After being turned down by Emily Blunt and possibly others, Marvel Studios issued a release announcing relatively unknown actress Hayley Atwell has been added to the Captain America cast as Peggy Carter.
Atwell is known to some from her work in A&E’s disappointing remake of The Prisoner, but she has also been seen in The Duchess and Brideshead Revisited.
Peggy Carter was introduced as the Star-Spangled Avenger’s love interest when he debuted in Tales of Suspense #64 (April 1965) and was the original spy known as Agent 13. She was later reported to have suffered dementia and was confined to LarkMoore Clinic. Her niece, Sharon Carter, also dubbed Agent 13, is Cap’s enduring romance partner since Tales of Suspense #75 (March 1966).
Here’s the formal release:
Marvel Studios announced today that Hayley Atwell has been cast to star as Peggy Carter in the studio’s highly anticipated movie CAPTAIN AMERICA: THE FIRST AVENGER opposite Chris Evans. In the early comics, Peggy Carter fell in love with Captain America while they fought together in the war effort. The character will be updated for the feature adaptation. Joe Johnston will direct the film penned by Christopher Markus & Stephen McFeely.
Marvel Studios’ Kevin Feige will produce CAPTAIN AMERICA: THE FIRST AVENGER. Alan Fine, Stan Lee, David Maisel and Louis D’Esposito will executive produce. The film will be released in the US on July 22, 2011 and distributed by Paramount Pictures.
CAPTAIN AMERICA: THE FIRST AVENGER will focus on the early days of the Marvel Universe when Steve Rogers volunteers to participate in an experimental program that turns him into the Super Soldier known as Captain America. Atwell will next be seen in PILLARS OF THE EARTH, the 8-part miniseries premiering July 23 on Starz and the TV series THE PRISONER. Her film credits include THE DUCHESS, BRIDESHEAD REVISITED and CASSANDRA’S DREAM.
In addition to CAPTAIN AMERICA: THE FIRST AVENGER, Marvel Studios will release a slate of films based on the Marvel characters including the highly anticipated sequel, IRON MAN 2, starring Robert Downey Jr. and Gwyneth Paltrow on May 7, 2010, THOR on May 6, 2011, and Marvel Studios’ THE AVENGERS on May 4, 2012.
The list is out. Pretty straightforward, with a few surprises (No Todd Klein or John Workman for lettering? And was Whatever Happened To The Caped Crusader not eligible?)
Our congratulations to all the nominees. We’ll be starting the betting pools in 3… 2…
Best Short Story
• “Because I Love You So Much,” by Nikoline Werdelin, in From
Wonderland with Love: Danish Comics in the 3rd Millennium
(Fantagraphics/Aben malen)
• “Gentleman John,” by Nathan Greno, in What Is Torch Tiger? (Torch
Tiger)
• “How and Why to Bale Hay,” by Nick Bertozzi, in Syncopated (Villard)
• “Hurricane,” interpreted by Gradimir Smudja, in Bob Dylan Revisited
(Norton)
• “Urgent Request,” by Gene Luen Yang and Derek Kirk Kim, in The
Eternal Smile (First Second)
Best Single Issue (or One-Shot)
• Brave & the Bold #28: “Blackhawk and the Flash: Firing Line,” by
J. Michael Straczynski and Jesus Saiz (DC)
• Captain America #601: “Red, White, and Blue-Blood,” by Ed Brubaker
and Gene Colan (Marvel)
• Ganges #3, by Kevin Huizenga (Fantagraphics)
• The Unwritten #5: “How the Whale Became,” by Mike Carey and Peter
Gross (Vertigo/DC)
• Usagi Yojimbo #123: “The Death of Lord Hikiji” by Stan Sakai (Dark
Horse)
Best Continuing Series
• Fables, by Bill Willingham, Mark Buckingham, Steve Leialoha, Andrew
Pepoy et al. (Vertigo/DC)
• Irredeemable, by Mark Waid and Peter Krause (BOOM!)
• Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)
• The Unwritten, by Mike Carey and Peter Gross (Vertigo/DC)
• The Walking Dead, by Robert Kirkman and Charles Adlard (Image)
Best Limited Series or Story Arc
• Blackest Night, by Geoff Johns, Ivan Reis, and Oclair Albert (DC)
• Incognito, by Ed Brubaker and Sean Phillips (Marvel Icon)
• Pluto: Urasawa X Tezuka, by Naoki Urasawa and Takashi Nagasaki (VIZ
Media)
• Wolverine #66–72 and Wolverine Giant-Size Special: “Old Man Logan,”
by Mark Millar, Steve McNiven, and Dexter Vines (Marvel)
• The Wonderful Wizard of Oz, by Eric Shanower and Skottie Young
(Marvel)
Best New Series
• Chew, by John Layman and Rob Guillory (Image)
• Do Androids Dream of Electric Sheep? by Phillip K. Dick, art by Tony
Parker (BOOM!)
• Ireedeemable, by Mark Waid and Peter Krause (BOOM!)
• Sweet Tooth, by Jeff Lemire (Vertigo/DC)
• The Unwritten, by Mike Carey and Peter Gross (Vertigo/DC)
Best Publication for Kids
• Lunch Lady and the Cyborg Substitute, by Jarrett J. Krosoczeka
(Knopf)
• The Secret Science Alliance and the Copycat Crook, by Eleanor Davis
(Bloomsbury)
• Tiny Tyrant vol. 1: The Ethelbertosaurus, by Lewis Trondheim and
Fabrice Parme (First Second)
• The TOON Treasury of Classic Children’s Comics, edited by Art
Spiegelman and Francoise Mouly (Abrams ComicArts/Toon)
• The Wonderful Wizard of Oz hc, by L. Frank Baum, Eric Shanower, and
Skottie Young (Marvel)
Best Publication for Teens
• Angora Napkin, by Troy Little (IDW)
• Beasts of Burden, by Evan Dorkin and Jill Thompson (Dark Horse)
• A Family Secret, by Eric Heuvel (Farrar Straus Giroux/Anne Frank
House)
• Far Arden, by Kevin Cannon (Top Shelf)
• I Kill Giants tpb, by Joe Kelly and JM Ken Niimura (Image)
Best Humor Publication
• Drinky Crow’s Maakies Treasury, by Tony Millionaire (Fantagraphics)
• Everybody Is Stupid Except for Me, And Other Astute Observations, by
Peter Bagge (Fantagraphics)
• Little Lulu, vols. 19–21, by John Stanley and Irving Tripp (Dark
Horse Books)
• The Muppet Show Comic Book: Meet the Muppets, by Roger Langridge
(BOOM Kids!)
• Scott Pilgrim vol. 5: Scott Pilgrm vs. the Universe, by Brian Lee
O’Malley (Oni)
Best Anthology
• Abstract Comics, edited by Andrei Molotiu (Fantagraphics)
• Bob Dylan Revisited, edited by Bob Weill (Norton)
• Flight 6, edited by Kazu Kibuishi (Villard)
• Popgun vol. 3, edited by Mark Andrew Smith, D. J. Kirkbride, and Joe
Keatinge (Image)
• Syncopated: An Anthology of Nonfiction Picto-Essays, edited by
Brendan Burford (Villard)
• What Is Torch Tiger? edited by Paul Briggs (Torch Tiger)
Best Digital Comic
• The Abominable Charles Christopher, by Karl Kerschl, www.abominable.cc
• Bayou, by Jeremy Love, http://zudacomics.com/bayou
• The Guns of Shadow Valley, by David Wachter and James Andrew Clark,
www.gunsofshadowvalley.com
• Power Out, by Nathan Schreiber, www.act-i-vate.com/67.comic
• Sin Titulo, by Cameron Stewart, www.sintitulocomic.com/
Best Reality-Based Work
• A Drifting Life, by Yoshihiro Tatsumi (Drawn & Quarterly)
• Footnotes in Gaza, by Joe Sacco (Metropolitan/Holt)
• The Imposter’s Daughter, by Laurie Sandell (Little, Brown)
• Monsters, by Ken Dahl (Secret Acres)
• The Photographer, by Emmanuel Guibert, Didier Lefèvre, and Frédéric
Lemerier (First Second)
• Stitches, by David Small (Norton)
Best Adaptation from Another Work
• The Book of Genesis Illustrated, by R. Crumb (Norton)
• Charles Darwin’s On the Origin of Species: A Graphic Adaptation,
adapted by Michael Keller and Nicolle Rager Fuller (Rodale)
• Fahrenheit 451, by Ray Bradbury, adapted by Tim Hamilton (Hill &
Wang)
• Richard Stark’s Parker: The Hunter, adapted by Darwyn Cooke (IDW)
• West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi
(Fantagraphics)
Best Graphic Album—New
• Asterios Polyp, by David Mazzuccheilli (Pantheon)
• A Distant Neighborhood (2 vols.), by Jiro Taniguchi (Fanfare/Ponent
Mon)
• The Book of Genesis Illustrated, by R. Crumb (Norton)
• My mommy is in America and she met Buffalo Bill, by Jean Regnaud and
Émile Bravo (Fanfare/Ponent Mon)
• The Photographer, by Emmanuel Guibert, Didier Lefèvre, and Frédéric
Lemerier (First Second)
• Richard Stark’s Parker: The Hunter, adapted by Darwyn Cooke (IDW)
Best Graphic Album—Reprint
• Absolute Justice, by Alex Ross, Jim Krueger, and Doug Braithewaite
(DC)
• A.D.: New Orleans After the Deluge, by Josh Neufeld (Pantheon)
• Alec: The Years Have Pants, by Eddie Campbell (Top Shelf)
• Essex County Collected, by Jeff Lemire (Top Shelf)
• Map of My Heart: The Best of King-Cat Comics & Stories,
1996–2002, by John Porcellino (Drawn & Quarterly)
Best Archival Collection/Project—Strips
• Bloom County: The Complete Library, vol. 1, by Berkeley Breathed,
edited by Scott Dunbier (IDW)
• Bringing Up Father, vol. 1: From Sea to Shining Sea, by George
McManus and Zeke Zekley, edited by Dean Mullaney (IDW)
• The Brinkley Girls: The Best of Nell Brinkley’s Cartoons 1913–1940,
edited by Trina Robbins (Fantagraphics)
• Gahan Wilson: 50 Years of Playboy Cartoons, by Gahan Wilson, edited
by Gary Groth (Fantagraphics)
• Prince Valiant, vol. 1: 1937–1938, by Hal Foster, edited by Kim
Thompson (Fantagraphics)
• Queer Visitors from the Marvelous Land of Oz, by L. Frank Baum, Walt
McDougall, and W. W. Denslow (Sunday Press)
Best Archival Collection/Project—Comic Books
• The Best of Simon & Kirby, by Joe Simon and Jack Kirby, edited by
Steve Saffel (Titan Books)
• Blazing Combat, by Archie Goodwin et al., edited by Gary Groth
(Fantagraphics)
• Humbug, by Harvey Kurtzman et al., edited by Gary Groth
(Fantagraphics)
• The Rocketeer: The Complete Adventures deluxe edition, by Dave
Stevens, edited by Scott Dunbier (IDW)
• The TOON Treasury of Classic Children’s Comics, edited by Art
Spiegelman and Francoise Mouly (Abrams ComicArts/Toon)
Best U.S. Edition of International Material
• My mommy is in America and she met Buffalo Bill, by Jean Regnaud and
Émile Bravo (Fanfare/Ponent Mon)
• The Photographer, by Emmanuel Guibert, Didier Lefèvre, and Frédéric
Lemerier (First Second)
• Tiny Tyrant vol. 1: The Ethelbertosaurus, by Lewis Trondheim and
Fabrice Parme (First Second)
• West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi
(Fantagraphics)
• Years of the Elephant, by Willy Linthout (Fanfare/Ponent Mon)
Best U.S. Edition of International Material—Asia
• The Color Trilogy, by Kim Dong Haw (First Second)
• A Distant Neighborhood (2 vols.), by Jiro Taniguchi (Fanfare/Ponent
Mon)
• A Drifting Life, by Yoshihiro Tatsumi (Drawn & Quarterly)
• Oishinbo a la Carte, written by Tetsu Kariya and illustrated by Akira
Hanasaki (VIZ Media)
• Pluto: Urasawa X Tezuka, by Naoki Urasawa and Takashi Nagasaki (VIZ
Media)
• Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)
Best Writer
• Ed Brubaker, Captain America, Daredevil, Marvels Project (Marvel)
Criminal, Incognito (Marvel Icon)
• Geoff Johns, Adventure Comics, Blackest Night, The Flash: Rebirth,
Superman: Secret Origin (DC)
• James Robinson, Justice League: Cry for Justice (DC)
• Mark Waid, Irredeemable, The Incredibles (BOOM!)
• Bill Willingham, Fables (Vertigo/DC)
Best Writer/Artist
• Darwyn Cooke, Richard Stark’s Parker: The Hunter (IDW)
• R. Crumb, The Book of Genesis Illustrated (Norton)
• David Mazzuccheilli, Asterios Polyp (Pantheon)
• Terry Moore, Echo (Abstract Books)
• Naoki Urasawa, Naoki Urasawa’s 20th Century Boys, Pluto: Urasawa X
Tezuka (VIZ Media)
Best Writer/Artist–Nonfiction
• Reinhard Kleist, Johnny Cash: I See a Darkness (Abrams ComicArts)
• Willy Linthout, Years of the Elephant (Fanfare/Ponent Mon)
• Joe Sacco, Footnotes in Gaza (Metropolitan/Holt)
• David Small, Stitches (Norton)
• Carol Tyler, You’ll Never Know: A Good and Decent Man
(Fantagraphics)
Best Penciller/Inker or Penciller/Inker Team
• Michael Kaluta, Madame Xanadu #11–15: “Exodus Noir” (Vertigo/DC)
• Steve McNiven/Dexter Vines, Wolverine: Old Man Logan (Marvel)
• Fiona Staples, North 40 (WildStorm)
• J. H. Williams III, Detective Comics (DC)
• Danijel Zezelj, Luna Park (Vertigo/DC)
Best Painter/Multimedia Artist (interior art)
• Émile Bravo, My mommy is in America and she met Buffalo Bill
(Fanfare/Ponent Mon)
• Mauro Cascioli, Justice League: Cry for Justice (DC)
• Nicolle Rager Fuller, Charles Darwin on the Origin of Species: A
Graphic Adaptation (Rodale Books)
• Jill Thompson, Beasts of Burden (Dark Horse); Magic Trixie and the
Dragon (HarperCollins Children’s Books)
• Carol Tyler, You’ll Never Know: A Good and Decent Man
(Fantagraphics)
Best Cover Artist
• John Cassaday, Irredeemable (BOOM!); Lone Ranger (Dynamite)
• Salvador Larocca, Invincible Iron Man (Marvel)
• Sean Phillips, Criminal, Incognito (Marvel Icon); 28 Days Later
(BOOM!)
• Alex Ross, Astro City: The Dark Age (WildStorm/DC); Project
Superpowers (Dynamite)
• J. H. Williams III, Detective Comics (DC)
Best Coloring
• Steve Hamaker, Bone: Crown of Thorns (Scholastic); Little Mouse Gets
Ready (Toon)
• Laura Martin, The Rocketeer: The Complete Adventures (IDW); Thor, The
Stand: American Nightmares (Marvel)
• David Mazzuccheilli, Asterios Polyp (Pantheon)
• Alex Sinclair, Blackest Night, Batman and Robin (DC)
• Dave Stewart, Abe Sapien, BPRD, The Goon, Hellboy, Solomon Kane,
Umbrella Academy, Zero Killer (Dark Horse); Detective Comics (DC);
Northlanders, Luna Park (Vertigo)
Best Lettering
• Brian Fies, Whatever Happened to the World of Tomorrow? (Abrams
ComicArts)
• David Mazzuccheilli, Asterios Polyp (Pantheon)
• Tom Orzechowski, Savage Dragon (Image); X-Men Forever (Marvel)
• Richard Sala, Cat Burglar Black (First Second); Delphine
(Fantagraphics)
• Adrian Tomine, A Drifting Life (Drawn & Quarterly)
Best Comics-Related Periodical/Journalism
• Alter Ego, edited by Roy Thomas (TwoMorrows)
• ComicsAlliance, www.comicsalliance.com
• Comics Comics, edited by Timothy Hodler and Dan Nadel
(www.comicscomicsmag.com) (PictureBox)
• The Comics Journal, edited by Gary Groth, Michael Dean, and Kristy
Valenti (Fantagraphics)
• The Comics Reporter, produced by Tom Spurgeon
(www.comicsreporter.com)
Best Comics-Related Book
• Alan Moore: Comics as Performance, Fiction as Scalpel, by Annalisa Di
Liddo (University Press of Mississippi)
• The Art of Harvey Kurtzman: The Mad Genius of Comics, by Denis
Kitchen and Paul Buhle (Abrams ComicArts)
• The Art of Osamu Tezuka: God of Manga, by Helen McCarthy (Abrams
ComicArts)
• Manga Kamishibai: The Art of Japanese Paper Theater, by Eric P. Nash
(Abrams ComicArts)
• Will Eisner and PS Magazine, by Paul E. Fitzgerald (Fitzworld.US)
Best Publication Design
• Absolute Justice, designed by Curtis King and Josh Beatman (DC)
• The Brinkley Girls, designed by Adam Grano (Fantagraphics)
• Gahan Wilson: 50 Years of Playboy Cartoons, designed by Jacob Covey
(Fantagraphics)
• Life and Times of Martha Washington, designed by David Nestelle (Dark
Horse Books)
• Queer Visitors from the Marvelous Land of Oz, designed by Philippe
Ghielmetti (Sunday Press)
• Whatever Happened to the World of Tomorrow? designed by Neil Egan and
Brian Fies (Abrams ComicArts)
Variety reports that square-jawed lady-killer Chris Evans will be under the winged-mask of Captain America for Marvel’s upcoming The First Avenger: Captain America, set to hit theaters next summer.
Also noted from Variety: Evan’s deal looks to be for at least three pictures, not including the already mentioned “Avengers” film set to come out in 2012. Evans will be hurling his shield next to Robert Downey Jr.’s Iron Man, Chris Hemsworth’s Thor, as well as Edward Norton’s green skinned goliath, the Hulk.
The First Avenger: Captain America also has cast the neo-hating turned neo-nazi, Hugo Weaving as the villainous Red Skull.
Of course, comic book fans should not be surprised by Mr. Evan’s turn as a hero, given his lengthy comic book twinged resumé. Starring first as the hot headed Johnny Storm in the less-than-beloved pair of Fantastic Four pictures, Evans will also debut as the alliterated Lucas Lee in the upcoming Scott Pilgrim flick, as well as the jacked-mouth hacker Jake Jensen in the forthcoming Losers movie coming out this April.
So, ComicMix fans, what do you think? Does Evans belong wielding the shield? Where do you think Stan Lee will cameo in the Cap film? Do you think Ben Grimm will enjoy a quieter Baxter building while Johnny get’s a little patriotic? Tell us what you think, soldier!
J. Michael Straczynski, the Academy Award nominated screenwriter of Changeling, creator of Babylon 5, and former writer on Amazing Spider-Man and Thor, will take over the writing on Superman and Wonder Woman starting in July with Superman #701 and Wonder Woman #601, according to the DC Source blog.
To kick off both efforts by appearing in the anniversary issues of
these two characters is a great opportunity, and a good jumping-on
point for readers.
If there’s any other message in this to readers, it’s in these two
characters as icons of hope, that it doesn’t make any difference where
you come from, or where you went to school, or who you are, there’s
hope. That a kid from Jersey with Superman as the icon that kept him
alive for years would one day end up writing the character is as
absoutely unlikely as it is utterly inevitable. And if that’s true for
me, it’s true for you, if you follow your dreams and your passions in
full flight.
No word on art teams yet– one wonders if Gary Frank will stick around and work with JMS again (they previously worked together on Midnight Nation and Squadron Supreme).
“Yeah, trust me babe. The Avengers need me. I’m a star! Simon? Theodore? Come on. They’re just like Tigra and Ant-Man… worthless filler getting in the way of the main attraction.”
“That’s right, toots. It’ll be me, Iron Man, Thor, and Captain America. We’ll be ‘The Fantastic Four’!”
“Now, what number do we start with? I called Brother Voodoo, and told him I love you. Singing…Ooh-ee-ooh-ah-ah, fing-fang-walla-walla-bing-bang-foom.”
Paramount Pictures has gone out of their way to announce Mission: Impossible 4 — what feels like a rushed project, coming out in just over a year.
The film is being described as a reboot, without J.J. Abrams behind the camera and will most likely introduce agents to take over the franchise. It also arrives during a packed May 2011 which already has scheduled Thor (5/6), Pirates of the Caribbean: On Stranger Tides (5/20), and The Hangover 2 (5/26).
HOLLYWOOD, CA (February 9, 2010) – Paramount Pictures announced today that it is making “Mission Impossible IV.” The film, which will be produced by Tom Cruise, J.J. Abrams and Bad Robot Productions and will star Cruise, will be released Memorial Day weekend 2011.
“Tom and J.J. are great talents and we are excited to be working with them to re-launch this legendary franchise,” said Paramount Pictures Chairman & CEO Brad Grey.
Screenwriters Josh Applebaum and Andre Nemec are attached to write the script, from an original idea by Cruise and Abrams.
The studio, Cruise and Abrams are in now the process of identifying a director for the film.
Abrams’s last project with Paramount was “Star Trek,” which he produced and directed. The film grossed $385 million globally. Cruise’s “Mission Impossible” franchise has grossed over 1.4 billion globally.
“Mission Impossible IV” will be co-financed by David Ellison’s Skydance Productions.
As one would have expected, Marvel revisited the animated adventures of their merry mutants to capitalize on the anticipated success of the [[[Wolverine]]] feature film. As a result, the fourth iteration is named [[[Wolverine and the X-Men]]] and the first season aired throughout 2009 on Nicktoons. Lionsgate has been dutifully collected handfuls of episodes for single-disc collections with the fourth volume, containing five episodes, being released Tuesday.
While the [[[X-Men]]], their friends and foes are familiar, this has no bearing on the previous animated series or the comic book source material, As a result, we’re getting yet another look at familiar themes and storylines such as the Days of Future Past and Genosha. Unlike the immensely popular 1990s Fox series, this has fewer sub-plots that require episode to episode viewing. On the other hand, there are plenty of sub-plots running through the 26 episodes comprising the first season. There are also dozens of characters to meet and recall and often they arrive unnamed or their powers unspecified. As a result, you’re required to watch knowing which version of the x-verse you’re paying attention to. The only other animated series this ties to is the Hulk Vs. direct-to-DVD as noted when Nick Fury asks Wolverine to have a rematch against the jade giant.
This disc contains “Stolen Lives”, “Hunting Grounds”, “Badlands”, “Code of Conduct” and “Backlash”. Having not seen any of the previous episodes, I would have appreciated a “Previously” recap at the beginning but I quickly figured things out. The first episode focuses on Kristie, the young mutant daughter of Maverick and introduces us to X-23.
The second story skips Wolverine for the most part, focusing instead on the odd friendship of Scarlet Witch and Nightcrawler as they work together to escape Mojo’s World. It also introduces us to Magneto’s other daughter, Polaris. After that, we skip ahead to the devastating future as the descendant and survivors fight the Sentinels for survival. The just-introduced Polaris is revealed to be the sole survivor of Genosha and wanders around wearing dad’s helmet. The storyline is picked up again in the fifth episode, which has the Brotherhood of Evil Mutants and the X-Men trying to destroy the Master Mold, to prevent the horrific future from happening.
In between, Wolverine’s backstory is explored in a tale that introduces viewers to the Silver Samurai and Mariko. The battle for control and honor takes up much of the episode and apparently was deemed inappropriate to air in the UK.
Craig Kyle and Christopher Yost, who graduated from Marvel Animation to fine comic book writers, are back and their expertise helps a lot. They’re ably abetted by Greg Johnson, a writer I’m less familiar with. As a result, the stories are strong in the Marvel flavor, heavy on the anti-mutant theme, and replete with characters with some genuine personality. They come across as teens or adults, experienced or tyro.
The animation design is leaner than previous version but they come across inconsistent in size. In some cases, Wolverine is taller than Mystique but still called a runt. Everyone is a little too lean but the overall animation direction is reasonably strong. The best part of the technical side is that the voice cast is sharply superior to the 1990s version.
Other than some commentary, the disc has no extras but does have plenty of trailers including an intriguing glimpse of next year’s [[[Thor: Tales of Asgard]]] direct-to-DVD feature.
What is it with Stuart Townsend and characters with swords? First, he leaves the role of Aragorn early in the shooting of the Lord of the Rings trilogy, and now we hear that he’s out of the role of Fandral in the adaptation of Marvel’s Thor. AP cites that old standby, “creative differences”. Fandral will now be played by Joshua Dallas, who was in the Doctor Who episode “Silence in the Library”.
I can think of a few possibilities:
His swordsmanship isn’t all that it’s cracked up to be.
Director Kenneth Branagh thinks having Townsend leave the production early is some sort of a good luck charm (see LOTR).
As the worlds of film and comics grow ever closer, Marvel this afternoon released this image of Iron Man’s new armor. If it looks awfully similar to the movie version of shellhead, that’s no doubt intentional. Ryan Meinerding, designer on the Iron Man and Thor films helped adapt the movie suit for comics and this debuts in April’s Invincible Iron Man #25.
The series, written by Matt Fraction, has been acclaimed to the point where director Jon Favreau had Fraction consult on the sequel, conveniently due out just weeks later. With a new storyline kicking off, the new mission requires a new kind of armor.
“The inspiration for the new design came from thinking about a sleeker, leaner, tougher Iron Man,” Fraction said in a Marvel press release. “If technology is increasingly getting smaller and lighter it seems like the Iron Man should do the same: ergonomic and aerodynamic. We were looking for something that felt as sleek and glossy as a sports car Tony Stark would covet. I love what we’ve come up with. It feels like the next evolutionary step in the Iron Man’s design.”
Don’t let the subject matter fool you – this isn’t your standard vampire film. DAYBREAKERS is a disturbingly different take on genre and actor Sam Neil joins us to explain why he had a really good time being really bad. Plus Spider-Man’s movie gets stalled, but Thor makes a move.
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After being turned down by Emily Blunt and possibly others, Marvel Studios issued a release announcing relatively unknown actress Hayley Atwell has been added to the Captain America cast as Peggy Carter.
The list is out. Pretty straightforward, with a few surprises (No Todd Klein or John Workman for lettering? And was Whatever Happened To The Caped Crusader not eligible?)
Variety
J. Michael Straczynski, the Academy Award nominated screenwriter of Changeling, creator of Babylon 5, and former writer on Amazing Spider-Man and Thor, will take over the writing on Superman and Wonder Woman starting in July with Superman #701 and Wonder Woman #601, according to the 
Paramount Pictures has gone out of their way to announce Mission: Impossible 4 — what feels like a rushed project, coming out in just over a year.
As one would have expected, Marvel revisited the animated adventures of their merry mutants to capitalize on the anticipated success of the [[[Wolverine]]] feature film. As a result, the fourth iteration is named [[[Wolverine and the X-Men]]] and the first season aired throughout 2009 on Nicktoons. Lionsgate has been dutifully collected handfuls of episodes for single-disc collections with the fourth volume, containing five episodes, being released Tuesday.
What is it with Stuart Townsend and characters with swords? First, he leaves the role of Aragorn early in the shooting of the Lord of the Rings trilogy, and now we hear that he’s out of the role of Fandral in the adaptation of Marvel’s Thor. AP cites that old standby, “creative differences”. Fandral will now be played by Joshua Dallas, who was in the Doctor Who episode “Silence in the Library”.
As the worlds of film and comics grow ever closer, Marvel this afternoon released this image of Iron Man’s new armor. If it looks awfully similar to the movie version of shellhead, that’s no doubt intentional. Ryan Meinerding, designer on the Iron Man and Thor films helped adapt the movie suit for comics and this debuts in April’s Invincible Iron Man #25.
, 
