Tagged: Superman

‘Ultimatum’ #1 #1 in November

‘Ultimatum’ #1 #1 in November

The November numbers are in and ICv2 notes that sales of the top 300 titles fell 11% compared with a year ago.  They note that with DC Comics and Marvel Comics skipping issues of Secret Invasion, Final Crisis, New Avengers, Mighty Avengers, Astonishing X-Men, and Justice League of America, there’s little wonder.

Only two titles — Marvel’s Ultimatum #1 and DC’s Batman #681 – cracked the 100,000 unit marks based on numbers provided by Diamond Comics Distributors, the fewest since March.

Marvel had 14 of the top 25 titles, DC 10, and Dark Horse one. 

Looking over the list, it’s interesting to note that beyond events and new titles, several mainline books continue to bring in readers because the content seems to be consistently entertaining month after month as exemplified by Amazing Spider-Man and Captain America being in the Top 10. The most popular creators do seem to translate to best sales making it all the more important for creative team consistency month to month.

Here are ICv2’s estimates of the sales by Diamond Comic Distributors to comic stores on the top 25 comic titles in November:

114,230           Ultimatum #1
103,151           Batman #681 (RIP)
  90,776           Hulk #8
  88,910           Wolverine #69
  77,773           Uncanny X-Men #504
  76,625           Amazing Spider-Man #577
  75,493           Captain America #44
  74,202           Buffy the Vampire Slayer #19
  72,862           JSA: Kingdom Come Special Superman #1
  71,355           Justice Society of America #20
  69,522           Batman: Cacophony #1
  68,956           Amazing Spider-Man #576
  66,564           Amazing Spider-Man #578
  64,196           Detective Comics #850 (RIP)
  63,512           X-Men Legacy #218
  61,331           Fantastic Four #561
  58,547           Action Comics #871
  58,279           Dark Tower: Treachery #3
  57,241           X-Force #9
  57,205           JSA: Kingdom Come Special Kingdom #1
  56,931           Final Crisis: Resist #1
  56,224           Avengers / Invaders #6
  55,560           JSA: Kingdom Come Special Magog #1

‘Washington Post’ Lists Top Comics of the Year

‘Washington Post’ Lists Top Comics of the Year

The Washington Post recently posted their lists of best comics of the year and they include:

The Alcoholic, By Jonathan Ames and Dean Haspiel (Vertigo/DC Comics, $19.99)
Bottomless Belly Button, By Dash Shaw (Fantagraphics, $29.99)
Buffy the Vampire Slayer, Season Eight, Volume Two: No Future for You, By Brian K. Vaughan, Georges Jeanty and Joss Whedon (Dark Horse, $15.95)
The Complete K Chronicles, By Keith Knight (Dark Horse, $24.95)
Superman and the Legion of Super-Heroes, By Geoff Johns and Gary Frank (DC Comics, $24.99)
Y: The Last Man #60, By Brian K. Vaughan and Pia Guerra (Vertigo/DC Comics, $4.99)

Among their best DVDs, they included:

4 Months, 3 Weeks and 2 Days
, Not rated (Weinstein, $24.95)
30 Rock: Season 2, Not rated (Universal, $39.98)
The Big Lebowski (10th Anniversary Edition), Rated R (Universal, $19.98)
Control, Rated R (Weinstein, $28.95)
The Darjeeling Limited Rated R (20th Century Fox, $29.99)
The Diving Bell and the Butterfly, Rated PG-13 (Miramax, $29.99)
Flight of the Red Balloon, Not rated (IFC, $24.95)
Iron Man (Ultimate 2-Disc Edition), Rated PG-13 (Paramount, $39.99)
The King of Kong: A Fistful of Quarters, Rated PG-13 (New Line, $19.98)
Lost Highway, Rated R (Universal, $19.98)
No Country for Old Men, Rated R (Miramax, $29.99)
The Office: Season 4, Not rated (Universal, $49.98)
Persepolis, Rated PG-13 (Sony, $29.95)
Spaced: The Complete Series, Not rated (BBC Warner, $59.98)
There Will Be Blood (Two-Disc Special Collector’s Edition), Rated R (Paramount, $34.99)
Trafic, Not rated (Criterion, $39.95)

DC Comics Names ‘Origins and Omens’ Line-up

DC Comics Names ‘Origins and Omens’ Line-up

This February, nineteen core titles from the DC Universe will feature “Origins and Omens” backup stories. “Origins and Omens” lays the groundwork for the upcoming Green Lantern: Blackest Night miniseries and more in 2009.
 
These “Origins and Omens” issues are solicited in the December Previews and are scheduled to arrive in stores in February. DC Comics will announce the full lineup of writers and artists contributing to these stories soon.
 
Watch for “Origins and Omens” stories in these issues:
 
•           ACTION COMICS #874
•           ADVENTURE COMICS #0 — Specially priced at just $1.00!
•           BIRDS OF PREY #127
•           BOOSTER GOLD #17
•           GREEN ARROW/BLACK CANARY #17
•           GREEN LANTERN #38
•           GREEN LANTERN CORPS #33
•           JUSTICE LEAGUE OF AMERICA #30
•           JUSTICE SOCIETY OF AMERICA #24
•           NIGHTWING #153
•           OUTSIDERS #15
•           ROBIN #183
•           SECRET SIX #6
•           SUPERGIRL #38
•           SUPERMAN #685
•           TEEN TITANS #68
•           TITANS #10
•           VIGILANTE #3
•           WONDER WOMAN #29
 
Also this month, watch for Adventure Comics #0, reprinting one of the cornerstone stories of the DCU with a special price of just $1.00 and featuring its own all-new “Origins and Omens” tale! To celebrate the upcoming Adventure Comics #1, this issue reprints a Silver Age classic from the title’s prior volume — Adventure Comics #247, the first appearance of the Legion of Super-Heroes! Adventure Comics #0 also features a new cover by Aaron Lopresti that’s an homage to the original.

The story also serves as the inspiration for Geoff Johns’ episode of Smallville, scheduled to air on January 15.

Geoff Johns Leaves ‘JSA’ After #26

Geoff Johns Leaves ‘JSA’ After #26

Geoff Johns announced his departure from Justice Society of America, after issue #26, at his forum at Comic Bloc.

He wrote:

There will always be a Justice Society of America book in the DC Universe.

I take a lot of pride in that fact because it wasn’t always true.

It’s hard to say this but officially, I will be leaving the title after Justice Society of America #26, which is a single-issue story entitled “Black Adam Ruined my Birthday.” Following the Black Adam arc with Jerry and I, #26 will be my last issue, Dale [Eaglesham]’s last and our fantastic editor Michael Siglain’s last. I think we’re going out on one of my favorite stories to date and I’m glad we are all going out on this together.

I’ve been writing JSA nearly my entire career. The book has steadily gained new and old fans and, with the re-launch two years ago, fixed itself as one of the staples of the DC Universe. Since then we’ve remained one of the top monthly books at DC alongside Justice League of America and Batman. A book starring characters like Jay Garrick, Stargirl, Mr. Terrific and Citizen Steel. Heroes that, I think, most people had written off. But not all of them did.

We got Dr. Mid-Nite from the talented Matt Wagner. And the new Mr. Terrific first appeared in The Spectre under the pen of one of my favorite writers John Ostrander. I brought in Stargirl, who will always be a character I write in one form or another – no matter if I’m on JSA or not. And, above all, I think James Robinson’s run on Starman opened the door for the JSA on a different level.

How’d I get involved in this? Peter Tomasi and David Goyer.

I was asked by them to come on and co-write JSA back in 1999 right when I got into comics. James had left the book after issue #2. David wrote #3 himself and I came in and wrote #4 with him, but without a credit. I got a special thanks to, but that was enough for me. David then wrote #5 and I came on officially with #6, which featured Black Adam way back when. Over the next two years, I worked with David on the book steadily until he left with #25 and returned later through #51.

The JSA to me represents everything good about life, work and superheroes. In life, generations past, present and future all provide different viewpoints. There can be something magical when it’s past from grandfather to father to son or from mother to daughter or son to grandfather. There’s nothing more important than family – and family means a lot more than just blood relatives. That’s what my very first book, Stars & S.T.R.I.P.E., was about and that’s what JSA, and life, is about.

So why am I leaving?

I have more stories to tell, and the characters are endless, but that’s also true for the DC Universe. I’m ready to move on to some other challenges like returning to The Flash and Superman: Secret Origin. And I am also obsessed with making sure that Green Lantern, Blackest Night and everything around it is the absolute best it can possibly be. …and that’s only part of 2009. There are some new projects on the horizon.

I have to thank Dale Eaglesham, Fernando Parasin, Alex Ross, Steve Sadowski, Leonard Kirk, Don Kramer, Jerry Ordway, Michael Bair, Alex Sinclair, Jon Kalisz, Michael Siglain, Steve Wacker, Harvey Richards, Eddie Berganza, Adam Schlagman, Peter Tomasi, David Goyer, James Robinson, Carlos Pacheco and the creators that inspired me – Paul Levitz, Grant Morrison and Marv Wolfman.

And although he’s never read the book, Roy Thomas. He held the torch for a long time and did a wonderful job. I wish we could’ve done a project together.

I’m sure I’ll return to the Justice Society in some form or another some day, but for now I’m passing them off a new creative team – one who is already working on the book (job’s taken, sorry guys – and it’s someone who’s never worked with these characters before). I really look forward to reading it.

Thanks for all your support and I’ll see you all soon!

‘Wonder Woman’ to Screen at NYCC

‘Wonder Woman’ to Screen at NYCC

Animator Bruce Timm has been named a Guest of Honor at the New York Comic-Con in February.

In making the announcement, the convention also said the latest animated feature, Wonder Woman, will be premiered at the con. at 8:30 p.m. on February 6 in the IGN Theater. The screening will be followed by a panel discussion featuring Timm and members of the film’s cast and crew.

The DVD, OnDemand, Pay-Per-View, and download are all scheduled for a March 3 release.

Other DC properties with films in development include Batman, Superman, Justice League, Green Lantern and The Flash. The release did not name The Teen Titans project confirming the rumors that it is no longer an active feature.
 

NYCC Names Living Legends Guests

NYCC Names Living Legends Guests

The New York Comic Con has announced that it will honor artist Al Plastino, inker Joe Sinnott, and writer Marv Wolfman as “Living Legends” at the 4th annual New York Comic Con, which will take place from February 6-8 at the Jacob Javits Center in New York City.  All three Living Legends will participate in convention festivities and make limited appearances at select panel discussions and autograph sessions.
 
Al Plastino, who was born in New York City in 1921, began working in comics as an inker and penciller during the “Golden Age” of comics in the early 1940s.  In addition to inking Captain America and Sub-Mariner, he drew Green Lantern, Rocketman and Dynamic Man.  After WWII, Plastino joined DC Comics where he helped to develop Superman spin-offs such as Supergirl and the Legion of Super-Heroes with writer Otto Binder.  In the late 1960s he began work on a succession of syndicated comic strips including Batman, Nancy and Sluggo, and Peanuts.
 
Joe Sinnott has worked for Marvel Comics for 58 years.  He is perhaps best known as Jack Kirby’s inker on the Fantastic Four, but he has enlivened a host of Marvel characters over the years and currently inks the Spider-Man newspaper strip.
 
Marv Wolfman, who is at present working on the DC online MMORPG with Jim Lee, was born in Brooklyn in 1946.  He has written comics, movies, TV shows, animation, and children’s books, and won numerous awards for his works.  Among his most famous creations are Blade and the New Teen Titans.

‘Green Lantern’ Completes Third Draft Script

‘Green Lantern’ Completes Third Draft Script

Yesterday, we speculated that Green Lantern was the DC hero next going before the cameras and MTV’s Splash Page then ran an interview with co-screenwriter Marc Guggenheim that confirms this projection.

“This morning, we sat down to talk Green Lantern,” Guggenheim told MTV, “and we ended up riffing for an hour and a half on another, much more obscure character. Sometimes, you just have to roll with it when inspiration strikes, you know? I’m sure the studio wouldn’t be happy about it, but we’re not going to blow the deadline. We’ll get it in.”

The screenplay was written by Guggenheim, Michael Green (Superman/Batman) and Greg Berlanti (Eli Stone) and after three drafts, they think it’s about ready for Berlanti to direct. Locations have been scouted and production designs have been crafted by Aaron Sims, who is also working on X-Men Origins: Magneto for director David S. Goyer.

“[The changes are] nothing that’s affecting the storyline, really,” he said. “It’s pretty well set. But sometimes we’ll move a scene to a different location for budget purposes, perhaps in an already established location instead of a new one. It’s a question of, which locations can we live without? It’s a constant process to streamline what you’re going through, even after the film is shot, when you’re cutting things in the edit. That’s what the rewrite process is like, how you sand down the roughness of the a movie to its smoothest.”

Guggenheim also noted that a cameo for reporter Clark Kent appears in the script leading to speculation if Warner would go with Tom Welling (Smallville) or Brandon Routh (Superman Returns) for the wink to the greater DC Universe.

“There were rumors that Tom Welling would have a cameo in Batman Begins as a young Clark Kent, to meet up with a young Bruce Wayne,” Guggenheim said. “But you have to be careful when you do things like that, because it sounds great in concept, but when you sit down to watch it, it poses the danger of pulling you out of the film.”

He refused to talk about the current rumor of Ryan Gosling being eyed to play test pilot Hal Jordan.

Neal Adams Named New Guest of Honor at NYCC

Neal Adams Named New Guest of Honor at NYCC

Celebrated artist Neal Adams will be a Guest of Honor at New York Comic Con (NYCC) this year where he will be available to thousands of fans who are eager to meet the legendary artist.  Adams is best known for helping to create some of the definitive modern imagery of the DC Comics characters Superman, Batman and Green Lantern among others.  In addition to his Guest of Honor appearance, Neal Adams has also created the official artwork for New York Comic Con 2009 which will be highlighted in a unique poster featuring several heroes from DC’s Green Lantern Corps. The Green Lantern series was a breakout hit for DC last year with the "Sinestro War" storyline, and the Blackest Night storyline looks to be another huge success. 
 
New York Comic Con is the second largest popular culture event in the United States and will take place at the Jacob K. Javits Center in New York City, February 6 – 8, 2009.  Neal Adams will appear on panels as well as participate in autograph sessions throughout the weekend. 
 
“Neal Adams is one of the fundamental forces of comics: he’s helped reshape the visual vocabulary of the field with his illustrative style, improved its business practices as a leading champion of artistic rights, and godfathered an entire generation of new talent as they entered our field,” said Paul Levitz, President and Publisher of DC Comics, “Comics wouldn’t have been the same without him, and he continues to focus on important new work to affect the future of the field.”

“I can’t begin to say how genuinely honored we are to have Neal Adams create this poster for New York Comic Con, to say nothing of having him appear at our show as a Guest of Honor!” notes Lance Fensterman, Show Manager for NYCC.  “At the cusp of the 60’s, Neal and writer Denny O’Neil created some of the best loved comic stories featuring Green Lantern’s Hal Jordan, and the Green Arrow, as they tackled social issues of the day and set new standards with Neal’s photo-realistic artwork. The poster he has created is extraordinary and it allows us to stay at the forefront with original and innovative artwork for New York Comic Con.  We are enormously grateful to Neal who has been a great supporter of our show from day one.  This is a real collector’s item and a huge value for anyone who manages to ‘score’ one of these special posters.”

In commenting on the creation of the poster for New York Comic Con, Neal Adams notes: “Folks ask why I went all out on this poster for the NYCC?  First, I’m a New Yorker, and this is my hometown.  Secondly, I take tremendous pride in these characters.  Especially, Hal Jordan and John Stewart.”   

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Director Lauren Montgomery Discusses ‘Wonder Woman’

Director Lauren Montgomery Discusses ‘Wonder Woman’

After her successful co-directorial debut on Superman Doomsday, Lauren Montgomery takes full command of the helm for Wonder Woman, the next entry in the popular series of DC Universe animated original PG-13 films. Warner Premiere. The video event is  due out on March 3, 2009.

Montgomery has directed an origin story for Wonder Woman that remains true to the title character’s various incarnations while setting the tale in more modern times to allow greater accessibility for a wider audience. Working alongside producer Bruce Timm, Montgomery has brought to life Michael Jelenic’s entertaining script with an impressive balance of explosive action and well-timed humor. A talented artist with a lifetime of experience devoted to drawing and animation, Montgomery is proud to give Wonder Woman her first feature film treatment.

Warner Premiere provided the following conversation with the director.

Question:  You’ve gone from directing one-third of Superman Doomsday to helming the entirety of Wonder Woman. What’s that progression been like for you?

Lauren Montgomery: It’s mostly in scale of responsibility. On Doomsday, it was all about my one section of the film. Now, it’s everything from background design and color to character design and camera angles, helping select the voices for the cast and approving every storyboard for the entire film. So (she laughs) it was all a lot harder. It’s been an incredible learning experience, it’s probably the most hands-on I’ve ever been on anything, and it’s really prepared me for more of those responsibilities in the future.
 
 

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The Stories That Informed ‘Batman R.I.P.’

The Stories That Informed ‘Batman R.I.P.’

“Criminals are a superstitious cowardly lot. So my disguise must be able to strike terror into their hearts. I must be a creature of the night, black, terrible …a…a…”
 
As if in answer, a huge image of a Caped Crusader flashed across a movie screen. Across monitors throughout space and time and other dimensions.
 
“It’s an omen!” each man, alien and other-dimensional imp declared. “I shall become a Batman!”
 
One of the attractions of Batman was, it’s often been said, the fact that a kid could actually imagine growing up to be the Caped Crusader. No one was ever going to grow up to be Superman but with an extensive training regimen (and a hefty bank account) …well, anything’s possible. Overlay that with the spirit of mainstreaming and conformity of the 1950s and you end up with a universe where there seemed to be a Batman knock-off on every corner and planet.
 
In 1964, editor Julius Schwartz found his arm twisted into taking over the flagging Batman titles. He immediately ditched the extended Batman family and the increasingly prevalent space alien stories for a more contemporary angle grounded in the real world. And as the years rolled on, Schwartz and company refined their approach and gradually, permanently put the Dark back in their Knight.
 

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