Tagged: Wonder Woman

The Dancing Bear Expose, by Elayne Riggs

The Dancing Bear Expose, by Elayne Riggs

Have you heard of the proverbial dancing bear? It’s apparently a Russian expression, which has its origin in some folk tale or other, and holds that the amazing thing about the performing animal isn’t how well it dances, but that it dances at all. This metaphor (sometimes substituting "dog" for "bear" after the Samuel Johnson quote comparing a woman preaching to a dog walking on its hind legs) became very popular in the heyday of "second-wave" feminism, whenever some consciousness-raising battle appeared won and another hurdle reared up in its place, when the very act of being female and expecting to be treated as human beings at the same time felt Sisyphusean in its difficulties. Sadly, the bear is still rearing its head, howling, dancing backwards and in high heels.

It doesn’t matter what the endeavor, career or hobby. Whether Presidential candidate or comic book writer or movie subject matter or just-plain blogger, a spate of "dancing bear" articles that appears like clockwork in the mainstream news, every few months or years, mining the same territory that comes down to "Look, women are doing things!" As if we need to be reminded we exist. It’s not how well the bear is dancing, it’s that it’s doing it at all! A fellow blogger once remarked that she could practically tell the changing of the seasons by how often she came across male bloggers wanting to know where all the female bloggers were, as a different male blogger posted this in almost exact 90-day increments.

Likewise, now that Gail Simone is writing Wonder Woman, DC’s longest-running, highest- profile book featuring a female character, we’re starting to see features pop up in all sorts of magazines pointing to the dancing bears again. "Pow! Zap! Women can write and draw!" And imagine, we can breathe and think as well!

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Kurt Busiek on DC’s Weekly ‘Trinity’

Kurt Busiek on DC’s Weekly ‘Trinity’

DC Executive Editor Dan DiDio made it official at this weekend’s Retailers Meeting: The publisher’s next weekly series is titled Trinity and will be scripted by current Superman writer Kurt Busiek, with art by longtime Marvel Ultimate Spider-Man artist Mark Bagley.

The weekly series will begin this June and feature a story each week involving the trio of Superman, Batman and Wonder Woman. Busiek will leave Superman with issue #675. According to Busiek, each issue of Trinity will feature 10 pages co-written by Busiek and Fabian Nicieza and 12 pages of a solo story by Busiek.

In an interview with CBR, Busiek commented on Trinity and the rumors that Jim Starlin’s recent Death of the New Gods miniseries cleared the way for DC’s "Big Three" to get the spotlight in Trinity — and that the series is simply leading to another big event.

“No, ‘Death of the New Gods’ is one of the series that is leading into ‘Final Crisis.’ ‘Trinity’ is not ‘Final Crisis’ related. It is a relatively self-contained story that follows its own track. It’s part of the DC Universe, but it’s not one thread in the giant plot structure that is a big event. It is its own story. It has a beginning, a middle and an ending. There will be repercussions, yes. It has new characters that are introduced that I sure hope will spin off into their own mini-series or series or things like that, but it’s not leading to ‘Final Crisis 2: This Time It’s Personal.’

Busiek also tried his hand at sorting out the web of storylines that make up DC’s final-countdown-to-infinite-crisis-on-52-multiple-worlds events and explaining where Trinity will fit into the greater DCU:

’52’ came out of ‘Infinite Crisis’ and itself was a repercussion of a big crossover. ‘Countdown’ is leading into a big crossover. Each time DC does a weekly, they want to do it differently. ‘52’ was about a world without the heroes, ‘Countdown to Final Crisis’ is building up to an event about the heroes and ‘Trinity’ is about the heroes. Front and center.

 

Martha Thomases Interviewed!

Martha Thomases Interviewed!

Sure, pride goeth before a fall and such, but we can’t help pointing out this interview with ComicMix VP of Corporate Communications Martha Thomases over at Friends of Lulu.

The interview touches on Thomases’ long and winding path through the comics industry, including one of her best-known roles: Head of Publicity at DC Comics during the "Death of Superman" event. Having served in both an editorial and PR capacity for various publishers, she provides some insight into the way these two aspects of the industry rely upon each other and the reasons they often appeal to similar personality types.

I told stories. I looked at what we were publishing and tried to figure out who would care about those titles, and what was the most effective way to get the word to them. I dealt with the mainstream press, not the comics press, so I looked for human interest stories. After all, Superman, Batman and Wonder Woman are at least as interesting as Brad Pitt and Angelina Jolie.

Thomases also chats at length about the changes she’s witnessed in both the comics industry and the role of women in it.

What Would Golden Age Wonder Woman Do?

What Would Golden Age Wonder Woman Do?

Boingboing.net points us to a great feature on Again With the Comics, the blog of Brian Hughes. In "Ask Golden Age Wonder Woman," Hughes answers questions from readers using actual panels from Golden Age issues of Wonder Woman.

The panels provide insight on everything from Wonder Woman’s musings on the subjugation of one’s spouse to the heroine’s lessons on corporal punishment. An example is pasted below:

Dear Golden Age Wonder Woman-

I have met the girl of my dreams, but there is one problem: she doesn’t want to get married. She’s worried that if she marries me, she won’t get alimony any more, and I say she doesn’t need it if she’s married to me. I don’t make much money, but I’m going to school at night, and I think we can do just fine. Who’s right?

-Frustrated in Mesa, AZ

Novels to Comics: Examining the Crossover

Novels to Comics: Examining the Crossover

The Times of London posted a story last week examining the "celebrity writer" trend in comics, in which established novelists take a turn telling the stories of some of comics best- and, occasionally, least-known characters. The article references the recent forays of novelists Jodi Picoult and Ian Rankin into the worlds of Wonder Woman and Hellblazer, respectively.

According to The Times, writing for the funnybooks can be a rough transition for novelists accustomed to creating a universe around their subjects.

“It was so much harder than I thought,” [Picoult] says. “When I write a novel, I’m used to making up my characters and their backstory. I couldn’t change Wonder Woman’s history, and she’s been around a long time. I did attempt to get her out of that bustier – any woman can tell you that you don’t fight crime without straps – but no cigar."

Happy Birthday to The Six Million Dollar Man!

Happy Birthday to The Six Million Dollar Man!

Today in 1974, Lee Majors starred as Steve Austin, the world’s first bionic man, when the Six Million Dollar Man debuted as a regular series on ABC. Based on Martin Caidin’s novel Cyborg, the show created an explosion of superhero trends in TV, spawning the likes of Wonder Woman, The Incredible Hulk and The Bionic Woman, which was just revived in 2007. And yes, there was even a comic from Charlton back in the day.

What with shows like Heroes as well, it looks like the 70’s superhero revival has found its way into the new millenium– just as long as we don’t look back on this era and regret the hairdos as much.

We here at ComicMix paln to celebrate by doing everything in slow-motion while making na-na-na-na-na noises.

Leader of the Pack, by Martha Thomases

Leader of the Pack, by Martha Thomases

 As I start this column, the Iowa caucuses have been going on for less than half an hour. The 24-hour news channels, however, have been covering them, intensely, all day. The early returns aren’t in, but, since I don’t expect to finish this until the totals are final, we can keep talking.

 
Every four years, we go through primary season. This year, with neither party having an incumbent who can run for office, nor a vice-president who wishes to run, there is an especially large field. The network anchors assure me that, by next Wednesday, the field will have narrowed considerably as the trailing candidates drop out.
 
This is important stuff. We’re at the end days of what I hope will prove to be the worst presidency ever (as in “we will not ever elect anyone worse”). We have a huge deficit and trade imbalance, a tattered reputation among other countries, and people are dying in a war we didn’t have to start. 
 
Unfortunately, if you watch the American news, you wouldn’t know this. You would think it’s all a horse race, a matter of who wins and who loses. Some say the Democratic choice is between Obama and Clinton, ignoring the fact that John Edwards seems to be getting more support than at least one of those people. On the Republican side, they seem to be willing to include John McCain in the battle along with top vote-getters Huckabee and Romney, but that might not last past Tuesday.

 

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It’s Different for Girls …

Via the Occasional Superheroine website, we find this survey:

Poll Results for Worst Gender Related Comic Incident of 2007

Amazons Attack 35%

Batgirl’s Entire Personality Change 12%

BC/GA Wedding 12%

Starfire’s treatment in Countdown to Adventure 12%

Black Canary Wedding Planner 6%

MJ Statue of Evil 6 %

Donna’s weakness in Countdown 3%

Wonder Woman relaunch 6%

Cassie continuing to play Juliet to Kon 3%

 

It disturbs me that so much of this is DC — when I worked there, we seemed to be the more progressive publisher of the Big Two.  The Editor-in-Chief was a woman, and there were several women editors who had some authority.  

 

While I’d quibble with some of the selections here, that’s really not the point.  The point is that the publishers of the largest-selling American comics would appear to go out of their way to alienate half the population.  And that half of the population seems quite happy to buy manga, in bookstores, where they find themselves appreciated as valued customers.

What are you doing New Years Eve? by Martha Thomases

What are you doing New Years Eve? by Martha Thomases

 

When I was a girl, I’d spend New Years Eve watching my parents get dressed up to go out. My sister and I would be in our pajamas, and my mom would put on her make-up with extra care. Lipstick and perfume. We’d wave as they went away, and then try to get the baby-sitter to let us have extra popcorn, or stay up until midnight. In the morning, we’d go downstairs to breakfast and find noise-makers and gilded hats made out of cardboard, souvenirs of the party. It seemed so glamorous. At my parents’ suggestion, my sister and I would make New Year resolutions. I’m not sure if this was to better ourselves, or to keep us quiet on a hung-over morning, but it was fun.
 
When I was a teenager, I was miserable on New Years Eve. I would be home from school, hundreds of miles away from my friends, usually alone. My parents would still go out, but I wasn’t so interested in watching them get dressed. I’d stay up, watching people on television having fun. In the morning, I’d resolve to kill myself before I’d ever be so miserable again. 
 
As an adult, I’ve gone to some fabulous New Years Eve parties. One year, John and I went to five parties. After all, we live in New York City, the center of the known universe, and we know Very Important People. You, a mere reader, cannot possible imagine the things I’ve seen at these veritable happenings. (Okay, that’s not in any way true. You can imagine what I’ve seen. I’ve seen adults – some of whom are dressed in very expensive but unflattering clothes — having a few drinks, eating and talking, usually about real estate prices.) For a few years, I’d make resolutions, if only to please my therapist. Lipstick and perfume? Not so much.
 

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We Are Family, by Martha Thomases

We Are Family, by Martha Thomases

The holidays! That glorious time of year, so beloved by People of Faith, who celebrate not only their respective religious holidays but also their prized Family Values! A love of family, they say, is what separates the Godfull from the Godless. Atheists and agnostics do not have family values.

Humbug.

Family is pretty much the definition of primal. Children are, traditionally, the result of sexual activity, which is something animals do (plants, not so much). Our relationships with our parents, or at least our mothers, define our existence, as mammals and as humans. We yearn simultaneously for closeness and independence, approval and self-reliance.

More recently, family is a social construct that facilitates pacing on property, so that parents can leave their possessions to their children instead of to the Church or the State. And when property is involved, so is greed, envy, revenge, and other emotions that make stories fun to read or watch (living this stuff is way less interesting). From the Greeks through Shakespeare, the Tales of Genji and more, blood and money make families tick.

Families are the font of comedy, too. What would comedy be like without guilt, and what kind of guilt would there be if we didn’t have families? Or fear and resentment?

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