Tagged: Batgirl

MARC ALAN FISHMAN: What I’m Thankful For

Folks, I apologize for missing two weeks ago. I know it caused you to cancel plans, cut ties with loved ones, cease working, and maybe join one of the many #OccupyComicMix rallies across America. Well, as one of the 14.3% here who write a column, I assure you it won’t happen again.

Since it’s that time where we start reflecting on where we’ve been, what we’ve accomplished, and what we enjoyed… it figures I’d take a week off of crazy ranting to spread a little appreciation out there for the things in comics I’ve loved this year. What follows is an unordered, unfiltered, unadulterated list of things that tickled my nethers (comicly speaking). Tally ho, my friends.

FF — Those who follow me fully know I am more or less a DC dude. But I told myself this year I would consider more titles to pull from the House of Ideas. Well, thanks to the “Death” of Johnny Storm at the beginning of the year, it meant it was time for a restart of Marvel’s First Family. And thus FF, or the “Future Foundation” was launched shortly thereafter. Figuring it was as good a time as any to jump on board, I subscribed. Here we are, 11 issues later. I have to say, while the book doesn’t leap to the top of my pile when I’m in the can, every time I pick it up, I’m always happy to have done so. Jonathan Hickman is an intelligent writer who can craft one hell of a story. And art chores by Steve Epting, and currently Barry Kitson? The book is clean, Kirby inspired, sleek and sexy.

What I’m truly thankful for with this series is the way Hickman has given us an entire universe unto itself. FF removed from any crossover tie-ins, has been an in-book epic quest. With time travelers, political wars, cosmic disturbances, a heavy dose of Doom and comic relief by Spider-Man? There’s nothing this book hasn’t given me. With a little lull for an info dump at the mid-way point in the first arc past us, the book has continued to grow carefully. It’s been a beacon of true pulp for me thus far.

Gail Simone and Scott Snyder — All they touch glitters and is gold. In 2011, no two writers dominated my pull list more, nor disappointed less. Secret Six, Detective Comics, and now Batgirl, Firestorm, and Batman have all floated to the top of my must-read-pile week in and week out.

Gail’s writing is brilliant in its subtlety. Her books read quickly, but pack more nuance and depth of character than just about any other book on the shelves today. Where I once stood skeptical of Barbara Gordon returning to her lost mantle, I now live and die to read her exploits. Gail’s ability to let her characters talk about what’s actually going on in their mind instead of barking plot advancing banalities makes each comic of hers flow like a movie on paper. And when she falters, say with a weak and predictable initial villain in Batgirl? She makes up for it by forcing us to pay attention to the detailed character work opposite some of the more forced beats in the story. Her dialogue, a smattering of Kevin Smith without the “every character basically shares one hyper-intelligent voice” is never anything but a joy in print. A Simone book these days is akin to Chinese food. An hour after I’ve consumed it, I want more.

Scott Snyder is the yin to Gail’s yang. Get your mind out of the gutter. While I’ve only been privy to his bat-work, as it were, he’s been nothing if not flawless in delivery. His run on Detective Comics this year was, simply put, the best comic series I read. His characterization of Dick Grayson as Batman was pitch-perfect. The balance of his light hearted banter in the middle of a fight, combined with his police-inspired detective skills was written just the way I’d hoped. He wasn’t trying to be Bruce. He was filling the mantle in his own way. And when Snyder took the lead to Batman proper, he delivered once again, making sure we knew that his Bruce Wayne was assuredly not a gruffer Grayson. His plots bob and weave. Villains hide in plain sight, and get the best of his Batmen in ways we can agree with. And he’s done it all while keeping the majority of Batman’s classic rogues out of focus. His new creations fold into Gotham just as well, and don’t ever come across as knock-offs. Suffice to say? He took the ball Grant Morrison slam dunked with “Batman R.I.P.” and shot back-to-back three pointers.

Let’s Be Friends Again! and The Gutters — I don’t read many web comics, kids. But when I do? I read these. As playful jabs at the comic industry today, you can’t find two funnier takes. And sure, my very own studio did do a strip for The Gutters but we contributed for no better reason than the desire to be amongst greatness. The Gutters have poked and prodded everyone from Dan DiDio to the suits behind Dark Horse with a more than a wink and nod. And thanks in large part to their vast array of artists on file means that three times a week you get a beautiful web comic that delivers that “Friday” quality every strip.

Let’s Be Friends Again! is equally great. A bit more “Penny Arcade” with its core duo than the protagonist-less Gutters, LBFA is hilarity incarnate. Generally taking on just “the big two,” they’ve caused me to chortle out loud more than any strip has otherwise. Don’t just take my word for it. If Racist Galactus doesn’t make you laugh out loud? We can’t be friends.

Unshaven Comics — I’d be remiss if I didn’t shout out some love for my brothers from other mothers. Matt Wright and Kyle Gnepper sacrifice their free time to cram into my basement every week to work on our little rags, and website. With them this year, I’ve traveled to Detroit, Kokomo, Fort Wayne, Chicago, Indianapolis and Columbus. With them, this year, I’ve met hundreds of people, and sold nearly 1000 books face to face! When I had the dream of working in comics, they stood along side me, and shared that dream. Although we’re only a blip on the blip riding on the hump of another blip on the radar of the industry… we’re still there, and I couldn’t think of two more talented people to do it with.

And last but not least… ComicMix, and You — For those who have followed me on this site now for three years, I simply can’t express how much I appreciate your continued support. Even when I piss you off with my insane hatred of things you like, or make you roll your eyes with my unending list of snarky retorts to industry news… you come back the next week. You comment. You share my writings with your friends. To have this opportunity every week, to write alongside literal living legends? It’s something I never thought would be possible. And yet, here I am 20 editorials later, forever grateful for the opportunity and the responsibility.

And with that, I bid you adieu. Don’t worry about all this sap this time around. I hear the Phoenix is coming back, and that makes me want to rant. Later days, kiddos. Later days.

SUNDAY: John Ostrander

DC Comics February 2012 Solicitations

We hold in our hands the covers for DC Comics this February. As a child of four can plainly see, these comics have been hermetically sealed in a CGC 9.9 slab, and they’ve been kept in a #2 mayonnaise jar under a giant stack of returned copies of Holy Terror since noon today.

What do we have worth noting? The new look of Darkseid, and we’re far enough into the new 52 books that it’s time for Batman to start crossing over in all of them. Plus Mara Jade, the red-haired assassin who fell in love with her blond-haired man she was sent to kill– oh, I’m sorry, that’s from Star Wars. This is Mera in a jade outfit. Our mistake.

Shall we? Surely!

As usual, spoilers may lurk beyond this point.

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DC Comics November Solicitations

Because you demanded it, true beli– no wait, that’s the other guys.

But we’re here with the solicitations for DC Comics for Novemeber, coming soon to a Previews catalog near you. The New 52 keep rolling along, and we have the Sergio Aragones version of Batman immortalized in a statue.

So let’s take a look!

Details? Yes, we have details…

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If I rebooted the Justice League: Flash, Green Lantern, Hawkwoman, Martian Manhunter

If I rebooted the Justice League: Flash, Green Lantern, Hawkwoman, Martian Manhunter

According to a friend I trust, when the trailers for the Green Lantern movie appeared, kids asked, “Why did they make Green Lantern a white guy?”

That’s not a joke like “Paul McCartney was in a band before Wings?” It’s because, to folks under thirty, this is the Justice League:

But this is DC’s reboot:

How many ways is it awful? The short list:
  1. Instead of being a team of individuals, they look like they go to the same tailor.
  2. Aquaman is one of my favorite characters, but he shouldn’t be part of the core League. He should only appear when a case involves the seas.
  3. Cyborg is great in the Titans, but he doesn’t have a distinct role in the League unless they turn him into a brilliant scientist. Also, his name is generic—it’s like calling a character Robot. Give him back to the Titans.
  4. One woman? Are you kidding me? Humanity is 51% female, and there’s one woman in the core team?
So, what would my reboot look like?
  1. GMiss Martian photoreen Lantern is John Stewart, a black man who is the one and only Green Lantern of Earth. In the reboot, he’s the guy that Katma Tui (instead of Abin Sur to make it clear that the ring can go to anyone who is worthy) chose to wield the ring.
  2. The Flash, in something like the iconic uniform, is Ricky Estrada, a Mexican-American man with the personality of Wally West.
  3. Hawkwoman is Shayera Hol, a Thanagarian cop who comes to Earth in pursuit of an alien crook. Her partner, Katar Hol, is killed, and their ship is destroyed, so she stays on Earth for longer than was planned, and comes to love the planet.
  4. The Martian Manhunter always seemed goofy to me: a green version of Superman who can change shape and gets weak in the presence of fire? Use Miss Martian instead.
  5. The Wonder Woman from my previous “If I rebooted…” post.
  6. The Batman from my previous “If I rebooted…” post.
  7. The Superman from my previous “If I rebooted…” post.
A fundamental principle should apply to characters like Green Lantern and Hawkwoman: Heroes should be unique—unless someone offers a lot of money to make a movie or TV show about a variant like Supergirl or Batgirl.

MINDY NEWELL is Grumpy

I’ve been in a grumpy mood all weekend. I don’t know why exactly… and I made it worse today because, being in a grumpy mood yesterday, I didn’t work on my paper for school – the topic being An Ethical Analysis of a Current Domestic or Global Issue, and normally I love to talk ethics and issues with a capital “I,” but I just was so grumpy, I couldn’t get my interest going – which of course I should have, but I blew it off.

Which meant that I had to do it all today, which led to me missing the Giants game against the Seahawks. Which they lost 36 – 25. And yesterday was Yom Kippur, but I was grumpy, so I blew off going to temple, too, which made me feel terribly guilty, but I grumpily chose to feel guilty rather than do the right thing and go to temple with my parents. Who are really getting up there in age and who knows if we’ll all be here next year, and would it really have been so horrible to go to temple for a few hours and make them happy?

Although I did fast. Sort of. Meaning I drank a lot of Diet Pepsi and smoked a pack of cigarettes while being grumpy and watching The Dick Van Dyke Show on TV Land. So I’m feeling guilty and grumpy about not going to temple yesterday, even though my parents were totally cool with it, and anyway, I haven’t gone to temple since 9/11, when I just decided that all organized religions totally suck.

And I’m grumpy because I’m not all that happy with my paper, which is called “There’s Something Happening Here” and is about the Occupy Wall Street Protests and the unethical practices of Wall Street (which of course is enough to make anyone grumpy) and the bullshit crap about Occupy Wall Street that’s coming out of the mouths of people like Sean Hannity and Rush Limbaugh and John Boehner (which should make everybody grumpy, but it doesn’t, which makes me even more grumpy), and there’s so much to say, but I had a word limit, which I went over, which makes me grumpy, and with my luck my professor is a member of the Tea Party, which will really make me grumpy if it’s true.

But this column’s supposed to be about comics.

So what did I read this weekend? Well, I wanted to critique Catwoman #1 of DC’s New 52, because I have a special interest in Selena, having written the first Catwoman mini-series, and it’s been making me grumpy that in that series I wanted Selena to deliberately throw the bad guy who had raped her sister off the catwalk, but the powers-that-be at DC at the time wouldn’t let me ‘cause “Selena a cold-blooded killer? Nonononono, bad, Mindy, bad,” but apparently now it’s okay to show Selena and Bruce doing the dirty on a roof in total Photoshopped glorious color. But my comic book shop guy screwed up the order for the second week in a row now, which has also made me grumpy.

But I did pick up Batgirl #1 by my gal friend Gail Simone and artists Ardian Syaf and Vicente Cifuentes along with Wonder Woman #1 by Brian Azzarello and Cliff Chiang, and Action Comics #2 by Grant Morrison, Rags Morales, Brent Anderson and Rick Bryant. Plus Green Lantern, Batwoman and Voodoo. But it’s making me grumpy that I’m behind the eight ball and it feels like everybody else has already put their two cents in.

Gail does her usually superb job writing Barbara Gordon, and I’m trusting her to answer why Barbara remembers being shot by the Joker and being in a wheelchair for three years if none of the characters are supposed to remember their previous incarnations. Or is it that she just doesn’t remember her time as Oracle? But I really like that the emotional and psychological reverberations of the Joker’s attack are still there. It would make no sense if Barbara was just “la-di-di-dah.” I’m trusting Gail to follow through with this for quite a while. No instant fixes, please, girlfriend! The artwork made me a little grumpy though.

Wonder Woman is always her best, imho, when her Hellenic background plays a strong part in her book. Which is why I loved Wonder Woman! I especially liked the cape worn by unidentified bad guy who pulls a “Godfather” on the horse in the stable. (The bad guy is only unidentified if you’ve never read any Greek mythology and so don’t get the significance of that particular cape.) Brian Azzarello does his usual brilliant job at dialogue, dropping hints and making the characters come alive. The artwork definitely did not make me feel grumpy.

Action Comics #2 is sucking me in but good! Special highlight for me was the “exclusive peek behind the scenes” at the development of the characters and artwork. Especially the artwork. As a writer who can’t draw beyond a stick figure, I love seeing (or reading) how an artist makes the magic.

I wasn’t feeling grumpy there for a few minutes, but now I’m grumpy again because I didn’t have time to read the rest of my haul, which puts me even further into the backfield. But I’ve run out of room anyway, so I guess I shouldn’t be grumpy.

Except that I’m running really, really late on this column (again!) and that’s making me grumpy.

TUESDAY: Michael Davis

MINDY NEWELL: SuperGod – Thus Spake Zarathustra

I came home from work on Friday to find a package had arrived from Amazon. It was Supergods, by Grant Morrison. I had first heard about the book while reading the Rolling Stone interview with Morrison, which I mentioned last week. Between that interview and all the hoo-hah about Action Comics Vol. 2 #1, both my own reaction and those in the media, I had to read it.

(The debate continues, by the way. Today, Sunday, National Pubic Radio – NPR – devoted a segment of its “Studio 60” program to the reboot, with two interviews: the first with a comic book shop owner in Brooklyn, and the second with Jill Pantozzi, who herself is a redhead and in a wheelchair. Jill wrote an absolutely brilliant and terrific Op-Ed piece for Newsarama about the transformation of Oracle back into Batgirl, entitled Oracle Is Stronger Than Batgirl Will Ever Be. You should check it out.)

Anyway, back to Supergods. The subtitle is “What Masked Vigilantes, Miraculous Mutants, And A Sun God from Smallville Can Teach Us About Being Human.” I’ve only read the introduction, and browsed through it, and already I’m enthralled.

Now granted (no pun intended – or maybe it was), Morrison is not the first to write about the mythology, the übergeist – I think I just made up that one from a combination of Yiddish and German – the collective consciousness of humans creating heroes to reflect themselves, their darkness and their light, their trial and tribulations. If you didn’t have to read it in college, you learned about Joseph Campbell and The Hero With A Thousand Faces from George Lucas through a little thing called Star Wars. But as one of the preeminent contemporary writers of superheroes, I can’t wait to really sit down and read it.

I think about God a lot. When I was a little girl, I had this recurring dream. I was somewhere in the middle of a field. It looked like the field in “Christina’s World” by Andrew Wyeth, complete with the farmhouse at the top of the hill. Of course it was a dream, so it was a totally warped “Christina’s World.” I was standing there, and it was blue skies and sun. All of a sudden the sky was black with clouds. There was an absolutely huuuuge clap of thunder and a lightning bolt, and suddenly God was standing before me. Well, all I could see was the bottom of his long, black Supreme Court Justice robe. I craned my head up and back and up and back and the robe went up and up and up beyond the sky. Then God bent over, and I could see His face, and it wasn’t happy. His long white hair and beard mixed with the grasses of the field, and He looked at me with stern black eyes, and just shook his finger at me as if to say, “You’re a bad, bad girl, Mindy.”

I don’t know why I dreamed that dream. Probably got punished by my mother or my father for something I did that I don’t remember. Talk about Jewish guilt!

God and theology continued to fascinate me as I grew up. I didn’t go to Hebrew school, wasn’t bas-mitzvahed, and I got kicked out of Communion class for asking the rabbi how the Jews could be so sure that Jesus wasn’t the Son of God, and saying that maybe we just screwed it up. (I asked a lot of questions that the rabbi didn’t like, like the time I asked him if Jonathan and David were maybe more than “just friends.”) But I read all the stories from the Old Testament that my brother brought home, and I read bits and pieces of The New Testament. I devoured movies like The Robe and Quo Vadis, and brought the books home from the library. My favorite though was, and still is, Ben-Hur.

There’s a line in Ben-Hur towards the end, when Esther and Judah Ben-Hur are taking his mother and sister from the Valley of Lepers to see Jesus. Judah’s mother is afraid, and Esther says, “No need. The world is more than we know.”

I know it was only a line in a movie, but I think the writer got it right.

Like Grant Morrison’s Animal Man, maybe the world was created by God because he’s a writer, and that’s what writers do, create, and we’re just the four-color two-dimensional characters in his comic book. Like Alan Moore’s Promethea, maybe we create the world out of our collective consciousness. Like Neil Gaiman’s Sandman, the world is nothing but a dream set in motion by Morpheus.

Maybe there’s an obelisk on the Moon, just waiting to be discovered.

TUESDAY: Michael Davis

DC Comics December Solicitations

We hold in our hands the covers for DC Comics this December. As a child of four can plainly see, these envelopes have been hermetically sealed. They’ve been kept in a #2 mayonnaise jar under Wikipedia’s porch since noon today.

Shall we? Surely!

As usual, spoilers may lurk beyond this point.

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MARTHA THOMASES: The Age Of Origins

MARTHA THOMASES: The Age Of Origins

BatgirlSuperhero comics have been re-booted and re-vamped and up-dated and back-dated for so long that we hardly notice anymore.  However, there are some story elements that are fixed in the past, and maybe not in a good way.

For example …

• When Superman was first created, it was entirely believable that the rocket ship that brought him to Earth from Krypton could land in Kansas without anyone seeing it.  Even through the 1970s or so, when the rocket should have landed in the 1950s, one could accept that premise.  Now, however, the rocket would have crashed in the 1990s, when all sorts of satellites would have been tracking it.  Even if it wasn’t identifiably a rocket, but assumed to be a meteor, scientists would have warned about the effects of impact.  Cable news networks would have been all over it for the disaster porn.

• Did Peter Parker need a permission slip from Aunt May and Uncle Ben before going on a school trip to a facility with radioactive specimens?  Did anyone consider a lawsuit?

• Barbara Gordon has been a librarian and a United States Congressional representative.  Additionally, she was disabled by an attack from a criminal who was negligently allowed to escape from prison.  She must have a great government pension plan.  When she regains her ability to walk (apparently) in the upcoming series, are there Tea Party zealots demonstrating against her?

• Is Tony Stark the Koch Brothers of the Marvel Universe?  And if not, why not?

• Both the DC Universe and the Marvel Universe contain countries ruled by people with super-powers.  Are diplomatic postings to these countries considered to be good jobs or bad jobs?  What are the Senate approval hearings like for those?

• Similarly, when the United Nations has that week when all the world leaders attend sessions, do these super-hero leaders provide their own security?

• Are there web sites like gofugyourself for superhero costumes?  And, if so, do they similarly suggest that super-heroines consider pants somewhat more frequently?  Or are they more like this?

• Are there reality competition shows for super-heroes, like, say,  “X-Factor?”

• Does J. Jonah Jameson know Bill O’Reilly?  Because I would totally like to see that.

Dominoed Daredoll Martha Thomases doesn’t really want to think about the current political climate transposed to places where people punch out walls.

Dear DC, Please Keep Captain Marvel Black!

Dear DC,

You’re rebooting your universe, and I approve. Comic books should be rebooted every decade to keep them vital. Having a younger Superman who was never married makes sense. I only have one plea: please, keep Captain Marvel black.

I’m old enough to remember the early ‘70s when DC had the best female superheroes, Wonder Woman, Supergirl, and Batgirl, and Marvel had the best black superheroes, the Black Panther, the Falcon, and Luke Cage.

But everything changed in 1973 when DC expanded its universe with characters that had been published by other companies. Justice League #107 introduced the Quality Comics superheroes. Here’s that groundbreaking cover:

                               

With one stroke, DC accomplished two things. One was obvious: it leapt ahead of Marvel on diversity, creating four African-American heroes, a Mexican-American Black Condor and a Japanese-American Human Bomb (which seems simplistic now, but was a daring commentary on nuclear weapons then).

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MARC ALAN FISHMAN: “This is not MY _______!”

So, there I was, doing what I suppose I do far too often… scouring Facebook for status updates. A quick refresh, and there was an update from a friend saying how “This is not my Bucky Barnes.” He was referencing a purchase he’d recently made of a golden age Bucky figure, and how he hated the new Winter Soldier-era Barnes figure. Suffice to say, after seeing his umpteenth remark how a modern interpretation of one of the classic comic book heroes he loved so dearly rubs his rhubarb the wrong way, I had enough.

Call it being cantankerous in my own “Hey, I know you think I’m too young to form a real opinion, but screw you, I can anyways” way… but I’d like to say that this kind of general malaise towards interpretation and experimentation grinds my gears to a screeching halt. In short? Quit your bitchin’ gramps. It’s 2011. Your childhood memories remain intact, in spite of your fear that they won’t.

It’s this common thread amongst the older comic book fans that I truly find offensive. Maybe that’s not the right word. I’m not implying it’s anyone here on ComicMix mind you, but the conglomerate of silver/golden-age dick-chuggers who poop their pampers anytime anything changes in the fictitious worlds of their youth, drags us all down. We’re all entitled to our opinion, mind you, and I don’t deny anyone their right to express that opinion. See folks, I’m young, under-appreciated, and don’t know shit-about-nothing; But I’m taking this time to start a large debate. Mind you no one will answer my call, but I’ve never not had fun at screaming into the black abyss of the internet before.

This notion, that the creators of today can’t reinterpret a character because it’s not their version of the character, is a waste of breath. Ed Brubaker’s retcon of Bucky Barnes as the Winter Soldier was an amazing feat. He took a character that was long gone, and brought him back in a story that got real attention from new fans. Here was this relic of another era, repurposed for modern times, done with a deft hand. His origin remained intact. He never took away from the character who he was. Yes, he turned a once chipper, bright-eyed innocent kid (who had no problem murdering Nazis with guns) into a cold and ruthless killer.

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