The Mix : What are people talking about today?

Marc Alan Fishman: JL Fashion Statement “Gritty Is the New Black”

DC released the image that precedes this week’s via a puff piece in USA Today. In it, we see the Aveng-err-Justice League being scowly amidst steam and metal and stuff. It’s really striking, ain’t it?

As the image made its way across the social media networks I frequent, a common theme rose to the surface: Vomit. While I typically love to play devil’s advocate in situations like this, offering a nice counterpoint to typical rantings in lieu of some of my own delicious snark, I honest to Rao can only pile on. Let’s carve this screencap into a thousand angry pieces, shall we?

First off, I’m fine with Batfleck. He’s grumpy and gray. Which is exactly what I expect Batman to be. I think the one fine thing to come out of Batman v Superman was the portrayal of Bruce Wayne and his emo counterpart. He’s weary. He’s underpowered. He’s overcompensating for a lot. The actual look of the armor is good. Flat, simple, thick. The added Oakley shades over his eye holes make me think he’s got some gadgets on this suit. I like the look, as it’s basically Frank-Miller-Meets-the-Arkham-City-Games. Fishman’s Tim Gunn Grade:  A-

And then we come to Gal Gadot’s Wonder Woman. Diana here is actually pretty comic accurate, no? While someone forgot to saturate her suit with any actual color, the basic forms here are as we’d hope. Her corset-like top over a weird armor-skirt, bifurcated by an ab-piecing belt reads wholly to her pulpy counterpart. In the shot we also see her shield, sword, and lasso. She’s even got her tiara and gauntlets in place. While she doesn’t feel Amazonian to me — she’s clearly not smaller than all save for Flash — everything else is checked off the list. If someone could add 33% more saturation, I’d be in love. Fishman’s Tim Gunn Grade: A-

Cyborg is depicted as a Michael Bay Transformer nightmare. As someone denoted to me on Facebook, his crotch literally looks like Megatron’s maw from Bay’s atrocities. Vic Stone here is a mangled mess of wires and tubes. It’s as if the CGI department just couldn’t help but scream “look what we done did!”

Look, I get it. The tragic accident that left Stone a small meat pile being grafted onto a T-1000 frame is a nice idea. But the look here is severely unfetch. From a practical standpoint, one would think maybe Batman would tell Cyborg to add layers of protective plating over the exposed machinery? Or perhaps not declare boldly “look at my lights. They show you where to start shooting and punching”? For Rao’s sake… the AI Bots in I, Robot had better armor. Fishman’s Tim Gunn Grade: F

Flash. Oh, Flash. This picture clearly is of a team that prepared a bit before battle. See Batman’s shades, Wonder Woman’s armament, and that trident. Flash clearly found some leftover maroon gym mats and Bungie cords and decided to try his best at a Pinterest costume tab. I pray that Mr. Allen figures he’ll move so fast people won’t notice the mélange of oddly shaped armor bits held together by string and sheer force of will. The only smart move he made: his helmet covers a good part of his face. It’s a shame when the CW’s Flash is better appointed to fight crime than a Flash with several hundred million dollars more in the coffers. Fishman’s Tim Gunn Grade: Whatever constitutes something worse than an F

Last in our assemblage of angst is Artie “Aquaman” Curry. This shark of a man is a big ole’ brute, ain’t he? The Snyderverse version of the once orange-adorned aquatic superman is clearly kin of WWE’s Roman Reigns. It’s a bold take. And we get it by now, don’t we? No one will make fun of him now! We can hear DC’s movie investors chortle. While Aquaman is shrouded in plumes of hate-smoke, there’s enough to go on here: He’s scale-armored. He’s got a bitchin trident. He’s got a massive beard. And he stole some shoulder pads from the set of Spartacus. Good on him. The look is different. But it’s intriguing. It looks stiff. But I’ll hold out hope it looks good in motion. Fishman’s Tim Gunn Grade: C+

So, what say you of this new League of Justice? Or perhaps the better question to answer… Who wore it better?

Tweeks December 2016 Loot Unboxing

Maddy & Barkley are back to open the December Loot Crate & Loot Pets boxes! This month’s theme was Join The Revolution and features items for Assassin’s Creed, Firefly, Mr. Robot, Rick & Morty, Invader Zim and more.

This was probably Barkley’s favorite crate ever as his new blanket & ninja have replaced his former favorite toy (Cookie Cat). Not even his Christmas presents measured up.

 

 

Martha Thomases: Graphic Novels Save The Day!

A few years ago, the conventional wisdom was that physical books (and therefore, bookstores) were endangered species. All of us were going to get our reading material beamed directly into our various devices, if not our actual eyeballs, and there would no longer be physical books to buy.

This isn’t happening. Print book sales are up this year.

Among the categories helping to sell hard copies of books (besides coloring books, and is that still a thing?) is graphic novels. Sales of graphic novels were up twelve percent last year.

That is a lot.

A great deal of the credit for the book market success of graphic novels is Jeff Kinney’s Wimpy Kid series, which continues to sell and sell and sell. Raina Telgemeirer is another dynamo. Both are considered to create books for the children’s market (or young adult). While this market is not growing as quickly as it was a few years ago, it’s still a very profitable segment of the business.

However, kids’ books aren’t the whole story. All kinds of graphic novels are doing well. Why are they selling so many in the book market that isn’t necessarily kind to actual, physical books with pages? I have my theories.

For one thing, a lot of people (myself included) have not yet accustomed themselves to reading comics on a screen. It can be difficult to read lettering on a small device, and blowing up the image means you don’t get to see the entire page. To me, that diminishes the experience. Note that changing the size of the type in a prose book, especially the mysteries and thrillers I tend to pack into my Kindle to read on airplanes and in hotel rooms, makes no difference whatsoever in the experience.

People are busy. People have trouble unwinding at the end of a stressful day. A graphic novel, all things being equal, provides as rich and nuanced a reading experience as a prose book, but more quickly.

(Yes, I can think of a zillion exceptions. Please feel free to list your favorites in the comments section.)

Graphic novels are the new coffee table books. Along with collections of great art, great photography or great travel destinations, graphic novels demonstrate to your guests that you are a literate sophisticate who appreciates the finer things in life.

This is all lovely and satisfying to those of us who love the medium, but it isn’t all roses. While graphic novels are selling very well, individual comic books seem to be less successful. This means trouble for the comic book stores that were designed to sell individual comics to fans on a weekly basis. Now, I love my local stores, and I am a regular customer at several. It’s hard for me to pass up an opportunity to buy books in any form. However, I understand why a reader new to the medium might prefer to buy collected editions of comic book stories. It’s simply more satisfying as a purchase. The parallel case might be someone who prefers to binge on a whole season of a television show instead of waiting week to week.

This is where Amazon, which I generally love (they have everything!), gets to be a problem. Because they buy in enormous quantities, they can sell graphic novels for much less than your local shop. And if your local shop isn’t selling weekly pamphlets, and if it can’t sell graphic novels either, then it won’t be open for much longer.

I love my local comic book shops. They are places that understand me. And as the graphic storytelling medium has grown to cover more kinds of storytelling, they understand even more people.

Ross Richie of Boom! Studios has a solution. He urges everyone to buy a graphic novel from our local comic book shops.

It’s a great idea. I’m going to do it, even though it means that I will have to schlep a heavy book around with me all day. Along with yarn, water, money, glasses, pens, phone, tablet and all the dreck of modern life. It’s a small sacrifice to make to keep my pals in business.

Tweeks Review Amelie & Rent 20th Anniversary Tour

It was a big theatre weekend for us! We saw the new musical Amelie (starting Phillipa Soo!) at the Ahmanson Theatre before she heads off to Broadway and then saw the Rent 20th Anniversary tour as it started it’s trek across the US at the Segerstrom Center in Costa Mesa.

[editor’s note: check back tomorrow in this time slot for a BONUS EPISODE of Tweeks this week! –AN]

ComicMix Six: Box Office Democracy’s Worst Movies of 2016

Last time, I covered the best movies of 2016— and now it’s time for the flip side. Brace yourself.

#6: Batman v Superman: Dawn of Justice – In my top list I praised Captain America: Civil War for being a kind of triumphant pinnacle of fan service in comic book movies. Batman v Superman might well be the dark mirror of that idea: fan service run completely amok.  Characters are crammed in this movie every which way along with vague concepts, half-formed ideas, and every frame of iconic superhero artwork Zack Snyder has ever seen.  Batman v Superman is depressing both in tone and failed potential.  The Superman that Snyder puts on the screen is the worst interpretation of the character I’ve ever seen, impulsive and violent without a trace of warmth.  Only the moderately badass Wonder Woman sequences save this movie from higher placement on this list, and they desperately need to right this ship before they consider putting a Justice League movie on the screen.

#5: Allegiant Allegiant is barely a movie at all.  It’s supposed to be setting up for some grand finale, but it has so few plot points to actually dole out that we end up just endlessly spinning.  There’s probably a way to do a movie like this in a better way, perhaps by diving deeply in to the characters or by some distracting world building, but even writing that I realize I’m talking about a filler episode of an hour-long TV show and not a feature film.  Allegiant was a shallow cash grab by a cynical studio and they seem to have torpedoed the entire franchise with their greed.  A more optimistic version of me hoped that this would be the end of splitting books in to multiple movies, but that doesn’t seem like it’s in the cards now that one Harry Potter reference book is poised to be turned in to five movies.

#4: Independence Day: Resurgence – I’m eagerly awaiting the other shoe on Independence Day: Resurgence to finally drop and to learn that the en tire movie was some sort of experiment in programming a computer to write a summer blockbuster.  I would much rather that be the solution rather than a human being (or several teams of human beings as credited) sat down and wrote a movie that so transparently tried to tick every box on some sort of magical checklist.  Sequel to a beloved film of the primary moviegoing populace’s childhood?  Check.  Jettisons the most expensive actor but brings up the character enough to try and get that secondhand rub?  Check.  Crucial character is Chinese to appeal to the essential audience there but don’t give her a big enough part to scare off the more xenophobic among the domestic audience?  Check.  Bigger badder explosions, damn the reduced emotional impact?  Check.  While it’s certainly possible a group of people made a movie this bad I would certainly prefer to find out it was a rogue AI trying to bring down humanity or something.

#3: The Angry Birds Movie – I was delighted by many animated movies.  Two made my top six list and if we did ten over here at ComicMix I likely might have had space for two more.  Children’s entertainment is at a fantastic place as most of the studios seem to have learned not to talk down to kids and to put effort in to their work in exchange for almost unheard of responses.  The Angry Birds Movie is a movie that shows that not all lessons are learned by all people.  Angry Birds is a barrage of ideas that presents no internal consistency or emotional stakes.  Everything is 10 seconds away from being a poop joke and in 2016 that simply isn’t good enough.  The fact that the movie ends with an endlessly long sequence reacting the mobile phone game everyone was sick of five years ago Is the final nail in the coffin.

#2: Sausage PartySausage Party would be a solidly above average sketch on Funny or Die if it ran for seven minutes.  They have an interesting premise, three mediocre jokes, and an hour and a half of garbage.  There are times when it’s offensive and that’s awful, but also there are interminable stretches when it’s just unbelievably boring.  I felt like Sausage Party was holding me hostage in the theater until they had a chance to spit out every terrible idea they had, culminating in the orgy sequence that felt more like a desperate attempt to seem edgy than to blow off any narrative or comedic steam.

#1: Norm of the North – I have never seen a movie in the theaters as bad as Norm of the North.  Honestly, that might be giving it too much credit as it certainly has to be in the conversation with cult classics of terrible cinema like The Room and Troll 2 when we discuss the worst movies ever made.  It’s an incomprehensible film that changes narrative focus randomly and without justification and seems to just be hoping we don’t notice.  There isn’t a single joke that hit with me.  The character design and animation are so bad that I have to believe that dozens of student films this year looked better.  I’m angry that someone paid for Norm of the North to get made while so many talented people must be struggling to get by in the animation industry.  It’s offensive that this exists in the same medium as Frozen or Zootopia or even ShrekNorm of the North is the worst of the animation industry, the film industry, and the worst piece of entertainment I’ve ever seen marketed to children.

Dennis O’Neil: Hunky Dory on the Potomac?

So this is the bardo, huh? Let’s look around… big Dick Sprang Batman print on the wall, lots of books, big repro of a Green Lantern/Green Arrow cover. Statuettes of comic book characters here and here, exercise gear, computer… You know, it looks a lot like my house, this bardo does.

Whoa! You, over there, perched on one of the Himalayas (can never tell the damn things apart) – yes you, the Tibetan dude, stop with the sneering, okay? I mean, how do you know that a bardo doesn’t look like my house? You ever seen a bardo? Has anyone seen a bardo and returned to report on it? No and no!

So keep your attitude to yourself!

Is that a hand I see raised? Okay, we have time to kill. (In fact, if we’re really inside a bardo, time may not exist.) You have a question?

What the heck is a bardo?

Where’d you learn to speak italics? Never mind. To address your question: I’ll give you a rough, back-of-the-envelope definition and you can resort to Google if you want more. According to Tibetan beliefs, a bardo is where your soul goes after it sheds its body and is not yet reincarnated in another. A region of waiting. Waiting for what? For whatever comes next.

(No more dumb questions, please.)

Bardo is one of my favorite tropes because it expresses situations in which we sometimes find ourselves. It’s a bit stronger than plain old “waiting” because, for me, it expresses not only waiting, but not knowing what you’re waiting for.

And doesn’t that just about say it all! I’d offer the proposition that, ever since November 7, most of us have been existing in a bardo state. Let’s agree, at least until I finish this sentence, we human Americas have lived through the worst case scenario. And?

Most everything in daily life is as-per-usual. But if we’re the kind of anachronisms who read newspapers or are the more common variety of carbon-based American life forms who get our news from television, we’re aware that things aren’t hunky dory on the Potomac. Those questionable appointments, that chumminess with Russia, that skipping of important meetings and ego-fraught tweets and belligerence toward China… Nothing has happened to give us hope that the situations won’t get worse after the inauguration when a huge lump of power lands in the lap of the guy in the red tie.

Meanwhile… hey, nice bardo we got here! But could we eliminate whatever’s tainting the air? It smells a lot like anxiety… and I don’t like it at all.

The Jetsons and WWE in 2017’s Oddest Mashup

BURBANK, CA (January 10, 2017) – Everyone’s favorite futuristic family travels back in time to team up with some of today’s biggest WWE Superstars in The Jetsons & WWE: Robo-Wrestlemania! Following the success of Scooby-Doo! Wrestlemania Mystery, WWE Superstars Big Show®, Alicia Fox™, Roman Reigns®, Seth Rollins® and Sheamus® team up with George, Elroy, and the rest of the Jetsons gang in order to save Orbit City from the wrestle-bot army in an all-new original movie. The Jetsons & WWE: Robo-Wrestlemania!, co-produced by WWE Studios, Warner Bros. Home Entertainment and Warner Bros. Animation, will be available on Tuesday, February 28, 2017 on Digital HD and on Tuesday, March 14, 2017, on DVD for $19.98/ $19.99 SRP, just in time for the excitement of this year’s Wrestlemania 33.

In the midst of an exhibition match, a powerful snow storm freezes Big Show solid. One hundred years later, Big Show has finally thawed and is discovered by George Jetson. His first mission is to revive wrestling in 22nd century Orbit City. With Big Show’s help, Elroy and George build robotic Superstars. But Big Show had big plans of his own! The wrestle-bot army manages to capture Orbit City! This leaves George and the Jetsons family one option: travel back in time to enlist WWE Superstars Alicia Fox, Roman Reigns, Seth Rollins, and Sheamus to help defeat the Big Show and his wrestle-bot army in the future.

With a star-studded voice cast, including WWE Superstars Big Show, Alicia Fox, Roman Reigns, Seth Rollins and Sheamus, this action-packed film is a can’t miss!  Bonus materials include exclusive content, behind-the-scenes segments and more! The Jetsons & WWE: Robo-Wrestlemania! will surely excite fans of The Jetsons and WWE alike

BASICS
Street Date: March 14, 2017
Order Due Date: February 7, 2017
Languages: English
DVD: $19.98 SRP
Digital SD: $14.99 SRP
Digital HD: $19.99 SRP
Run Time: Approx. 72 Minutes

Trolls Invades Your Home Digitally Jan. 24, Disc Feb. 7

LOS ANGELES, CA (Jan. 10, 2016) – A hit with audiences and critics alike, DreamWorks Animation’s TROLLS, is the “feel-good” movie of the year receiving an outstanding audience reaction with a coveted “A” CinemaScore® and a Certified Fresh rating on RottenTomatoes.com. DreamWorks TROLLS, the fresh, music-filled adventure packed with humor and heart dances onto Digital HD on Jan. 24 and Blu-ray™ and DVD on Feb. 7 from Twentieth Century Fox Home Entertainment.

The colorful, richly textured Troll Village is full of optimistic Trolls, who are always ready to sing, dance and party. When the comically pessimistic Bergens invade, Poppy (Anna Kendrick), the happiest Troll ever born, and the overly-cautious, curmudgeonly Branch (Justin Timberlake) set off on an epic journey to rescue her friends.  Their mission is full of adventure and mishaps, as this mismatched duo try to tolerate each other long enough to get the job done.

From Shrek franchise veterans Mike Mitchell (Shrek Forever After) and Walt Dohrn (Shrek 2, Shrek the Third), TROLLS features the voice talents of Golden Globe® nominee Anna Kendrick (Pitch Perfect, The Accountant), Grammy and Emmy® Award winner and Golden Globe® Award nominee Justin Timberlake (Friends with Benefits, Shrek the Third), Golden Globe® and Emmy® Award nominee Zooey Deschanel (“New Girl”), Christopher Mintz-Plasse (Superbad, How to Train Your Dragon), Golden Globe® and Emmy® Award winner Christine Baranski (The Good Wife, How the Grinch Stole Christmas), Russell Brand (Get Him to the Greek, Forgetting Sarah Marshall), Grammy Award nominee Gwen Stefani (The Voice), Golden Globe® and Emmy® Award nominee John Cleese (Shrek 2, Shrek the Third, Shrek Forever After), Emmy® Award winner James Corden (The Late Late Show with James Corden, Into the Woods), Golden Globe® and Emmy® Award winner Jeffrey Tambor (Transparent, Arrested Development) and Ron Funches (UndateableGet Hard).

“The movie’s message, and it’s a lovely one, is that we all have a wild-haired, beaming doll of happiness inside. ‘Trolls’ will put you in touch with yours,” proclaims Owen Gleiberman of Variety.

Give your new year an optimistic start with TROLLS PARTY EDITION on Blu-ray™ February 7, 2017 and Digital HD January 24. Exclusive to TROLLS BLU-RAY PARTY EDITION – take your Trolls Party to the next level with four interactive Party Mode features where you can use your remote to engage with the on-screen fun. Shower the screen with glitter during party scenes, drop cupcakes when things get scary, high-five Cloud Guy, join Mr. Dinkles for “OH SNAP” moments and much more!

TROLLS Blu-ray, DVD and Digital HD Includes:

  • Party Mode – Sing, dance and laugh along with the Trolls in this engaging, interactive feature.*
    *PLUS, only on Blu-ray: use your remote to conTROLL fun on-screen moments!
  • Travel Through Troll Village – Cloud Guy narrates a fun exploration of Troll Village.
  • The Potion for Stop-Motion – Part behind-the-scenes, part stop-motion tutorial, this featurette explores the process of creating Poppy’s visually stunning scrapbook.
  • Creating Troll Magic – Trolls Production Designer Kendal Cronkhite-Shaindlin leads a kid-friendly exploration of her role as production designer on the film before highlighting four key stages of creating the animation with detailed visuals of each stage.
  • Troll 2 Troll – Poppy and Branch have a friendly debate on important topics such as “Cat vs. Dog.” *
  • Inside the Bunker – An in-depth exploration of Branch’s “special” place, narrated by Cloud Guy. *
  • Deleted Scenes with Intros by Director, Mike Mitchell and Co-Director, Walt Dohrn.

*Blu-ray and Digital HD only

Molly Jackson: Classic Days, Sound Advice

It’s been an interesting week. Watching the news is almost akin to watching a horror film at times. At my day job, we usually talk about anything but the current events. Somehow, the other day our daily conversations turned to our childhood television shows. I spoke with glee about the past shows like Pete & Pete, Animaniacs, Ren & Stimpy, Aaah! Real Monsters, and Batman: The Animated Series. While a couple of these shows brought excitement to my coworkers, most did not. I was baffled, how could people not love Pete & Pete or Animaniacs?!

In thinking about it afterwards, I understand why they weren’t as excited as I was. In my day job, I am older than most of my team. This runs counter to the majority of my life, when I was always the baby of the group. It’s an odd feeling, to have to explain days gone by. In a way, I am finally starting to understand my parents.

However, I’m not one to let a chance at nostalgia slip by. It is, after all, the upcoming theme of the country. Since it was the first show I could find available on Netflix, I started rewatching the animated classic, Animaniacs. On the off-chance you haven’t seen it (you weirdo), it follows the misadventures of the Warner brothers Yakko and Wakko, plus the Warner sister, Dot. It runs like an anthology of shorts, with appearances by a wide cast including fan favorites Pinky and the Brain.

I tried actually writing this column while I caught up on Animaniacs (I blame Mindy for this). That was a mistake. It is still a really good show that frankly holds up to the tests of time and age. I was mesmerized by episodes I barely remember so everything felt new. A few things were dated, like anyone wanting to hang with Mel Gibson, but it hardly mattered to me. I felt the easy peace that comes with revisiting old, cherished friends. Yes, it’s been over 20 years but I still know that Bill Clinton can still play the sax, the Warner kids are still snappy and witty, and right now I’d take the Brain as the new world leader.

The next nine days will not be easy for anyone. The country is in turmoil, no matter what side you agree with. Taking the time to relax with your childhood memories can be reinvigorating and fun. So if you get a chance, put your feet up and give that a shot.

Mike Gold: Up The River Without a TARDIS

If you were to ask me if I had a favorite character among all the heroic fantasy teevee shows and movies over the past five years, and damnit I wish you would, I would immediately respond “River Song.”

For those who came in late, here’s the mandatory Journalism 101 background:

River Song is an ongoing but breathtakingly occasional character in Doctor Who. A remarkably capable, strong and intelligent archaeologist/con artist/warrior-protector with a great sense of humor and about 92% of all the sexuality ever expressed in the 54-year history of the program, she has been, is, and/or will be married to the Doctor – it’s time travel, Mr. Gittes – and that poses all sorts of thrilling opportunities. It also begs the issue of “until regeneration do us part.” She’s kind of a partial Time Lord, having absorbed some of the Doctor’s DNA while being conceived in the TARDIS. Yes, she’s the daughter of two of the Doctor’s former companions.


Yup. I really love time travel.

Ms. Song is played by Alex Kingston, and in addition to some crackerjack writing from Steven Moffat, Ms. Kingston is the reason why this complicated yet highly entertaining character works. She’s known in the States for her work on such teevee shows as Arrow (where she plays Dinah Lance I), Gilmore Girls, Macbeth (playing Lady Macbeth; duh), Upstairs Downstairs (the 2012 series), Law and Order SUV, and ER. My favorite of her work that I have seen came in the teevee movie The Fortunes and Misfortunes of Moll Flanders, where she played the title character and shared the boards with such folks as Diana Rigg and Daniel Craig.

In other words, Alex Kingston’s career orbits the nexus of fan reality.

You might ask why I’m bringing River Song to your attention at this time, if I already hadn’t just done that. The people at Big Finish, arguably the world’s largest publisher of original full-cast audio stories, released their second box set of River Song adventures. The Diary of River Song Series 2 co-stars Colin Baker and Sylvester McCoy, both playing her husband The Doctor, and together the four adventures runs about four hours and change, not counting the bonus “behind the scenes” disc full of audio extras.

The downloadable version can be secured from Big Finish for a mere twenty bucks American, Amazon is charging a bit more for the physical five CD box set.

This isn’t a review because I have yet to hear the material. If it sucks, I’ll apologetically apologize anon… once the surprise wears off. I’m a big fan of Big Finish’s work, although I’ve only heard a fraction of their couple-thousand hours of original Doctor Who material starring all of the living Doctors from Tom Baker to John Hurt aside from Matt Smith (as of this writing). More to the point, I listened to The Diary of River Song Series 1 starring Alex Kingston and Paul McGann (the eighth doctor, if you were to count them in order of first appearance) during one of my infamous cross-country drives and it was absolutely great.

River Song last appeared in the 2015 Christmas special “The Husbands of River Song.” It was her first meeting with her husband Peter Capaldi, and because of where it is set in time she does not recognize The Doctor. In fact, she’s married to someone else, for a while. It’s a great jumping on episode for those who haven’t seen River Song, Peter Capaldi’s doctor, and/or Doctor Who. It’s well-written, clever as hell, sensual to excess and more fun than a barrel of monkeys. And we all know everything is better with a monkey.

Even better: this episode gave us the introduction of Nardole, played by British comedian Matt Lucas. He returned for this year’s Christmas special as the Doctor’s, umm, valet (the Doctor is companionless for the nonce) and Nardole will return for about a half-dozen episodes in the upcoming season. Americans might recognize him for his role in Community where, coincidentally, he played a fan of the ersatz teevee show Inspector Spacetime.

I hope to see River return sometime this season as it is Steven Moffat’s last as writer/showrunner. I hope to see River Song return anywhere at any time, if that latter phrase has any real meaning in a world where time travel exists.

But, hey, I’ll settle for Alex Kingston returning damn well anywhere.