Last week I wrote an open letter to Marvel about what the X-Men mean to me, primarily as a reaction to X-Men Gold #1. If you missed it, you can read it here. Since then, X-Men Blue #1 has come out. I read it, so now you get to read me talking about it.
Although I’ll be avoiding the biggest spoilers, if you are looking to avoid any and all spoilers for this comic I suggest you go give it a read before you continue.
Oh, you already read it and can keep going? That’s great!
X-Men Blue #1 is written by Cullen Bunn, drawn by Jorge Molina and Matteo Buffagni, colored by Matt Milla and lettered by Joe Caramagna. Cullen Bunn is someone I’ve been a fan of for a while now; it’s really hard not to enjoy Bunn’s writing. I’m really looking forward to reading his, Danny Luckert and Marie Enger’s Regression over at Image Comics. You can read an interview with them on this new series here. It was Cullen Bunn’s involvement in this series that made me excited about this particular X title.
After reading it I have to say that Cullen Bunn did not disappoint. He took what could have easily been a rough start to a series and crafted a tight, fun story that didn’t take itself too seriously throughout. That way, when the reveal at the end of the issue is made, it hits you harder. Tone is important and Cullen Bunn knows how to make you feel every panel of every page without feeling pandered to.
The art of Jorge Molina and Matteo Buffagni creates exciting page layouts the move the story along at breakneck speed when it needs to and is aided by the primary use of wide across panels and tall thin panels. My only complaints are that everyone looks too young and pretty –especially Black Tom Cassidy – and I don’t care for the new Juggernaut design. It’s too Bane.
Matt Milla’s colors are bright and really pop. It only gets dark mostly when dealing with Juggernaut and on the last couple of pages, which helps the mood greatly and in particular moves the reader on the second to last page of the main story to start feeling the sense of dread before they even get to the reveal. Excellent coloring.
There are two problems that jump out to me from this book that are no fault of the creative team. First, that the book doesn’t necessarily fit with the 90s nostalgia that these X books represent. This isn’t the old Blue team, but rather the original team of the Stan Lee and Jack Kirby years minus Professor X. While it made sense in the 80s to bring the original team back in X-Factor as the Lee and Kirby run was on only two decades old, it makes less sense when it’s five decades old. Anyway, after a few years they completely changed the X-Factor team back. You have so many great, compelling X characters to have a team limited like this seems entirely unnecessary. Now maybe the team will change in the next few issues or do, but the issue #1 is where you wanna grab people and it’d be a shame if people skip out on this because of this particular team, with the team on X-Men Gold being far more interesting character wise.
The second problem spins out of the first. We end up with a team that’s all cis white characters. A major problem with some of these older comics is that they are straighter, more cis, more male and more white than what people today would often expect. Even straight cis white male readers who are against diversity in comics at least expect their to be diversity, or else what are they going to yell about on Twitter?
That’s the danger with nostalgia. You can often go the route of nostalgia or go the route of diversity, but it becomes difficult to wed the two – particularly when the property in question is over fifty years old. There is a reason people like Len Wein, Chris Claremont, and Dave Cockrum made the team more diverse, and it seems silly to be taking steps back like this.
Despite how some people have reported on the Marvel Retailer Summit, Marvel has not come out and said they are anti-diversity. This particular team doesn’t ring true to what many X books have stood for the past few decades. You can’t point to Jean Grey being the leader as being terribly progressive when she’s the only woman on a team of five, and it’s hard to point to Iceman as being particularly progressive here when his orientation isn’t really discussed. That won’t be the case in Sina Grace’s Iceman, which I’m really looking forward to reading.
Look, nostalgia can be complicated, and can often be very, very white. That doesn’t make it bad reading. Like I said, I enjoyed reading this book. These problems with nostalgia still need to be looked at, and maybe a few issues or so down we will have a shake up with this team to have it feel more like a book in the spirit of the X-Men. And with Cullen Bunn at the helm and the reveal at the end of this issue, I feel like that’s a very real possibility.