The Latest News from RadioArchives.com! * New in Classic Radio: Claudia, Volume 5 * New in Digital Downloads * New in Pulp Fiction: Doc Savage Volume 49 and The Shadow Volume 51 * Rave Reviews for “Python Isle” and “The Adventures of Doc Savage” * Coming Soon: The Exciting Audio Adventure “White Eyes” New in Classic Radio: Claudia, Volume 5If you were a stay-at-home housewife in the 1930s and 1940s, you were most likely a fan of the soap operas. Ever-present on radio, and later on television, these daytime dramas of romance, heartbreak, mother love, sacrifice, and somewhat overdramatized family life became a staple in the lives of millions of avid listeners – many of whom planned their daytime chores around the five-times-a-week adventures of “Our Gal Sunday”, “Ma Perkins”, “Stella Dallas”, and the other dramas that dominated the airwaves between 10 AM and 5 PM.
But, in 1947, a new soap opera debuted that was far more quiet and gentle and down-to-earth than its strife-ridden neighbors on the radio dial. “Claudia”, based on the best-selling novel and play by author Rose Franken, told the tale of Claudia and David Naughton, two newlyweds just beginning their married life. Young, enthusiastic, and very much in love, they weren’t suffering from any of the crises or tragedies that were the common plot points of most daytime dramas. Instead, they were two people simply facing the many challenges of marriage and learning to live together as husband and wife. Thanks to insightful scripting, as well as charming performances by Kathryn Bard and Paul Crabtree in the leading roles, “Claudia” remains one of the unsung classics of radio’s golden age – as well as one of the most entertaining soap operas ever aired.
One of the sad things about radio show preservation is the fact that so many long-running series exist today only in fragments – a broadcast here and a broadcast there, rather than long continuous runs of a particular program. Happily, that’s not the case with “Claudia”; RadioArchives.com has been able to locate and preserve the entire eighteen-month run of the series – 390 episodes in all – allowing you to enjoy the complete series just as it was originally aired.
In “Claudia, Volume 5”, you’ll enjoy 24 more consecutive broadcasts that were first heard in April and May of 1948. Priced at Just $17.98 for the six audio CD set and Just $11.98 for the six hour digital download, this charming series is one you’ll want to share at home with your family – or keep it in the car and play one episode a day as you drive to or from work. Either way, we know you’ll be delighted by the endearing adventures of “Claudia”, now available from RadioArchives.com!
New in Digital DownloadsFor well over a decade, RadioArchives.com has been known for the amazing audio quality of our classic radio compact disc collections – and it’s no wonder. We insist upon finding the absolute best quality masters, and then carefully restoring them so that they retain all of the audio luster of the original recordings with none of the crackle, pops, hiss, or muffling so often heard in radio shows from other sources.
So, when we decided to start offering digital downloads of these same collections, we knew that you’d accept nothing but the absolute best quality. That’s why every classic radio collection you download from RadioArchives.com comes to you as a zip file containing each individual show encoded as a mono 128 kpbs MP3 file with a sampling rate of 44,100.
If you often enjoy audio entertainment on your computer, your cell phone, or a portable device, you’ll be glad to hear that we’re continuing to add selections to the Digital Downloads page at RadioArchives.com. The latest additions include such long-time customer favorites as “Amos ‘n’ Andy”, the star-studded variety series “The Big Show”, the understated police dramas of “Dragnet”, and the hilarious comedy series “Father Knows Best”.
Digital downloads from RadioArchives.com give you the best of everything. Top quality shows in sparkling audio fidelity, available to you for instant delivery around the clock – and, with digital downloads, you’ll pay no postage or delivery charges! No matter what continent or time zone you may live in, just place your order and, within minutes, you’ll be enjoying some great entertainment.
Stop by RadioArchives.com often and see what’s new in our digital downloads section. Great shows, great sound, and at great prices, too! New in Pulp Fiction: Doc Savage Volume 49 and The Shadow Volume 51Anyone living in the world today knows that true heroes are very hard to come by. But, in the pulp fiction world of the 1930s and 1940s, heroes were always on watch to fight the criminals and evildoers that threatened our way of life. You’ll find proof of this in the two new double-novel pulp reprints now available from RadioArchives.com, featuring the top heroes from this Golden Age of literary entertainment:
First, in “Doc Savage Volume 49”, you’ll thrill as the Man of Bronze and his daredevil cousin Patricia Savage battle deadly menaces in two classic pulp novels by Lester Dent, writing as Kenneth Robeson. First, a fatal force is destroying America’s Naval fleet. Can Doc Savage end “The Terror in the Navy” before a weakened America falls victim to a foreign power? This novel has been restored with the addition of 3,500 never-before-published words from the author’s original manuscript. Then, Doc and Pat Savage investigate the mystery of bizarre fifteen-foot “Waves of Death” on Lake Michigan. This classic pulp reprint features the original color pulp covers by Robert G. Harris and Emery Clarke, Paul Orban’s classic interior illustrations, and historical commentary by Will Murray.
Who knows what evil lurks in the hearts of men? In “The Shadow Volume 51”, the Knight of Darkness battles strange supercrime in two pulp thrillers by Walter Gibson that foreshadowed classic Batman stories. First, The Shadow goes undercover in Chinatown to battle a legendary oriental demi-god in “The Living Joss”. Then, what can prevent “Judge Lawless” from making a mockery of the law? Only The Shadow knows! BONUS: “Djaruti, Goddess of Death”, a lost Orson Welles thriller from the Golden Age of Radio! This instant collectors’ item features both classic cover paintings by George Rozen, the original interior pulp illustrations by Tom Lovell and Paul Orban, and historical commentary by Anthony Tollin.
Also available: “The Spider Volume 19”, featuring two stories of pulp fiction’s Master of Men: “Slaves of the Dragon” and “The Spider and his Hobo Army”.
Escape the worries and troubles of today with the exciting adventures featured in these pulp fiction classics. Each beautifully formatted issue features impressive cover art, full-length stories reformatted for relaxed reading, and many special features to add to your enjoyment. Each of these issues is priced at Just $14.95 – a true bargain for such engrossing entertainment. Make RadioArchives.com your source for the best in pulp fiction classics! Rave Reviews for “Python Isle” and “The Adventures of Doc Savage”“Python Isle”, the new Doc Savage audiobook from RadioArchives.com, has been generating a lot of buzz lately, with an impressive number of excited reviewers weighing in with their opinions. They’ve got us blushing…but that’s not going to stop us from sharing their thoughts with you!
On the Retroist website, Vic Sage writes: “I began listening to Python Isle at my computer. It just didn’t feel right so I popped out the CD and placed it in my Emerson “old time radio” replica, laid back on the floor, and thrilled to the exploits of Doc Savage and his compatriots! I’m hard pressed to think of a better way to spend an evening as the sun starts to set, the room illuminated by the soft yellow glow of the radio dial as Michael McConnohie’s soothing voice reads Will Murray’s prose, both mingling flawlessly together to transport me to a pulp world that I sometimes wish I could do more than just visit. This is what all radio plays and audiobooks should strive to sound like!”
Meanwhile, at Audiobook Heaven, critic Steven Brandt writes: “Radio Archives has taken the well-traveled hero, and brought him to life in this amazingly high-quality production. Michael McConnohie lends his voice talent to this adventure. His narration comes through the center channel as usual, but his character voices come from the left or right, putting the listener right in the middle of the action. I’ve heard this production method once before, and I like it a lot. McConnohie’s melodramatic voices are perfect for this recording as well, giving it kind of an old-time radio feel. Doc Savage is one more pulp fiction hero revived with modern technology. I’m liking this trend in audiobooks, and I hope Radio Archives will bring us many more Doc Savage stories.”
But it isn’t just “Python Isle” that’s drawing rave reviews. At Mystery Scene Magazine, Dick Lochte has written a review of “The Adventures of Doc Savage”: “About 25 years ago, two tales featuring pulp-master Lester Dent’s 1930s adventure hero Doc Savage were adapted by producer Roger Rittner and author Will Murray for a rip-snorting 13-part series that aired on National Public Radio. The result, commercially unavailable until now, is an entertaining replication of radio’s golden age, when a muscled renaissance Man of Bronze and his gifted but eccentric crew could do battle with seemingly unconquerable foes, wind up in trouble at the end of each episode and just as easily escape in the next. In the seven-part adaptation of the 1934 adventure “Fear Cay” Doc and his gang fly to a dangerous Caribbean Isle where they fight a wily old bird who claims to be the 130-year-old discoverer of the Fountain of Youth. The other story, presented in six chapters, finds our heroes in Indo-China battling baddies and deadly serpents in the city of “The Thousand-Headed Man”. The stories and the performances by Daniel Chodos as Doc and the other cast members are properly a bit over the top. It’s good clean fun.”
“Python Isle”, written by Will Murray and directed and produced by Roger Rittner, is now available from RadioArchives.com as an 8 audio CD set priced at Just $25.98 and as an 8-hour digital download priced at Just $17.98. “The Adventures of Doc Savage”, featuring all thirteen episodes of the original series plus many special features, is available as an 8 audio CD set for Just $24.98 and as an 8-hour digital download priced at Just $17.98. Join the thousands of excited listeners who are thrilling to the audio exploits of the Man of Bronze. Order your copies of these two exciting sets right away! Coming Soon: The Exciting Audio Adventure “White Eyes” The place: New York City. During the depths of the Great Depression, in the shadow of streamlined skyscrapers, reporters scramble for clues about an insidious wave of bizarre deaths – everyday citizens struck dead, the eyes in their lifeless bodies turned a sightless and ghastly white. The Blind Death has the teeming city paralyzed with fear; in desperation, civic leaders turn to the one man who can discover who or what is behind this gruesome series of murders: Doc Savage, the Man of Bronze.
From his offices high above the city, Doc and his band of trusted colleagues soon uncover a terrifying scheme to gather together all of the city’s criminal elements as a single and seemingly undefeatable force. Their intent: to seize the wealth of the Man of Bronze and destroy him once and for all!
“White Eyes”, the second in a new line of audiobook adventures from RadioArchives.com, is an epic tale of crime from the pen of Will Murray, heir apparent to Lester Dent, creator of Doc Savage. Featuring dramatic narration by Richard Epcar, “White Eyes” is a roller coaster ride of action and excitement that will leave you on the edge of your seat. Produced and directed by Roger Rittner, who joined with Will Murray to bring you both “The Adventures of Doc Savage” radio series and the thrilling audiobook “Python Isle”, “White Eyes” will bring you ten hours of engrossing entertainment. Soon to be available as both a ten audio compact disc collection and a ten hour digital download, this new release from RadioArchives.com will also feature evocative cover art by Joe DeVito and two fascinating and exclusive audio interviews with the author.
Join the Man of Bronze for a suspenseful tale of action and adventure in “White Eyes”, the new Doc Savage audiobook coming soon from RadioArchives.com!
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Sit back, relax, and enjoy this newsletter as an Audio Podcast! Click anywhere in the colorful banner at the top and you’ll automatically hear the Radio Archives Newsletter, enhanced with narration, music, and clips from our latest collections! This audio version of our regular newsletter is a pleasant and convenient way to hear all about our latest products, as well as the newest pulp fiction reprints, special offers, and much, much more!
The releases we’ve described in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s pulp fiction classics, our new line of audiobooks, colorful and exciting items from Moonstone, timeless movies and television shows on DVD, or the over 150 compact disc collections and digital downloads containing thousands of sparkling and fully restored classic radio shows, we hope you’ll make RadioArchives.com your source for the best in timeless entertainment.
Theater of Vampires, a Jason Dark Supernatural Mystery by Guido Henkel
by Suzanne Fuller
Having enjoyed Demon’s Night despite not having much of an emotional connection with the investigating Protagonist Jason Dark, I was looking forward to reading Theater of Vampires. Already comfortable with Henkel’s writing style, I was excited to see his take on everyone’s favourite creatures of the night. So I dived head first back into his dark, foggy world. With familiar characters reappearing for your nostalgic pleasure and new ones shuffling their way in. I was left feeling pleasantly surprised and sad that it ended so quickly.
The second book in a Series is a hard one to tackle. There’s the worry of not being able to keep up the excitement from the first or keep the characters true to themselves without endangering the plot. And to tackle possibly the most over-done creature in horror literature takes guts.
The story was fast paced and hard hitting. The characters were all believable and fear quickened the pace of my heart when the creatures of the night appeared from behind their human masks.
The setting was indeed creepy but I was beginning to worry that it sounded an awful lot like a particular vampire story many of us know. The last half of Anne Rice’s Interview with the Vampire took place in a theater, where Armand and his un-dead family tricked their human audience into believing the death performed on stage was acted, when in fact it was not. But, just before the book takes a turn away from following Rice’s footsteps a comment from Selene, the supposed master of the vampires, says, “I swear, I couldn’t bear another one like that insufferable blonde French guy De Lioncourt.” Which, of course, is a nod to Lestat. I had to place my cup of tea on the bedside table very carefully and hope that I didn’t choke on the gulp I’d just swallowed. There was another nod to a classic vampire at the very end but I will not say for fear of giving away anything inside the plot. All that will be said about it is it was a very, very good last line. One that left a mark, so to speak.
If there was any complaint to be had about this novella it’s that Sui Lin, Dark’s young, beautiful accomplice is so skilled in the art of fighting that it almost seems as though Dark himself falls behind. It happened in Demon’s Night and again in Theater of Vampires and no matter how much I love the strong, female character I worry that the series should be renamed A Sui Lin Supernatural Mystery.
With a great twist at the end that leaves you with many questions, for Dark’s future, moral rules and how the rest of the stories will unfold if the conflict were to raise it’s head once more. That is the wonderful thing about a series of stories, when you read the next instalment it’s like slipping into a pair of comfy slippers.
The sixth issue of the PULP ARK award nominated Dark Worlds Magazine has just been released and it’s a doozy!Over a hundred pages chock-full of fully illustrated pulp goodness, this issue is ALL-FANTASY, ALL THE TIME! Stocked to the gills with sword & sorcery stories by Everette Bell, Peter J. Welmerink, Joshua Reynolds, Martin Edward Stephenson, Joel Jenkins, David A. Hardy, Jack Mackenzie, and GW Thomas and art by MD Jackson, GW Thomas and Aaron Siddall and Sean P. Thomas, it’s available in both print and electronic versions from RAGEmachine Books!
This may be one of the stranger announcements out of the San Diego Comic-Con, and we think you actually can judge this book by its cover.
KISS returns to comics later this year with two major projects from publishers Archie Comics and IDW Publishing. This marks the first time that two major publishers have entered into such a groundbreaking, simultaneous deal with such a popular property and trademark.
No stranger to the comic book medium, KISS’ latest foray into four-color adventures will build on the group’s epic and unparalleled legacy, which continues to grow among the band’s fanbase – also known as the KISS Army.
“KISS has a comic book history that spans almost four decades…but it was time to do things better than ever before,” said KISS founder Gene Simmons. “What’s bigger than two different companies sharing the KISS license? Archie and IDW will tell two unique and in-your-face tales of KISS, and we’re thrilled to be working with them on these projects.”
KISS arrives in Riverdale this November in the pages of ARCHIE #627, which kicks off the four-part “ARCHIE MEETS KISS” storyline, written by Archie’s own Executive Director of Publicity and Marketing, Alex Segura, and featuring art by Archie superstar Dan Parent. When one of Sabrina’s spells goes awry and a cabal of monsters invade the town, the Archie gang and KISS join forces to try and save the day. Full of adventure, humor and – of course – rock, the story is certain to appeal to fans of the band and the Riverdale gang.
“We’re ecstatic to team up with Gene, Paul and the entire KISS Army for this project,” said Archie Comics Co-CEO Jon Goldwater. “KISS is such a huge part of Americana and that goes hand-in-hand with Archie and friends. We’re honored and excited to help bring KISS back to comics in a huge way.
“This is a unique arrangement but one that we’re proud to be a part of. IDW – like Archie – know their audience and create high-quality and mass-appeal product. We’re looking forward to bringing two great KISS comic series out in the coming months that’ll appeal to the biggest audience possible.”
IDW’s KISS series will kick off in a very special way in 2012. “Having done comics with Gene Simmons for a number of years already, I’m ecstatic to now be involved fully with the ‘hottest band in the world,’” said Chris Ryall, IDW’s Chief Creative Officer. “We’ve found a very unique way to launch our KISS comics, and have big plans for the series that we’ll be revealing soon. I look forward to bringing KISS back to comics in a huge way!”
Ryall added “I think this is the first time two comic publishers have shared a license at the same time, and I’m happy that setting this precedent are Archie and IDW. We both have very different audiences and distribution methods to reach our unique audiences, as well as both of us reaching traditional comics fans, too. We’ll be able to reach all ages of the KISS Army in ways never before equaled. We’re both ready to rock and roll (all night).”
Disclaimer: IDW is the print publisher for ComicMix.
Before STAR WARS: THE COMPLETE SAGA hits shelves on September 16, fans can get a sneak peak at the 40+ hours of bonus footage on the Blu-ray collection through the Star Wars Blu-ray: Early Access App. The App, available for all iDevices including the iPad and iPhone will highlight a sampling of bonus materials featured in the Blu-ray collection, including never-before-seen content sourced from the Lucasfilm Archives such as matte paintings and concept art; prop, maquette and costume turnarounds; supplementary interviews with cast and crew; and more.
For fans lucky enough to score a ticket to Comic-Con, stop by booth #3528 to check out the App and get an even bigger sneak peek at the Blu-ray Disc and experience one of the Saga’s most iconic moments from a unique, in-universe vantage point!
In this very space a few days ago, John Ostrander said, “By this time next year, we may know if we’re still viable or making buggy whips.” He was referring to comics creators, to comics fans, and to the entire comics art medium.
The first person I heard refer to comics with this term was master cartoonist Stan Lynde. In case you’re challenged in matters relating to newspaper comic strips, Stan was the creator and writer/artist of the strips Rick O’Shay and Latigo. He’s a master storyteller, a brilliant humorist and an artist of fantastic prowess. The time was close to 20 years ago, and Mike Grell and I were at a very enjoyable comic book convention at Billings Montana. One of the promoters promised to introduce me to Stan. This was a real fanboy moment for me.
As it turned out Stan and Lynda Lynde were two of the nicest people on the planet, and probably the universe. After dinner (where I consumed the best prime rib ever), they invited Mike and me to their place in the bluffs overlooking Billings. There Mike and I gazed upon acres of Stan’s paintings, original strip art, awards, historical memorabilia, and simply awesome sundry stuff. We talked for several hours and the subject got around to his career. Stan shared all kinds of great stuff – how one of his assistants was Robert Crumb, who, in many respects, was the anti-Stan Lynde. How Little Orphan Annie creator Harold Gray was an egotistical, arrogant bastard – those are my words, not Stan’s. And how, when he was coming to the end of his tenure his signature creation Rick O’Shay, his first wife asked him how long he was going to be making buggy whips.
That phrase impressed me. Were newspaper strips buggy whips? Maybe. Continuity strips certainly were – today, we have Dick Tracy, Gasoline Alley, Alley Oop, The Phantom, Mandrake, Judge Parker and barely a handful of others. Tracy’s picked up a few papers since our pal Joe Staton took over the art; on the other hand I know Mandrake is still alive solely because it’s online at King Features Syndicate. But the argument itself stayed with me, and during the past two decades I’ve endured the effluvium of the buggy whip factory as it surrounded the comic book medium.
The fact that the newspaper comic strip form remains alive is due to the Internet: a lot of newspapers run lots and lots of strips on their websites and the major syndicates have very low-cost services which email comics directly to their subscribers.
Not to put words in Brother John’s mouth, but the Internet is the only thing staving comic books off from the buggy whip wing of the American cultural museum. I think John’s right: we should know in about a year if that works. If not, ComicMix will become, oh, I don’t know, either a B&D site with all those whips, or a B&B site where you can score a nice home cooked meal.
As we passed midnight Stan drove us back to our hotel. As we were walking to the door and I said something to the effect of “hot damn.” Brother Grell responded, “You better believe it.” Even then Mike and I were two hardened veterans of the comics racket but we effortlessly allowed ourselves to bathe in the most crystal clear waters of fanboy heaven. We shared a truly inspirational time and we actually leapt up in the air out of our shared enthusiasm.
And that’s why I think comics might just have a future after all.
The world of fine arts is even more male-dominated than the world of popular arts. Although both trivialize the work of women, there are more respected women working in creative departments of film, television, even comics than there are in the better galleries and museums.
As if to prove the point, there is a new graphic novel from the Feminist Press, Who Is Ana Mendieta? Ana Mendieta was a Cuban-born artist best known for her earthworks, which combined her cultural heritage, her body, and specific sites. And, to the broader public, she is best known for her marriage to artist Carl Andre and her death under questionable circumstances.
This book is part of Blind Spot, a series of graphic novels from Feminist Press, which, according to their press release, “reconstruct these cultural biographies to tell a different story.”
Who Is Ana Mendiata? uses the graphic novel medium to full effect. The perspective jumps around from the persona – Ana’s life and relationships – to the professional – the upward trajectory of her career, and her developing themes as an artist – to the political – the art world environment and its attitude towards women. The word balloon placement guides the eye deftly, so that none of this is the least bit confusing. The slightly cartoony art style makes it easy to accept the contradictory opinions of the different characters, even as it encourages a healthy skepticism in the reader.
It makes me a little bit nostalgic to see the debates of the late 1970s to mid-1980s about the importance of women’s contribution to the arts. Critics like Lucy Lippard (who wrote the introduction to this book), artists like Barbara Kruger and Judy Chicago (just a small sample, read the book for more), and the Guerrilla Girls collective, made it an exciting time. Anger makes good graphics.
It’s interesting that now, more than 25 years later, we still have these arguments. It’s now accepted that women work “outside the home,” as we used to say. And we accept that women can be artists and managers and executives and airline pilots and ditch diggers.
And yet.
Women are still defined primarily as creatures who breed other humans. Our professional accomplishments are limited by our fertility, and the law considers us little more than incubators. Men can be fathers and successful, but women are still expected to choose one or the other area in which to excel.
Life is a good thing, and I’m in favor of continuing the human species. However, I think we limit ourselves when we concentrate on women’s wombs at the expense of their brains. Rosalyn Yalow‘s commitment to life was profound. If she couldn’t type, those people – and her genius – would have been lost to the rest of us.
Whether or not Ana Mendieta created work that appeals to your aesthetic, you owe it to yourself to check out this book … and her art.
[[[Who Is Ana Mendiata?]]]
Christine Redfern & Caro Caron
Introduction by Lucy Lippard
Hardcover: $18.95
ISBN: [[[978-155861703-2]]]
The Feminist Press
Don McGregor‘s elderly mother and other family medical emergencies have forced this fine man and fierce writer of the Black Panther, Killraven, and Detectives Inc., to put his personal collection of art (from stories he wrote) on the selling block.
I will be representing Don McGregor’s personal collection of artwork–original pages from stories that he wrote for Marvel.
I am not taking a commission from Don. All monies will go directly from you to him and he will ship directly to you; I am just sitting in the middle because Don is a wonderful and kind man who has never been about money (imagine that) and I don’t want him to get a dime less than he deserves or might otherwise get.
When a man like Don McGregor sells cherished art that was gifted to him by the artists that drew his beautiful stories, you know it’s painful for him. Don loves this art and it should go to people who love it, too. It’s being sold because he needs the funds. Ain’t that America.
I won’t allow art dealers to steal these from him. And I am not expert enough, despite the posturing, to know what these pieces are really worth. So here’s the deal: Some friends of mine and I going to bid on Don’s art while spreading the word far and wide. We are hoping you’ll beat our bids because we want Don to get top dollar. We hope that you will help spread the word. The bidding can end at any time (when Don says, “That’s a fair price; I’ll take it!”) But let’s not let this drag out too long, chums. Let’s pretend we actually learned something from those superheroes we grew up reading when Don was still writing them.
What else can you do? If you’re an artist, a small drawing would be nice. Black Panther, Killraven…something that Don worked on for sentimental reasons. I’ll be the first bidder and I’ll bid generously…and then I expect others to do the same. Let’s make the world go round.
Contact me if you’re genuinely interested in buying art from Don at fair market value. And spread the word to other art collectors. This is a rare opportunity, and you will have my gratitude and Don’s. And you will have Gene Colan’s gratitude where he rests in the World of Truth.
Current bid on the piece you see on this page: $1750.
ALL PULP thanks Peter Miller – docsavagetales.blogspot.com – very much for providing this Guest Review AND a Creator Interview to go with It!
Mystery Men #1 and #2 of 5 Written by David Liss Art by Patrick Zircher Published by Marvel Comics
DC comics made a big splash when the First Wave Universe premiered. They were making pulp comics in a new way. Not set in the past, not set in the DC Universe, but set in their own universe. They hyped it as cel phones and airships. What they created, combining pieces of the past—Doc Savage, the Avenger, The Spirit—with non-super-powered DC characters like Batman and the Blackhawks, was a failed mess. In most of the books the world seemed just like our own except for an extra airship or two. The best book was the Spirit, but even Spirit fans didn’t seem to love it.
Now Marvel has taken a stab at New Pulp and I think they are on to something great. Mystery Men takes place in New York in the regular Marvel Universe in 1932. As far as I know, this is the earliest a series has been set in the MU. The heroes (thus far) are not super-powered. The villain, however, is another story. He exudes occult mystical powers.
Mystery Men follows a millionaire playboy with a Robin Hood complex. He puts on a mask and calls himself the Operative. The Operative is trying to unravel a criminal conspiracy among the New York elite that is led by a frightening occult powered character called the General. The Operative is trying to find a killer.
Also involved in the case is another masked hero, the Revenant. He looks a bit like Moonknight and acts like the Shadow. He seems to have gotten the corrupt NYPD on his case and after crossing paths with the Operative, he decides they should work together.
The Operative doesn’t want the help and the fact that the Revenant is black doesn’t make it any easier, but we know they’re getting together. Issue #2 introduces the Rockettrix (not her real name, but the best description) with ties to the murder.
David Liss has nicely tied together a trio of pulp characters that I want to see more of. The story is good so far and the characters are charming, crude, tough, fascinating, and believable. I like the book a lot so far. Hopefully sales will be good enough to have the title continue.
I haven’t mentioned the art yet. The art is GREAT. Patrick Zircher’s style feels right for the period, but is modern at the same time. The entire first issue is done with horizontal panels, giving it a very cinematic style. The art is clear and direct and reminds me a little bit of Steve Bryant (Athena Voltaire). That is a compliment, by the way.
The second issue continues with the horizontal panels, but does break them up a bit. The colors by Andy Troy are also excellent, clean and subdued, but with color motifs to help define locations.
The final page of each issue so far has been an essay. Issue One’s article is by the writer, David Liss, and he discusses the thrill of adding to the beginning of the Marvel canon. He relates how he decided that the social issues of the 1930s would not be glossed over—that racism, sexism, poverty, and worker’s rights would play a part in the narrative. They do, and I think he has used them in his story well.
In the second issue, artist Patrick Zircher discusses the design path of the character’s looks.
I really hope these essays continue.
Go out and buy this great bit of New Pulp, you won’t be disappointed.
Interview with David Liss
The first two issues of Mystery Men are out and they are terrific. The essay at the back of the first issue tells a bit about the genesis of the project, but I was wondering about your background with pulp and the history of the 1930s. Had you studied the era or was this an excuse to do just that?
It really was more of an excuse to learn about the 1930s. Over the years I’ve read various things from and about the period, and, of course, there are films. Like anyone who enjoys comics, I have always found a lot to love in the pulp era, but this was my first serious creative engagement with the period.
Have you read much original pulp of the era? If so, what titles or characters are you familiar with?
I’ve read a lot of pulp crime over the years, and I’ve read most of Robert E. Howard’s Conan stories. I have not actually read that much of the primary heroic pulp, though I have read the original stories of some characters like Doc Savage and the Spider. And then, of course, many of these characters have ongoing legacies in comics and other media that I’ve read.
Are you aware of the “New Pulp” movement – contemporary authors writing new stories set in the classic pulp era?
Yes, I have several friends who have contributed to some of these new pulp anthologies, and I have another new pulp project of my own in the works, though I can’t yet talk about it. I love the revival.
So far it seems that the 3 main characters – The Operative, The Revenant, and Sarah Starr have no innate super-powers. The villains do. Will we be seeing super-powered heroes in Mystery Men?
Hmm. Best to stay away from spoilers, but I will say that the amulet the General is after is packed with all kinds of surprises.
How did you go from writing historical mystery novels to comics?
I was asked! Marvel editor, and pulp-enthusiast, Bill Rosemann read one of my books and contacted me to ask if I liked comics and would I be interested in writing them. The answer was yes & yes. My first project for Marvel featured the pulp hero, the Phantom Reporter.
Are you a long time comics reader or are you new to the genre?
I was away from comics for the period of time I was in graduate school, when I lacked the time and money for comics — or just about any leisure activity — but otherwise I’m a lifelong fan.
What titles or characters are your favorites?
Some of my long-time faves include Daredevil, Spider-Man, Punisher, Captain America, Batman, Superman, Legion of Super-Heroes & Martian Manhunter, but I’ve always followed the story more than the character. My investment has always been less in titles and individual heroes than which creators are putting together good comics, so I’ll read just about anything with a cool story.
What writers or artists excite you?
On the writing side, these days my favorite creators are probably Robert Kirkman, Mark Millar, Brian Bendis and Ed Brubaker. I feel like I’ve been very lucky, because in my projects at Marvel I’ve been paired with some of the best artists out there. Francesco Francavilla and Jefte Palo, who have been doing the art for Black Panther, are both fantastic. And then, of course, there’s Patrick Zircher’s phenomenal work on Mystery Men. In terms of detail and beauty, as well as art that advances character and story, Patrick’s work on this book is about as good as it gets.
Brent Anderson had a lot of his art stolen in San Diego. His car was broken into at the San Diego Zoo and the following original art was stolen:
If you were a stay-at-home housewife in the 1930s and 1940s, you were most likely a fan of the soap operas. Ever-present on radio, and later on television, these daytime dramas of romance, heartbreak, mother love, sacrifice, and somewhat overdramatized family life became a staple in the lives of millions of avid listeners – many of whom planned their daytime chores around the five-times-a-week adventures of “Our Gal Sunday”, “Ma Perkins”, “Stella Dallas”, and the other dramas that dominated the airwaves between 10 AM and 5 PM.
For well over a decade, 
If you often enjoy audio entertainment on your computer, your cell phone, or a portable device, you’ll be glad to hear that we’re continuing to add selections to the Digital Downloads page at 
Anyone living in the world today knows that true heroes are very hard to come by. But, in the pulp fiction world of the 1930s and 1940s, heroes were always on watch to fight the criminals and evildoers that threatened our way of life. You’ll find proof of this in the two new double-novel pulp reprints now available from 
Who knows what evil lurks in the hearts of men? In 
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