Tagged: Thor

Captain America: The Winter Soldier Shooting Underway

Captain America Winter Soldier teaserBURBANK, Calif. (April 8, 2013) – Following in the footsteps of the record-breaking Marvel Studios’ release, Marvel’s The Avengers, production on the highly anticipated release, Marvel’s Captain America: The Winter Soldier has commenced in Los Angeles, Calif., with production also including locations in Cleveland, Ohio, and Washington D.C. Directing the film is the team of Anthony and Joe Russo (Welcome to Collinwood) from a screenplay written by Christopher Markus (Captain America: The First Avenger) & Stephen McFeely (Captain America: The First Avenger). Marvel’s Captain America: The Winter Soldier returns Chris Evans (Captain America: The First Avenger, Marvel’s The Avengers) as the iconic Super Hero character Steve Rogers/Captain America, along with Scarlett Johansson (Marvel’s The Avengers, Iron Man 2) as Black Widow and Samuel L. Jackson (Marvel’s The Avengers, Iron Man 2) as Nick Fury. In addition, film icon Robert Redford has joined the all-star cast as Agent Alexander Pierce, a senior leader within the S.H.I.E.L.D. organization. Captain America: The Winter Soldier is set for release in the U.S. on April 4, 2014.

Captain America: The Winter Soldier will pick-up where Marvel’s The Avengers left off, as Steve Rogers struggles to embrace his role in the modern world and teams up with Natasha Romanoff, aka Black Widow, to battle a powerful yet shadowy enemy in present-day Washington, D.C.

Based on the ever-popular Marvel comic book series, first published in 1941, Marvel’s Captain America: The Winter Soldier features an outstanding supporting cast that includes Sebastian Stan (Captain America: The First Avenger, Black Swan) as Bucky Barnes/Winter Soldier, Anthony Mackie (The Hurt Locker, Million Dollar Baby) as Sam Wilson/Falcon, Cobie Smulders (Marvel’s The Avengers, How I Met Your Mother) as Agent Maria Hill, Frank Grillo (Zero Dark Thirty) as Brock Rumlow and Georges St-Pierre (“Death Warrior”) as Georges Batroc. Rounding out the talented cast are Hayley Atwell (Captain America: The First Avenger) as Peggy Carter, Toby Jones (Captain America: The First Avenger, The Hunger Games) as Arnim Zola, Emily VanCamp (The Ring 2, Revenge) as Agent 13 and Maximiliano Hernández (Marvel’s The Avengers, Thor) as Agent Jasper Sitwell.

Marvel Studios’ President Kevin Feige is producing the film. Executive producers on the project include Alan Fine, Louis D’Esposito, Victoria Alonso, Michael Grillo and Stan Lee. The creative production team on the film includes director of photography Trent Opaloch (Elysium, District 9), production designer Peter Wenham (21 Jump Street, Fast Five), editors Jeffrey Ford, A.C.E. and Mary Jo Markey, A.C.E. (Star Wars: Episode 7, The Perks of Being a Wallflower) and three time Oscar-nominated costume designer Judianna Makovsky (The Hunger Games, Harry Potter and the Sorcerer’s Stone).

Marvel Studios’ upcoming release schedule includes Iron Man 3 on May 3, 2013, and Thor: The Dark World on November 8, 2013. The studio most recently produced the critically acclaimed Marvel’s The Avengers, which set the all-time, domestic 3-day weekend box office record at $207.4 million. The film, which shattered both domestic and international box office records, is Disney’s highest-grossing global and domestic release of all time and marks the studio’s fifth film to gross more than $1 billion worldwide.

In the summer of 2011, Marvel successfully launched two new franchises with Thor, starring Chris Hemsworth, and Captain America: The First Avenger, starring Chris Evans. Both films opened #1 at the box office and have grossed over $800 million worldwide combined. In 2010 Iron Man 2, starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Scarlett Johansson, Sam Rockwell, Mickey Rourke and Samuel L. Jackson as Nick Fury took the #1 spot in its first weekend with a domestic box office gross of $128.1 million.

In the summer of 2008, Marvel produced the summer blockbuster movies Iron Man and The Incredible Hulk.  Iron Man, in which Robert Downey Jr. originally dons the Super Hero’s powerful armor and stars alongside co-stars Terrence Howard, Jeff Bridges, Shaun Toub and Gwyneth Paltrow, was released May 2, 2008, and was an immediate box office success. Garnering the number one position for two weeks in a row, the film brought in over $100 million in its opening weekend.  On June 13, 2008, Marvel released The Incredible Hulk, marking its second number one opener of that summer.

Mindy Newell: Take A Lesson

Newell Art 130304Are you sick and tired of all the crap that’s going on down in D.C?  As in Washington, D.C., not DC Comics.

Believe it or not, me, too. Here is a breakdown of the last 4½ years of political discourse between our political leaders:

“You did it.”

“No, you did it.”

“I’m telling.”

“No, I’m telling.”

“That’s my ball.”

“No, it’s not, it’s my ball.”

“You cheated.”

“So did you.”

“I dare you.”

“I double-dare you.”

For Christ’s sake, grow the fuck up, children!!!!! Or take a lesson from The Avengers – beat the shit out of each other a la Iron Man and Thor, then realize you made a mistake and come together as a team to fight the real bad guy!

I missed the Oscars this year because I watched Tootsie and Kramer Vs. Kramer on Turner Classic Movies, part of their “31 Days of Oscar” routine. I did read and hear about them, though, especially McFarlane’s performance as host, and watched YouTube to form my own opinion. McFarlane’s comments about Jews really offended me. In fact, most of his spiel offended me. Although I do think he’s very smart, and I tend to agree with him when he’s on Bill Maher…to tell you the truth, I’d rather he’d stick to political commentary – I just don’t find him funny.

Reading Lawrence Wright’s latest book, which is about Scientology (Going Clear: Scientology, Hollywood, & The Prison Of Belief). Picked it up because I was so impressed with Wright’s The Looming Tower, which is about the radicalization of Bin Laden, the birth and growth of Al Quada, and 9/11. The later is highly recommended to understand what happened and to help put today’s politics in context – I believe we are still politically paying for the attack on the World Trade Center, and in that way, Bin Laden – may he roast in hellfire for eternity – was successful. The former book, however, is not as eye opening for me; I’ve always known that Scientology is nothing but a big scam set up by a hack science fiction writer who wanted to “get rich quick.”

Scientology is L. Ron Hubbard’s definition of “there’s a sucker born every minute.”  Scientology is a Seduction Of The Innocents and its victims need a good lawyer. Matt Murdock, where are you? Take these Kingpins on. Challenge the organization’s “church” status in court and get their tax-exempt status revoked. That would help a lot of the poor schnooks who have been taken in by the scam.

The Who have it right. Hope I die before I get old.

Wolverine is lucky to have an adamantium skeleton and regenerative powers…my dad had another seizure/stroke a month ago. He’s not coming back from this one. Not really. My mother is physically and emotionally a wreck, on the verge of stroking out herself. The delivery of health care in this country is a disgrace. It’s in the control of the banksters and the insurance companies and price gougers, who get rich off of the sick while reimbursements from Medicare are being cut down to nothing, and since staffing is the biggest expense that medical organizations face, hospitals and nursing homes are forced to use the axe, the result being that patient care is dangerously compromised.

I can’t think of a super-hero from whom we can take a lesson on this one, who can fight this.

Can you?

TUESDAY MORNING: Emily S. Whitten

TUESDAY AFTERNOON: Michael Davis

 

PULP ARK 2013 VOTING HAS BEGUN!

Pulp Ark 2013, being held in Springdale, Arkansas April 26-28, 2013, announces today the ballot for the Pulp Ark 2013 Awards.
The ballot for this year’s awards was composed based on nominations called for beginning December 15, 2012 and ending January 15, 2013.   Only those who nominated in at least one category in that time period are allowed to vote. The original intent was to have voting begin January 15 and end February 15, 2013.  Due to an unforeseen number of ballots and a tremendous variety of nominations, the ballot was not completed until February 5th, 2013.  Therefore, all eligible voters have until March 1, 2013 to complete a ballot and email that to proseproductions@earthlink.net.  
Winners will be announced on or after March 1, 2013 once all votes are compiled and winners are determined.  Awards will be given on April 27, 2013, at Pulp Ark 2013.  
If you made a nomination and did not receive a ballot, please email proseproductions@earthlink.net a copy of your original nominations.

The most comprehensive Pulp award today, the Pulp Ark 2013 Ballot features over 40 publishers represented by nominated creators and works.

For more information on Pulp Ark 2013, go to www.pulpark.blogspot.com.  
The nominees for Pulp Ark 2013 are as follows-
BEST NOVEL-

The National Maul- A Misty Johnson Mystery by RP Steeves, Seven Realms

The Sting of the Silver Manticore by PJ Lozito, Pro Se Productions

Riddle of the Glowing Men: A Captain Action Novel by Jim Beard, Airship 27

Productions

Dillon and the Pirates of Xonira by Derrick Ferguson, Pulpwork Press

Blood of the Centipede by Chuck Miller, Pro Se Productions

Die Glocke by Barry Reese, Pro Se Productions

Drowning in Red Ink by James Mullaney, James Mullaney

Devil May Care by James Mullaney, James Mullaney

Project Alpha by Lee Houston Jr., Pro Se Productions

Death’s Dark Domain by Will Murray (Kenneth Robeson), Altus Press

The Destiny of Fu Manchu by William Patrick Maynard, Black Coat Press

Once Upon a Time in Afrika by Balogun Ojetade, MVmedia

Murder Most Faire by Teel James Glenn, Post Mortem Press

Hawk: Hand of the Machine by Van Allen Plexico, White Rocket Books

Legends of Darkness by Georgia L. Jones, Blackwyrm Publishing

Prohibition by Terrence McCauley, Airship 27 Productions

Know No Fear by Dan Abnett, Games Workshop

The Song of Kwasin by Philip Jose Farmer and Christopher Paul Carey, Subterranean Press.

Prague Fatale by Philip Kerr, Putnam

Earthstrike Agenda by Bobby Nash, BEN Books

Green To Go by John Cunnigham, Green St.

Dinosaur Jazz by Michael Panush, Curiosity Quills Press

BEST NOVELLA

The Lone Ranger: Vendetta by Howard Hopkins, Moonstone

Moses: the Chronicles of Harriet Tubman (Bookx 1 and 2) by Balogun Ojetade, Balogun Ojetade

The Looking Glass Gambit from The Further Adventures of Maxi and Moxie by Teel James Glenn, Booksforabuck.com

Unearthed  by William Preston, Isaac Asimiov’s Science Fiction Magazine, 9/12

Play the Way Home by Jessica McHugh (as EJ McCain), P. Mortem’s Tall Tales

Exiles of Kho by Christopher Paul Carey, Meteor House Press

Savage Song by Warren Murphy, Destroyer Books

Outlaw Blues by Percival Constantine, Pulpwork Press

Dragon Kings of the Orient by Percival Constantine, Pulpwork Press

The Sons of Thor by Erwin K. Roberts, Pro Se Productions

The Knockout by Robert J. Randisi, Fight Card Productions

Samaritan by Bobby Nash, BEN Books

Sinbad and the Voyage to the Land of the Frozen Sun by Derrick Ferguson , The Adventures of Sinbad, Airship 27 Productions

BEST COLLECTION/ANTHOLOGY

Blood-Price of the Missionary’s Gold: The New Adventures of Armless O’Neil by Various, Pro Se Productions

Nightbeat: Night Stories by Various, Radio Archives

Mystery Men (and Women) III by Various, Airship 27 Productions

The Huntress of Greenwood by Nancy Hansen, Pro Se Productions

Tales of the Rook by Various, Pro Se Productions

Sgt. Janus Spirit Breaker by Jim Beard, Airship 27 Productions

The New Adventures of the Eagle Volume 1 by Various, Pro Se Productions

The Adventures of Lazarus Gray Vol 2: Die Glocke, by Barry Reese Pro Se Productions

Sinbad: The New Voyages By Various, Airship 27 Productions

The Green Hornet: Still at Large by Various, Moonstone Books

The Ruby Files By Various, Airship 27 Productions

Headline Ghouls: The Further Adventures of Maxi and Moxie by Teel James Glenn, Booksforabuck.com

Monster Aces by Various, Pro Se Productions

The Adventures of the Pulptress by Various, Pro Se Productions

BEST SHORT STORY

Armless O’Neil and the Chase for the Kuba Mask by RP Steeves from Blood: The Price of the Missionary’s Gold: The New Adventures of Armless O’Neil, Pro Se Productions

The Chicago Punch by Paul Bishop from Nightbeat: Night Stories, Radio Archives

Doc Panic by Dave White from Pro Se Presents 16, Pro Se Productions

The Killing Games by Barry Reese from The Tales of the Rook Volume 1, Pro Se Productions

Lucky by Tommy Hancock from Nightbeat: Night Stories, Radio Archives

Doctor Fear by Jarrod Courtenmanche, Secret Agent “X,” Volume 4. Airship 27 Productions

The Coming Storm by Teel James Glenn from New Adventures of the Eagle, Pro Se Productions

Lady Madeline’s Dive by Terrence McCauley from Thuglit #1, Thuglit

The Feast of Stephen by R P Steeves from An Undead Christmas, Undead Press

The Abominable Myra Linsky Rises Again by Chuck Miller from Pro Se Presents #13, Pro Se Productions

Making of a Hero by Barry Reese From The Adventures of Lazarus Gray: Die Glocke, Pro Se Productions

The Keener Eye: The Web of Life by Nancy A. Hansen from Pro Se Presents 12, Pro Se Productions

Death of a Dream by Christofer Nigro from Tales of the Shadowmen, Volume 9, Black Coat Press

Tulsa Blackie’s Last Dive by William Patrick Maynard from The Ruby Files, Airship 27 Productions


The Portrait by Terry Alexander from The Adventures of the Pulptress, Pro Se Productions


The Hellmouth by Barry Reese from The New Adventures of Thunder Jim Wade, Pro Se Productions


Extraction by Jessica McHugh from Fear the Abyss, Post Mortem Press


The Wild Huntsman by Win Scott Eckert from The Worlds of Philip Jose Farmer 3: Portraits of a Trickster, Meteor House Books
Hand of the Monster by Jim Beard from Monster Aces, Pro Se Productions

Red Lily and the Oriental Flower by D. Alan Lewis from Nashville Noir, Parthenon Press

The Curse of Baron Samedi by Percival Constantine from Tales of the Rook, Pro Se Productions

The Ghoul by Ron Fortier from Monster Aces, Pro Se Productions

Paranoia by Kevin Rodgers from Pro Se Presents March 2012, Pro Se Productions

Die Giftig Lillie, Sean Taylor from The Ruby Files, Airship 27 Productions

The Butcher’s Festival by Ron Fortier from The Adventures of the Pulptress, Pro Se Productions

Crown of the Cobra King by Frank Shildiner from Secret Agent X Vol. 4, Airship 27 Productions


BEST COVER ART

Witches, by Larry Elmore, Blackwyrm Publishing

Gil Murillo, The National Maul-A Misty Johnson Mystery, Seven Realms

Tales of the Rook, Volume 1 by Bob Hall, Tales of the Rook Vol. 1, Pro Se Productions

Mystery Men (And Women) III, by Marco Turini, Airship 27 Productions

Monster Aces byTerry Pavlet, Pro Se Productions

Sentinels: Metalgod by Chris Kohler, White Rocket Books

Lazarus Gray: Die Glocke by George Sellas, Pro Se Productions

The New Adventures of the Eagle Volume 1 by David L. Russell, Pro Se Productions

The Ruby Files by Mark Wheatley, Airship 27 Productions

Pro Se Presents #13 by Sean Ali, Pro Se Productions

Drowning in Red Ink by Micah Birchfield, James Mullaney

The Wild Adventures of Doc Savage: The Infernal Buddha by Joe DeVito, Altus Press

The Destiny of Fu Manchu by Christine Clavel, Black Coat Press

Once Upon a Time in Afrika by Stan Weaver, Jr., MVmedia

Doc Claus by Teel James Glenn, Pulp Empire

Blackthorn: Dynasty of Mars by Adam Diller, White Rocket Books

Pro Se Presents 14 by Sean Ali, Pro Se Productions

Sting of the Silver Manticore, David L. Russell, Pro Se Productions

Prohibition by Rob Moran and Shannon Hall, Airship 27 Productions

The Green Hornet Still at Large by Doug Klauba, Moonstone

Three Against the Stars by Laura Givens, Airship 27 Productions

Nightbeat: Night Stories by Doug Klauba, Radio Archives

The Family Grace by George Sellas, Pro Se Productions

Dragon Kings of the Orient by Percival Constantine, Pulpwork Press

Exiles of Kho: A Tale of Lost Khokarsa by Mike Hoffman, Meteor House

The Horn by Mike FylesUchronic Tales

Huntress of Greenwood by David Russell, Pro Se Productions

Project Alpha by Marc Guerrero, Pro Se Productions

Captain Action: The Riddle of the Glowing Men by Nick Runge, Airship 27 Productions

BEST INTERIOR ART

The Ruby Files Volume 1 by Rob Moran, Airship 27 Productions

Mystery Men (And Women) III by Rob Davis, Airship 27 Productions

The Adventures of Lazarus Gray Volume 2: Die Glocke by George Sellas, Pro Se Productions

Robin Hood: Arrow of Justice by Rob Davis, Airship 27 Productions

The Moon Man Volume 1 by Ralf van der Hoeven, Airship 27 Productions

Sentinels: Metalgod by Chris Kohler, White Rocket Books

Sgt. Janus, Spirit Breaker, Airship 27 Productions

Tales of the Rook Volume 1 by George Sellas, Pro Se Productions

Exiles of Kho: A Tale of Lost Khokarsa by Mike Hoffman, Meteor House

The Ruby Files by Rob Moran, Airship 27 Productions

The Baron’s Revenge by Rob Davis, Airship 27 Productions

BEST PULP REVIVAL

Armless O’Neil by Various, Pro Se Productions

Doc Savage by Will Murray, Altus Press

Thunder Jim Wade by Various, Pro Se Productions

Richard Knight by Various, Pro Se Productions

The Moon Man by Various, Airship 27 Productions

Secret Agent X by Various, Airship 27 Productions

Ki-Gor in Jungle Tales by Various, Airship 27 Productions

Doctor Death by Tommy Hancock, Pro Se Productions

BEST NEW CHARACTER

Camille Boucher in The National Maul by R. P. Steeves, Seven Realms

The Silver Manticore in The Sting of the Silver Manticore by PJ Lozito, Pro Se Productions

Rick Ruby in The Ruby Files, Vol 1 by Sean Taylor and Bobby Nash, Airship 27 Productions

Kiri in Mystery Men (And Women) III by Curtis Ferlund, Airship 27 Productions

Doc Panic in Pro Se Presents 15 by Dave White, Pro Se Productions

Hawk in Hawk: Hand of the Machine by Van Allen Plexico, White Rocket Books

Sgt. Janus, Spirit Breaker  in Sgt. Janus, Spirit Breaker by Jim Beard, Airship 27 Productions

Dr. Dana Unknown Jr in Pro Se Presents 13 by Chuck Miller, Pro Se Productions

Jimmy Dolan in Tales of the Hanging Monkey by Billy Craig, Airship 27 Productions

Bob Howard, The Crusader from Cross Plains in Adventures in Otherwhen: Tales of Pulpfantastique by Teel James Glenn, Booksforabuck.com

Samoda in the Remnants of Life Series by Georgia L. Jones, Blackwyrm

The Pulptress by Tommy Hancock in The Adventures of the Pulptress, Pro Se Productions

Terry Quinn in Prohibition by Terrence McCauley, Airship 27 Productions

Carl Flint in Outlaw Blues by Percival Constantine, Pulpwork Press

Sun Wukong in Dragon Kings of the Orient by Percival Constantine, Pulpwork Press

E-31 in Modern Pulp Heroes by Terry Alexander, Pulp Empire

BEST AUTHOR

Van Allen Plexico

William Preston

RP Steeves

PJ Lozito

Barry Reese

Chuck Miller

Dan Abnett

James Mullaney

Howard Hopkins

Will Murray

William Patrick Maynard

Teel James Glenn

Ron Fortier

Bobby Nash

Derrick Ferguson

Warren Murphy

Jessica McHugh

Win Scott Eckert

Percival Constantine

Nancy Holder

Andrew Salmon

Christopher Paul Carey

Gary Lovisi

Michael Panush

Joshua Reynolds

BEST PULP COMIC

Masks, Dynamite Comics

The Black Beetle, Dark Horse Comics Presents

Rocketeer: Cargo of Doom, IDW

Price for the Asking, Twilight Star Productions

The Shadow, Dynamite Comics

The Once and Future Tarzan, Dark Horse Comics

Atomic Robo: The Ghost of Station X, Red 5 Comics

Fatale, Image Comics

Robyn of Sherwood, Redbud Studio Comics

BEST PULP MAGAZINE

Pro Se Presents

Weird Tales

BEST NEW WRITER

Curtis Fernlund

David White

Jim Beard

Balogun Ojetade

Greg Daniel

Georgia L. Jones

D. Alan Lewis

Ashley Mangin

Andrea Judy


Ultimate Spider-Man: Avenging Spider-Man Comes to DVD Next Week

Over the past year, Peter Parker has been saving New York City from evil villains as the masked hero, Spider-Man while balancing his heroics with homework and friends. When S.H.I.E.L.D. Director, Nick Fury, offers Peter the chance to raise his game to the next level…to become The Ultimate Spider-Man, Midtown High becomes a secret operations base for young heroes under the watchful eye of Fury and the school’s new principal, Agent Coulson. Spidey takes on S.H.I.E.L.D. missions across the Marvel Universe, encounters new villains, and battles his biggest threat yet…teen high school drama, in this funny and action– packed new series!

Click Communications: Marvel Ultimate Spider-Man: Avenging Spider-Man on DVD 2/5/13! &emdash; Nick Fury & Spider-Man

Marvel’s Ultimate Spider-Man: Avenging Spider-Man 2-Disc DVD

PREMIERED APRIL 1, 2012 ON DISNEY XD BY MARVEL ANIMATION STUDIOS

Genre:                                   Animation/Action-Adventure

Rating:                                   TV-Y7 FV

US Release Date:                            February 5, 2013

Feature Run Time:                          Approximately 135 minutes each disc (six 22-minute episodes) – total: 270 minutes

Suggested Retail Price:     2-Disc DVD = $26.99 (US only)

Content:

Disc One: Great Power, Great Responsibility, Doomed, Freaky, For Your Eye Only, I Am Spider-Man

Disc Two: Flight of the Iron Spider, Exclusive, Field Trip, Home Sick Hulk, Run Pig Run, Not a Toy

Voice Cast:

Drake Bell as Spider-Man (Drake & Josh), Clark Gregg as Agent Coulson (The Avengers, Thor), Logan Miller as Sam Alexander/Nova (I’m in the Band), Caitlyn Taylor Love as Ava Ayala/White Tiger (I’m in the Band), Greg Cipes as Danny Rand/Iron Fist (Teen Titans), Ogie Banks as Luke Cage/Power Man (Fatherhood), Tara Strong as Mary-Jane (The Fairy Odd Parents), Steven Weber as Norman Osborn (A Fairly Odd Movie: Grow Up Timmy Turner! Brothers & Sisters), Tom Kenny as Doctor Octopus (Spongebob Squarepants, Dan vs.), Chi McBride as Nick Fury (Human Target, Hawthorne), J.K. Simmons as J. Jonah Jameson (Spider-Man 3, The Closer).

Executive Producers:                    Alan Fine (Marvel’s The Avengers, Thor, Iron Man 2) Dan Buckley (The Avengers: Earth’s Mightiest Heroes, Iron Man: Armored Adventures) Joe Quesada (Ultimate Spider-Man) Jeph Loeb (Lost, Heroes).

Iron Man 3 Spot to Air During Super Bowl

IRON3_BusShelter_Falling_v7Phase 2 of Marvel’s Cinematic Universe kicks off in May with Iron Man 3, to be followed in November with the second Thor film. There will be a new commercial for the feature to be aired during the Super Bowl. Here is Disney’s teaser for those who can’t wait. The studio is betting heavily on the audience for the Ravens-49ers contest (we’re rooting for the Ravens) with spots of Oz the Great and Powerful, The Lone Ranger, and Iron Man 3.

IRON MAN 3  (in Digital 3D and RealD)

MARVEL STUDIOS presents in association with PARAMOUNT PICTURES and DMG ENTERTAINMENT

Website and Mobile site: IronManMovie3.com

Like us on Facebook: Facebook.com/ironman

Follow us on Twitter: Twitter.com/Iron_Man

Genre:                          Action-adventure

Rating:

U.S. Release date:        May 3, 2013

Running time:

Cast:                            Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale with Jon Favreau and Ben Kingsley

Director:                       Shane Black

Producer:                      Kevin Feige

Executive Producers:    Jon Favreau, Louis D’Esposito, Charles Newirth, Victoria Alonso, Stephen Broussard, Alan Fine, Stan Lee, Dan Mintz

Screenplay by:              Drew Pearce & Shane Black

[youtube]http://youtu.be/2N6tDt-A7ME[/youtube]

Marvel’s “Iron Man 3” pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?

Starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale with Jon Favreau and Ben Kingsley, Marvel’s “Iron Man 3” is directed by Shane Black from a screenplay by Drew Pearce & Shane Black and is based on Marvel’s iconic Super Hero Iron Man, who first appeared on the pages of “Tales of Suspense” (#39) in 1963 and had his solo comic book debut with “The Invincible Iron Man” (#1) in May of 1968. 

In Marvel’s “Iron Man 3,” Tony Stark/Iron Man finds his world reduced to rubble by a malevolent enemy and must use his ingenuity and instincts to protect those closest to him as he seeks to destroy the enemy and his cohorts.

STRANGE DETECTIVES, RADIO WORKSHOPS, AND MORE! FROM RADIO ARCHIVES

RadioArchives.com Newsletter

 
January 18, 2013
 
 

The Age of Classic Radio was a time of innovation and experimentation, especially in terms of radio drama. A program that took the best of what had come before it and succeeded even further in production, performance, and storytelling actually debuted at the end of Radio’s Golden Age. This tour de force of radio drama can now be enjoyed in CBS Radio Workshop, Volume 1.
 
A direct descendant of the Columbia WorkshopCBS Radio Workshop not only continued to push boundaries in terms of utilizing story, music, voice and more in exciting, modern ways, it broke new ground in radio drama. From having author Aldous Huxley narrate the adaptation of his Brave New World for the show’s debut to producing an interview with William Shakespeare to turning a stirring folk ballad into a mix of rhyme and performance by William Conrad in The Legend of Jimmy Blue Eyes, the CBS Radio Workshop set the standard for modern audio drama.
 
The man behind CBS Radio Workshop, which debuted in 1956, was William Froug. Inspired directly by the work of Norman Corwin on the original Columbia Workshop, Froug put all the pieces together to produce not only a great radio program, but shows that would inspire and move its audience as well as its cast and crew.
 
Blending sound effects with story, music with voice, and quality with substance, the first twelve episodes on CBS Radio Workshop, Volume 1 shows how boundless storytelling can be with audio drama. 6 hours $17.98 Audio CDs / $8.99 Download.

 
 
 
 

 

Read by Michael C. Gwynne, Roy Worley, and Roger Price
 

In the Fall of 1937, Popular Publications launched a new type of detective magazine, one that combined the Weird Menace-style stories that had made Terror Tales and Horror Stories so hot with readers of hardboiled detective-action tales. They called it Strange Detective Mysteries.
 
In his first-issue editorial, Managing Editor Rogers Terrill set the stage:
 
“Remember the time you read that one perfect knockout, detective story—bizarre, mysterious, thrill-packed, different? It still remains the detective story for you. You’ve wondered why you never found another. You searched bookstores, library shelves, newsstands—but you just couldn’t find that brand!
 
“Beginning with this issue—we give you Strange Detective Mysteries—not only one bizarre, thrilling eerie-laden mystery story such as you’ve searched for, but a whole magazine full of them!
 
“Because you have sought for this highest type of detective story, without finding it, you can understand at what cost we bring you this magazine. Months of planning and effort have gone into its making. The best known and most able detective-story writers have been called upon—for their best. Only the smallest proportion of a flood of manuscripts has been chosen.
 
“Crime-detection, adventure, baffling mystery—all this you will find in Strange Detective Mysteries. In addition, you will find that quality which appears in a detective story only once in a blue moon—the bizarre!”
 
Terrill used the word bizarre no less than five times in his editorial, italicizing it twice. He was serious! Strange Detective Mysteries was beyond weird.
 
For his lead novel, Terrill served up “When the Death-Bat Flies,” by the writer he called “America’s No. 1 Master of the Extraordinary Mystery Tale”—The Spider’s Norvell W. Page. Starring master magician Aubrei Dunne, it was a wild excursion into a criminal cult dedicated to murder and mayhem.
 
In “Madame Murder—and the Corpse Brigade,” Paul Ernst offered an even more bizarre hero—Seekay, the man with no face!
 
The detective protagonist of Wayne Rogers’ “The Headman’s Hat-Box” witnesses a murder committed by—himself!
 
In George Armin Shaftel’s “The Miracle Murder Case,” a prison break is engineered by an unknown mastermind who terrorizes society with a strange super-weapon!
 
Terror Tales favorite Arthur Leo Zagat’s “Patents for Dr. Death” revisits the realm of Jack the Ripper—but with an uncanny twist.
 
Finally, Norbert Davis’ “Idiot’s Coffin Keepsake” takes us to a weird mansion and the grisly mystery of the missing hand.
 
Narrated by Michael C. Gwynne, Roy Worley and Roger Price, this RadioArchives.com audiobook brings to vibrant life one of the most exciting first issues of any pulp mystery magazine ever published! Don’t miss it! 6 hours $23.98 Audio CDs / $11.99 Download.

 

 
 

Join the eBook Team!
 
Radio Archives is seeking motivated, excited people to help us proof our eBooks. We created 200 eBooks in 2012 and our goal is 300 eBooks this year. If you have a love for classic Pulp tales as well as a good grasp of spelling, punctuation, capitalization and basic formatting, then you may be just the person we’re looking for! Send an email inquiry to Service@RadioArchives.com for more details! 

 
New Will Murray’s Pulp Classics eBooks

 
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 

Without warning the green death ray struck at New York City — burning to charred cinders the helpless humans who crossed its path! Upon America’s proudest city, the Eye of Flame had loosed his fire-fiends, and now the triumphant underworld, freed from prisons by his hand, stalked unchecked among the smoking embers. Alone of all men, Richard Wentworth, in the Spider’s weird disguise, dared fight for a doomed people against the mightiest menace the world had yet seen — a monster who had made millions out of men when he turned them into flaming torches! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
 
Down from Kentuck’s bleak hills swept the avalanche of stark-naked albino killers — sacking and slaying as they advanced upon New York! Neither bullet nor cold steel could halt that eerie grey mob, invulnerable against all attack, and as they emerged from Manhattan’s subways, loosing the Underworld’s cohorts upon our proudest city, it seemed that America was doomed. Only one individual — Richard Wentworth, in the Spider’s black guise — dared combat this unheard of menace — fighting an epic battle against a master of murder who had turned civilization back five thousand years in order to loot its coffers! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.
 
Men fought snarling in the streets over crusts of bread or ferreted, beast-like, through the charred ruins of some once-majestic building in search of food scraps… To such dire state had the city fallen when the Spider, weakened by weeks of illness, returned to take up his seemingly hopeless battle against the Food Destroyers. Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.

 
New England and the Eastern Seaboard were already in the hands of the invaders from the Central Empire! The brutal Purple Emperor, War-Master of Europe and Asia, was beating America to her knees, using his horrible Green Gas, beheading all who resist! With the American Defense Forces routed, only Operator 5, Ace of the Intelligence, and his tiny band of loyal guerillas could hope to check the mad conqueror. A true-to-life, thrilling episode, dramatized from Jimmy Christopher’s own personal history of the Second War of Independence! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.
 

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine by Nat Schachner, reissued for today’s readers in electronic format. $2.99.

 

Newspapers throughout the civilized world screamed the headlines — “WU FANG” CAPTURED! And within the escape-proof walls of Scotland Yard, it was a fact, accomplished through the clever hands of Val Kildare. Yet somewhere within the evil haunts of fog-bound London, sinister agents knew the unspoken desires of the Crime Lord and advanced with the single thought, ESCAPE! — Ever onward, weaving their patterns of Death and Despair! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. Wu Fang is a Chinese criminal mastermind and scientific genius. With his hybrid monkey-men, he plans to conquer America. He is member of various secret societies and has spies everywhere. Opposing him is Val Kildare of the F.B.I. His aides, reporter Jerry Hazard, archaeologist Rod Carson and newsboy Cappy, help him in his battles against the sinister man of evil known as Wu Fang! $2.99.
 

In their final adventure, Curt Newton and the Futuremen are called on to save the Universe itself from a madman’s destructive whim! Captain Future… the Ace of Space! Born and raised on the moon, Curt Newton survived the murder of his scientist parents to become the protector of the galaxy known as Captain Future. With his Futuremen, Grag the giant robot, Otho, the shape-shifting android and Simon Wright, the Living Brain, he patrols the solar system in the fastest space ship ever constructed, the Comet, pursuing human monsters and alien threats to Earth and her neighbor planets. This is one of the legendary “final seven” Captain Future tales. After a run of twenty pulp issues, the quarterly magazine closed. But that was not the end of Captain Future. He returned in a series of short stories published in Startling Stories magazine, beginning with the January 1950 issue. Edmond Hamilton, creator of Captain Future and author of the majority of the full-length novels, returned to pen seven more Captain Future stories. His style had matured, as had his original audience, and these final seven Captain Future stories are considered to be some of his best. Captain Future left the pages of Startling Stories with the May 1951 issue, but editors left open the possibility that Captain Future might return some day. True fans are still waiting. Until then, Captain Future returns in these vintage pulp tales, reissued for today’s readers in electronic format. $0.99.
 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available in the Kindle storeBarnes and Noble Nook store, and RadioArchives.com! Search for RadioArchives.com in iTunes with over 200 eBooks are available.
 

Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 

See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of  the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
 
 

Pulp fiction’s Master of Men returns in two classic stories from the 1930s. First, in “Death’s Crimson Juggernaut” (1934), horror stalks the city as helpless victims are found brutally murdered — by crucifixion! Whole buildings are burned to the ground to further a mad scheme, and no crime is too terrible for the Torture Killers. Richard Wentworth joins the fray as The Spider, and finds himself blinded! Can a sightless Spider hope to win against these odds? Then, in “Claws of the Golden Dragon” (1939), A sinister carving of a scarlet scorpion warns Richard Wentworth of a Chinatown crisis. As soon as he investigates, Nita and Ram Singh are captured and destined to die by torture! Devious traps bring sudden death to all who oppose The Dragon, a horrible death as parasitic orchids burst from the chests of the doomed! These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. $14.95! On sale for $12.95, save $2.00

 

Margo Lane Special
Who knows what evil lurks in the hearts of men? The Shadow knows! The Knight of Darkness explores deadly enigmas in the Walter Gibson thrillers that introduced Margo Lane into the Shadow pulp mythos. First, The Shadow and Margo Lane (in her pulp debut) confront the deadly lightning of Thor, The Thunder King. Then, The Shadow investigates the strange machinations of the Secret Six whose giant sapphire, The Star of Delhi. is the centerpiece for serial murders. BONUS: The Witch Drums, a long-lost thriller from Orson Welles’ legendary Shadow broadcasts! This instant collector’s item showcases both classic pulp covers by Graves Gladney plus the original interior illustrations of Paul Orban, with historical commentary by Will Murray and Anthony Tollin. who pays tribute to the late Margot Stevenson, “the Woman who was Margo Lane.” $14.95.
 
The pulp era’s legendary superman returns in two action-packed novels by Alan Hathway and Lester Dent writing as “Kenneth Robeson.” First, the Man of Bronze confronts the deadly menace of The Headless Men, decapitated zombies commanded by a mad genius in the landmark 100th Doc Savage novel. Then, in his first solo adventure, a disguised Doc Savage travels to King Joe Cay to infiltrate a gang of schemers. This double-novel collector’s edition features the original color pulp covers by Emery Clarke and Modest Stein, Paul Orban’s classic interior illustrations and historical commentary by Will Murray, writer of ten Doc Savage novels. $14.95.

What manner of men were these who burned their victims alive — and in public! With flaming pyres adding their nightly terror to a city already tasting the grim pangs of slow starvation, the Spider, revealed at last, is forced to disappear! Can Richard Wentworth, unmasked and in hiding, successfully combat the Flame Men? in this finely produced replica, including all the material from the original magazine, yet packaged for easy storage and enjoyment of modern readers!
 
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $35.00

 
 

The shattering sequel to Fortress of Solitude.
 
The Doc Savage exploit that went untold for 74 years—Death’s Dark Domain!
 
In the aftermath of the evil John Sunlight’s pillaging of the secret Fortress of Solitude, a dreadful super-weapon has fallen the hands of a Balkan dictator intent upon seizing control of the vampire-haunted zone of desolation known as Ultra-Stygia. War is imminent. Monsters are loose in the disputed region. A strange darkness falls over the sinister landscape. Only Doc Savage, the Man of Bronze, understands the terrible threat to humanity. And only he can prevent the terror from spreading…
 
There are unknown Things prowling the darkest patch of land on the planet. Haunted by creatures that might have emerged from the Hell’s lowest regions, ancient Ultra-Stygia has turned into a cauldron of conflict between rival countries. Monster bats careen through the night sky. Invisible Cyclopes patrol the scorched battleground. And a power beyond understanding robs men of their vision.
 
Can the 20th century’s premier scientist and superman untangle this Gordian knot of carnage before neighboring nations are drawn into an apocalyptic new world war? Or will the Man of Bronze succumb to an unstoppable power he himself has unleashed upon mankind?
 
From the frozen Arctic to the war-torn Balkans, Doc Savage and his fighting five follow a winding trail of terror to a blood-freezing climax.

 
Death’s Dark Domain features a fantastic cover painted by Joe DeVito! $24.95.

 

Back in print after 20 years! The rare Lester Dent-Will Murray collaboration resurrecting the original pulp superman…
 
Also available is the first Altus Press edition of Will Murray’s 1993 Doc Savage adventure, The Forgotten Realm. Deep in the heart of the African Congo lies a secret unsuspected for thousands of years. Doc Savage and his men embark on a quest to discover the secret of the strange individual known only as X Man, X for unknown. Before they come to the end of the trail, they find themselves fighting for their lives like gladiators of old!
 
No one knows who—or what—the strange being who calls himself “X Man” truly is. He was found wandering the ruins of a crumbling Roman fort, dressed in a toga, speaking classical Latin—and clutching a handful of unearthly black seeds.
 
Declared insane, the X Man patiently tends his weird plants until the day, impelled by a nameless terror, he flees Wyndmoor Asylum to unleash a cyclone of violence that is destined to suck the mighty Man of Bronze into the blackest, most unbelievable mystery of his entire career. For far from Scotland lies a domain of death unknown to the world and called by the ancient Latin name of Novum Eboracum—New York!
 
From the wild Scottish moors to the unexplored heart of darkest Africa, Doc Savage and his indomitable men embarked upon a desperate quest for the Forgotten Realm….
 

The Forgotten Realm features a spectacular cover painted by Joe DeVito! $24.95.
 
 

By David White

 

The Spider finds himself jumping out of the frying pan and into the fire almost literally in this adventure. The Spider is again wrongly accused of a murder, but this time Richard Wentworth finds himself in the hands of the police for this crime. Having gathered what they believe is concrete evidence that he is the Spider, the authorities are taking no chances on him once again gaining his freedom. Though Wentworth and Kirkpatrick are the best of friends, Stanley can’t shirk his duties. Richard Wentworth’s fate is left to the few companions that he can always count on as well as his vast knowledge if he is to avoid the chair!

Meanwhile a homicidal maniac seems to be looking to set ablaze the world’s food supply. One after another, major food suppliers in the area are watching not only their product, but in many cases their workers being burnt to a crisp by the hideous figure known as ‘The Red Mask.’ He appears to have no rhyme or reason, but the Spider has it all figured out. He knows that the man must be tied into the food business in some form, and therefore is looking to drive the market up.

The odds are stacked against the Spider as he is literally held in wrist and ankle shackles, but somehow must escape to put a stop to this new menace that threatens the world’s food supply.

Yonkers! That’s right, I said Yonkers, but not as an expression. This is the place in New York state where the Spider brings all the wits and daring he can against a man that will stop at nothing to further his own personal greed. The lives of many mean nothing as they are literally set ablaze in an all consuming hellfire caused by special incendiary bombs. The bombs are fast acting, and whatever they touch, erupts into a blazing infernal of high temperature fire.

The action is as fast paced as we Spider fans like it, and the heat is on from start to finish, but fear not, the Spider always has the last laugh! Thrill to this Spider tale.

Girasol Replica #6 $35.00 / eBook $2.99.
 
 
 
 
Comments From Our Customers!

 
Larry Black writes:
You are a great respite from this hustle, bustle world we live in. I really enjoy going back to the days when entertainment was more of an audience-interactive thing that required a vivid imagination, and your service definitely supplies that. Keep up the great work!
 
David Ward writes:
I purchased from the RadioArchives site direct because, just as Amazon has a half dozen Terror Tales volumes not listed on RadioArchives, there are also a half dozen volumes on RadioArchives which aren’t listed on Amazon. I wanted them all so I had to buy from both sites. I prefer RadioArchives.com as the cheaper prices and multiple formats is better value, and it’s good to be kept informed of future releases, etc. It’s great to hear that more ebooks and especially audiobooks are planned. The two readers on Terror Tales are perfect for the spirit of these stories. I never envisaged a day when 30’s horror pulp tales would be available on audiobook (aside from the usual Lovecraft, etc), let alone done so incredibly well! Happy New Year!
 
Joseph Weeg writes:
You all are doing a wonderful thing keeping these books in print and I want to make sure I’m doing my part too. 
 
Gerald Cooper writes:
Hello, absolutely love the new Doc Savage audio books. I am hooked on them. I only wish that there were more of them. Can you give us some idea of what and when the next releases will be? Thank you
 

If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!

 

The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
If you no longer wish to receive our newsletter, or if this newsletter has been sent to you in error, please reply to this e-mail with the subject line UN-SUBSCRIBE and your name will immediately be removed from our mailing list.
 

Michael Davis: Your Comics Suck

Davis Art 130115When I was a kid, comics were all I thought about. There was no better time in my day than when I was finished all my crap schoolwork and was able to turn my attention to the Fantastic Four, Spider-Man or Batman

I was a child of DC but soon I was just as vested in Marvel as I was in DC. I remember when Kirby left Marvel to do the Fourth World books at DC. That to me at the time was as big a deal as Obama becoming the first black President is now.

Really.

Kirby coming to DC was Huge. I’ll never forget when I got my first issue of the Forever People and saw Kirby’s Here on the cover.

Comics golden age for me was the second silver age. That second silver age was Walt Simonson’s Thor, Howard Chaykin’s American Flagg!, Frank Miller’s Daredevil, Marvel’s Secret Wars, The Killing Joke, the Dark Knight, The Watchmen and about another dozen or so titles.

I freely admit that I’m biased in my thinking about comics and what’s important and what’s not. I also freely admit that I have no right nor do have any influence over what you may think.

But…

In my day I think comics were better than they are today.

That’s my opinion and I’m welcome to it but consider the following before you dismiss me, are you tired of new universes and new number ones?

In my day a number one was the Holy Grail of the comic book world.

Now?

New number ones are as common as a new Kardashian lover and just as relevant.

While I’m on the subject, Kim Kardashian has no talent and contributes nothing to the world, yet millions of people hang on her every stupid move.  Now don’t get me wrong, I have nothing but respect for her milking America for millions of dollars when she has no value whatsoever.

That’s not a joke, I respect anyone who can figure out a way to milk millions from people with absolutely no talent or value. Again I’m not kidding I respect that kind of moxey.

But…

Come the (bad word here) on, what does she or her family contribute except some of them have really nice tits? Oh and yes, I’d hit that but that’s beside the point. She and her family really have no significance in the real world.

Comics on the other hand do have significance in the real world.

How so you ask?

A hundred years from now Superman will still be relevant. Kim? She may not be relevant in two years. I know this for sure because America has a way of waking up to bullshit. It may take a moment but soon perhaps very soon the country and world will see that the Emperor (Empress?) has no clothes.

How do I know this for sure? Two words: Paris Hilton.

But I digress (thinking about you, Peter). I maintain that the comics in my day were better than the comics today and what follows are my admittedly flawed arguments.

When ever a comic universe goes to a new number one that erases the vast history of what was gone before. It’s a ‘do over’ and a ‘screw you’ to fans that loved the universe at the same time. When Marvel did Secret Wars and DC did Crisis those were really massive events but they were not do overs or a screw you to fans. Those were events that changed the universe not events that discarded the universe.

They were also the kind of events you talked about for years because they really were events.

Now an event is talked about until the next event, two, three weeks later.

B L A M!! R I M S H O T !! I’m here all week! Try the veal! Herman Cain, try the watermelon!

When Marv Wolfman killed Barry Allen (something to this day I have not forgiven him for) I felt that lost. When Stan Lee killed Gwen Stacy I felt I had lost a girlfriend. Now these sort of deaths are commonplace and it my humble opinion it’s because of Superman.

When Superman “died” no one and I mean no one in the comic book world thought for a second he was really dead. The only people who thought he was really dead were the suckers who brought 50 copies thinking one day they would be worth millions.

BAHHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA!!!!!!

If you can kill the most important superhero in the history of the industry then everything and I mean everything is fair game.

But…

That fair game seems to be monthly now. When DC killed Superman it, at the time, was a bold move designed to boost the icon’s lagging sales. Now characters dying, coming out of the closet, going over to the dark side, etc. is no longer an event it’s as common as the Cubs not making the World Series. The Cubs suck; that’s why they don’t make the series. Comic book creators don’t suck; comic book creators are better than the bullshit event like Archie kissing a black girl.

What the heck was that anyway? Archie Andrews pulling a black girl? Talk about imaginary stories.

Yes, I’m quite aware that the audience today is not me. Yes, there are books being done today that quite frankly are works of art and literary genius. Yes, some books today have transcended comics, TV and film and become part of what fuels movements.

But…

Forget all of that. In my day comics were better and that is that.

Bottom line your comics suck and mine don’t.

So there.

WEDNESDAY: Mike Gold Babbles On and On…

 

OTR, PULP, AND MORE FROM RADIO ARCHIVES!

RadioArchives.com Newsletter

 
January 4, 2013
 
Featuring the “big three” pulp heroes, Doc Savage, The Spider and The Shadow, the redesigned Pulp Book Store is much easier to navigate and find the products you want.
 
Whether it’s the latest Doc Savage double novel reprint or the 330 Pulp replicas offered by Girasol Collectables, you’ll be able to find exactly what you are looking for, quickly and easy. The Pulp Book Store also spotlights best selling products in its Highly Recommended section and offers great deals on special items in its Bargain Basement.
 
Popular Characters, quality products and more can be found in the new, easy to use Pulp Book Store!
 
Darrel Lantz writes:
“Keep the downloads half the price of CDs permanently please!”
Thanks, Darrel, and we’re listening! Due to your comment and hundreds of similar requests by many of our customers, Old Time Radio and Audiobook Digital Downloads will now be regularly priced at half the cost of our Audio CD sets! What started as a one newsletter experiment is now permanent!

 
 
 

Lorne Greene and Westerns. Andy Griffith and Comedy. Vincent Price and Mystery. Cicely Tyson and Love & Hate. Leonard Nimoy and Adventure. Only one Radio Program boasted this line up and lived up to it. And its 20 final episodes have been collected in Mutual Radio Theater, Volume 5 from Radio Archives!
 
An entry in the comeback of radio drama in the late 1970s and early 1980s, Mutual Radio Theater provided new shows five nights a week for its entire run. Written by leading names in radio, Mutual Radio Theater also sported something that every show needs to succeed. Star power. And that didn’t stop with the nightly hosts.
 
The shows were peopled with stars from both classic radio and modern television and movies. Names from the golden era of radio drama included John Dehner, Vic Perrin, Hans Conried, Marvin Miller, Parley Baer, Elliot Lewis, Jeff Corey, Virginia Gregg, and Lurene Tuttle. Modern entertainment lent some of its best talent as well to Mutual Radio Theater, including Tom Bosley and Marian Ross, Lloyd Bochner, Rick Jason, Frank Campanella, Toni Tennille, Arthur Hill, and Jesse White.
 
The final volume from Radio Archives, Mutual Radio Theater, Volume 5 is a 20 CD set of programs as they originally aired, complete and uncut, with original commercials, and produced in full stereo-high fidelity. Thrills, chills, laughs, tears, and more. Radio Mutual Theater, Volume 5 is a star studded finale to a truly classic collection! Now available for $59.98 from Radio Archives! 20 hours $59.98 Audio CDs / $29.99 Download.
 
Bonus: Mutual Radio Theater broadcast 103 unique shows. The final three shows will be included FREE with every order of Mutual Radio Theater, Volume 5 until January 17th. These three hour long shows will not be available after January 17th.
 
 
 
 

 

Read by Michael C. Gwynne
 

Take Leslie Charteris’ popular rogue, Simon Templar—better known as The Saint—add a dash of Carroll John Daly’s merciless crime-crusher, Satan Hall, then mix well with the Spider, and you have William O’Sullivan’s Captain Satan.
 
A 1930s Robin Hood, dashing Cary Adair steals from the wealthy—and splits the proceeds with his well-named Satan’s Crew. They are a loose collection of shifty characters with monikers like Doc, Kayo, Soapy, Big Bill and Gentleman Dan—many of whom don’t survive working for the satanic captain for very long. That was the refreshing thing about William O’Sullivan’s dashing demi-hero: In the realistic and hard-hitting milieu he painted, not every heroic henchman lives to fight another day.
 
As Satan tells them: “You know my principles: To smash every crook I can lay my hands on—and what he has is mine. I’ll break every petty or large crook, every swindling racketeer or grafting politician or gyp banker I can lay my hands on. The terms you already know. What they have is ours. I pay the expenses and take a one third cut. You boys spilt the remainder on equal shares.”

William O’Sullivan was a prolific producer of pulp crime, sports and aviation stories. He penned only five novels for Captain Satan magazine, but they are nice smooth examples of 1938 pulp. And they carry the distinct flavor of Popular Publications—a kind of pulpy Warner Bros. movie on paper.

 
One amusing thing about Cary Adair is that he was best buds with the head of the F.B.I.—in this series called Jo Desher. In real life, he was J. Edgar Hoover. Desher soon begins to suspect that his wealthy friend is the brains behind Captain Satan. But proving it is another matter….
 
The Mask of the Damned chronicles the first exploit of Cary Adair, and is ripped from the pages of Popular Publications’ premier issue of Captain Satan, dated March, 1938. Michael C. Gwynne narrates the action. Also included in this Total Pulp Experience audiobook is William R. Cox’s intriguing short story, “Mr. Detective is Annoyed.” hours $23.98 Audio CDs / $11.99 Download.
 

 
 

Six New Will Murray’s Pulp Classics eBooks

 
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and more, Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 

A mass-murder weapon, too horrible for war, was sweeping New York with fire — under the barbaric, pitiless direction of the Master of the Flame Men! First warning of the unseen cloud of death was a breath of tainted air that transformed a sombre populace into a laughing, drunken riot. Then came a blast that would smash a skyscraper into bits… From the charred and twisted embers of the towering holocaust, Richard Wentworth rose, in the fear-inspiring guise of the Spider, to smoke the arson assassin out from behind the machine guns of his flame-cloaked bodyguard — and fight for the lives of a reeling, giggling people too blind-drunk to flee! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
 
At the coming of the Silencer, dread stillness blanketed all Manhattan — for no one’s most secret thought was safe from that prying terror-monarch who blackmailed men into bloody suicide! Neither trembling citizen, nor great corporation, was safe in this new crime empire, whose subjects were faceless corpses and whose coffers were jammed with gang-gathered gold. Richard Wentworth, in the Spider’s strange disguise, takes up his own weird weapons to fight the greatest battle of his career — against a monster who made a fortune out of harmless fools and struck a whole city dumb before it died! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.

 
The Scarlet Baron, a shrewd, criminal demagogue, had inflamed the American people to white-hot madness by his false promises of wealth for all! Great hosts of misguided men stormed the country, bent on plunder, rapine and murder. Countless innocent persons, were slaughtered, burned, crucified. No human was safe from one moment to the next. The greatest nation in the world had gone completely mad!… Only a pitiful handful of men were left to preserve the ideals of American liberty and justice. Headed by Jimmy Christopher, Ace of the Intelligence, they did their valiant best. With Diane Elliot and Tim Donovan apparently sacrificed in vain — with his own life a forfeited pawn — Operator 5 faces the gravest crisis of his career and his most dangerous enemy! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.

 
 
In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine, all written by Bruno Fischer, writing under the pen names of Harrison Storm and Russell Gray, reissued for today’s readers in electronic format. $2.99.

 

They called them the Ambassadors From Hell — these fighting fools of Satan’s Crew. Captain Satan! — only a name, but burned by the brand of justice into the heart of the underworld! Strange Detective Mysteries premiered in October of 1937.  After two issues, it changed its title — and its focus — to Captain Satan.  It featured a crime-fighting hero much in the style of Robin Hood or The Saint, who robbed from the crooks — a grim, hard vigilante of justice.  By day, he was wealthy Cary Adair.  By night, Captain Satan!  Assisted by a dozen aides, none of whom knew the identities of the others, this scourge of the underworld brought terror to all men of evil who saw his calling card, a devil figure projected onto the wall by a portable light. The series lasted a short five issues from March 1938 until July 1938, and then returned to Strange Detective Mysteries where it continued for 26 more issues into mid-1943. Captain Satan now returns in these vintage pulp tales, reissued for today’s readers in electronic format. $2.99.
 

by Marian O’Hearn
Get a taste of Romance in the Old West in Rangeland Romances #14.  One of the most popular genres of the Pulp era, the western romance appealed to men and women alike, combining the draw of love and drama with the six-gun. In Fiesta Kisses are SweetestNedra despised rancher Bill McVeigh so furiously and unalterably — that she decided to be that arrogant cattle-king’s very last romance. When she gave rancher Bill a double dose of love-’em-and-leave-’em — she never figured she’d get stuck on the lovin’! Presented in a beautifully formatted eBook for easy reading, this tale of love and action on the frontier is a good addition to your eBook collection. $0.99.
 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available in the Kindle storeBarnes and Noble Nook store, and RadioArchives.com! Search for RadioArchives.com in iTunes for over 200 eBooks are available.
 

Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 

See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of  the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
 
 

The legendary Master of Men returns in two classic stories from the 1930s. First, a spider should be able to catch a fly, but this particular Fly has other plans in mind! In Prince of the Red Looters (1934), you’ll join Richard Wentworth as he battles a criminal mastermind more lethal, more ruthless than any he has encountered before. So confident is the Fly of his own abilities that he dares challenge The Spider himself to a duel – to the death! Then, in The City That Dared Not Eat (1937), New York City staggers under a vicious crime wave aimed at controlling the very food supply! Mass murder, wholesale poisoning — nothing is beyond the maniac leading a gang of ruthless killers in their battle for supremacy. While The Spider matches guns and wits against an army of crime, the city starves! These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. $14.95! On sale for $12.95, save $2.00

 

Margo Lane Special
Who knows what evil lurks in the hearts of men? The Shadow knows! The Knight of Darkness explores deadly enigmas in the Walter Gibson thrillers that introduced Margo Lane into the Shadow pulp mythos. First, The Shadow and Margo Lane (in her pulp debut) confront the deadly lightning of Thor, The Thunder King. Then, The Shadow investigates the strange machinations of the Secret Six whose giant sapphire, The Star of Delhi. is the centerpiece for serial murders. BONUS: The Witch Drums, a long-lost thriller from Orson Welles’ legendary Shadow broadcasts! This instant collector’s item showcases both classic pulp covers by Graves Gladney plus the original interior illustrations of Paul Orban, with historical commentary by Will Murray and Anthony Tollin. who pays tribute to the late Margot Stevenson, “the Woman who was Margo Lane.” $14.95.
 
 
The pulp era’s legendary superman returns in two action-packed novels by Alan Hathway and Lester Dent writing as “Kenneth Robeson.” First, the Man of Bronze confronts the deadly menace of The Headless Men, decapitated zombies commanded by a mad genius in the landmark 100th Doc Savage novel. Then, in his first solo adventure, a disguised Doc Savage travels to King Joe Cay to infiltrate a gang of schemers. This double-novel collector’s edition features the original color pulp covers by Emery Clarke and Modest Stein, Paul Orban’s classic interior illustrations and historical commentary by Will Murray, writer of ten Doc Savage novels. $14.95.
 

 
Unseen, impregnable, the strange war engine of a foreign power hovered over America, waiting the fatal moment to hurl death upon a thousand cities and towns. Foredoomed to destruction and desolation before the ravaging hordes of the Yellow Empire, bleak despair gripped the nation’s millions. And then men held their breath in agonizing hope — as Operator 5, single-handed, seized the last grim chance to save the United States!
 
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $35.00
 
 

The shattering sequel to Fortress of Solitude.
 
The Doc Savage exploit that went untold for 74 years—Death’s Dark Domain!
 
In the aftermath of the evil John Sunlight’s pillaging of the secret Fortress of Solitude, a dreadful super-weapon has fallen the hands of a Balkan dictator intent upon seizing control of the vampire-haunted zone of desolation known as Ultra-Stygia. War is imminent. Monsters are loose in the disputed region. A strange darkness falls over the sinister landscape. Only Doc Savage, the Man of Bronze, understands the terrible threat to humanity. And only he can prevent the terror from spreading…
 
There are unknown Things prowling the darkest patch of land on the planet. Haunted by creatures that might have emerged from the Hell’s lowest regions, ancient Ultra-Stygia has turned into a cauldron of conflict between rival countries. Monster bats careen through the night sky. Invisible Cyclopes patrol the scorched battleground. And a power beyond understanding robs men of their vision.
 
Can the 20th century’s premier scientist and superman untangle this Gordian knot of carnage before neighboring nations are drawn into an apocalyptic new world war? Or will the Man of Bronze succumb to an unstoppable power he himself has unleashed upon mankind?
 
From the frozen Arctic to the war-torn Balkans, Doc Savage and his fighting five follow a winding trail of terror to a blood-freezing climax.

 
Death’s Dark Domain features a fantastic cover painted by Joe DeVito! $24.95.

 

Back in print after 20 years! The rare Lester Dent-Will Murray collaboration resurrecting the original pulp superman…
 
Also available is the first Altus Press edition of Will Murray’s 1993 Doc Savage adventure, The Forgotten Realm. Deep in the heart of the African Congo lies a secret unsuspected for thousands of years. Doc Savage and his men embark on a quest to discover the secret of the strange individual known only as X Man, X for unknown. Before they come to the end of the trail, they find themselves fighting for their lives like gladiators of old!
 
No one knows who—or what—the strange being who calls himself “X Man” truly is. He was found wandering the ruins of a crumbling Roman fort, dressed in a toga, speaking classical Latin—and clutching a handful of unearthly black seeds.
 
Declared insane, the X Man patiently tends his weird plants until the day, impelled by a nameless terror, he flees Wyndmoor Asylum to unleash a cyclone of violence that is destined to suck the mighty Man of Bronze into the blackest, most unbelievable mystery of his entire career. For far from Scotland lies a domain of death unknown to the world and called by the ancient Latin name of Novum Eboracum—New York!
 
From the wild Scottish moors to the unexplored heart of darkest Africa, Doc Savage and his indomitable men embarked upon a desperate quest for the Forgotten Realm….
 

The Forgotten Realm features a spectacular cover painted by Joe DeVito! $24.95.

By John Olsen
 

City of Crime takes The Shadow to Westford. Crime had infiltrated to the very highest levels of city government and it would take all the power and abilities of The Shadow to defeat the mobsters who ruled with impunity.
 
Westford is in the hands of mobsters, starting with low-lifes like Lance Gillick who runs the Club Adair as a gambling joint, and his lieutenant Beezer Dorsch. Gillick and Dorsch are getting away with murder… literally! It’s all simple when the Director of Police Kirk Borman is one of the mobsters running the show. And he’s created the Flying Squadron, a special khaki-clad force of forty officers who are in actuality hand-picked thugs. To the public, this is a special task force that can be rapidly deployed into action against crime. But in reality, it’s a cover-up squad that covers for crooks and guns down any innocents in the way.
 
The Shadow is on the case! And it’s a good thing, because without The Shadow, the entire town of Westford would fall under the evil sway of the mobsters hidden in the guise of high-level officials.  During most of the story, The Shadow works alone in Westford in his disguise as Theo D. Shaw, described as a tall, haggard-faced individual, whose eyes were restless. But this character is soon framed by the corrupt officials, and is on the run, himself. So The Shadow shows up next in another disguise; that of Trig Callister, a New York gangster and trigger-man.
 
It should be pointed out that The Shadow’s disguise as Theo D. Shaw was never used again in any other pulp novel. Apparently it was a throw-away disguise, one which he had no interest in keeping.

Even though World War II was still a ways off, apparently feeling against Japanese was running high. It shows in the racial slurs in this story. Haija, crime boss Stephen Ruthley’s Japanese house-man, is constantly referred to as a “grinning Jap.” And The Shadow has oppor-tunity to whip him good, using his own jujitsu against him. American readers probably found satisfaction in that.
 

This was a fun little crime drama. No ghosts, mad scientists or exotic locales. Just a straight-forward gangster tale, well told as only Walter Gibson could. And this tale plus another full length Shadow novel can be yours in The Shadow, Volume 16. $12.95

 

Comments From Our Customers!
 
Elizabeth Hill writes:
Happy New Year! Thank you for all the wonderful deals you have offered this Christmas season. Thanks for good quality entertainment! I look forward to each newsletter to see what wonderful treasures you have saved for us to enjoy. Happy New Year!

 
Ken Prestley writes:
I love your newsletters.
 
Carolyn Andersen writes:
I am delighted and grateful that Railroad Hour, Vol. 4 has arrived! I had made a suggestion that Rise Stevens be included in a volume, but Jeanette MacDonald is most welcome! Thanks, and MERRY CHRISTMAS!
 
Darrel Lantz writes:
A fabulous sale! More sales like this and I’ll keep coming back! Keep the downloads half the price of CDs permanently please! Thank you so much for your great customer service!
 
Eric Troup writes:
The Fibber McGee and Molly Show: The 1939/1940 Season
I’ve had this great Fibber and Molly set for quite a while now, and I’ve been meaning to write you and thank you for it for nearly as long, but life got in the way. This set is amazing–not only because of the quality of the restored recordings, but also because of the number of firsts which occurred in this season of the show.
 
First, the quality. One would think that by now, I’d have become so accustomed to the great quality of your work that it would cease to amaze me, and yet, that is simply not the case. Considering the age of these episodes, I listen to the orchestral numbers and marvel at the separation which can be heard among the instruments. Oh, of course, I don’t mean separation in a stereophonic sense, but rather, in the clarity of the sounds. I can hear the crispness of the saxophones, the brightness of the brass, the smoothness of the strings. To compare to my average listening experience with old-time radio programs, if I heard a similar song, I’d know there was a brass section, a saxophone section and a string section, but the sound would not be nearly so well-defined. And that’s just the music! Barring small sections where one can hear some scratching buried deep in the background (which in no way affects the listening experience, I assure you!), the actors’ dialogue shines through with a pristine clarity which far surpassed my admittedly high expectations. (Hey, don’t blame me if you set the bar so high as to raise my expectations to such a degree.) And my, how young Harlow Wilcox sounds in these recordings!
 
Okay, enough about the quality. What are the “firsts” listeners can look forward to herein? Let’s see …
 
The first appearance of a certain Throckmorton P. Gildersleeve. There are even a few instances in the early episodes of the set where Hal Perry makes an appearance as other small roles, before Gildy is “officially” introduced. By the end of 1941, he would have his own spin-off show.
 
The first occurrence of the hall closet being opened. One of the most famous bits of Fibber and Molly comedy, and it got its start right here in this season of the show.
 
And last, but in no way least, this season introduces us to the King’s Men, who, if I’m not mistaken, would stay with the show to the end of the Johnson’s Wax run. We don’t get to hear their traditional “‘Twas the Night Before Christmas” piece yet, but we do get to hear plenty of examples of why these four men are among the most talented quartets of the era … at least, in this listener/reviewer’s opinion.
 
All of this is just a long-winded way of saying thank you for providing this complete season of shows, which is not only a great season of comedy, but also a real slice of Fibber and Molly history. I hope there are more season sets to come. You can be sure I wil be a proud purchaser!

 

If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!

 

The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
If you no longer wish to receive our newsletter, or if this newsletter has been sent to you in error, please reply to this e-mail with the subject line UN-SUBSCRIBE and your name will immediately be removed from our mailing list.
 

Marc Alan Fishman: The Superior Spider-Ploy

SPOILER ALERT: To be fair… if you’ve not read Amazing Spider-Man #700, and care about the ending, and haven’t scoured the interwebs for spoilers previously? Please don’t read this week. Go read Dennis O’Neil’s article instead. It’s better than mine anyway.

Awhile back Michael Davis and I got into a heated argument over balls. Not kickballs. Not softballs. Not soccer balls. Balls. Juevos. Or Huevos, depending on how you look at it. We bickered a bit on whether DC’s New52 was a move made with testicular fortitude. Well, I’d like to think ultimately I won. I said they didn’t use enough man-juice. They got the bump in sales they wanted, but I don’t believe for a second they “changed the industry,” “changed the game,” or did anything more than what they did after the first Crisis on Infinite Earths – but in a significantly more watered down way. But I digress. This week, I’m not here to chastise DC. This week. I’m here to celebrate a bold and ballsy move by none other than Dan Slott. His Superior Spider-Man is a gutsy concept that deserves recognition.

Slott started in on his run on Amazing Spider-Man way back at issue #546. One-two-skip-a-few-ninety-nine-six-hundred. At issue #600 Dan started what would lead to a hundred issue long game wherein he would eventually do the (mostly) unthinkable: he would kill Peter Parker, and in true comic fashion mind-swap Otto Octavious into the titular hero’s body. And he’d keep it that way. Thus, when Marvel launches Superior Spider-Man with Doc Ock as Peter Parker… we have a new(ish) Spider-Man in the 616. Balls, kiddos.

The ideology here is simple. Thwarted time and again, Octavious decided to play one of the longest cons in comic history. In bits and pieces and dribs and drabs, Doc Ock found ways into Peter Parker’s head. And after his nefarious plan succeeds, in very a Ozymandias’ way, we are left with Spider-Ock. But instead of proclaiming potential world domination, instead Slott aims Octavious towards a goal that makes him more a shade of gray than previously thought. To paraphrase: all Otto’s ever wanted (aside from a dead nemesis for years and years, and maybe a better haircut) was to improve the world. Now, with this newfound great power will come great solutions. He has proclaimed that he will be the superior Spider-Man. Natch.

Now, the whole body swap thing has been done before. As has the “replace the title character with character X.” Bucky-Cap. Dick Grayson-Bats. Frog-Thor. And yes, we know that Spidey-Classic will no doubt be back in his own body safe and sound. And let’s even be so bold as to suggest somehow Otto will get himself a new body too. Younger. Stronger. Designed with 100% more lines and angst. It’s just the nature of this business. Don’t believe me? Go look at Frank Castle. Bloodstone my Jewish ass. But that’s a whole ‘nother show, as Alton Brown might say. The key here, and the reason I’m so excited about this, is because of the sheer novelty.

It’s widely known my favorite book of 2011 was Scott Snyder’s Detective Comics, starring Dick Grayson under the cape and cowl. I had not purchased a Batman book for eight years prior. Thank you, Hush. Why did I return? Especially when I didn’t know Scott from a hole in the wall? Because of the opportunity to give me something new. And whereas seemingly all other Marvel titles being brought into the “NOW,” here Slott decided to end his pre-now run with a big bang. Everyone else put the toys neatly back on the shelf. Balls. Of course, it may be a bit unfair to say that. Slott leaves Amazing Spider-Man to go to… Superior Spider-Man. So, perhaps he’s only semi-ballsy? Nay. To start a new number one with such a concept – for however long it goes on for – is a calculated risk.

Most of us in comic land know that a shiny new #1 on the shelf is an invitation to hop on board the bandwagon before it’s too late. I missed the boat (er… wagon) already on Daredevil, Hawkeye, and a few others outside the big two. To start a book by throwing out the previously known characteristics of your lead hero is something even more refreshing that Bucky-Cap and the like. Octo-Spidey has a cold and calculating mind behind the bright spandex. He has knowledge of the underworld other heroes would not be privy to. And he has all of Peter’s knowledge on top of his own. That’s two super-scientists for the price of one, for those counting. All of these things contribute to an amazing (superior? Nah, too easy) amount of potential energy. So long as Slott can convert that to kinetic energy he has an opportunity to redefine a hero with decades of backstory (and a ton of it truly despised). Goodbye clone saga. Goodbye “One More Day.” Hello new stories. For however long they last.

Speaking of that length, I cite Señor Miguel Oro. “…It’s not merely a matter of execution: eventually, the readers’ patience will wear out. The trick it to make the arc so compelling you don’t want it to revert. That’s some trick. But even then, you’re racing against the reader’s expectations.”

And therein lies the ultimate question. How long can Dan Slott keep the ball in the air. The longer he does it, the more attention will gather around the book. I mean, with a major motion picture looming not too far off in the distance, can Slott successfully maintain a Spider-Man that isn’t? Only one way to tell. And while I only read “Ends of the Earth” on his Amazing Spider-Man run before being lured elsewhere… I for one will jump on board as long as he delivers.

Dan Slott, the balls are in your court. Now (heh), use them.

SUNDAY: John Ostrander

 

Marc Alan Fishman: Man Of Steel, Heart On Sleeve

No doubt those of you who troll the Internets or saw The Hobbit were privy to the new trailer for Zack Snyder’s Man Of Steel. My Facebook feed was deluged with tons of praise, mirth, and, most scary to me… hope. Maybe it’s being in the company (and five-a-day e-mail chains) of Mike Gold, but color me doubtful. Not that Mike isn’t anything short of a ray of sunshine mind you… but I digress; I’m none-to-impressed with the footage. That is to say, I didn’t see anything that makes me less uneasy about the future of the DCU on film.

Before I get into the nitty gritty, let me first state: the trailer looks good. Great even. There’s a metric ton of things to like about it. Much like it’s Darker-Knightier cousin, the film embraces a realism that the House of Mouse is way to scared (or smart, maybe… more on that later…) to attempt. The cast is absolutely top notch. Kevin Costner’s Pa Kent is one part Field of Dreams and zero part Water World. Amy Adams is both easy on the eyes and known to be more than being easy on the eyes. And supporting cast like Christopher Meloni, Russell Crowe, Diane Lane, and Laurence Fishburne? Well, it’s not a surprise that the hype machine is already on overdrive here. And what we do see when the tights are put on? A CG’ed Big Blue that feels weighty, and dare I say… awe-inspiring. Even if the suit looks like it’s been run roughshod through the ‘Texturizer’ filter in Photoshop.

The key though, to me, is the tone and direction of the film. I’m not saying Warner Bros. shouldn’t be trying to replicate the success of the Nolan-verse. What I am saying though is that it takes the one thing about Superman above all else, optimism, and smashes it to oblivion. From the waning palette Snyder and his cinematographer employ, to the numerous long-shots of angst, sadness, and emoting… it certainly feels like this film will take every last second of its running time to get us to a place of joy. And while I trust Nolan as a producer, and Goyer and Nolan to write the film wonderfully, I can’t help but be tepid to declare anything but skepticism until I see it. Not because I want to be an internet troll, hell-bent on hate. But because I’ve been burned before by the Brothers Warner. Fool me once, shame on me.

Imagine my glee when DC decided to launch big-budget-dollars into a GL picture. They snagged a director who handled action before. They landed a star who could fight Chris Evans for funniest-but-could-be-serious-and-is-good-looking-in-spandex with Ryan Reynolds. It was lauded by Geoff Johns as being everything he’d hoped for. And we went to the multiplex, oath memorized. And we left the multiplex, trying forever to forget it. While there will be debate amongst people which of the Marvel-Avengers-Verse was imperfect (perhaps the Hulk movie, or maybe Thor?)… Green Lantern couldn’t even lick the dirt of the bottom of Mickey’s yellow bootie in comparison. And this was supposed to be the first DC film to rival Marvel.

Let’s do the math. Let’s envision the best possible scenario from Man Of Steel. Say it’s everything we wanted and more. The story, in spite of any cues in the trailer, is full of joy, and more important… action. Good looking action. Empowered by a top notch script akin to The Dark Knight; heady, but satisfying. And better yet? It’s a box-office smash!

Now what?

This is where my real fear lay. Because, I truly want this film to succeed. I love DC in spite all the venom I’ve spit at it lately. If Man Of Steel is a rousing success, there’s no doubt in my mind that WB will dictate that the eventual Justice League movie will now need to match the Nolan-verse. And for those keeping score, a gazillion sites have posted rumors that Joseph Gordon-Leavitt will play Batman in that film. Movie-goers may be able to buy that Spider-Man and The Hulk can be rebooted every 3-4 years. But would they believe JGL as Bruce Wayne when the last time we saw him he was Robin-Cum-Batman? And if his newly-gifted Batsuit makes him the man behind the cowl, WB is essentially resting the weight of the world on Christopher Nolan’s shoulders. And who here could say that a movie with 7 super-heroes could still feel weighty and realistic? It may by the straw that breaks Nolan’s back (and interest). And then, the helm will be passed to someone (anyone) who wants to not make their version of the Justice League… but the Nolan-version so dictated by Brother Eye. You dig?

And what of the tone and realism? In a Batman movie, playing things close to reality isn’t so much a stretch. Batman is, for the most part, as believable as one would get when it comes to super-heroics. But Superman? Well, that’s the polar opposite. No matter how much super-science you throw at it, it’s still a guy defying every law, be it biological, chemical, or physical… in order to preserve the peace. By his very nature, Superman is the anti-thesis to the real world. And look if you will, to the competition. Marvel presented the world with Iron Man, Captain America, The Incredible Hulk, and Thor. Each of these movies balances the surreal with the real, and when it came time for the big team up?

We got golden gliding mindless aliens to smash for the better part of an hour. And we ate it up to the tune of a billion or so dollars. Marvel aimed and fired into the heart of the 13+ demographic, and hit the bulls-eye a hundred times over. Batman Begins / The Dark Knight / The Dark Knight Rises did brilliantly too, of course, but as I’ve certainly argued… it wasn’t hard to do it. And let us all be honest again. Rises was good, but not great. Man Of Steel in its 150 second trailer, contained more angst in it per frame than every Marvel movie in the last decade combined. Will it be too much for the movie going public to spend 59 minutes in perplexed sorrow for the final action sequence when Kal-El excepts his destiny and power-punches Zod to oblivion? More importantly… how will we react to it, when the dust settles… and no one asks to get a schwarma?

It’s all speculation, I know. But I couldn’t help myself. When the social media boards light up with praise and joy, I second guess it. Man Of Steel has the potential to do the impossible. But I won’t believe the miracle until I see it with my own eyes. Up, up, and away.

SUNDAY: John Ostrander