Tagged: ComicMix

Marvel’s Michael Turner “Hulk” Tribute Covers

Marvel’s Michael Turner “Hulk” Tribute Covers

  • News
  • August 14, 2008

In an announcement released earlier today, Marvel Comics has released the variant cover images for Hulk issues #6 and #7 featuring the art of recently deceased, fan-favorite artist Michael Turner. Turner passed away on June 27 due to complications in his battle with cancer.

Hulk writer Jeph Loeb had this to say about the covers:

“Living in a world without Mike is something I could never imagine,” said Hulk scribe Jeph Loeb. “He was the greatest guy. The. Greatest. I wanted some way to share my love of his artwork and at the same time give something to the fans — who were more important to Mike than anyone can imagine — and spoke to Marvel about doing these covers. They are pieces Mike did of the Green Hulk (one as a gift to Frank Mastromauro)and Peter Steigerwald of Aspen Comics did the recoloring and remastering. It was terribly important to me that Peter and Aspen got to be part of this as well. They are a celebration of Mike’s enormous talent and in turn, his life. Enjoy.”

Hulk #6 is scheduled for release September 24, while Hulk #7 is scheduled for an October 22 release.

So, ComicMix readers, what are your thoughts on the use of Turner’s art in these covers? Is it a respectable tribute to a beloved creator or something a bit more… suspect? Either way, the art is as impressive as always, but I’d love to hear your thoughts on the decision to release these covers.

Full-size versions of both cover images are posted after the jump.

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More Awards For Jeff Lemire’s “Essex County” Trilogy

More Awards For Jeff Lemire’s “Essex County” Trilogy

  • News
  • August 14, 2008

With final third of his "Essex County" trilogy of graphic novels set to hit shelves later this year, creator Jeff Lemire has already had a pretty good 2008. The first two projects in the trilogy, Tales From the Farm and Ghost Stories, have been celebrated by critics and nominated for multiple awards (and won quite a few of ’em, too). On Friday, Lemire added another award to his list of accolades, taking home the Doug Wright Award for "Best Emerging Talent," a prestigious Canadian cartooning award.

The last graphic novel in the trilogy, The Country Nurse, is scheduled for release in October from Top Shelf Productions. The trilogy is described as follows:

Lemire’s ESSEX COUNTY trilogy is an intimate portrait of one small-town community through the years, charged with themes of family, memory, grief, secrets, and reconciliation.

You can find out more about Lemire’s "Essex County" trilogy on the Top Shelf website. You can also read a review of Ghost Stories here on ComicMix, as well as an early review of The Country Nurse.

 

Review: ‘After 9/11’ by Sid Jacobson and Ernie Colón

A few years back, Sid Jacobson and Ernie Colón came up with the novel idea of retelling the 9/11 Commission Report in comic book form.

Now they’re back with something of a sequel, After 9/11: America’s War on Terror (Hill and Wang, $16.95). While their earlier book was a simple recreation of an existing document, this is a more impressive endeavor, as they compile facts from a great number of sources to create one of the most encompassing yet looks at our ongoing wars.

I really only have one criticism. The book is labeled “graphic journalism,” which is a bit of a misnomer. The creators did no original reporting, as far as I can tell, instead researching media reports for their information.

It’s really an illustrated work of history, an encompassing paper-bound documentary of the past seven years in American foreign policy. Which is to say it’s a pretty depressing read.

The creators organize their collection of news reports and government documents in chronological form, as the U.S. launches its invasions of Afghanistan and Iraq, the latter through no small part of deception.

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Review: ‘Astro City: Dark Age’ by Kurt Busiek

Kurt Busiek’s brain is about average-sized, I assume. And yet it contains this entire city, detailed down to every last resident’s personality and scrap of trash in the street.

His mastery of [[[Astro City]]] is on full display in the latest collection of the WildStorm series, The Dark Age ($29.99). Busiek ventures back to the not-so-pleasant past to tell the story of two brothers who go on very different paths amidst the chaos of superheroes and villains.

We’ve seen plenty of examples of superhero stories told in a down-to-earth way, or viewed from the average man’s perspective, maybe most notably in Busiek’s acclaimed [[[Marvels]]] with Alex Ross (who provides the killer cover at right). Neither of those elements is what sets Astro City apart, though they fuel its success.

Rather, its the depth to which Busiek explores the brothers’ lives (and those of everyone else). Charles and Royal Williams go through childhood tragedy and end up on opposite ends of the law.

Each is plagued in his own way by the super-powered element, with the bombastic battles tearing Astro City apart.

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Maximum Ride To Movies And Manga

Maximum Ride To Movies And Manga

  • News
  • August 12, 2008

Look for the adventures of Max, Angel, Fang, Iggy and the rest of the flock to hit the big screen in 2010 as Columbia Pictures acquires the rights to James Patterson wildy successful young adult series, Maximum Ride. Steering the transition is producer Avi Arad, no stranger to the genre coming off Marvel films such as Spider-Man, X-Men and Iron Man.

The Maximum Ride stories are spun-off from characters from two of James Patterson’s successful his adult novels, When the Wind Blows and The Lakehouse. These human/avian hybrids, which have been genetically engineered are all close to their teens, and not too dissimilar from the basic elements that are the core of the original X-Men. There are currently four Maximum Ride titles in print: The Angel Experiment, School’s Out Forever, Saving the World and Other Extreme Sports and The Final Warning. Book Five, Waterwings, is scheduled to hit shelves in March 2009.

Starting next year, there will also be a series of Maximum Ride graphic novels in manga form from Yen Press. A 22 page preview was released earlier this year on Free Comic Book Day.

When ComicMix met James Patterson in 2007, we asked him how long he planned for the series to last, Patterson told us that he would "keep going (with series) until (the characters) don’t have anything else to do." Patterson is also strongly involved in efforts to get children reading; you can see his latest efforts here.

 

 

Review: ‘Scout, Vol. 2’ by Timothy Truman

Review: ‘Scout, Vol. 2’ by Timothy Truman

Scout, Volume Two
By Timothy Truman
Dynamite Entertainment, July 2008, $19.95

This, as you might have guessed from the title of the book, is the second collection of Tim Truman’s [[[Scout]]] series, originally published over twenty-four issues starting in 1987 from Eclipse Comics. (You young ‘uns won’t know from Eclipse, but they were one of the major “indy” comics companies, back before anybody used that term.) The first Scout collection came out last year, and I reviewed it then.

To recap: Scout is set in a world of the worst fears of mid-‘80s liberals: global warming ran riot, turning most of the US into a desert; the US government collapsed into corporate fascism; the US economy basically dried up and blew away; and everything generally went to hell. It also went to hell really, really quickly, since Scout starts in 1999, only twelve years after it was originally published. By the beginning of this volume – the eighth issue and the start of a new plotline – it’s possibly a year later than that, but everything is still horrible, and getting even worse. (It’s one of those post-apocalypse settings in which regular people, like you and me, seem to have all died off quietly, without even leaving rotting corpses or giant piles of bones behind, so that the tough survivalist types can battle it out over the scarce resources left.)

But Scout’s world is different from our own in other ways: it’s not really a science-fictional world, despite being set in the near future. Various kinds of magic and mysticism really do work, and our hero, former Army Ranger Emanuel Santana, is explicitly on a mission to destroy a series of legendary monsters that are behind the USA’s troubles. (The first storyline was called “[[[The Four Monsters]]];” in that, he tracked down and killed four monsters from Apache mythology, all masquerading as powerful humans. At the beginning of this volume, his spirit guide – a talking prairie dog called Gahn – leads Santana to the next monster, which is a part of him.)

 

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Review: ‘The Fart Party’ by Julia Wertz

Review: ‘The Fart Party’ by Julia Wertz

The Fart Party
By Julia Wertz
Atomic Book Company, May 2008, $13.95

Julia Wertz’s comics would be terribly juvenile if they weren’t wonderfully juvenile – little snippets of life from a young woman in San Francisco, obsessed with beer, cheese, bicycles and comics. (Not to mention the occasional outburst of cartoony violence.)

Wertz has been posting her autobiographical comics at www.fartparty.org for nearly three years now, with occasional published-on-actual-paper minicomics as well, but this is the first collection that sits comfortably on a shelf. It seems to collect roughly the first year of the online strips, when Wertz was living in San Francisco with her boyfriend, Oliver, though the book itself doesn’t say that, or have dates on any of the strips. (Wertz’s life has changed a bit since the time of these strips; she’s currently ensconced in Darkest Brooklyn.) The strips here do form something of an arc, and have a natural ending, which is rare for any collection of regularly published comics, from the web or anywhere else.

Wertz’s style is simple and cartoony, but springs out full-formed from the beginning of the book with all its rubber-armed, pointy-eyed, casually-violent energy. Wertz does include a couple of strips she created earlier, in a more conventionally “realistic” style. But she buries those strips in the middle of the book, and they’re definitely less distinctive than her current style. I’m sure the fine-art brigade will hate her work – as will the good-taste brigade, which is similar but not identical to the first brigade – but she’s a real cartoonist, and that’s something to be celebrated. There’s still room for improvement in her style; her faces are only intermittently expressive at this point, and the figures’ body language tends to huge, stagy gestures even when those aren’t appropriate.

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Comics Out Of The Closet, by Mike Gold

Comics Out Of The Closet, by Mike Gold

  • News
  • August 11, 2008

My old pal Joe Staton, one of the most brilliant graphic storytellers in the history of this medium, is currently enjoying a long-overdue exhibition of his work at the Storefront Artist Project in Pittsfield, MA. Peculiarly titled The Art of Joe Staton, it runs through August 31. We talked about this here at ComicMix a while ago; click-through and read to your heart’s content. Better still, go there and check it out.

This could have been the shortest column I’ve ever written, but no, I aim towards broader context. We’re seeing more and more of this sort of thing. Mark Wheatley and Marc Hempel’s Breathtaker was among the dozen or so graphic novels recently honored at the Norman Rockwell Museum, and that exhibit is now touring the nation. There have been many theme-based exhibits of comic art all over the country – too many to mention.

Oh, boy. We’ve been accepted as a real art medium. Not to look a gift horse in the mouth (for a change), I just wish this happened a couple decades ago.

Will Eisner and Stan Lee lived long enough to feel the full brunt of public acceptance; Jack Kirby really didn’t. He was honored as the ABC News Man of the Week after he died, but I’m sure that didn’t massage his ego any. Wally Wood got bubkis. The fact is, the first generation of comics creators is almost entirely gone, and most died with a stigma attached to their names. Sure, Stan and Joe Kubert are still around (thankfully) and are still producing stuff (also thankfully), but that’s because they entered this craft while still pre-pubescent.

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ComicMix Radio: Broadcast Blog

ComicMix Radio: Broadcast Blog

  • News
  • August 10, 2008

Let’s take a lazy Sunday and add in a few links and recaps of things you might have missed on this week’s ComicMix Radio:

  • This week Wanted‘s Mark Millar and Ex Machina‘s Tony Harris hit the shores of the United States to promote War Heroes. Starting at  New York’s Midtown Comics and ending on the west coast, fans will have a chance to get to meet Mark and Tony as well as nabbing a copy of the extremely limited War Heroes #1 Tour Of Duty Edition. According to Image Comics, this special edition will never be made available again. By the way, War Heroes #1 has sold out from Image and there is no word yet on a second printing. For the full schedule of the tour, go here.
     
  • On your way out west to follow Mark & Tony, try and work out a stop in Toledo, Ohio tomorrow to see Marvel artist Greg Horn throw out the first pitch in a Toledo Mudhens game. It’s not the usual spot you find someone from our world, but Greg got the chance to do this because  Mudhens’ Assistant General Manager Neil Neukam is a big fan of his work.
     
  • As you read here on ComicMix, Michael I. Silberkleit, the chairman of Archie Comic Publications, died August 5th in New York City at the age of 76, after a short battle with cancer. Keep a close eye here for Arcihe Comics’ official tribute which should be on the site any day now.
     
  • Top Cow has the voting polls for Pilot Season 2008 wide open. If you have been following the series of try-outs, you can  vote for your favorite title out of the six one-shots that were put out this summer. Polling stations are now set up at the Top Cow main site , the Top Cow MySpace page  and the Pilot Season MySpace page. Readers can vote once per day until the polls close on September 8, 2008. Did you know that last year’s top two vote getters, Cyblade and Velocity, will debut with new series later this year, mainly due to the over four million votes were cast.

    We are back on the broadcast on Tuesday with our run down of new comics and DVD releases and more from Torchwood Executive Producer Julie Gardner and series star, Naoko Mori.  And remember, you can always subscribe to ComicMix Radio podcasts via iTunes - ComicMix or RSS!

 

Review: Creepy Archives Volume 1

Review: Creepy Archives Volume 1

Pretty soon, this is going to turn into a review of Dark Horse’s [[[Creepy Archives Volume 1]]]. Hang in there; I’ll get to it, I promise.

I miss Archie Goodwin, particularly this time of year. He died 10 years ago from cancer at the ridiculously young age of 60. He was one of the best writers this medium has ever seen. In a field that sports the talents of Harvey Kurtzman, Will Eisner, Jules Feiffer, and Dennis O’Neil, Archie was of that highest caliber. If Archie ghosted bible tracks for Jack Chick, I would have read them. He was that good.

As a human being, he was even better. A life-long EC Comics fan (you could see it in his work, as well as in those with whom he chose to associate), for a couple years Archie and I had adjoining offices at DC Comics. We used to go out to lunch and talk about, oh, [[[Tales From The Crypt]]] and Ronald Reagan. Did I mention Archie was very politically aware? Read his [[[Blazing Combat]]] stories. Anyway, sometimes our conversations scared the Manhattan businessmen who sat near us.

Archie enjoyed that. I enjoyed those conversations immensely; I wish I could relive them.

So why do miss Archie “particularly this time of year”? This is convention season. No matter where we were, we would run into each other a couple times each year at various airport gates. He could be leaving from New York and I from Chicago and we’d run into each other on connecting flights in Denver. We could both be at a show in, oh, his native Kansas City and we could be flying to two different places, but we’d still share the first leg of our respective flights. At first it was uncanny; quickly, it became another fact of life.

I haven’t met all 6,500,000,000 people on this planet, but based upon my unscientific sampling I can state with complete confidence that there are few people with greater wit, charm, and intelligence. So there.

This brings us to Dark Horse’s Creepy Archives Volume 1. Archie started writing for Jim Warren’s Creepy with the first issue; by issue two he was story editor and issue four he was the sole credited editor. He wrote most of the stories and, therefore, did a lot to define the 1960s horror story while working with a lot of EC greats like Reed Crandall, Jack Davis, Al Williamson, Alex Toth, George Evans, Joe Orlando, Wally Wood and Frank Frazetta. As time progressed, he added younger talent like Gray Morrow, Neal Adams, and Steve Ditko.

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