Category: News

DC Super Hero Girls gets Original Film in May

 

BURBANK, CA (March 10, 2017) – Class is back in session at Super Hero High as Warner Bros. Home Entertainment and DC Entertainment bring you DC Super Hero Girls: Intergalactic Games, the second feature in the new, groundbreaking universe celebrating young girls! The Intergalactic Games are here and Super Hero High is facing off against Korugar Academy, with a little help from the most prominent DC Super Heroes and Super-Villains in the galaxy. DC Super Hero Girls: Intergalactic Games will be available on Digital HD starting May 9, 2017, and on DVD ($19.99 SRP) on May 23, 2017.

Special Features on the DC Super Hero Girls: Intergalactic Games Digital HD and DVD release include seven animated shorts. Additionally, exclusively on the DVD is the music video for the song “That’s My Girl” by powerhouse girl group Fifth Harmony.

Wonder Woman, Supergirl, Batgirl, Poison Ivy, Harley Quinn, Bumblebee and Katana square off against Korugar Academy in the Intergalactic Games, but trouble is in the air as Lena Luthor takes advantage of the gathering of the Supers to enact her villainous plan. It’s up to the DC Super Hero Girls to fight the forces of evil and protect their school. With Wonder Woman’s strength, Supergirl’s speed, Batgirl’s strategic knowledge, Poison Ivy’s ability to make things grow, Harley Quinn’s energy, Bumblebee’s ability to shrink, and Katana’s fearless personality… anything is possible.

From Warner Bros. Consumer Products and DC Entertainment, the DC Super Hero Girls universe encourages young girls, ages 6-12, to explore their own powers and strengths through original content, including all-new films, webisodes and TV specials. The franchise offers young fans inspiration and encourages teamwork, friendship and empowerment. DC Super Hero Girls: Intergalactic Games will connect with fans throughout the world via a treasure trove of digital content, including DCSuperHeroGirls.com, the DCSHG App, YouTube Channel and Instagram, as well as a global licensing and merchandising program.

DC Super Hero Girls: Intergalactic Games features some of the top voice actors in the industry.  Grey Griffin (Wonder Woman), Tara Strong (Harley Quinn/Poison Ivy), Anais Fairweather (Supergirl), Mae Whitman (Batgirl), Teala Dunn (Bumblebee), and Stephanie Sheh (Katana) join forces to portray the youthful versions of some of the world’s best known Super Heroes. Cecilia Aranovich Hamilton directs from a script by Shea Fontana.  Jennifer Coyle serves as producer with Sam Register as Executive Producer.

“We are thrilled to continue our dedication to empowering young girls with the release of our second DC Super Hero Girls title,” said Mary Ellen Thomas, WBHE Vice President, Family & Animation Marketing. “We feel that Intergalactic Games presents strong role models in a new, unique and fun way.”

DC Super Hero Girls:  Intergalactic Games – Special Features

  • “That’s My Girl” by Fifth Harmony Music Video (DVD only)
  • Animated Shorts
  • New Beginnings
  • Hero of the Month: Supergirl
  • Batgirl l vs. Supergirl
  • Quinn-tessential Harley
  • Doubles Trouble
  • Franken-Ivy
  • Dude, Where’s My Invisible Jet?

 

Who’s More Likely To…? Tweeks Edition

We’ve been vlogging on ComicMix for 3 1/2 years now, but how well do you really know us?

Do you know which one of us would make a better cat?

Which one of us knows more about comics?

Who gets grounded more?

Which one of us is more of a Disney Princess?

Which one would make a better Doctor Who companion?

Which one of us is mostly likely going to be a dictator and which one would would fight a platypus?

Well, after this week’s episode you will.

Join us in as we put our twin powers to the test in a semi-friendly game of Who Is More Likely To? (well, our version of it anyway)

Mike Gold: Jay Lynch – Um Tut Sut!

Every town must have a place / Where phony hippies meet / Psychedelic dungeons / Popping up on every street • Frank Zappa, “Who Needs The Peace Corps?”

The late Sixties really did live up to its reputation. In my home town of Chicago hippie central was the Lincoln Park neighborhood around the iconic Biograph Theater, where, 34 years earlier, the FBI allegedly shot John Dillinger to death. Today, hippies can’t even afford to drive down Lincoln Avenue.

The area sported many blues and folk bars, giving such local talent as Steve Goodman, John Prine, Hound Dog Taylor and Harvey Mandel a place to strut their stuff. It was Mecca to the storefront theater movement, creating world-renown companies such as the Steppenwolf and the Organic Theater a home for newcomer writers and actors like David Mamet, Joe Mantegna, Laurie Metcalf, John Malkovich, and John Ostrander. A mile down the street was The Second City, then-home to John Belushi, Bill Murray, Harold Ramis and dozens of other people who would draw a multicolored mustache on the face of comedy.

A mile further south found you at the office of the underground newspaper the Chicago Seed, a paper so underground it sported a circulation as high as 48,000 copies. I was fortunate to be part of that outfit, initially working under the brilliant editor Abe Peck, who taught me more than any credentialed teacher ever could. Wonderfully, The Seed was across the street from the gargantuan Moody Bible Institute, although I spent more time at the Saucy Weenie scarfing down some great Italian beef and hot dogs.

Creativity flowed down Lincoln Avenue and if you weren’t swimming with that flow you were bathed in amazement. This, in January 1969, is where I first met a one-time Second City employee named Jay Lynch.

Most certainly, cartoonists benefited from the freedom and opportunity that brazenly replaced oxygen. The Chicago Mirror, a black-and-white “counter-culture” magazine that debuted in 1967 and was mostly sold at “head shops” (Google it) such as the Mole Hole. Less than a year later, editor/publisher Lynch turned it into an all-comix publication called Bijou Funnies. It featured the work of Robert Crumb, Art Spiegelman, Gilbert Shelton, Jay Kinney, Justin Green, Kim Deitch, Ralph Reese, Denis Kitchen and his forever pal, Skip Williamson… it, like Zap Comix that premiered shortly before Bijou, was a who’s who of the comix movement.

As the hippie crusade started to age out, Jay – often known as Jayzey – expanded his horizons. He did color separations and 3-D adaptations for Fred Eychaner, then a printer, a major hippie employer and a contributor to The Seed. Jay was among the many underground artists recruited to write and draw for Topps Inc., contributing to the iconic Bazooka Joe and engaging in a life-long relationship with Wacky Packs and Garbage Pail Kids. In 1976 he created Phoebe and the Pigeon People with Gary Whitney for the Chicago Reader and syndicated to alt-weeklies all over. Several reprint books were published by Kitchen Sink Press; the feature ran for the better part of two decades.

I worked with Jayzey and his BFF Skip Williamson off and on for years, and we saw each other at comics conventions, stockholders’ meetings (that one’s a long and litigious story), and, well, memorials to fallen friends. When FM rock radio and poetry slam pioneer Bob Rudnick died in 1995, a wake was held at Mike James’ famed Heartland Café. It was a wonderful reunion of long-haired gray hairs, and, sadly, was the last time I saw such wonderful people as Marshall Rosenthal and Eliot Wald. Jay was still living in Chicago but I had moved to the New York area nearly ten years previous; we talked for more than an hour catching up and pontificating on the status of the comic art medium and what we should be doing about it. We continued that conversation for 20 years, mostly in bits and pieces at conventions but also through the modern miracle of the Internet.

Jay Lynch died of cancer last Sunday at the age of 72. These days, that’s young enough to be thought of as dying too young. Of course, for vital creators such as Jayzey no age could be too old. Unlike many of us hippies Jayzey eschewed drugs – Denis Kitchen pointed out that was true only if you didn’t count nicotine – but he got chopped down early nonetheless.

Jay Lynch was a quite pioneer. His work speaks for itself; his work screams for itself. A much-loved man, he leaves friends stunned and saddened all over the world.

Eras end all the time. Jay Lynch’s work will endure.

Jay Lynch, 1945 – 2017

 

Jay Lynch, one of the fathers of underground comix and creator/writer and/or artist of such treasures as Bijou Comix, Phoebe and the Pigeon People, Nard n Pat, and Garbage Pail Kids, died of cancer this afternoon at age 72. His most recent work was providing the cover art for Fantagraphics’ new book, The Realist Cartoons. He will be missed by his many, many friends and fans.

I’d known Jay for almost a half-century, and I’ll be taking the liberty of commenting on a man I regard as one of the most important cartoonists of the post WWII period in my usual space here Wednesday.

Mars, the Miniseries, Hits Disc April 11

MARS follows a crew of courageous international astronauts on its exhilarating maiden voyage to Mars and quest to colonize the fourth planet from the sun. In a unique blend of scripted drama intermixed with documentary sequences and feature-film-caliber visual effects, the series presents what the greatest minds in space exploration are doing to make traveling to Mars a reality, featuring Big Thinkers like Elon Musk, Neil deGrasse Tyson and Stephen Petranek. Experience MARS in breathtaking high-definition. The must-own National Geographic sci-fi docudrama is jam packed with two hours of extras, including prequel BEFORE MARS, Living on Mars, Cast & Crew Interviews and more.

Special Features Include:

  • Making MARS
  • BEFORE MARS – A Prequel
  • BEFORE MARS Behind the Scenes
  • Getting to MARS Featurettes
  • Living on MARS Featurettes
  • More MARS Featurettes
  • Behind-the-scenes Featurettes
  • Cast & Crew Interviews

Blu-ray Disc Specifications:
Street Date: April 11, 2017
Prebook Date:            November 15, 2016
Screen Format:          Widescreen 16:9
Audio:                      English DTS-HD-MA 5.1,Spanish DD 2.0 Surround, French DTS 5.1 German DTS 5.1
Subtitles:                    English / Spanish / French / Danish / Finnish / German / Norwegian / Swedish
Total Run Time:         Approximately 150 minutes
U.S. Rating:               TV-PG
Closed Captioned:      No

DVD Specifications:
Street Date: April 11, 2017
Screen Format: Widescreen 16:9 (1.78:1)
Audio: English DD 5.1, Spanish DD 2.0
Subtitles: English / Spanish
Total Run Time: Approximately 150 minutes
U.S. Rating: TV-PG
Closed Captioned: Yes

Marc Alan Fishman: Retail Me Not!

Once again, I have been sought by my good friend and comic retailer Shawn Hilton (of Comics Cubed in Kokomo, IN, don’t-cha-know) to cover a comic cash calamity. Per his post to me:

Amazing Spider-Man #25 from Marvel was originally solicited for $3.99, but now has been changed to a $9.99 price tag.

In the past Marvel has had a few Deadpool comics weighing in at $9.99 for a normal numbered issue. Is this price gauging?

As a retailer who directly benefits from these sales I’m always excited about the potential to bring in more cash to the register, but as a fan I don’t think fondly of these more than double priced issues in the middle of a normal run.

A normal comic buyer may forgo a stand-alone one shot or an annual that has a hefty price tag, but for someone collecting Amazing Spider-Man passing on a normal issue like #25 means missing out on a major part of the story.

I’d also be interested in seeing if this issue has a higher digital theft rate. I don’t know if digital theft is a thing or not, but I bet several people look for a way to read it online instead of forking out $10.00 for a book.

Plenty to cover there, Shawn. Let me preface my opinion with a fact: I am not a comic retailer. I am merely a fan. A fan with a strong opinion muscle, a very short attention span, and a tight wallet. With that in mind, here’s my take:

Is the jump from a four-dollar book to a ten-dollar book price gauging? I don’t think so. If the team on the book is solid, the story benefits from the added pages (assuming the hefty price tag comes with additional content), and the issue itself is significant in the numerology (#25 would assume the book itself is now entering its third year in publication per this volume). If Marvel – or any publisher – doesn’t make it a habit of supersizing their issues without distinct cause, I personally don’t see it as price gouging.

But you better believe that if I were to be a normal subscriber, the week a book more than doubles in price means a week I choose to leave a few books in my box. As was often the case when I regularly subscribed to various series, some weeks would be heavier than others. What I oftentimes would do is simply profess to spend the same amount weekly on my books (say 12-15 bucks, if I recall when I was in the thick of it). If I was subscribing to several Marvel titles, the week they drop a double-sized issue on me is the week I’m dropping something else from my take home bag.

The larger question would be why Marvel, or any publisher for that matter, would make the jump in size. My guess is they only do these supersized treatments on high selling pulp. It makes little sense to deliver a ten-dollar experience on Great Lakes Avengers unless it’s consistently being scooped up in the top twenty monthly titles. Again, this is merely my opinion. As a fan I’m always willing to give the benefit of doubt to the creators. Assuming editorial assigns their creative team a mega-issue, they do so knowing that the writers and artists behind the book can fill the pages with meaningful and worthwhile content.

Should the bigger issue not add to the current storyline ­­– and be peppered with clear filler like interviews, essays, pin-ups, and the like ­– then you’d better believe I’d be an unhappy camper. The Mephisto is in the details, so they say.

What of digital theft? Well, only now do I personally own an iPad that sees regular use. With that in mind, you bet your sweet bippy I’ve downloaded ComicBlitz as well as ComiXology to eventually load up on comics during my lengthy day-job jaunts around the country. Because of the ubiquity of these apps, combined with my being an adult with disposable income, digital theft seems somehow below my purview.

But if I were to put myself back in the more Bohemian mindset of CollegeMarc, the idea that content could be procured sans-capital most certainly would be tempting. I hardly believe if I were otherwise subscribing to a paper title, I would specifically lift a single issue due to a heftier price tag. Simply put, if the book is enjoyable, as a fan, I’m in for a penny and therefore in for the pound.

Ultimately it’s quality of product that determines the bristling of my brow. If a comic book makes me dig deeper into my pocketbook, but delivers a satisfactory punch of prose? Then, drain my bank account. As my long-standing rule over comics continues to apply: when the book goes south, seek refuse in a better book. Should a book more than double its price but not deliver a worthy experience? Consider that strikes one and two in this subscriber’s book.

I, as always, open the floor to discussion. Who amongst my readers has a dissenting opinion? Voice it here, loud and proud.

CW Seed’s Vixen gets Collected onto Disc in May

BURBANK, CA (February 23, 2017) – From executive producers Greg Berlanti, Marc Guggenheim and Andrew Kreisberg, Warner Bros. Home Entertainment brings you the animated feature, VIXEN: The Movie, on Digital HD on May 8, 2017, and on Blu-ray (including Digital HD copy) and DVD on May 23, 2017. VIXEN: The Movie is priced to own at $19.98 SRP for the Blu-rayTM and $18.94 SRP for the DVD.

VIXEN: The Movie combines the first two seasons of the CW Seed digital series into a single uniform story and includes 15 minutes of all-new, never-before-seen content. The special features include a brand new featurette and two Vixen-focused episodes of Justice League Unlimited handpicked by super hero animation icon Bruce Timm.

Produced by Warner Bros.’ digital studio Blue Ribbon Content, VIXEN: The Movie features Megalyn Echikunwoke (CSI Miami, The 4400, Damien) as the voice of Vixen/Mari McCabe. She is joined by the voices of Stephen Amell (Green Arrow), Grant Gustin (The Flash), Emily Bett Rickards (Felicity Smoak), Carlos Valdes (Cisco Ramon), Katie Cassidy (Black Canary), Victor Garber (Martin Stein) & Franz Drahmeh (Jax) collectively as Firestorm, and Brandon Routh (The Atom), reprising their roles from Arrow, The Flash and DC’s Legends of Tomorrow.

Originally from Africa, Mari McCabe grew up an orphan after her parents were killed by local greed, corruption and wanton violence. But Mari refuses to succumb to the terrors surrounding her. Inheriting her family’s Tantu Totem, Mari can access the powers of animals – anything from the strength of a gorilla to the speed of a cheetah. As Vixen, she fights valiantly to protect the world from threats like those that claimed her family.

“VIXEN: The Movie gives fans the action sequences and the characters that they all fell in love with in Arrow and The Flash,” said Rosemary Markson, WBHE Senior Vice President, Television Marketing. We are very excited to release VIXEN: The Movie for fans of the hit series and DC collectors, featuring never-before-seen content available exclusively to owners of the Blu-ray, DVD or Digital HD.”

With Blu-ray’s unsurpassed picture and sound, VIXEN: The Movie Blu-ray release will include 1080p Full HD Video with DTS-HD Master Audio for English 5.1. The 1-disc Blu-ray will feature the Blu-ray disc and a Digital HD copy of the movie.

VIXEN: The Movie is produced by Blue Ribbon Content and is based on DC characters. Executive producers are Greg Berlanti (ArrowDC’s Legends of TomorrowThe FlashSupergirl), Marc Guggenheim (ArrowDC’s Legends of Tomorrow) and Andrew Kreisberg (Arrow, DC’s Legends of TomorrowThe Flash, Supergirl). James Tucker (DC Universe Original Movies, Batman: The Brave and the Bold) is the producer; Tucker and Curt Geda (Beware the Batman, Batman Beyond) are the directors. It was written by Wendy Mericle (Arrow), Keto Shimizu (Arrow, DC’s Legends of Tomorrow), Brian Ford Sullivan (Arrow), Lauren Certo (The Flash), Nolan Dunbar (Arrow), Sarah Tarkoff (Arrow) and Marc Guggenheim, with Guggenheim and Shimizu serving as story editors. VIXEN Season 1 debuted on August 25, 2015 on The CW’s online streaming platform, CW Seed. Season 2 debuted on October 13, 2016.

BLU-RAY & DVD FEATURES

  • Vixen: Spirit Animal featurette
  • Bruce Timm’s Top Picks:
    • Episode from Justice League Unlimited, “Hunter’s Moon”
    • Episode from Justice League Unlimited, “Grudge Match”

DIGITAL HD

Vixen: The Movie will be available to own on Digital HD. Digital HD allows consumers to instantly stream and download the film to watch anywhere and anytime on their favorite devices.  Digital HD is available from various digital retailers including Amazon Video, CinemaNow, iTunes, PlayStation, Vudu, Xbox and others. A Digital HD copy is also included with the purchase of specially marked Blu-ray discs for redemption and cloud storage through participating UltraViolet retail services including CinemaNow, Vudu and Flixster Video.

Moana Releases Two Bonus Clips

Disney’s Moana hit Digital HD this week and we have some special bonus clips to share with you.

Helmed by Clements and Musker, the directing team behind The Little Mermaid, Aladdin and The Princess and the Frog, and co-directed by Chris Williams & Don Hall (Oscar®-winning Big Hero 6 -Best Animated Feature Film in 2015), Moana” is produced by Osnat Shurer (Lifted, One Man Band), and executive produced by John Lasseter. Jared Bush (Zootopia) wrote the screenplay. Moana features original songs from a diverse and dynamic team that includes Tony®-, Emmy®- and Grammy®-winning lyricist/composer Lin-Manuel Miranda (Broadway’s Pulitzer Prize-winning and multiple Tony-winning Hamilton, Tony-winning In the Heights), Mark Mancina (Speed, Tarzan The Lion King) and Opetaia Foaʻi (founder and lead singer of the award-winning world music band Te Vaka). Mancina composed the original score.

Easter Eggs

Writing “We Know the Way”

Moana stars Auli‘i Cravalho as the voice of Moana, Dwayne Johnson as the voice of Maui, Temuera Morrison (Star Wars: Episode II – Attack of the Clones, Once Were Warriors, Six Days, Seven Nights) as Moana’s no-nonsense father, Chief Tui; Rachel House (Whale Rider, Hunt for Wilderpeople, Eagle vs Shark, Boy, White Lies) as Moana’s trusted Gramma Tala; and Nicole Scherzinger (Grammy®-nominated singer, West End’s Cats) as Moana’s playful and strong-willed mother, Sina; Jemaine Clement (The BFG, Despicable Me, Rio, Rio 2, What We Do in the Shadows, Flight of the Conchords) voices Tamatoa, a self-absorbed, 50-foot crab; and Alan Tudyk (Zootopia, Wreck-It Ralph, Big Hero 6) lends his voice to stowaway rooster Heihei.

According to directors Ron Clements and John Musker, the story of Moana was inspired by the great explorers who masterfully navigated the vast Pacific, discovering the many islands of Oceania. “Voyaging is a real source of pride for many Pacific Islanders, a part of their identity,” says Clements. Many experts believe that about 3,000 years ago, those deep-sea exploratory voyages halted for about a millennium before resuming. This rebirth of exploration sparked the filmmakers’ imaginations, and the heroine at the heart of the story. “The idea of a teenage girl who dreamed of becoming a navigator—considering the abilities of her ancestors—was so appealing,” explains Musker. Moana’s quest to become a wayfinder also serves as a journey of self-discovery, empowering her to find her own identity – a beautiful and powerful message for audiences of all ages and genders.

Bonus features include*:

Blu-ray 3D, Blu-ray & Digital 3D/HD/SD:

  • Theatrical Short Film: “Inner Workings” – With introduction by the filmmakers, is the story of the internal struggle between a man’s pragmatic, logical side and his free-spirited, adventurous half. Created by a small team at Walt Disney Animation Studios in a unique, fast-paced style that blends CG and traditional hand-drawn animation, the short explores the importance of finding balance in daily life.
  • Maui Mini-Movie: “Gone Fishing” – When Maui decides it’s time to take charge of the ocean and catch his next meal, Moana must show him the error of his ways … with a little help from her friends!
  • Voice of the Islands – An in-depth look at how Pacific Island people and cultures inspired the filmmakers to create the story of “Moana.”
  • Things You Didn’t Know About …
    • Meet the stars of “Moana” in this dynamic Q&A featuring Dwayne Johnson, newcomer Auli‘i Cravalho, and famed animation directors Ron and John.
    • Meet the musical team behind “Moana” in this fascinating Q&A featuring Opetaia Foa‘i, Mark Mancina and Lin-Manuel Miranda.
  • Island Fashion – Find out how costume designer Neysa Bové took on the unique challenge of creating costumes using materials and techniques native to the islands of Oceania.
  • They Know the Way: Making the Music of “Moana” – Musicians Opetaia Foa‘I, Marc Mancina and Lin-Manuel Miranda take us on a personal journey through their involvement in the movie and how it changed their lives.
  • Fishing for Easter Eggs – Dive deep into the ocean and fish for the Easter Eggs hidden by the animators at Walt Disney Animation Studios.
  • The Elements of … – This series of four mini-docs explores the technical achievements behind some of the ground-breaking effects used in the film.
    • Mini Maui – Meet “Mini Maui,” Maui’s tattoo sidekick. Animated by legendary hand-drawn animator Eric Goldberg, we explore how the 2D world collides with CG animation to bring the demigod’s tattoos to life.
    • Water – In the movie, the ocean is a character. This piece explores how the water is given a personality, along with the technical feats of creating a believable ocean landscape farther than the eye can see.
    • Lava – Te Kā is a creature made of lava, smoke and fire. This piece dives into the challenges of making an animated creature of massive scale brought to fiery life by character, technical and effects animators.
    • Hair – One of the greatest technical achievements of the film was the animation of the beautiful, curly hair on Moana and Maui. Take a look at the hair-raising detail that goes into animating each strand, adding performance to the movie that has never been seen before.
  • Deleted Song: “Warrior Face” – With introduction by songwriter Lin-Manuel Miranda.
  • Deleted Scenes – Ron and John introduce the following deleted scenes:  Race the Wind/Ties that Bind; Discussing Moana’s Future; Under the Sea; Grandmother’s Warning/Legend of Maui; Education of Moana; Father, Daughter, Boat; and Canoe Race.
  • Music Video: “How Far I’ll Go” – Performed by Alessia Cara.
  • “How Far I’ll Go Around the World” – Multi-language reel of the song “How Far I’ll Go.”
  • Audio Commentary – With directors Ron and John.

DVD:

  • Theatrical Short Film: “Inner Workings,” Music Video: “How Far I’ll Go” and Audio Commentary

DISC SPECIFICATIONS:

Product SKUs: Digital 3D/HD/SD, Blu-ray 3D Combo Pack (Blu-ray 3D, Blu-ray, DVD & Digital Copy), Blu-ray Combo Pack (Blu-ray, DVD & Digital Copy),
Disney Movies Anywhere, DVD and On-Demand
Feature Run Time: Approximately 90 minutes
Rating: PG in U.S., PG in CE, and G in CF.
Bonus material not rated with exception of Inner Workings which is rated G.
Aspect Ratio: Blu-ray 3D Feature Film = 2.40:1; Blu-ray Feature Film = 2.40:1 & DVD Feature Film = Widescreen 1.78:1
Audio:  Blu-ray 3D & Blu-ray = English 7.1 DTS-HDMA & 2.0 Descriptive Audio, Spanish and French 5.1 Dolby Digital Language Tracks;
DVD = English and Spanish 5.1 Dolby Digital Language Tracks, English 2.0 Descriptive Audio
Languages/Subtitles: Blu-ray 3D & Blu-ray = English SDH, Spanish and French; DVD = English SDH and Spanish

Rogue One Streams in March, Comes to Disc in April

Announced today on The Star Wars Show and StarWars.com, Rogue One: A Star Wars Story will be coming home on Digital HD on March 24th and Blu-ray on April 4th.  This news comes on the heels of the start of production announcement of the untitled Han Solo Star Wars Story.  Rogue One has established its place within the Star Warsuniverse and the hearts of moviegoers, becoming the seventh highest-grossing film of all time in the U.S.

Arriving early on Digital HD and Disney Movies Anywhere on March 24, and on Blu-ray™ Combo Pack, DVD and On-Demand on April 4, the release includes never-before-seen Rogue One bonus material that will take fans behind the scenes with the movie’s diverse, dynamic cast and inspired team of filmmakers. An intimate collection of stories reveals how the film came to life, as well as hidden Easter Eggs and film facts that audiences may have missed in the theater.

Bonus features include*:

  • A Rogue Idea – Hear how ILM’s John Knoll came up with the movie’s concept – and why it’s the right film to launch the Star Wars stand-alone films.
  • Jyn: The Rebel – Get to know Rogue One’s defiant, resourceful survivor, and hear what it was like for Felicity Jones to bring her to life onscreen.
  • Cassian: The Spy – Diego Luna shares insights into his complex, driven character, who becomes a hero through selflessness, perseverance and passion.
  • K-2SO: The Droid – Explore the development of this reprogrammed Imperial droid, from initial pitch and character design through Alan Tudyk’s performance.
  • Baze & Chirrut: Guardians of the Whills – Go deeper into the relationship between these two very different characters, with Chinese superstars Jiang Wen and Donnie Yen.
  • Bodhi & Saw: The Pilot & The Revolutionary – Forest Whitaker and Riz Ahmed reflect on Saw Gerrera, the broken Rebel leader, and Bodhi Rook, the Imperial pilot who defects.
  • The Empire – Meet a dangerous new Imperial adversary…and cross paths once more with the most iconic villain of all time.
  • Visions of Hope: The Look of “Rogue One” – The filmmakers describe the challenges and thrills of developing a bold new look for the movie that can fit within the world of the original trilogy.
  • The Princess & The Governor – See what it took to bring the vibrant young princess of Star Wars: A New Hope – as well as one of her most memorable foes– – back to the screen.
  • Epilogue: The Story Continues – Filmmakers and cast celebrate Rogue One’s premiere and look forward into the future, to the Star Wars stories yet to be told.
  • Rogue Connections – Uncover Easter eggs and film facts hidden throughout the movie that connect Rogue One to the Star Wars universe.

* Digital bonus offerings may vary by retailer. 

Auburn to Celebrate Will Eisner Week

Our pal and ComicMix columnist Ed Catto (also the nicest guy in the Atlantic Northeast) is up to something. Check out this press release!

Explore the life and work of Will Eisner with Auburn, N.Y.’s Seymour Library on Monday March 6th with a panel presentation/film screening and on Tuesday, March 7th with a documentary at Auburn Public Theater.

Will Eisner (1917-2005) was a trailblazer in the comic book world, showing the public that comics could be a genuine form of literature and popularizing the term graphic novel. His landmark comic series The Spirit (1940-1952) was noted for its expressive artwork and experiments in content and form. This year marks the centennial of Will Eisner’s birth.

Geek Culture expert Ed Catto will host a panel on Will Eisner: Celebrating Graphic Novels: An Appreciation of Comics as Literature at Seymour Library on Monday, March 6th at 6:30 pm. The panel will provide an overview of Eisner’s work and highlight other graphic novels that demonstrate the enduring power of Eisner’s convictions. There will be a screening of the 2008 film adaptation of Eisner’s The Spirit, after the panel.

The documentary Will Eisner: Portrait of a Sequential Artist will be held at the Auburn Public Theater on Tuesday, March 7th at 7 pm.  Ed Catto will introduce the documentary.

Industry support for this event has been strong:

  • Dynamite Entertainment is donating comics and a hardcover collection of their recent Spirit series as giveaways to attendees
  • Syracuse’s Salt City Comic-Con (June 24th-June 25th) will randomly give away tickets during both events
  • Paul Levitz, author of Will Eisner: Champion of the Graphic Novel will be donating a signed copy of this recent book to Auburn’s Seymour Library

Ed Catto is a marketing strategist and speaks frequently on Geek Culture and Comic Book History.

“Auburn, N.Y. has a rich, but checkered comic history. In 1948 Auburn held a comic book burning, as part of the anti-comics hysteria of the day. But by the seventies, one of the first comic shops was established in Auburn,” said Catto.

More information about Will Eisner Week in Auburn can be found at the  Seymour Library website: www.seymourlibrary.org.