS: At local companies, I’ve worked on romance stories for almost
three years, some 300 pages. Many of those stories had female
protagonists.

AP: Can you tell us about your general technique? When you sit down to draw, do you have a particular process or regimen you go through in
completing work?

SS: I read the story three or four times to be sure about the whole story, try to get what the writer tried to do and get as near as I
can with the mood. Then, I go sketching in small size, very loose sketches. I get the sizes of the things on the panels and a general view of the action. Then I pencil, working most on whatever I should have some doubt, then comes the inking. I believe it’s most regular work, once you get into the right mood.

AP: Do you have any projects coming up in the future that you can share with ALL PULP?

SS: Yes. I work on anything I can as long as editors, writers and readers like it.

AP: Thanks so much, Silvestre, for stopping by at ALL PULP!

SS: Thank YOU, and ask anything more you want. There is some more information in Wikipedia and some other local interviews: they are in internet. But feel free to ask anything you need to know.
Silvestre

ComicMix Six: Who You Want On Your Side When Zombies Attack

ComicMix Six: Who You Want On Your Side When Zombies Attack

If there’s one thing I’ve learned from watching and reading
enough stuff about zombies, it’s that you need a good bunch of guys with you
when the crap hits the fan. Guys who will last. Guys who know how to handle
themselves.

So in light of The Walking Dead marathon on AMC today leading up to the season finale, these are the guys I want with me when Hell is full up, and
the dead walk the earth.

  1. FLINT MARKO/SANDMAN
    Zombies love munching on flesh, but what if you put them up
    against a guy who’s made of sand? What the Hell are they gonna bite into? While
    sensitive to moisture, he can turn his body into glass. That’s gotta come in
    handy in close quarters. Flint is super strong and can take on crowds and send
    them reeling with a giant sledgehammer fist.

2. SOLID SNAKE
A veteran of many armed conflicts, this iconic video game
character has proven himself to be a top covert operations and infiltration
operator. He is a master with melee weapons, hand-to-hand combat, firearms, and
high explosives. Snake is one of the best guys to go to when you have to take
out a zombie quietly.

3. TED KACZYNSKI
Everyone’s favorite anarchist may not be the first guy you’d
want to get mail from, but he’s proven that he can live off the grid. When
electricity and running water are unavailable, knowing how to live and survive
become the same thing. He’s also pretty good at making dandy booby traps, so
that can come in handy with setting up a camp perimeter better than empty cans
on string.

(more…)

ALL PULP NEWSSTAND BULLDOG EDITION!!

ALL PULP NEWSSTAND

BULLDOG EDITION
12/4/10

ARTISTS ANNOUNCED FOR FUTURE PRO SE COLLECTION
Lazarus Gray in progress
by Anthony Castrillo
Pro Se Productions and ‘Lazarus Gray’ creator Barry Reese announced the art team for the LAZARUS GRAY collection of stories, to be produced by Pro Se in collected form in 2011 after four-to six Gray stories appear in PRO SE PRESENTS magazines.
According to Reese, Anthony Castrillo, whose past credits include DC’s ‘Flash’ and Valiant’s ‘Timewalker’, will handle the cover chores for the as of yet unnamed Gray collection.  Interior art will be handled by Mark Propst, whose past work has been on the classic independent title ‘Southern Knights’ and Marvel’s ‘Spider Man.’
“The stories,” Tommy Hancock, EIC of Pro Se Productions said, “are already an awesome part of the Sovereign City mythos Pro Se is building.  To add the work of these two great artists to it is fantastic. We are very much looking forward to putting this great work together.”

GHOSTLY CHILLS BOOKSTORE-BOOKS ON SALE FOR $1.25

Ghostly Chills Bookstore, an online outlet for horror and weird tale stories, announces that its already affordable lineup now includes books of all horror types for as low as $1.25! From the site-

GhostlyChillsBookStore.com sells customized horror books published by Olin Sain, Brand Name Writer’s, Adaptations, New Arrivals and Contemporary. Find horror books written by Stephen King and Washington Irving or Adaptations from Halloween to Deranged.

At GhostlyChillsBookStore.com find the horror books that will chill the bones at night, during reads before bed.

This site was designed for the horror reader, tired of the of the same old lines. Horror books published by Olin Sain and Brand Name writer’s lines come-alive for the horror reader.

GhostlyChillsBookStore.com offers eight years of story telling developement for the 18 to 24 year old horror book market and has been in business for two years.
TITLES AVAILABLE FROM GHOSTLY CHILLS!
Original works – Published by Olin Sain are in new condition, supplied by Lulu.com, sample material from Olin Sain can be read at Google Book Search at Google.com. Or type into the seach box one of Olin Sain’s titles.

Brand Names – New to used condition, depending on supply, cost for most Brand Name horror books are $1.25. Hard-to-find and out-of-print Brand Name horror books cost more.

Adaptations – New to used condition horror books adapted to film, cost for horror books are $1.25, depending on supply from publisher.

New Arrivals – New, freshly printed horror books from Brand Name and Adaptations, published within a year of current date.

Contemporary – Published horror books in the last ten years. Horror books are in new to used condition paper backs, depending on the availability from the publisher.

Check out GHOSTLY CHILLS at http://horrorbookstore3.com/default.aspx

YET ANOTHER ONE OF THE SPECTACLED SEVEN REVEALS HIMSELF!

BOBBY  NASH-Writer, Columnist and member of ALL PULP’S SPECTACLED SEVEN!
AP: Bobby, thanks for putting away your convention travelin’ shoes and visiting with ALL PULP today. Tell us first, just who is Bobby Nash?
BN: Bobby Nash is a mystery wrapped in an enigma with a candy coated outer shell, a man who travels from town to town sharing tall tales with anyone who will listen.  He–  Oh, you wanted a serious answer.  Well, in that case Bobby Nash is a writer of novels, comic books, novellas, short stories, graphic novels, and the occasional article, interview, column, and screenplay.
My official bio goes a little something like this:
From his secret lair in the wilds of Bethlehem, Georgia, Bobby Nash writes. A multitasker, Bobby’s certain that he does not suffer from ADD, but instead he… ooh, shiny. When he finally manages to put fingers to the keyboard, Bobby writes novels (Evil Ways, Fantastix), comic books (Fuzzy Bunnies From Hell, Demonslayer), short prose (A Fistful of Legends, Full Throttle Space Tales Vol. 2: Space Sirens), novellas (Lance Star: Sky Ranger, Ravenwood: Stepson of Mystery), graphic novels (Yin Yang, I Am Googol: The Great Invasion), and even a little pulp fiction (Domino Lady, Secret Agent X) just for good measure.  Despite what his brother says, Bobby is not addicted to buying DVD box sets and can quit anytime he wants to. You can check out Bobby’s work at http://bobby-nash-news.blogspot.com, www.bobbynash.com, www.facebook.com/bobbyenash, www.twitter.com/bobbynash, and www.lance-star.com, among other places across the web.
AP: You’re a writer. When did you start writing and how did you end up writing in the pulp field?
BN: I started out writing comic book stories that I could draw because I wanted to be a comic book artist. Eventually, I realized that I would never make a living drawing comics, but I was told my stories showed promise.  When I was in high school English class we used to get a list of words each week that we had to use in a sentence, but there was no challenge there so I asked the teacher if I could write a story and incorporate those words.  He said fine and off I went. To challenge myself further I started writer cliffhangers and would have to use next week’s works to help get my characters out of whatever jam I’d gotten them into this week.  I took these characters on grand adventures around the world.  It was a lot of fun.  One of the stories was published in a literary magazine so I guess that was my first pulp story.
Eventually I started writing comics for various publishers.  I was having a ball with it, but one day I decided to write a sci fi novel, so I did.  It needed a lot of work, but the story was told.  I guess I was doing NA NO RI MO before I even knew what that was.  Ha! Ha!  I decided to try it again and started on a story that would eventually become Evil Ways, which turned out to be my first published novel.
Cut to a couple years later at Dragon Con in Atlanta and I’m set up in artist alley next to Ron Fortier, who I knew as a comic book writer.  We talked writing a bit and he went home with a copy of Evil Ways, which he read and also reviewed on his Pulp Fiction Reviews site.  When Ron started up what would become known as Airship 27 he invited me along to work on the anthology that became Lance Star: Sky Ranger.  I had so much fun writing that one that I wrote Domino Lady, Secret Agent X, Ravenwood: Stepson of Mystery, and more Lance Star.  The rest, as they say, is history.
AP: Can you give us a quick overview of what you’ve written?
BN: Sure. Here’s a list of my published works.
Novels: Evil Ways and Fantastix: Code Red. 
Short story, novella, and anthology work: Lance Star: Sky Ranger Vol. 1 & Vol. 2 [Airship 27 Prod./Cornerstone Books], Startling Stories Magazine [Wild Cat Books], Sentinels Widescreen Special Edition [White Rocket Books], Full Throttle Space Tales Vol. 2: Space Sirens [Flying Pen Press], Sentinels: Alternate Visions [White Rocket Books], Domino Lady: Sex As A Weapon [Moonstone Books], Shadow One: Shades Of Gray [BEN Books], Real Magicalism [Daemon Press], and A Fistful of Legends [Express Westerns].
Comic books and graphic novels: Life In The Faster Lane, Fuzzy Bunnies From Hell [FYI Comics], Bubba The Redneck Werewolf [Brass Ball Comics], Demonslayer [Avatar Press], Threshold [Avatar Press], Doc Dresden: The Immortal [Odyssey Comics], Jungle Fantasy [Avatar Press], The Garden [Planetary Stories], Fantastix [FYI Comics], Yin Yang [Arcana Comics], and Lance Star: Sky Ranger [BEN Books].
AP: You’re closely associated with Lance Star, Sky Ranger. Who is Lance and what inspired you to create an aviator hero?
BN: Lance Star is a pulp-inspired aviator hero in the vein of G-8, Airboy, Captain Midnight, and Bill Barnes with just a little bit of Indiana Jones thrown in for good measure.  Along with his Sky Rangers, Lance Star is a globetrotting adventurer.  Whether they are fighting pirates off the coast of Hawaii, traveling to far off hidden mystical lands, running afoul of spies and saboteurs, or battling evil doers, the Sky Rangers are there.
Lance Star and the Sky Rangers were created as a group effort when the first anthology was being put together.  Since I took ownership of the copyright I tweaked a few things, but the Sky Rangers remains heroic pulp characters much as they were in their first adventure in 2006.
AP: Pulp is a genre that wanes and waxes in popularity. What do you think is the reason for the current increase in popularity of Pulp today and how can writers and artists of new Pulp, such as yourself, make sure that Pulp becomes even more well known than it is and doesn’t see a downturn?
BN: Like everything, pulp will have its high and low points of popularity, but these things are cyclical so they will eventually come back around. All pulp creators can do is tell the best darn stories they can. Readers will find good stories.
AP: What about Pulp appeals to you as a writer?
BN: Pulp stories appeal to me because they are simple, fun adventures.  I enjoy involved storytelling as much as the next guy, but sometimes I want a simple, fun, balls-to-the-wall adventure I can enjoy. I find pulp stories a joy to write.
AP: You’ve got a novel under your belt that might have some pulp overtones. What is EVIL WAYS about?
BN: Evil Ways is a mystery thriller novel.  It is planned as a first in a series featuring FBI Agent Harold Palmer.  I have already started a second novel titled Evil Intent.  My plan is to complete the novel in 2011 and shop it around to publishers.  The current publishing contract for Evil Ways ends in August of 2011 and I plan to (hopefully) rerelease it elsewhere as well.
Here’s the synopsis for Evil Ways:
A close call on the job sends FBI agent Harold Palmer on a non-voluntary vacation.  At his wife’s insistence, Harold travels from Washington DC to Sommersville, Georgia where his brother, former Atlanta Journal Constitution investigative journalist Franklin Palmer, owns and operates the local newspaper.  After a really intense story, Franklin called it quits and moved on to quieter surroundings, hoping to have put corruption and murder behind him.
Unfortunately, that kind of evil is not consigned only to major cities, as Franklin Palmer soon learns when another body is found inside Fort Greene State Park.  He sees the timely arrival of his federal agent brother as his means to solve the case.
Also looking to recruit the help of the FBI agent is Sommersville Sheriff Tom Myers, who openly admits that he is out of his depth on the case.  Multiple homicides are not something with which he has had much experience.
Reluctantly, Harold agrees to work with the two men to solve the case.
While the investigation proceeds, many visitors come home to Sommerville for the annual Autumn Festival as well as Sommersville High’s ten-year reunion.  The town is abuzz with excitement.
Until the next victim is found. 
As EVIL WAYS builds to its startling outcome, Harold, Franklin, and Sheriff Myers find themselves between a sadistic killer who feeds on the fear of his prey and the unsuspecting victims still on the killer’s hit list.
They should fear his evil ways.
One of the best reviews of Evil Ways said (paraphrasing) “Imagine if Die Hard’s John McClane found himself in a horror movie.” I love that and I use it all the time when telling people about the book.
AP: Writers often get into a story because of personal interests. What interests brought you to write EVIL WAYS?
BN: Not really. Evil Ways started out as a potential screenplay idea for a friend of mine who was wanting to shoot his first feature length movie.  I came up with a story that utilized locations I knew we had access to and wrote for the actors available.  When that didn’t happen I reworked and added to it for the novel.  At the time I was doing that I did go to my ten year high school reunion and that gave me the reason to have all of the characters coming back to town in the story.  My reunion wasn’t necessarily as exciting as the one in the novel, but at least we all survived it.  Ha! Ha!
The two main protagonists, Harold and Franklin Palmer are brothers.  I was talking a writing class at the time I wrote Evil Ways and I read some pages with the brothers and several of the others told me that they didn’t “feel” like brothers.  I worked at it, but something was missing.  Finally, I decided to give one of the brothers my personality and the other my brothers and then wrote how we interact.  Suddenly, people could tell they were brothers without me telling them.  I learned a lot about casting my characters that day.
AP: Your main character is a FBI agent pulled into this suspense thriller. Was there any inspiration for Harold Palmer or is this a case of the writer writing himself into the tale?
BN: I don’t recall any specific reason for making Harold an FBI agent other than I thought it would make for a nice dynamic between him and the local sheriff when they meet and find themselves working together to stop a killer.  As I mentioned before, the part of Harold that is “me” is his personality when it comes to interacting with his brother.  A secondary concern that came near the end of writing the novel was an idea for a second novel featuring Harold Palmer.  That caused me to add a few tweaks to his job with the FBI and also led to the opening chapter being added to set up book two.  The first thing you read in Evil Ways was actually the last thing I wrote for it.

AP: You have a background in comics as well, including the Lance Star ONE SHOT. What other comics have you worked on. Any you would consider pulp comics or at least having pulp influences or connections?
BN: Comics were my first love. I started reading them when I was a kid after discovering the 60’s Spider-man cartoon in syndication, but really got into them in my teenage years.  The first comics I remember owning came in a 3-pack.  Amazing Spider-man 192, 193, and 194.  I still have them to this day.  We moved when I was twelve and the first new friends I made at my new school were comic fans and they were also big into creating their own comics.  After that I was hooked.
I’ve bounced around with some local productions and even published a fanzine for a few years called Odyssey Magazine.  My first professional comic writing gig was on Marat Mychaels’ Demonslayer, published by Avatar Press. I also worked on Threshold and Jungle Fantasy for Avatar.  For 12 years I wrote and drew Life In The Faster Lane for Keeping Up With Kids Magazine, which was a lot of fun.  I also wrote Fuzzy Bunnies From Hell, Bubba The Redneck Werewolf (a back up story), Doc Dresden: The Immortal, Fantastix, Yin Yang, Lance Star: Sky Ranger, and The Garden (for Planetary Stories online magazine).  Coming up I have I Am Googol: The Great Invasion, more Lance star: Sky Ranger, and a few projects I can’t talk about quite yet.
AP: Expanding on the last question, many fans and creators agree that pulps gave birth to a lot of ideas we now see in comic books. Are pulps still a viable source of comic inspiration or are the two more or less influencing/encouraging one another now idea wise?
BN: Sure.  I think there are comic book characters that fit the definition of pulp.  I also think there are pulp characters that will translate well into comics.  I’m actually working on a comic book anthology featuring pulp characters and it was interesting to see these characters in that format.
AP: You are known for attending conventions seemingly year round. How many conventions did you attend this year?
BN: As of today, I have been a guest at 15 conventions this year.  This coming weekend I’ll be at the first Wizard World Atlanta Comic Con and there is a 1 day show in Charlotte, NC in December I may attend.  That would bring my total to 16 or 17 for the year.
AP: What is the draw for you to attend conventions? Is it more than just selling product?
BN: Absolutely.  I have a lot of fun at conventions whether they are money makers or not.  Obviously, I would prefer to cover my costs and bring a little extra home, but that doesn’t always happen.  Sometimes it does.  Not only are the cons a great ways to meet your fans and promote and sell your books, but it’s also a great place to meet new people and visit new places you’ve never been before.  Plus, it gets me out of the house.  I love ‘em.  I’d do more if I could afford it.
AP: What about the future? What do you have in the works that might appeal to the ALL PULP audience?
BN: There are plans for some upcoming pulpy stuff from me.  I recently turned in my story for Lance Star: Sky Ranger anthology vol. 3, which will be out sometime in 2011.  I’m about halfway on a lance Star: Sky Ranger novel titled “Cold Snap” for next year as well.  The Ravenwood: Stepson of Mystery anthology should be out in either December or January and features a story by me.  Other anthologies in the works are Secret Agent X, The Wraith, Mars McCoy: Space Ranger, and a few other surprises.  The aforementioned are from Airship 27 and Cornerstone Books.  I’ve also written a Green Hornet tale for Moonstone and have turned in stories for Aym Geronimo and the post Modern Pioneers: Tall Tales and Tales From The Zero Hour: Weird Tales. I’m also planning more Lance Star: Sky Ranger comic books as well.  I’m also shopping around and writing more novels.  Plus, a few hush-hush items I’ll have to tell you about later.
2011 looks to be a busy year for me.
AP: Bobby, ALL PULP appreciates you stopping by! See ya on the road!
BN: My pleasure.
Review: ‘Shazam! The Golden Age of the World’s Mightiest Mortal’

Review: ‘Shazam! The Golden Age of the World’s Mightiest Mortal’

[[[Shazam! The Golden Age of the World’s Mightiest Mortal
]]]By Chip Kidd, with photographs by Geoff Spear
Abrams ComicArts, 246, pages, $35

With one magic word, Billy Batson turned from a 10-year old orphan into Captain Marvel. It was a form of wish fulfillment that beat [[[Superman]]] and may well explain why Fawcett’s comics were outselling DC Comics’ Man of Steel. Maybe it was CC Beck and company’s clean, slightly cartoony style. It was probably a combination of these factors, but for a time, comics featuring Captain Marvel and his extended family were outselling Superman in his own title or [[[Action Comics]]] and [[[World’s Finest Comics]]].

On the other hand, Superman beat the [[[Big Red Cheese]]] in one arena and that was in licensing. There was bread, a comic strip, a radio series, the amazing Fleischer cartoons, the serials, and so on. Captain Marvel, most know, had the Tom Tyler serial and that’s about it. Well, not quite. Thanks to über-fan Chip Kidd, we now know that there was plenty of licensed stuff for the kids. In the lavishly illustrated Shazam!, Kidd along with photographer Geoff Spear take us on a tour of the obscure and little-known product to carry images of the good Captain and his pals.

The prose is breezy and gives us a cursory history of the character and the company that brought him to light. There’s little in the way of analysis but there are many interesting anecdotes, some of which were new even to a vet like myself. It would have been interesting to gain a greater understanding of why Fawcett couldn’t parlay their sales success to a greater licensing presence, which may well have allowed them to outlast his competitor in the years that followed. 

In a more or less chronological order, we see artifacts from the Captain Marvel fan club, toys, costumes, badges, contest prizes and the like. Most of it carried artwork produced by Beck’s New Jersey studio or taken from the comics themselves, so they maintained that great look and feel of the comics. There’s Beck’s powerful hero in flight alongside Mac Raboy’s graceful Captain Marvel, Jr. and the plucky Mary Marvel, first envision by Marc Swayze. The book expands its scope to include other Fawcett heroes who benefited from association, notably [[[Spy Smasher]]]] who Kidd equates as Fawcett’s Batman. While DC managed to license Superman, Batman, and Wonder Woman, Fawcett seemed to outperform them in terms of characters found on product although DC’s heroes were in higher profile venues such as comic strips and radio.

It is nice to be reminded that it was Fawcett that figured out how to grow the franchise with the teen sidekick additions long before Superboy or Supergirl found their way into print. Heck, we get pages of licensed product featuring Hoppy the Marvel Bunny who preceded Krypto by 13 years. I had never imagined the funny animal incarnation would merit any merchandising but there are miniature figures, temporary tattoos, and paint book.

There’s a charm to these products from the 1940s, small in size and easily affordable for mere dimes. We get to see some of the correspondence the good captain sent out to his fans, including news and contests.  Most of these items are rare and fetch high prices and its terrific to see them more or less catalogued in this handsome volume.

Kidd and Spear also take the time to show us the illegal knockoffs from Cuba and having these here, truly makes this book fun to flip through.

This is a loving tribute to the character that goes a long way to highlight just how popular he truly was during comics’ golden age. It certainly belongs in your comics library, along with Kidd’s similar tributes to other characters from his youth.

Warner Premiere Formally Announces ‘All-Star Superman’

Warner Premiere Formally Announces ‘All-Star Superman’

DC Entertainment’s All-Star Superman was one of the better things to be released by the company during the past decade. It was universally acclaimed and awarded, recently being collected in an Absolute edition. Now, Warner Premiere is tackling Grant Morrison and Frank Quitely’s 12-part saga as their next animated feature. Here’s the formal press release:

BURBANK, CA, (November 29th, 2010) – Grant Morrison’s beloved, Eisner Award-winning vision of Superman’s heroic final days on Earth is brought to exquisite animated life in All-Star Superman, the latest entry in the popular, ongoing series of DC Universe Animated Original Movies coming February 22, 2011 from Warner Premiere, DC Entertainment and Warner Bros. Animation. The highly-anticipated, full-length film will be distributed by Warner Home Video as a Blu-Ray™ Combo Pack and 2-Disc Special Edition DVD for $24.98 (SRP), as well as single disc DVD for $19.98 (SRP). The film will also be available On Demand and for Download.

In All-Star Superman, the Man of Steel rescues an ill-fated mission to the Sun (sabotaged by Lex Luthor) and, in the process, is oversaturated by radiation – which accelerates his cell degeneration. Sensing even he will be unable to cheat death, Superman ventures into new realms – finally revealing his secret to Lois, confronting Lex Luthor’s perspective of humanity, and attempting to ensure Earth’s safety before his own impending end with one final, selfless act.

The celebrity-packed voice cast is headed by James Denton (Desperate Housewives) as Superman, Christina Hendricks (Mad Men) as Lois Lane, and Anthony LaPaglia (Without A Trace) as Lex Luthor. The stellar cast includes seven-time Emmy® Award winner Ed Asner (Up) as Perry White, Golden Globe® winner Frances Conroy (Six Feet Under) as Ma Kent, Matthew Gray Gubler (Criminal Minds) as Jimmy Olsen and Linda Cardellini (ER) as Nasty. 
Arnold Vosloo (The Mummy), Catherine Cavadini (The Powerpuff Girls), Finola Hughes (General Hospital), Alexis Denisof (Angel), Obba Babatunde (That Thing You Do!), Michael Gough (Batman) and John DiMaggio (Futurama) round out the voice cast.

Based on the Eisner Award-winning DC Comics series/graphic novel of the same name by Grant Morrison with illustration by Frank Quitely, All-Star Superman is executive produced by animation guru Bruce Timm and directed by Sam Liu (Justice League: Crisis on Two Earths) from a script by acclaimed comics writer Dwayne McDuffie (Justice League: Crisis on Two Earths). (more…)

ComicMix’s Glenn Hauman at PhilCon this weekend

ComicMix’s Glenn Hauman at PhilCon this weekend

Yep, on the road again. PhilCon lasts for three days, I’ll be there tonight and Saturday. Here’s my schedule:

Fri 7:00 PM in Plaza V (Five) (1 hour)
UNSTOPPABLE FORCE SUPERHEROES (455)

   [Panelists: Glenn Hauman (mod), Jonathan Maberry, Alexis Gilliland, Andre Lieven]

   The Silver Age Superman could juggle planets. Sufficiently enraged, the Hulk has no upper strength limit. How can such invincible characters be given sufficient challenges and obstacles to make satisfying stories without de-powering them? Is this merely an enlarged version of the eternal ‘how can there be tension if we know the main character will survive’ quandary?

Fri 9:00 PM in Plaza IV (Four) (1 hour)
WEIRD SCIENCE COMICS! (512)

   [Panelists: Bill Spangler (mod), Stephanie Burke, Glenn Hauman, J. Andrew World]

   The Influence of EC Comics on Science Fiction

Sat 11:00 AM in Plaza II (Two) (1 hour)
OFF THE SCREEN: MOVIE/TV TIE-IN COMIC (424)

   [Panelists: Keith R.A. DeCandido (mod), Glenn Hauman, Bill Spangler]

   For years, TV shows and movies have had comic-book adaptations, and sometimes even long-running titles.  These days, however, it’s been taken to a whole other level, with comics like “Buffy” and “Firefly” actually being written or overseen by the show’s creator.  Can comics act as way to tell stories that can’t be told on the screen

Sat 1:00 PM in Plaza III (Three) (1 hour)
BUT THAT’S NOT SCIENCE FICTION (462)

   [Panelists: Michael J. Walsh (mod), Diane Weinstein, Carl Fink, Glenn Hauman, Barbara Barnett]

   Certain types of non-Science Fiction works such as the Sherlock Holmes series, the Regency Romances of Georgette Heyer, much of Kipling and  the Hornblower series are widely read by many science fiction fans and writers. Is there something these works have in common with science Fiction? If so, what is it?

Sat 2:00 PM in Plaza III (Three) (1 hour)
MARVEL/DISNEY: A MATCH MADE IN HOLLYWOOD (419)

   [Panelists: Andre Lieven (mod), Phil Kahn, Glenn Hauman, J. Andrew World]

   Earlier this year, The Walt Disney Company purchased Marvel Comics and Marvel Studios.  What is this going to mean for some of Marvel’s popular characters, like Spiderman, the Xmen, or Capt. America? What about films based on some of Marvel characters?  And what effect, if any, will this have on DC Comics and it’s corporate parent, Time-Warner?

Sat 4:00 PM in Plaza III (Three) (1 hour)
HOW REAL WORLD INVENTIONS HAVE INFLUENCED SCIENCE FICTION (513)

   [Panelists: Glenn Hauman (mod), Tom Purdom, Andre Lieven, Bernie Mojzes, Linda Bushyager]

   Science fiction has not always had a great track record of anticipating technological advances. Sometimes an invention has to show up in the real world before science fiction writers begin to write about it.
   Then what happens?

Sat 6:00 PM in Plaza I (One) (1 hour)
NOT JUST CAPES: THE BEST IN NON-SUPERHERO COMICS (427)

   [Panelists: Tony DiGerolamo (mod), Glenn Hauman, Jared Axelrod, James Chambers]

   Not every comic book features spandex and superpowers.  Some of them are about everyday people.  Some are about… other things.  But what are the best comics out there without superhero characters?
   Come and find out!

Sat 8:00 PM in Plaza VII (Seven) (1 hour)
WHY THE THEME ANTHOLOGY? (517)

   [Panelists: Eric Kotani (mod), Lawrence M. Schoen, Mike McPhail, Glenn Hauman, Danielle Ackley-McPhail]

   Why do we see so many anthologies on pre-chosen subjects?