Tagged: Dark Horse

Dark Horse and Universal Announce Production Deal

Dark Horse and Universal Announce Production Deal

  • News
  • March 15, 2008

According to The Hollywood Reporter, Universal Pictures and Dark Horse Entertainment today announced an exclusive production and distribution agreement which effectively makes Universal the new home for all of Dark Horse’s film, television and comics properties for the next three years.

Specifically, this deal gives Universal the rights to all of the properties currently held by Dark Horse as well as anything that the company may want to aquire or develop in the future. It’s not a one-way street, however, as Dark Horse is able to tap into Universal’s vast financial and development resources to develop, finance and distribute projects of its own.

Of course, many of Dark Horse’s properties have already been made into films including The Mask, Barb Wire, Timecop and Mystery Men. In addition, Universal is currently behind the latest Dark Horse comic book project: Hellboy 2: The Golden Army.

Given this new deal one wonders if we might end up seeing feature film version of some of the most popular Dark Horse titles like Angel: After the Fall or or even Buffy: Season Eight? As a fan of both of those comics, I hope so.

Sex and the Citizens, by John Ostrander

Sex and the Citizens, by John Ostrander

  • News
  • March 13, 2008

 

There are those of you out there who don’t regard politics as necessarily pop culture. And then there are those of us born in Chicago.

When you get down to it, is there anything more politically entertaining than a sex scandal? It appeals to our prurient interest; we get to be “shocked, shocked that this sort of thing is going on” while, at the same time, seeking out the really juicy details. They’re death to a politician’s career all around the world except, of course, in France where the lack of a mistress may be cause for impeachment.

The latest sex scandal, of course, is New York Gov. Elliot Spitzer’s consorting with prostitutes and paying big money to do it. He spent more money for two hours with one “escort” than a lot of us make in a month. (“Shocked, shocked.”) That loses him sympathy points right there, especially with a recession going on. Bill Clinton got his jollies for free from an intern but Spitzer paid big bucks via bank transfer, supposedly to keep from leaving a paper trail. That worked real good, didn’t it, Gov?

You know, of course, that as I write this there has to be a big hunt going on right now for that call girl, Kristen, named as the woman Spitzer spent over four grand for about two hours worth of whoopee. Whatever newspaper or book or magazine publisher that finds her had better have a checkbook because I guarantee she’ll have an agent by then because, damn it, the details she knows are the ones we all really want to hear. She sold her body to a privileged few for some big bucks; she won’t sell the story that everyone wants to hear for chump change. She’s a businesswoman; one high priced call girl in a TV interview called herself a “hofessional.” I like a woman who has a way with. . . words.

 

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Dark Horse to Publish ‘Herbie’ Archive

Dark Horse to Publish ‘Herbie’ Archive

  • News
  • March 11, 2008

My previously documented fascination with Herbie, "The Fat Fury," received a shot in the arm yesterday, courtesy of this observation by Tom Spurgeon: Apparently, Dark Horse Comics has quietly announced plans to collect the Ogden Whitney series in a new print edition.

The Dark Horse Comics product profile for the edition had this to say about what it will contain:

Herbie Archives Volume 1 collects the earliest appearances of Herbie, as he battles monsters, bends time and space, and gets the better of Fidel Castro! Herbie is a delightfully weird, all-ages barrel of laughs!

The collection will feature 224 pages of full-color, lollipop-sucking action in hardcover form, and carries a $49.95 pricetag.

While I’m excited about the collection, I can’t help but wish for a cheaper, softcover version that I won’t feel so bad about lending out. Nevertheless, it goes on sale August 20, 2008 — just a few weeks after my birthday. How convenient, eh?

‘Rocketeer’ Creator Dave Stevens: 1955-2008

‘Rocketeer’ Creator Dave Stevens: 1955-2008

  • News
  • March 11, 2008

A variety of sources are reporting that Dave Stevens, creator of The Rocketeer, passed away yesterday after a long battle with leukemia.

Stevens’ resume also included work on the Russ Manning Tarzan comics and newspaper strip, as well as Marvel Comics’ Star Wars series in the mid-’80s. Stevens provided storyboards and layouts for the Super Friends and Godzilla cartoon series while working at Hanna-Barbera, but is best-known for his work on The Rocketeer, which he created. The series was published at various points by Eclipse Comics, Comico Comics and later by Dark Horse Comics, and eventually made into a feature film by Disney.

His widely praised style of pin-up art, featuring 1950s-era models such as Bettie Page, is credited as igniting a renewed interest in the fashion and beauty of the period.

Mark Evanier, who reported on Stevens’ passing, had this to say about the illustrator:

Dave was truly one of the nicest people I have ever met in my life…and was certainly among the most gifted. Our first encounter was at Jack Kirby’s house around 1971 when he came to visit and show Jack some of his work. As I said, Kirby was very encouraging and he urged Dave not to try and draw like anyone else but to follow his own passions. This was advice Dave took to heart, which probably explains why he took so long with every drawing. They were rarely just jobs to Dave. Most of the time, what emerged from his drawing board or easel was a deeply personal effort. He was truly in love with every beautiful woman he drew, at least insofar as the paper versions were concerned.

 

Michael Chabon Talks Supersuits

Michael Chabon Talks Supersuits

  • News
  • March 11, 2008

Michael Chabon, the Pulitzer prize-winning author of The Amazing Adventures of Kavalier & Clay, a novel about a Golden Age comic creator, is unabashadly a comic book and superhero fan himself. He even brought to life his fictional comic book from the novel, The Escapist, courtesy of publisher Dark Horse Comics.

In the latest issue of The New Yorker, Chabon authored an essay on superhero costumes that focuses on their genesis, evolution and what they mean about the character and the creator’s intent. If the idea of the litererary intelligentsia discussing the same topics as the local comic-shop crew makes you smile, make sure to listen to Chabon’s audio interview about why he wrote it.

On This Day: Peter Gross and Cully Hamner

On This Day: Peter Gross and Cully Hamner

  • News
  • March 7, 2008

Peter Gross has been working in comics since the 1990s, when he self-published the black-and-white series Empire Lanes. He’s best known for his work on DC’s Books of Magic and Lucifer but he also did artwork for Marvel’s Dr. Strange, Sorcerer Supreme and Hellstorm: Prince of Lies lines and for Dark Horse titles Chosen and The Mask: The Hunt for Green October. Gross also taught at the Minneapolis College of Art & Design, where he helped set up a comic art program.

Cully Hamner has done art on such series as The Authority, Green Lantern, Uncanny X-Men, and Spider-Man. These days he’s best known for his work on the relaunched Blue Beetle series for DC, initially written by Keith Giffen.

Marvel and Facebook Team-Up

Marvel and Facebook Team-Up

  • News
  • March 6, 2008

First, Marvel launched its online comics subscription service last November where you could read over 3000 comics online. Now, the company is dipping another virtual toe in the Internet’s waters and has joined with social networking site Facebook to launch a new digital comics application.

This new application, according to Marvel:

…immerses fans in the world of Marvel Digital Comics Unlimited, the home of the greatest collection of Marvel Comics ever assembled online. This new application page will serve as a hub to the Marvel Universe on Facebook.

Among the cool things this application will allow you to do is check out the entire collection of comics at Marvel’s Digital Comics site and read synopsies of the titles. You will also be able to pick and choose favorites, offer lists of "must reads" to other Facebook users and share comments.

John Dokes, VP of Online Operations and Marketing at Marvel, had this to say about the new venture:

“Facebook is an extraordinary outlet to communicate with and entertain Marvel fans,” said John Dokes, Vice President, Online Operations and Marketing, Marvel Entertainment, Inc. “This clearly extends our Internet reach and familiarizes a new fan base with all of the cool things happening with Marvel Digital Comics Unlimited and Marvel.com.”

The decision to go the Facebook route as opposed to MySpace, where several comic publishers such as Dark Horse Comics have already begun publishing content, is an interesting move. While MySpace is still the king of social networking sites, Facebook is quickly becoming the place where people go after they get tired of MySpace and its often painful to read custom homepages. So is this move by Marvel incredible foresight or a clever gamble?

Check out the new Marvel Facebook application right here.

 

Kim 2008, by John Ostrander

Kim 2008, by John Ostrander

  • News
  • March 6, 2008
 
This week’s marks eleven years since the passing of my late wife, Kimberly Yale. The best way to remember people, I’ve found, is through stories – stories you know or stories you’ve heard. Story is what I do. So here are some of the stories by which I remember Kim.
 
Kim and I had known each other quite a while before we started dating or became a couple. In point of fact, before Kim and I started dating, I had given up on the ritual. It simply had gotten too painful. I was well into my thirties at that point and none of my relationships had lasted more than six months. The common variable in that equation seemed to be me so I just assumed I was never going to find someone. I had not gone on a date for maybe eighteen months prior to Kim’s and my starting up.
 
In fact, Kim had earlier been one of those who had shot down whatever overture I was making. I had gotten back from a business trip to England and picked up a Doctor Who tchotke or two that I thought she would like. I called her up, said I was coming over to her apartment, and headed over in vague hopes of maybe possibly something might happen. Kim and I were more acquaintances than anything else at this point.
 

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Human Giant Blood+, by Ric Meyers

Human Giant Blood+, by Ric Meyers

  • News
  • March 2, 2008
 
Eight years ago an anime appeared that has stood, and even reverberated, the test of time. Blood: The Last Vampire was a groundbreaking and engrossing effort that clearly left virtually everyone who saw it wanting more. Clocking in at a breathless, seemingly unfinished, forty-eight minutes (just enough to fill a network TV hour slot), it showcased a pretty, young high school co-ed who swung a mean samurai sword against vampires at a Vietnam-era military base.
 
It was so well done and memorable that the sequel clamor has rung loud and steady to this day. Now, finally, a box set of the first twenty-five episodes of the follow-up television series, cleverly titled Blood+, is ready to slice into U.S. stores. For all those readers who are cringing at the thought of a TV continuation, you obviously don’t know Japanimation. Although there have been a few near misses, generally the small screen adaptations of major action anime have been well inside the strike zone (Ninja Scroll, R.O.D. [Read or Die], and especially Ghost in the Shell have all nimbly survived the transition).
 
Blood+ may head that list, since the skeletal original has been nicely filled out with a backstory and mythology which deepens and broadens the story — aided and abetted by a design and animation style that can’t match the cgi-ness of the original, but more than makes up for it with blood-splatteringly good direction, editing, and an exceptional soundtrack produced by Hans Zimmer. It’s just a shame for me, personally, that the box set was seemingly created to delight the more superficial anime fan and not the movie lover.
 
The big box contains three slim cases for the six discs, an even slimmer twelve page preview of the Dark Horse comic book version of the translated manga, and a black t-shirt (size: L) boasting the series logo. Once the apparel is removed, the rest rattles a bit. Five of the discs contain twenty-five half-hour episodes. The sixth contains something they’re calling “Inside Blood+” – which is interviews with a whole bunch of the original voice actors.
 

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ComicMix Radio: ‘Battlestar: Galactica’ – The View From Apollo

ComicMix Radio: ‘Battlestar: Galactica’ – The View From Apollo

Actor Richard Hatch has had the privilege of seeing the inside of the spaceship Battlestar: Galactica across three decades and two very distinctively different series. as the current show gets ready for its final voyage, he gives us his perspective on where it’s been and where it will end, plus:

— Hulk scores another sell out, and it’s four now for Freddy Vs. Jason Vs. Ash

— Dark Horse continues to honor webcomics

— Fantasy Baseball season has begun – it’s like WoW, but without the orcs

— Don’t miss your crack at a brand new trivia question and another chance to grab an exclusive Graham Crackers Comics variant by e-mailing us at: podcast [at] comicmix.com

You know you are already humming the Battlestar theme in your head – so Press The Button and hear it!

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via iTunes - ComicMix or RSS!

 

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