Tagged: Dan DiDio

John Ostrander: Happily Never After?

ostrander-art-130929-150x151-9092045There was some discussion when the creative team on DC’s Batwoman, J.H. Williams and W. Haden Blackman, resigned after editorial decided that the title character, Kate Kane, would not be allowed to marry her fiancée, Maggie Sawyer. DC has tried to clarify that they are not anti-gay marriage but anti any marriage. Dan DiDio, DC co-publisher, stated at the Baltimore Con that heroes (at least in the Batman family) shouldn’t have happy personal lives, no marriages. They sacrifice personal happiness for the greater good. That’s what makes them heroes. Or so we’re told. DiDio said, “That is our mandate, that is our edict and that is our stand.”

That’s one viewpoint.

I can argue it both ways. Comics are fantasies and fairy tales tend to end with “And they lived happily ever after.” It is assumed that, after that point, the story gets mundane. It becomes about the ho-hum aspects of living day-to-day. The romance is gone. The tension of “will they/won’t they” no longer exists.

That has not been my experience. The living together, the commitment to one another, gets challenged all the time. The percentage of marriages that end in divorce or infidelity, according to some, is about 50%. Happily ever after is not a given.

I’ve discovered part of the challenge is seeing past who you thought the other person was and to see who they actually are. You discover much more about the person you love after you’ve become a committed couple. In addition, that love you share grows and changes (or changes and declines) as the people in that relationship grow, decline, and change. The love the two feel, for better or worse, may not be the same five years in. All of that can be very dramatic.

However, it’s not something pop culture tends to show. Most TV shows resist having their romantic leads become a couple, and certainly not married. Moonlighting famously teased about its two leads becoming a couple for way too long. Castle, of which I’m a big fan, is dealing with that now and we’ll see how that turns out. Every once in a while, you get a show or series that counteracts that – the movie series The Thin Man, based on the characters of Nick and Nora Charles created by Dashiell Hammett, were sexy and funny and had a wonderful marriage. They are, also, the exception in pop culture.

Marvel can be no less guilty of this than DC. The decision was made to have Peter (Spider-Man) Parker and Mary Jane Watson not just no longer married but to make it so they were never married. In order to do that, they had to employ the devil. That’s sort of convoluted.

I dislike DiDio’s edict because it is just that – an edict. It doesn’t allow for a story to follow through. It is dogma applied instead of thought, creativity and imagination. It’s the same rationale that the Roman Catholic Church applies to celibacy in its priesthood: that the priest/hero sacrifices their own personal happiness to better serve. It’s codswallop in both cases. The RC rule ignores the fact that other denominations have married clergy and it actually works out mostly fine.

Look, I can certainly see that Batman has no time or perhaps inclination to be married. That makes sense within the confines of who the character is. There were and are different circumstances for others like Batwoman. In storytelling, one size does not fit all.

I’ve been doing some work for DC and I hope to do more and when playing in their sandbox, I’ll respect their rules, even if I disagree with them. However, Williams and Blackman had the rules changed on them at the last moment and I respect their decision to walk. I’d like to think I would do the same.

MONDAY MORNING: Mindy Newell

TUESDAY MORNING: Emily S. Whitten

 

Eclipso – A Dark and Shadowy History

  • News
  • September 19, 2013

Eclipso_OriginDan Didio has written the latest iteration of the character for Villains Month, part of the new Forever Evil crossover event.  It ties up a plot arc that’s been weaving through the New 52 books since their inception – the villain’s black diamond has appeared in the short-lived Team 7 title, as well as Catwoman Demon Knights and even Sword and Sorcery. So clearly his return is intended to be a big one.

But this isn’t the first time DC has tried to make Eclipso into a top-echelon threat. Not by a long length.

People go on about how many times Aquaman has been revamped, but I gotta tell you, I think Eclipso has him beat.  Originally a sort of Jekyll-Hyde pastiche, he was released from within scientist Bruce Gordon whenever he was caught in the shadow of an eclipse.  Fortunately, eclipses are rather rare, so the character almost never appeared…oh, wait…ah, I’m being told that he could also appear under the shadow of an artificial eclipse, like a tea tray being used to block the light of a sunlamp.  Well, that certainly changes things.

He had a run in House of Secrets that got reprinted quite a bit in the wonderful years of the 100-page Super-Spectaculars, where people my age got most of their knowledge of the golden age and early silver age of comics.  He re-appeared on occasion when they needed a relatively generic and replaceable villain – he showed up in the Metal Men book as a Big bad, for pete’s sake.

It was with Eclipso: The Darkness Within that they first tried to make him into a major player.  Eclipso was now a major force of evil, hidden on the dark side where he secretly tried to control and destroy the shards of a massive black diamond, the Heart of Darkness.  But a visit by Lar Gand (Not the Legion’s  Mon-El, but the post-crisis version…look, just read my history of the character if you feel the need to catch up) gave Eclipso the idea to use the diamonds to possess the heroes of Earth, just as he’d used the first/original shard to possess Gordon.

The series did well and spawned a Eclipso title, one of the few times a villain carried a book.  Bruce Gordon was now being played as the Van Helsing to Eclipso’s Dracula, the Nayland Smith to Fu Manchu.  The book didn’t last all that long, and Eclipso sank back into the mid-card.

ComicMixer John Ostrander got ahold of him during his exemplary run on The Spectre, and the history changed again.  Not merely a demon of evil, Eclipso was in fact God’s first tool of Wrath, before The Spectre.  Eclipso, it’s explained, cause the biblical Flood at God’s behest.

This version of Eclipso returned a number of times, possessing Superman, taking Alex Montez as a host in a great arc in JSA, and most controversially, taking over Jean Loring, who was in quite a state after the events of Identity Crisis.

But in there, we got another version of his origin.  Now it’s explained that the black diamonds came from Apokalips, and Eclipso was created by Darkseid.  That was one of those changes that turned vast gouts of the past of the character into the rubbish heap, and it was not taken well by fans.

The New 52 has seen fit to bring the character back to his “god of vengeance” position, though his connection to God has not been re-confirmed.  With a number of appearances in several books, it’s a thread that has been in place for about all of the New 52.   Dan Didio, who did a very good job with the first few issues of Phantom Stranger, does a good job here summing up the latest new history of the character, and making clear how big a threat he can be.  Another small change – Bruce Gordon has now become “Gordon Jacobs,” likely to make the name more different from its original in-joke sources, Bruce Wayne and Commissioner James Gordon. He’s now being portrayed as a disgraced scientist, after an experiment with a solar-powered city goes terribly wrong.  This sets Gordon up to be tempted by Eclipso, as opposed to merely possesed against his will.  Like the spin made the the Phantom Stranger, it allows the character to be a bit more complex.

They’ve used Phantom Stranger to set up a couple other powerful Mystic characters – the first appearance of Raven was made there, though not mentioned by name, and that of her demonic father, classic Teen Titans foe Trigon, who also received a Villains Month issue.

Whether Eclipso will be a major player in Forever Evil, or if he’s being set up for an even later use is unsure.  But with the amount of time they’ve spent into setting him up, there are clearly big plans for the character.

Mike Gold: This’ll Kill You

gold-art-120918-150x198-3943664I believe a person has the right to commit suicide. No matter who says what, suicide might very well be our only inalienable right. Sixteen religious leaders, your entire family, all of your friends and all of your enemies can get together, kidnap you and hold an “intervention” (that’s sort of a pop-psych séance), and when all is said and done, you can still jump off a cliff.

But even I would admit that holding a suicide-themed contest is gauche. And, hey, I’m a punk rock fan.

Our friends over at DC Comics (who are now looking up “friend” in their online dictionaries) decided to run a new talent contest. According to their own web page “Harley Quinn is no stranger to a little breaking and entering for a good time and now, she’s going to help one talented artist break into comics with DC Entertainment’s Open Talent Search. That’s right, we’re looking for someone to draw one page of Harley Quinn #0 alongside some of comic’s most amazing talents, including Amanda Conner, Paul Pope, Bruce Timm, and a few other surprises, maybe even you!… If you think you’ve got what it takes to be published in this special issue, then put on your working hat and start drawing now, because an opportunity like this doesn’t come along very often.”

And, from that same page, here’s part of what they want you to draw: Page 15, Panel 4 – “Harley sitting naked in a bathtub with toasters, blow dryers, blenders, appliances all dangling above the bathtub and she has a cord that will release them all. We are watching the moment before the inevitable death. Her expression is one of “oh well, guess that’s it for me” and she has resigned herself to the moment that is going to happen.”

Actually, being familiar with both the character and the issue’s creators, I get the gag. Maybe that’s because the concepts of suicide and death doesn’t horrify me. Or maybe I’ve just got the same perverted sense of humor as writer Jimmy Palmiotti, artist Amanda Conner, and Co-Publisher Dan DiDio. But if you don’t frequent the Comic Book Donut Shop, it’s possible you just might not get it.

Here’s a couple thousand people who don’t get it: The American Foundation for Suicide Prevention, American Psychiatric Association and National Alliance on Mental Illness released a joint statement saying this whole thing sucks. To wit: “We believe that instead of making light of suicide, DC Comics could have used this opportunity to host a contest looking for artists to depict a hopeful message that there is help for those in crisis. This would have been a positive message to send, especially to young readers.”

Young readers? Really? Drop by a comic book shop sometimes, you cloistered shrinks.

The fact that the contest was announced a few days before the beginning of National Suicide Prevention Week probably didn’t help one bit. The story achieved national attention. You’d think Harley Quinn had just covered Ice-T’s “Cop Killer.”

DC Comics issued the typical mealy-mouthed apology “to anyone who was offended” (I hate that phrase; it sounds like being offended was the object’s fault and not the culprit’s), and Jimmy offered a much more sincere and explanatory apology, which was the right thing to do.

There are a lot of things one can’t rationally discuss in the commercial world without provoking kneejerk overreaction. After a lifetime in youth crisis intervention work, I can safely express the informed opinion that just about everybody who would have read Harley Quinn and then offed themselves already was a basket case waiting to take the pipe. You cannot bring down our mass media to the lowest common denominator.

However, given the fact that we live in a world where parents of a teenage suicide would sue a rock band for being responsible for their kid’s death despite the fact that literally tens of millions of others routinely and safely listened to that same song, DC’s move was unwise.

This column first appeared Monday at www.MichaelDavisWorld, a wonderful place where people speak their minds and everybody but Martha Thomases swears a lot.

Mike Gold performs the weekly two-hour Weird Sounds Inside The Gold Mind ass-kicking rock, blues and blather radio show on The Point, www.getthepointradio.com, every Sunday at 7:00 PM Eastern, rebroadcast three times during the week – check the website above for times and on-demand streaming information. Mike Gold is cool. No, wait. That’s fezes. Fezes are cool. Until the end of the year.

THURSDAY MORNING: Dennis O’Neil

THURSDAY AFTERNOON: Martin Pasko

 

Zone 4 Spotlights the Indies

The Zone 4 podcast crew of Brant Fowler, Gordon Dymowski, and Captain Ron Fortier, return. Episode #230 shines a light on some books and online comics they are enjoying that are not from the “big two,” Marvel and DC. Everything from Dark Horse, to Thrillbent, to Action Lab, to Bottled Lightning and more!

But before all that, there are some headlines. Some of them are pretty heavy, like the Kevin Maguire and Kirby Heirs situations. And some are light, like an actor interested in taking over Iron Man, and Groot being cast. And the crew has some words for Dan DiDio… again! And there are new shout-outs again this week! Plus some plugs.

So hunker down with some bacon bits, put aside your mainstream books, and get ready for some indie goodness. It’s time to enter the Zone!

You can listen to Zone 4 – Episode #230: Non-Big Two Spotlight! here.
You can now find Zone 4 on Stitcher as well!

Mike Gold: Let’s Get Small!

Gold Art 130814First, the bad news: According to Diamond Distributors, Marvel and DC combine to dominate about two-thirds of the total comic book hardcopy sales.

And now, the good news: According to Diamond Distributors, Marvel and DC combined possess only about two-thirds of the total comic book hardcopy sales.

Everybody else shares in that last third: Diamond, Image, Dark Horse, IDW, Archie, Boom and about, I dunno, maybe three thousand others. But they’ve achieved something that a decade ago would have daunted Sisyphus. Even at one-third of the market, these folks have torn down the wall. It wasn’t that long ago when DC and Marvel enjoyed a duopoly in excess of 80% of the market.

The really cool thing about this news is that these “other” publishers have succeeded by doing the types of comics that The Huge Two haven’t done successfully in decades. Dynamite’s line of pulp and pulp-inspired characters is exciting and largely of solid quality. Image brings to life the independent comics myth, often with material produced by some of The Huge Two’s top talent. Dark Horse and IDW have pulled a couple chapters out of the old Dell Comics textbook. Archie continues to let their renown characters grow and adapt to contemporary times; they don’t compete with Marvel, they cooperate with Glee. And Boom has the courage to industriously pursue the younger end of the market, establishing a desperately needed next generation for our medium.

Of course, timing is everything and the Little Guys are thriving as The Huge Two are pissing their readers off left and right. I believe the only Marvel Comic published in the past six months that didn’t feature Captain America, Wolverine and/or Iron Man was the Modeling With Millie Summer Spectacular… and somehow they manage to publish what seems like 75 monthlies with the word “Avengers” in the title that read exactly the same.

DC’s Few52 has become a dizzying game of musical chairs, with talent not being allowed to put any substantial creative investment in their work. Of course, we all read about Paul Pope being told by Co-Publisher Dan DiDio DC produces comics for 45 year olds, as though such a ridiculously narrow focus is the way things should be. Correct me if I’m wrong, but hasn’t DC launched 104 titles in the Few52 line over the past two years? It sure seems like it.

All this is great news for American comics readers. We have a greater diversity of material in the stores and available for e-books. Add the graphic novel publishers and we’re finally approaching the broad spectrum of material we’ve seen in Europe and Asia the past 70 years.

We’ve got a long way to go, but I’m finally beginning to feel as though the promise of the so-called independent comics movement that started in the early 1980s is finally planting some roots. Maybe this whole thing has a future after all.

 (A tip of the brainpan to my pal JimWiz for inadvertently supplying the art.)

THURSDAY MORNING: Dennis O’Neil

THURSDAY AFTERNOON: Martin Pasko

 

Marc Alan Fishman… “and now a word from my sponsor.”

Samurnauts 2Hello all. I freely admit that this week I’m in production hell. I have 11 pages of my own story to letter. 18 more to letter when I get pages in from Matt and Kyle. And then we have to make sure Matt’s beautiful sepia ink washed pages are properly flatted, and carry a steampunk look worthy of Samurnauts quality. All of this needs to be done by the time we’re supposed to be clocking in to our day jobs, come Monday morning.

This is if we’re lucky enough to have some copies of said new book in time for this week’s Wizard World Chicago. Simply put? We have to have the book done. Why? Because issue one debuted at Wally World last year. To show up literally a year later with nothing new in hand, save for a couple Adventure Time/Star Wars posters? Not our style.

So, when in need of inspiration this week to submit a column (instead of phoning in one, like Michael Davis did this week. What?)… I turned to my rock. My redeemer. The one person who above all else makes me a better man. My lovely, intelligent, not-standing-right-behind-me-feeding-me-adjectives wife. I asked her to compile some thoughts of our now 10 years of courtship-turned-marriage. So, I present to you now, my ComicMix brethren… a little sub-article action from Mrs. Kathy Fishman.

Kathy Fishman: So I Married A Comic Book Maker

When I first started dating Marc back in 2001, I wasn’t big into comics. My knowledge didn’t go beyond recognition of Superman, Batman and Wonder Woman. I didn’t know about the Justice League. I didn’t know there were companies called DC and Marvel. Not to say I wasn’t a nerd in my own right, mind you. I’m a big movie and pop culture nerd. I retain facts that normal people don’t. Marc likes to joke that I can name certain production people like best boys and key grips, accountants and caterers. I’m actually pretty passionate about movies and it irks me to no end when people don’t get a quote just right. But that’s me.

When Marc first told me that he wanted to make comics for a living, I won’t lie: I was skeptical. I thought he would get bored with it or completely abandon the project when things didn’t quite take off. Little did I know about Marc’s perseverance and commitment to this idea. With the help of his “brothers from other mothers”, Matt and Kyle, Unshaven Comics took a few years to really get off the ground. In 2008, they started with a commissioned piece entitled The March, which after years of attending Wizard World as fans, they were now on the other side of the table. It did decent enough and I ran after Dan DiDio to give him a copy and ask him to visit the table. I did corner him, but he never did come to the table that year. I was mortified.

Since those humble beginnings, I’ve watched Unshaven Comics come to create something that all ages can enjoy. C’mon, who doesn’t love an immortal kung-fu monkey? Each year, old fans ask when the next one is coming out, and I’ve seen first hand how each con attended by Marc and the boys garners a wealth of new fans. And each year, we get closer to San Diego, the holy grail of comic conventions. I admit it; I’m in this game for the eventual vacation to visit Michael Davis (What?).

So what has it been like for me to watch my husband try to live out his dream while juggling a day job, a wife, a toddler, freelance work, bills and just life in general? Well, it certainly has not a bowl of cherries. It’s annoying because we don’t spend a lot of time together. It’s frustrating because something will get in the way of production like an emergency freelance job which leaves poor Marc frustrated. But, at the same time, it’s awesome to watch the process. It’s awesome to watch little faces (and big faces) light up at the mention of the word “monkey”. It’s precious when our son Bennett sits on daddy’s lap, and proceeds to steal his Wacom pen, and runs around the basement to Marc’s chagrin.

If this endeavor takes time away from his family and there’s no guarantee it’ll be lucrative, then why do I let him do it? Because I like seeing him happy. Because I know he’s passionate about something. Because I promised to support him. Because I believe in the end product. Because I love him. Who am I to take away something he loves? It’s not some hobby for Marc. This is what he wants to do. It’s not my place to squash that.

To Marc, and really to all the Comic Makers out there: I say keep on keeping on. Frustrating or not, I will support you and Unshaven Comics until the day you decide to no longer make comics (Marc: which is never!). In the immortal words of Stan Lee, with whom you share a birthday: Excelsior!

SUNDAY: John Ostrander

MONDAY: Mindy Newell

 

Marc Alan Fishman: OK WB, Now What?

Fishman Art 130622I’ve little to no doubt by the time I write this article everyone on this site, and every other comic-ish site will have weighed in on Man of Steel. For what it’s worth? I liked it a whole bunch. Disaster porn? Sure. The controversial ending? Made complete sense to me. And I’m not even a pessimist. I found the flick to be a popcorn chomping, scenery eating behemoth on par with Marvel’s Cap or Thor. Feel free to disagree with me. This li’l op-ed though isn’t about Man of Steel as much as it’s about what it means for DC in the near and not-so-near future.

The fact is the movie is making money. Good money. The most money to come in for the month of June in fact. And with no “big” weekend coming to theaters presumably until The Lone Ranger bombs, DC should be on the road now to adding some serious shekels to their calamitous coffers. Many nerds (myself included) all figured that all this time Marvel was running away with all the sick-movie profits. But let’s look at the tale of the tape:

According to Box Office Mojo: Iron Man 1 and 2, Captain America, Thor, The Incredible Hulk, and The Avengers totaled roughly 1.75 billion dollars domestically. In the same amount of time Nolan’s Batman franchise, Watchmen, The Losers, Jonah Hex, and Green Lantern earned 1.45 billion. All things considered? It’s not necessarily a run away gravy train for Mickey now is it?

We all know the old adage: war is won with a single battle. Man of Steel rights a train derailed with Green Lantern. The fact of the matter is in the last five years of blockbusters, Mickey was laying foundation while DC merely rented a timeshare. It’s no secret (especially if you read comic book movie news on the Internet) that the Brothers Warner wanted Man of Steel to be the initial volley towards a larger franchise universe of their own. It’s fair enough to consider the movie to be a success. So, what’s next?

We know there’s talks to get Supes back in the multiplex as soon as late next year. Unless they actually know how to reverse time by flying around the Earth though? Color me doubtful. And the rumor mill has also turned out gems like a possible Batman / Superman team up. Or a Justice League movie that will spin-out into single character franchises. I envision the execs over at the Warner lot looking at a pile of New 52 books, with a sweaty Dan DiDio and Geoff Johns (no doubt wearing a dunce cap over his Green Lantern: The Movie cap) doing their best to help them plan. And somewhere behind two-way glass, Christopher Nolan sits in his private Inception pod (yeah it’s a pod now) smugly scoffing.

Enough pussy-footing around. If the reigns were in my hands, I’d bank on what made Warner money. While every comic-classicist sharpens their knives I boldly say the unthinkable. If you made money going real and dark? Go real and dark. There was optimism, hope, and smiles to be had in Man of Steel. Seriously. If DC uses that at it’s base, and builds a Justice League that stands with Big Blue in their front court? Those are big shoulders to do it with. Add in Jospeh Gordon-Leavitt’s Batman (heresy!) and introduce the movie-going public to Flash, Wonder Woman, Green Lantern and Cyborg? Well, it’ll sure give Whedon and his Bro-Vengers a little competition. Put the movie in the hands of a capable comic-inspired director. Say… Brad Bird. And if Nolan can assist in crafting a picture that isn’t just filler, quips, and a fifty minute fight sequence… you’ve got yourself the making of a real counter blow to the powerhouse mouse.

At the end of the day, Man of Steel was a solid start to a new beginning. While many our brethren ball their fists and curse at the wind, many others are finding a new take on a familiar face. I hope sincerely that DC and WB figure out what worked (Optimism. Confidence.) and what didn’t (Wanton destruction.) and use it to find solid footing on a new course. The world needs a Justice League movie. We need a great Wonder Woman franchise. They need a movie DCU. It’s time to look up, up, and away from the past and soar towards a more profitable future. And I for one will be looking forward to the movies.

Because you know, their comics sure ain’t doing it for me right now.*

*My apologies to Scott Snyder and Gail Simone who totally get a pass

SUNDAY: John Ostrander

MONDAY: Mindy Newell

 

REVIEW: Superman Unbound

Superman UnboundSuperman is a science fiction story. What else can you say about the sole survivor of a doomed planet coming to live on Earth? As a result, some of the best stories about the Man of Steel have been science fiction in nature so it’s a wonder that it has taken this long before one of his confrontations with fellow alien Brainiac was brought to the screen. The feature films keep reusing Lex Luthor and General Zod, ignoring the computer construct from the distant world of Colu, who has captured specimen cities from countless worlds, including one from Krypton.

Thankfully, the folk at Warner Animation have recognized his incredible potential, first by reimagining him as a closer part of the mythos in their Superman: the Animated Series and now in Superman Unbound. The core story is lifted from Action Comics #866-870 by Geoff Johns and Garry Frank and collected under the title Superman: Brainiac. To place this in perspective, the story comes after the Infinite Crisis reboot of the DC Universe continuity, meaning Supergirl is still adjusting to being on Earth and neither has encountered Brainiac before.

SupUnb_08015Bob Goodman, who did an admirable job turning The Dark Knight Returns into the previous two films, once more, tackles the iconic characters. Here, he has a far more emotional story to deal with and made only a handful of major modifications, notably downplaying Pa Kent’s role and keeping Lois and Clark single folk. He and director James Tucker make for a good team and the story moves fairly seamlessly but the action pieces are where things fall apart. We’re told repeatedly how utterly Brainiac is and yet he continues to send endless constructs after Superman despite it being obvious that they are ineffective. How shall I put this….it doesn’t make any freakin’ sense except to give the animators something fun to do.

SupUnb_09699There’s tension between Superman and Supergirl over her readiness to be Earth’s protector; there’s tension between Clark and Lois about their relationship being stalled by his overprotectiveness and then there’s the larger problem of Brainiac having stolen Kandor and now attempting to bottle up Metropolis. There are nice resonances established between these three threads and Goodman does a good job making Supergirl and Lois well-defined characters.

Once more Andrea Romano delivers with an excellent vocal cast, bringing verve to Goodman’s script. Castle’s Stana Katic makes for a powerful Lois (and I thought Dana Delany had it nailed) and she’s well paired with her TV costar Molly Quinn, who is a vulnerable teen Kryptonian. Matt Bomer drops his voice to a tone deeper than his usual White Collar character and is almost unrecognizable. On the other hand, Fringe’s John Noble is wonderfully creepy as Brainiac.

SupUnb_10290Tucker, though, botches the character design. Superman’s square jaw is now a tapered, pointy thing that robs him of power. Lois is way too thin for normal proportions and Pa Kent is a caricature of the influential father he should be. Tucker does better with Brainiac and his ship along with the Kandorians (and kudos for the Ultra the Multi-Alien cameo).

Overall, this is a satisfying adventure with a nice emotional undercurrent.

SupUnbB_15831The 75 minute feature is supplemented on the Blu-ray with two nice thirty minute featurettes: Kandor: History of the Bottle City provides the historic context for how this was introduced and how it altered the mythos. Marv Wolfman, Mike Carlin, Bob Goodman, Geoff Johns and Dan DiDio all chime in on the bottle city and its charms. Heath Corson is also included, a writer with no connection to Superman or DC or context provided so he’s an annoying presence. The second piece, Brainiac: Technology and Terror is less successful since there is tremendous confusion between what is said and what is shown. Despite having Wolfman and Carlin to provide some history, everyone goes from discussing the original Silver Age creation to his reimagining in the latter years then skip ahead to his modern day incarnation. But visually, the goateed Milton Fine is seen from the John Byrne era reboot but never mentioned. Similarly, we’re shown images of Brainiac 5 from early Mike Grell Superboy and the Legion of Super-Heroes but he is never mentioned so Brainiac’s legacy in the history of the DCU is also absent.

The Blu-ray has, exclusively, the Kandor feature and four episodes of Superman: The Animated Series and a digital excerpt from the Superman: Brainiac collected edition. The combo pack comes with the Blu-ray, DVD (with the Brainiac featurette) and an Ultraviolet digital copy.

Power Girl Faces Breast Cancer

  • News
  • April 1, 2013

Power_Girl_by_Bruce_TimmDC Comics today announced that, in recognition of Breast Cancer Awareness Month this October, Power Girl would develop breast cancer and undergo chemotherapy.

In her secret identity as Karen Starr, Power Girl will discover a lump in her breast while taking a shower. It has not yet been explained how her Kryptonian invulnerability will affect her treatment.

In a statement, DC co-publisher Dan DiDio said, “We are proud of our outreach to female readers, and this is our way of showing that we value them, that we care about their well-being. Yes, Power Girl will lose her hair, and the chemotherapy will eat away at her super strength. But instead of defeat, she will keep her mental strength, her determination, and the very things that make her a hero.”

The issue, Power Girl #1, by the Red Hood and the Outlaws team of Scott Lobdell and Kenneth Rocafort, goes on sale for $2.99 October 9.  Variant issues with enhanced covers, including one with a pink ribbon that readers can wear in support, will begin at $14.99.

 

DC LOSES RIGHTS TO PULP CHARACTERS– THE SPIRIT, DOC SAVAGE AND THE AVENGER UP FOR GRABS?

  • Uncategorized
  • December 18, 2012
Art: Neal Adams
Art: Jack Kirby

DC Comics Co-Publisher, Dan Didio was asked the following question on his Facebook page: “Are the Spirit, Doc Savage and the Avenger still at DC? Will we see them again?” A question many pulp fans have wondered since the less than satisfying First Wave series published by DC Comics in 2011.

Didio responded, “Sorry to say but none of these characters are still at DC but here’s hoping that another publisher gets them back in print soon.”

Okay, New Pulp comic book publishers, start your engines.

Where do you think these characters will end up?

Art: Darwyn Cooke

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