Tagged: Star Trek

Happy Birthday: Keith R.A. DeCandido

Happy Birthday: Keith R.A. DeCandido

  • News
  • April 18, 2008

Born in New York’s the Bronx in 1969, Keith R.A. DeCandido was a science-fiction fan from the very start—his parents were fans of the original Star Trek, as well as classic SF/Fantasy novelists like Heinlein, Le Guin, and Tolkien.

DeCandido attended Fordham University and edited the college newspaper, and after graduating he worked for several New York publishing houses.

In 1990, he and John Drew created the public-access SF TV show The Chronic Rift, which DeCandido also co-hosted. In the late ’90s, DeCandido worked for Byron Preiss, editing anthologies and novels, and began writing stories for Preiss as well.

DeCandido’s first novel, Spider-Man: Venom’s Wrath (written with Jose R. Nieto) was published in 1998. In 1999 DeCandido got the opportunity to write for the Star Trek franchise, authoring the four-issue comic book miniseries Star Trek: The Next Generation: Perchance to Dream. Since then he has written over a dozen Star Trek novels and over a dozen novels for other licenses.

 

Sci-Fi Summit Report: More on ‘Star Trek’ and a Tale of Two Spocks

Sci-Fi Summit Report: More on ‘Star Trek’ and a Tale of Two Spocks

  • News
  • April 16, 2008

[EDITOR’S NOTE: You’re about to read our special ComicMix report on the Star Trek panel and Q&A at this year’s Grand Slam: Sci-Fi Summit in Burbank, CA. If you’d like to know more about the convention, we also have a general roundup of the Sci-Fi Summit and a special report on the James Marsters panel and Q&A session with the Buffy the Vampire Slayer actor. -RM]

Last Sunday, Sci-Fi Summit attendees were treated to one half of the writing team behind the upcoming Star Trek film and the recent live-action Transformers movie, as writer Roberto Orci kicked off the grand finale of the show. After the writer apologized for the absence of Alex Kurtzman, his associate of 17 years, the fans were treated to a screening of the Star Trek trailer and some photos that Orci took on set.

The trailer didn’t feature any new footage, and included shots of the U.S.S. Enterprise’s construction, apparently on Earth. When a fan expressed his displeasure at this, Orci assured him, “Just because they start building it on Earth, doesn’t mean that it can’t be finished in space.”

Orci’s slideshow also failed to reveal any spoilers, with the possible exception of a photo of an inedible-looking craft service table marked “Romulan’s Only,” confirming the appearance of the alien race in the film

When the recent writer’s strike ended, Orci said he and Kurtzman spent nine weeks writing Transformers 2 and handed in their first draft this past Friday. When asked what new Transformers fans could look forward to in the film, the writer answered, “Maybe Soundwave.”

Orci also hinted that there are Star Trek references in both of his previous films, The Island and Transformers, and there will be more references in Transformers 2. He also confirmed that the writing team did a polish on the script for Watchmen.

According to Orci, famed director Steven Spielberg played a large role in J.J. Abrams’ decision to direct Star Trek. Abrams had agreed to produce the film, but was not sure if he wanted to direct. Spielberg read the script and convinced Abrams to helm the project. Orci also recalled a set visit where the Close Encounters of the Third Kind director sat on the bridge of the Enterprise and helped block out an action sequence.

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Sci-Fi Summit Report: James Marsters on ‘Spike’ Movie and ‘Buffy’ Reunion

Sci-Fi Summit Report: James Marsters on ‘Spike’ Movie and ‘Buffy’ Reunion

  • News
  • April 16, 2008

[EDITOR’S NOTE: You’re about to read our special ComicMix report on the James Marsters panel and Q&A session at this year’s Grand Slam: Sci-Fi Summit in Burbank, CA. If you’d like to know more about the convention, we also have a general roundup of the Sci-Fi Summit and a special report on the Star Trek panel and Q&A session, featuring "A Tale of Two Spocks." -RM]

Saturday at last weekend’s Sci-Fi Summit featured an appearance by popular Buffy the Vampire Slayer actor James Marsters (Spike), who also appears as Braniac on the television series Smallville, and is featured in a recurring role on the hit series Torchwood. Marsters will also be playing the role of villain Piccolo in the upcoming live-action adaptation of the anime classic Dragonball.

The actor began the panel by talking about his disappointment over the recent Buffy reunion at the Paily Center in New York.

“From my side, it was kind of a letdown, really. There were a lot of smart people on that show and really good questions being asked by the audience, but I felt like nobody really talked about anything interesting," said Marsters. "We didn’t say anything or bring anything nearly dangerous. I felt like we weren’t trying to prove something anymore, but trying to protect something — and I thought that was total bull. I left the stage thinking, ‘We didn’t get it, we didn’t give it to them. The audience was ready and we weren’t.’”

When asked about the possibility of a Spike film, he described his pitch for the film. It involved Spike falling in love with a woman but never telling her about his vampire origins for fear of her leaving him.

“She discovers he’s a vampire, is disgusted by it and kicks him out forever,” the actor explained. He went on to explain that later a monster would appear, and thinking that he could win her back by being the hero, Spike hunts the monster. However, once he gets into the fight, the monster grows to six times its original size and Spike runs away in fear.

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Grand Slam: Sci-Fi Summit Report – BSG, James Marsters, Smallville and Star Trek

Grand Slam: Sci-Fi Summit Report – BSG, James Marsters, Smallville and Star Trek

  • News
  • April 16, 2008

It was an important weekend for science-fiction fans this past April 11-13 in Burbank, CA,  as past, present and future celebrities of the genre gathered for the Grand Slam: Sci-Fi Summit, an annual, weekend-long convention for fans of science-fiction movies and television that attracts some of sci-fi’s most beloved creators and celebrities.

The guest list at this year’s summit included Zachary Quinto (Heroes), Leonard Nimoy (Star Trek), Brent Spiner (Data from Star Trek: The Next Generation), Thomas Dekker (John Conner on Terminator: The Sara Conner Chronicles), Grace Park (Battlestar Galactica) and James Marsters (Buffy the Vampire Slayer, Torchwood), as well as the reunion of Hercules stars Kevin Sorbo and Michael Hurst, and a panel featuring members of the cast of Smallville.

ComicMix was there throughout the weekend’s festivities and has the following breakdown of the highlights, featuring images from the events and a pair of comprehensive reports from the James Marsters and Star Trek panels. A gallery of full-size images from the show is posted at the end of each article.

On Saturday, actress Grace Park, who plays Lt. Sharon “Boomer” Valerii on Battlestar Galactica, answered some questions from fans about the fourth and final season of the hit Sci-Fi Channel series.

“We only have seven episodes left to shoot,” the actress explained. She went on to say that for legal reasons, a Battlestar Galactica movie with this cast of actors and characters would not be possible. “I don’t think there is going to be anything else that we do together, this is the end.”

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Interview: Peter David on Stephen King, ‘X-Factor’ and ‘Dark Tower’

Interview: Peter David on Stephen King, ‘X-Factor’ and ‘Dark Tower’

  • News
  • April 7, 2008

Peter David has had many successes during his long career as a writer. From his beginnings as an assistant in the sales department at Marvel Comics, through his character-redefining run on The Incredible Hulk, to his bestselling Star Trek novels, David’s talent, wit and style continue to serve him, and his readers, very well.

More recently, he’s taken on the task of helping to bring Stephen King’s The Dark Tower to the pages of comics and jumped back into the X-Universe by writing the re-booted  X-Factor title for Marvel. ComixMix recently caught up with the multi-talented author to get the latest on X-Factor, how he works with artists and the legendary Stephen King, and what makes a good story.

COMICMIX: Peter, thanks for taking the time to talk. Getting right to it, take us back a bit — how did you get started writing comics?

PETER DAVID: Well, I was working in the sales dedepartment at Marvel Comics under Carol Kalish and writing was something I was doing on the side. Long story short, I started pitching ideas around at Marvel and wound up impressing Jim Owsley, the then-editor of Spider-Man, and was assigned to Spectacular Spider Man as a writer.

I did that for about a year or a year-and-a-half. After that, I was offered the Incredible Hulk, which I, of course, took on. During that time, I also started to send out inquires to other publishers like DC and asked if they would be interested in hiring me.

They said they would so I decided to become a full-time writer and never looked back. That was in 1986 or 1987, something like that.

CMix: Was there one particular moment when you realized you could do it for a living?

PD: People coming to me and asking me to work for them kinda tipped me off. It was primarily when I approached DC to see if they would be interested in me as a writer and they said they were.

If they had said no, that might have been it. I might still be in the sales department at Marvel.

CMix: Did working at Marvel at the time help you make the transition to full-time writer? Did it help to already have your "foot in the door"?

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The Rights Stuff, by Martha Thomases

The Rights Stuff, by Martha Thomases

  • News
  • April 5, 2008

This has been a stimulating week for any discussion of artists’ rights in the comics field. The courts awarded a share of the Superman copyright to the heirs of Jerry Siegel, and Warren Ellis left Marvel’s Thunderbolts series, saying, “It’s as simple as this – if I don’t own it, I’m not going to spend my life on it. Joe Quesada and Dan Buckley know that, they’re fine with that, and they hire me on that understanding.”

It’s my temptation now to brag, to tell you about the time I walked around the San Diego Comic Con with Joanne Siegel, how Warren Ellis is not only someone I know, but also my Facebook friend. Then you’d envy me for my fabulous life, and my weekend would be that much better. However, that’s not really a very good premise for a column. People haven’t worked so hard, risked being blackballed by major publishers and put their careers on the line just so I can feel better about myself (although, perhaps, they should consider doing so, since it would make me very happy).

The artists and writers in the comics community face the same trials and tribulations as the creative talents in any of the popular arts in this, our American capitalist society.

The blues musicians who created the tunes still used in popular music never received the copyrights for their work. If they were lucky, the assigned those rights (in contracts they never read) to the producers of their work. In that case, they at least got paid for their recordings. More likely, a white man heard the song and sold it as his own.

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ComicMix Six: Worst Moments in Skrull ‘Invasion’ History

ComicMix Six: Worst Moments in Skrull ‘Invasion’ History

  • Uncategorized
  • April 2, 2008

Yes, we’ve all heard the big news: Skrulls have invaded the world. They’re everywhere, hidden from magic and telepathy, ready to do their worst. They’ve infiltrated the highest levels of government and they’ve replaced all of our planet’s best and brightest with sleeper agents, ready to bring down all that we hold dear.

But that doesn’t mean you should be worried.

Here at ComicMix, we know that the Skrull Empire doesn’t exactly have the best track record. Heck, they once replaced Alicia Masters, one of the best friends of the Fantastic Four, with a Skrull agent, then seemed to forget she was even there until years later when she was found out — which led to the FF blowing up the biggest space station in the aliens’ Empire.

And that’s not even the tip of the Skrull Empire’s iceberg of ineptitude. For the first in our new series of ComicMix Six features, we present some of the Secret Invasion villains’ least-impressive diabolical schemes through the years.

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‘Star Trek: Year Four’ Review

‘Star Trek: Year Four’ Review

  • News
  • March 26, 2008

When I was a wee lad of, oh, let’s say 13, to hear the words "untold tales" was a thrill in itself.

"What’s that, you say? In this story, I will discover that Wolverine met Spider-Man’s parents for about an hour several months before the web-spinning super-hero was even born? And it turns out Green Lantern’s landlord was once involved with the Russian mob? Awesome! How did I live before now?"

But now, I am in my mid-20s, long past the prime of life, and my standards are a mite higher. A story that fills in gaps of the past for its own sake just isn’t enough. It must also be a good story by itself. It must be able to entertain me and interest me and, if at all possible, elicit emotional reactions from me that would make even a positronic android react with a cry of "Neat!"

And so, let’s talk about the first comic book miniseries entitled Star Trek: Year Four (IDW Publishing), which was written by David Tischman and penciled by Steve Conley, and which has recently been collected as a trade paperback. In the original Star Trek TV series, Kirk informed audiences every week that the Enterprise was engaging in a "five-year mission" of exploration. Sadly, the show was cancelled after its third season. Tischman and Conley’s series attempts to inform us all about just what happened next, long before the time that the Star Trek films picked up.

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To Boldly Go Backward Again, by Mike Gold

To Boldly Go Backward Again, by Mike Gold

  • News
  • March 24, 2008

They say there’s nothing new under the sun. Well, now I’m saying that as well, but I’m saying it about science fiction.

S-F was supposed to look forward and, at its best, teach us something about today’s human condition. You can look forward by looking into the past, but you’re not looking forward by burying your nose in your belly button. Sadly, our popular fiction has been spending the past decade or so snorting lint.

After a lengthy rest, Star Wars returned to us with a three-part prequel renown for its tedium and lameness. Star Trek countered with Enterprise, which told us the secret origin of a starship. It was pretty good – after two exceptionally lame seasons. At least those who hung in there were slightly rewarded. Boosted by the enormous success of the show’s concept (it was the most short-lived of those that followed the original series), now Paramount is polishing up a “major” motion picture about Kirk, Spock, McCoy and friends at boarding school. I think Mickey Rooney and Liza Minelli are playing instructors.

Now we see that our friends at Battlestar Galactica are doing a pilot for a spin-off show. No, make that another spin-back series. Entitled Caprica, instead of capitalizing on all the careful and intricate concepts established in the original series (itself a remake of one of the worst S-F shows of all time), it’s set 50 years prior. The big deal: the Cylons are created. I’ll bet you didn’t know the Cylons were created. Certainly not, if you hadn’t watched either of the original shows.

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Son Of Filling The Big Shoes, by Mike Gold

Son Of Filling The Big Shoes, by Mike Gold

  • News
  • March 3, 2008

Remember my column last week ? I’m sure you committed every hallowed word to memory. Well, this is a sequel. Fittingly, it’s about Hollywood.

I’m staring at this massive schedule of movies of interest to your average ComicMixer that are due to be released in the next 12 months or so: Iron Man 1, Indiana Jones 4, Incredible Hulk 2-but-1, Get Smart 1, Hellboy 2, The Dark Knight 6-but-2, X-Files 2, The Mummy 3, James Bond 22, Harry Potter 6, The Day The Earth Stood Still 1-but-2, Star Trek 74, Will Eisner’s The Spirit 1, and Green Hornet 1 (serials don’t count). I’m looking forward to about half of them, which is a pretty good average for me. But there’s one that I’m looking to with trepidation.

No, it’s not The Day The Earth Stood Still, the original of which is the Citizen Kane of science-fiction movies. Let them take a shot; I wish ‘em luck. Nor is it Star Trek 74: The Reboot-To-The-Rear. I’d scoff at this attempt but, frankly, after the majority of Trek movies what the hell, maybe it’ll work. It did for James Bond in Casino Royale 3. Nope, I’m trepidatious about Will Eisner’s The Spirit. Make that Frank Miller’s Will Eisner’s The Spirit.

There’s absolutely no slight here against Frank. Of all the folks in comics, he has been one of the most publicly and most aggressively pro-creator rights activists around. His passionate arguments about the Comics Code and about the way Marvel treated Jack Kirby still ring loudly in my inner-ear. In fact, I’m glad to see The Spirit in the hands of a person who knows how to make comics work yet also has a solid background in movies. 

No, I’m afraid of Hollywood.

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