Tagged: Dark Horse

Interview: Brandon Jerwa on ‘Battlestar Galactica: Season Zero’

Interview: Brandon Jerwa on ‘Battlestar Galactica: Season Zero’

Writer Brandon Jerwa has had a varied and interesting career since beginning in comics early in 2001. Not letting rejection deter him, he persevered and eventually landed a job as a writer for the G.I. Joe comic book series. Later, Jerwa took on other television tie-in comics such as Highlander from Dynamite Entertainment — which he co-wrote with Michael Oeming.

During that time, he also wrote a backstory series about the Battlestar Galactica television character Tom Zarek. Due in part to his success with Zarek, Jerwa next took on a new comic for Dynamite titled Battlestar Galactica: Season Zero — a prequel of sorts to the Sci-Fi Channel TV series.

Now, with Season Zero rocketing towards a thriling conclusion in issue twelve, ComicMix caught up with Jerwa to talk about how he became the "go-to" guy for Battlestar Galactica at Dynamite, what we can expect from Season Zero as it finishes up and what other plans Jerwa has up his sleeve.

COMICMIX: Brandon, for people who might not know, can you give us a bit of info on your background? Did you read comics as a kid?

BRANDON JERWA: My first comic was an early issue of Star Wars when I was 4 or 5. I had all those early issues and they were definitely a huge thing to me, but I think Spider-Man and Batman made their way into the house pretty quickly after that! I don’t really remember a time when I didn’t have comic books.

My parents were supportive of the habit, so I’d always get at least one new book every time we’d go the grocery store or Kwik-E-Mart (ah, those were the days) and a long road trip was a surefire guarantee of a big pile of comics.

CMix: What were your favorites?

BJ: My favorites as a kid were Star Wars, Avengers, all the Spider-titles, including the most awesome  one, Marvel Team-Up; along with Marvel Two-In One, Detective Comics, Power Man and Iron Fist, Justice League of America and Teen Titans. G.I. Joe obviously made a huge impression on me.

I also have an undying love for Rom: Spaceknight.

CMix: How did you get started writing comics?

BJ: Well, I’m told that I’m the exception to the rule. I was living with my wife and infant son in Portland, Oregon when I started. It was 2001 and I was unemployed, so I thought I’d use my time playing stay-at-home dad to shoot for the Big Dream.

I wrote two scripts – one a G.I. Joe pitch for Devil’s Due and an original superhero piece for Dark Horse. A few months later, Dark Horse had given me my first rejection letter, but Devil’s Due apparently thought I was the man for the job.

My two-part script was extended to four parts and became my G.I. Joe: Frontline arc "History Repeating." Just a few months after those issues hit stands, I was the new regular writer of G.I. Joe.

CMix: How much did you know about Battlestar Galactica before you started writing any of the comics? Are you a fan of the Sci-Fi Channel show or the original ’80s version?

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ComicMix Exclusive Interview: Joe Lansdale on ‘Pigeons from Hell’

ComicMix Exclusive Interview: Joe Lansdale on ‘Pigeons from Hell’

Joe Lansdale is a prolific author of horror stories, both short and novel-length, including Drive In and Bubba Ho-Tep.  He’s also no stranger to comics, having partnered with Timothy Truman for projects featuring  such characters as Jonah Hex and The Lone Ranger, and has even written for Batman: The Animated Series and other television series.

This spring, Dark Horse Comics is releasing his four-part miniseries, Pigeons from Hell, adapting a story by Robert E. Howard.  It’s Lansdale’s first time working with artist Nathan Fox, and he recently sat down for a brief chat with ComicMix and a preview of the first issue.

COMICMIX: Thanks for agreeing to chat, Joe.  This is not your first work with Robert E. Howard.  You previously wrote a Conan miniseries. So tell me, what is it about Howard that you like?

JOE LANSDALE: Howard has always appealed to me because there is a raw storytelling talent at work, and he has a Texas background, and like me, he lived in a small town where the sort of profession he pursued was not entirely understood. I always thought he appealed to the little boy in all of us, and by that, I mean that part of us that loves a good raw story. He appeals to that aspect in all of us. Like Jack London, The Call of the Wild is eternal. I don’t think Howard had the same depth that some of London‘s work had, but it has the same primal element, if not the social element. Thing is, I don’t consider that bad or lesser, just different.

CMix: Did you ask to write Pigeons from Hell, or was it an assignment?

JL: I think it was mentioned to me by the film company that has Howard’s work, because I had written the Conan miniseries. It had been well-received, and I mentioned Pigeons From Hell, and it was thought an update might be fun, since Dark Horse had already done a literal adaptation, so, it just sort of snowballed from there and Dark Horse was for it. [It was] kind of an accident.

CMix: How did you approach expanding and adapting a prose work into a four-issue miniseries?

JL: I tried to use the original story as the frame, and I tried to bring younger contemporary characters into it. Howard’s work was of its time, and it could be casually racist, so I wanted to avoid that. I also added more mystical elements. Again, a perfect adaptation had already been done for the comics before, and there was a really good Thriller episode of the story years ago, though now it seems a little dated, so I wanted to approach it in a different manner. I think the story is still true to the original in most ways.

CMix: What is it about Howard’s work that you think still makes it relevant today?

JL: I think it’s the pure storytelling. You can learn to be a better writer with effort and time, but that is something that seems almost inborn, though I’m not sure how to explain it. But he has it, and the work is recyclable and constant.

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Dark Horse Offers ‘Making Of’ for ‘Serenity: Better Days’ #1

Dark Horse Offers ‘Making Of’ for ‘Serenity: Better Days’ #1

If you’re reading ComicMix, chances are you’re a fan of sci-fi, movies, TV and, of course, you probably read comic books on a regular basis. Being a fan and reader of comics, perhaps you’ve wondered how all the elements from script to art to color to lettering come together to form the finished comic you hold in your hands and read each week?

If you have wondered about this magical process, the folks at Dark Horse Comics have got something for you. At their website, they’ve put up a "How-To" guide which takes you through the steps from script to finished page of their brand-new Serenity: Better Days comic book.

Clicking through the guide you can see the original script pages written by Joss Whedon and Brett Matthews, rough sketches of the panel placement, art and pencils by Will Conrad, colors by Michele Madsen and letters by Michael Heisler — all the elements that go into a finished comic book page.

It’s an interesting look at how things go from normal-looking words on a page to a colorful and exciting final product. Check it out.

Interview: Scott Allie on Serenity, Buffy and the Joss Whedon Universe

Interview: Scott Allie on Serenity, Buffy and the Joss Whedon Universe

Dark Horse Comics editor Scott Allie has an enviable career. As an editor, he’s had the opportunity to work with some of the biggest talents working in comics today. Creators such as Mike Mignola and Joss Whedon are just two of the many superstars he collaborates with on a daily basis.

Over the years,  he’s also found time to write a couple comics himself, including Sick Smiles and The Devil’s Footprints. Most recently, Allie’s been hard at work with Mike Mignola on Hellboy and its spin-offs, editing Buffy: Season Eight and also working on another new miniseries based on a different Joss Whedon creation: Serenity: Better Days.

With issue #1 of Serenity: Better Days hitting comic book stores last Wednesday, ComicMix caught up with Allie to get the latest info on the new comic, what’s happening with Buffy: Season Eight, the fan’s reaction to the recent Season Eight revelation and how he collaborates with creators like Mike Mignola and Joss Whedon

COMICMIX: Scott, thanks for talking with us. How you doing?

SCOTT ALLIE: Good, busy.

CMix: For those who don’t know, tell us a bit about your background? How did you get started in comics and at Dark Horse?

SA: I had a job at a literary magazine that paid really well, and it allowed me to set up a self-publishing project back in 1993 and 1994. I did a horror comic called Sick Smiles, and otherwise jazzed around for a while. 

I was living in Portland, and doing Sick Smiles caused me to run into a lot of the Dark Horse people. I ran out of money right around the time they were looking for a new assistant editor, so I took the job.

CMix: Did you read comics as a kid? If so, what were your favorites?

SA: I didn’t read a lot of comics as a kid. I remember having an issue of Star Wars and an issue of Man-Thing. I came across some horror comics at a young age. 

I loved Spider-man, but purely from the cartoon, the older one with the great theme song. I started writing stories really young, and by fifth grade I’d started drawing stories. 

I’d make little books, 20 pages or so, with one drawing and a couple word balloons per page. That was my first foray into comics, I think. They were monster mashes–a combination of Godzilla and Frankenstein, everything I’d see on the "Creature Double Feature" on Channel 56 out of Boston. 

I wouldn’t start reading comics on a regular basis until I was about thirteen, when a friend gave me a copy of Frank Miller’s Wolverine miniseries.

CMix: When did you realize you wanted to have a career in comics? Or that you could?

SA: I think in college. I was torn between majoring in literature or fine art, and my sort of mentor, this guy named Robert Smart, encouraged me to combine them to create my own major, design my own curriculum, and major in comics. 

That was the first time I started thinking about turning my official focus toward comics. They’d been my passion for a while, but I didn’t see them being remotely practical as far as something to do.

CMix: Once you were working at Dark Horse, what projects did you work on? Was there one in particular that really "made" your career?

SA: Yeah, Hellboy. I got assigned to Hellboy within a couple months of starting, and Mike and I bonded instantly, deeply. 

It remains the most significant relationship in my career. 

CMix: How did your association with Joss Whedon begin?

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Interview: Jeffrey Rowland on TopatoCo and ‘Overcompensating’

Interview: Jeffrey Rowland on TopatoCo and ‘Overcompensating’

Jeffrey Rowland, the creator behind popular webcomics Wigu and OverCompensating, has a new, full-time job these days — and it just might make him one of the most important people to watch in the world of webcomics.

Late last year, Rowland officially expanded TopatoCo, the online store where he sold shirts, stickers and other merchandise related to his webcomics, bringing several other popular webcomics’ stores under the TopatoCo banner and consolidating their merchandise operations. By doing so, fans of many of the most popular webcomics are now able to mix and match their orders among different creators’ designs, and TopatoCo has evolved from a basement business to a staffed, international operation Rowland runs out of an office building in Easthampton, MA.

According to Wikipedia, Rowland "can be considered one of the small number of professional webcartoonists, as running Overcompensating and Wigu, in addition to his merchandise company TopatoCo, is his full time job and source of income."

I spoke with Rowland about the growth of TopatoCo and the first few months of becoming a webcomic merchandising hub, as well as the status of his own webcomics, OverCompensating and Wigu. From the lure of running off to Mexico on a motorcycle to the Snakes on A Plane experience, Rowland shares his thoughts on making a living in the world of webcomics.

COMICMIX: You sound busy, Jeff. What’s going on at TopatoCo HQ today?

JEFFREY ROWLAND: Well, I’m just trying to get a handle on this whole business arrangement here.

CMix: Yeah, it sounds like you’re pretty deep into it these days…

JR: Well, the way we were doing it before was, everyone had their own individual sites up. Dinosaur Comics would have its little store, and then [Dinosaur creator Ryan North] would collect the orders throughout the week and send them to us in a file once a week or so. It wasn’t that bad, because everyone was doing a pretty good amount of business, but when I put them all together… Well, all of a sudden, it just exploded. It was bigger than I thought it was going to be. I think we’ve been up for about a month now, and we’re over 2000 products sold. Over 1000 transactions. Basically, it’s just two of us here working – sometimes three. I have one full-time employee — she’s "Tallahassee" in OverCompensating.

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The Story Of O, by Michael Davis

The Story Of O, by Michael Davis

 
 
This was going to be an article about the sheer stupidly of the former Governor of New York and other idiots who say one thing and do another. Then I listened to Senator Obama’s speech on race. I was going to write about that speech but at another time. Then I received the following text message on my cell phone:

U and denys r no talent racist lying frauds. What kind of monster abuses positive accomplished young black men? Michael Davis PhD Player Hating Dickhead.

The denys he is writing about is my best friend Denys Cowan. He also left a voice mail on Denys’ business phone where he called Denys a “Faggot,” among other things.

Who is this person? Let’s call him O. If I really wanted to “playa hate” I would give up who he was, thus ending any chance of this guy ever working with any major entertainment companies. I don’t out him because there is still a small chance that he will try and clean up his act.

A very small chance.

Why is he so upset? More than a year ago he submitted a project to me which I thought showed promise. The project has not moved fast enough for him and O wanted to know why. I told him what I tell everyone about selling in the entertainment business…

A deal takes the time a deal takes.

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Faith Based Economics, by John Ostrander

Faith Based Economics, by John Ostrander

I don’t know much about economics. It’s all voodoo to me. Unfortunately, the same appears to be true of the corporate bosses of Bear Stearns, the “hallowed” investment bank that was sold over the weekend for pennies on the dollar to JPMorgan Chase. That was made possible by a thirty billion (“B” billion, not “M” million) dollar hand-out from the United States Federal Reserve Bank to cover Bear Stearns assets that would be “difficult” to sell off, meaning the U.S taxpayer will be stuck holding that bag.

“How could this happen?!” Actually, how could it not? Bear Stearns, along with a lot of other investment banks, were using “mortgage based securities.” Essentially, as I understand it, they lent the money to the guys lending the money to the people who were buying homes. Mortgages. They issued and traded bonds that used these mortgages to secure the money for the people who bought the securities. So long as those mortgages were prudent, it was not necessarily a bad idea.

However, the guys making the mortgages invented a new category – sub-prime mortgages. Many of those mortgages were given to people who didn’t have the funds really to make the payments and weren’t going to have them. That’s okay. Just re-finance! And the “worth” of the houses being bought kept going up and up. Anyone with half a brain knew that the housing market was WAAAAAY over-priced. It was crazy.

The reason the houses and land were worth that much was because everyone agreed they were. They believed it as deeply as any Born Again Christian grabs hold of the Bible. The loaves and the fishes with which Jesus fed the multitude didn’t multiply as much or as fast as some of the housing prices. It had to be true. Shout down the un-believers and naysayers. Except, of course, it all wasn’t true.

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Mike Richardson on Dark Horse/Universal Partnership

Mike Richardson on Dark Horse/Universal Partnership

Last week, we brought you news of the big partnership between Dark Horse Comics and Universal Studios.

Over at CBR, Jeffrey Renaud chats with Dark Horse founder and president Mike Richardson about the deal, and touches on a few of the Dark Horse properties that could end up on the big screen.

When offered Gerard Way’ s popular "Umbrella Academy" series as an option, Richardson answered, "’Umbrella Academy’ will obviously be high on the radar of the early projects but again, we’ve just completed the deal and now we are preparing the first projects.

Read the full interview over at CBR.

 

(via Journalista)

 

ComicMix at WWLA: The Screenwriter’s Panel

ComicMix at WWLA: The Screenwriter’s Panel

Sunday, Day Two at Wizard World in LA and this time around its the Screenwriter’s panel. Moderator Rickey Purdin introduced a distinguished group of successful screenwriters including Mark Verheiden, Carl Ellsworth, John Cox and Zak Penn. With the intros finished, Purdin launched into a short video montage featuring clips from some of the projects the members of the panel had written.

Some of these clips included scenes from The Mask, X-Men 2, Disturbia, Smallville, Red Eye and Battlestar Galactica. Following the clips, Purdin started in on the questions for the panel.

First up, how each of the writers got their various starts in the "business."

Cox started it off saying that, infortunately, he didn’t have a “sexy story" to tell. Instead, like many others, he went to film school with the intention of being a director. However, he soon found out that directing was “too much like working for a living" and decided to switch to screenwriting.

“My story is pretty sexy,” joked Penn. “I was a stripper for a couple of years. It’s a weird job. It was in a female strip club and I was the only guy there, and I stood out.”

"No, I’m joking. Obviously," he continued. "Actually, I got really lucky and wrote Last Action Hero pretty much right out of college and then sold it pretty fast. So that was it for me."

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ComicMix Radio: Darwyn Cooke Looks Back at ‘The Spirit’

ComicMix Radio: Darwyn Cooke Looks Back at ‘The Spirit’

It was the job everyone admired, but no one wanted to try: following in the footsteps of Will Eisner on The Spirit. For over a year, Darwyn Cooke stepped up to take on the task and in an exclusive ComicMix Radio interview, he talks about the good — and bad — moments, plus:

— DC finally makes a move with Manhunter

Spectacular Spider-Man blows up the ratings

—  Dark Horse partners with Universal

—  Sure – there’s another trivia question  and another chance to grab an exclusive Graham Crackers Comics variant by e-mailing us at: podcast [at] comicmix.com

It’s a click away – so just press the button:

 

 

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