Tagged: review

Emily S. Whitten: More Arrow, and Hooray Halloween!

  • News
  • October 30, 2012

Never let it be said that I won’t change my mind if circumstances change. In that vein, I’m starting today’s column with a little addition to last week’s thoughts on Arrow.

 (Warning: Spoilers ahead!)

After writing about how things in the first two episodes seemed too crowded and rushed, and how I wish they’d slow down a bit and also give Arrow a few challenges to the thus-far routine of “Ollie targets bad guy, Ollie triumphs over bad guy,” Arrow turned around and gave me exactly what I was asking for. Sure, I still wish they’d taken more time to mine the experience of the first few days/weeks of his return from nowhere (sort of like how Elementary managed not to pile on every revelation about Holmes’s and Watson’s pasts and presents right up front, as I mention in my Elementary review here). And I still think the voiceovers are overly melodramatic, and in fact may be the thing that’s jarred me out of enjoying the show the most so far; but it feels like with episode three, the show is now hitting its stride.

For one thing, they actually gave Arrow an adversary worth a few minutes time, i.e. Deadshot, who throws Ollie off his game and wings his bodyguard, Dig. True, Ollie gets the easy upper hand by using his standing as, apparently, a captain in the Russian mob (eh??) to find Deadshot, and then takes him down reasonably quickly – but at least it wasn’t all smooth sailing this week. For another, they introduced a new step in Ollie’s playboy disguise – opening a nightclub to cover his secret base – without resolving it magically in one episode (I was half expecting the final scene to be opening night at the club or something). And finally, they’ve slowed their roll on the character drama to what feels like a more manageable and real life pace, focusing mostly this episode on Arrow beginning to build a bond of trust with Detective Lance (woo!) and Thea being a willful teen headache to everyone around her. Plus there was a bar fight that involved Laurel beating the crap out of a dude, which was killer and by far my favorite scene of the episode.

Happily, it looks like they may also be giving themselves an in to address the voiceover issue, by giving Arrow a confidante in the wounded Dig (and just in time too, as my friends and I were beginning to suggest other possible solutions, such as Arrow getting a new sidekick, Quiver. He would look like this). I hope so, as that could introduce more humor or banter into the show. I’d like to see the grimness tempered with an occasional sense of adventure and fun, as well as more of an open emotional connection to someone from Ollie, and maybe with Dig knowing his secret, that will come to pass.

Until then, I’ll keep watching, and amusing myself by trying to spot the new extreme form of exercise Ollie does each episode (this time, it was lifting a ridiculous amount of weight via a pulley system-thing). I’m hoping they’ll keep including those, so I can turn them into a game like spot-the-pineapple in Psych. I’m also hoping the next Easter egg for comics fans is a character named O’Neil (or possibly Denny?) after ComicMix’s very own Dennis O’Neil. C’mon, writers! I’m sure an absent-minded Perfesser character would come in handy for exposition and the like. Do it!

 (End of spoilers!)

In other news, Halloween is just around the corner, which brings me great joy and the usual expectation of going to parties where no one recognizes my costume. Just kidding! I guess I’m still slightly bitter about the time I went out in Georgetown as Black Canary and exactly zero people got it (although there were three votes for Lady Gaga since I wasn’t wearing pants. Sigh.) I can’t complain too much about that, though, because I had fun with it, and it did inspire this awesome sketch by amazing comics artist John K. Snyder III. Yay!

Despite the Philistine-like character of some mundanes in DC, as an adult and convention costumer I love that Halloween provides an opportunity for all the local geeks to strut their stuff without (much) comment from everyone else. Sure, when I go out tomorrow night, I expect the usual round of gangsters, zombies, “sexy” whatevers, and that guy who always shows up dressed as himself with a nametag. But Friday night on the Metro I ran into a matched pair of Trekkies, and they were swiftly followed by a full-grown Teenage Mutant Ninja Turtle. And nobody in this usually stuffy town blinked an eye – or at least, if they did, you could tell by the look in said eye that they were admiring the costumes, not sneering at them.

Given that when I’m on my home turf my life is caught up in my full-time professional job, my professional commitments, and more, I don’t get to do as many local geek things as I’d like – and a lot of my genre friends are folks I’ve met at cons, and live far away. So it’s nice to have the reminder that actually, there are a lot of locals who love the same things I do (and to maybe meet some of them as we’re making the rounds, nerd flags flying high). It makes my geeky little soul happy to be out and about in the neighborhood, shining that geek light with costumes I made for conventions, even if most of the people out there don’t know who I’m supposed to be because it’s a comic book character don’t any of you people at this dance club read comics geeeeez.

Therefore, I plan to keep on representin’ for us comics fans at Halloween this year with the Arkham City Harley Quinn costume I described the construction process for in an earlier column and made for Dragon*Con, which turned out like this, in case anyone was wondering (with bonus Lego Poison Ivy!). And happily, my friend actually discovered that the club we’re planning to go to has the perfect theme – Haunted Mental Ward – so for tomorrow night, I went the extra mile (okay, inch) and also made this. I’m hoping that this year, at least a few people get my costume; but the funny thing is that, if they don’t, I kind of don’t care. Because Halloween is a fun time to go out wearing whatever the hell you want and have some fun with it, and that’s exactly what I plan to do.

What about the rest of you? Any exciting Halloween plans? Great costumes? Feel free to share in the comments (with pictures! Pictures are great!) and I hope that everyone has a fun, and safe, and slightly spoooooky Halloween!

And until next time, Servooooooo Lectiooooooo!

TUESDAY AFTERNOON: Michael Davis Pontificates

WEDNESDAY MORNING: Mike Gold Hands Out Marching Orders

 

REVIEW: Chernobyl Diaries

Producer Oren Peli commanded our attention with the interesting Paranormal Activity, but has since proven to be a lot less interesting to watch. His subsequent works have lacked flaw or much suspense or originality. His latest disappointment is the post-apocalyptic Chernobyl Diaries, which is a horror film using the Russian nuclear disaster as the catalyst. The film, out on Blu-ray from Warner Home Video, lets down the viewer by not being good, scary, or by having anything to say about nuclear reactors at a time when the topic is bubbling up once again as we scramble for alternative energy sources.

The basics of the story show a group of friends take an “Extreme Tour” of Prypiat, the town next door to the fabled power plant which exploded in 1986 and currently sits buried under concrete. When they somehow get stranded from the tour, you know nothing good will come of this decision. Uri (Dimitri Diatchenko), the tour guide, is the one to make the inane decision to spend the night rather than hike through the night the twelve miles to get help or find appropriate shelter. In a thankfully brief eighty-six minutes, we watch several get killed and a few lucky ones survive. Ho hum.

Peli knows how to scare us, having made his name with Paranormal Activity but he and Bradley Parker reuse all the same techniques in a new setting, recycling without any benefit to the audience. At least visually they make things look and feel bleak with Hungary and Serbia standing in for poor Prypiat.

This film was shot on the cheap, reportedly $1 million, which may explain the lack of adequate script or solid cast to convince us something bad is really going on. The quartet of kids is led by singer Jesse McCartney and Norwegian actress Ingrid Bolsø Berdal, neither of whom are bad enough to deserve Razzies, just bland. They run, they hide, they get hunted by who-knows-what, which miraculously transforms into I-don’t-care long before the fifty minute mark.

Before he is allowed to shot another movie, Peli needs to convince us he has something to say or something to show us. Right now, we’ve seen it all and have little need to come back for more.

The movie looks and sounds fine on the transfer. The Combo Pack offers us the Blu-ray, DVD, and Ultraviolet along with a few extras including Uri’s Extreme Tours Infomercial (1:19); Chernobyl Conspiracy Viral Video (2:25); a single deleted scene and an alternate ending that doesn’t help.

REVIEW: The Raven

The timing of The Raven’s home video release is a curious one as I am busily teaching my eighth graders about the short story, using Edgar Allen Poe’s “The Tell-Tale Heart” as the first example. This feature film was released in the spring and sank without making much of a ripple at the box office, unlike Poe, who startled readers with amazing regularity for over a decade before his tragic, mysterious death.

To introduce the students to Poe, we reviewed his life which had him all over the northeast, marrying a thirteen year old relative and fighting depression and alcohol while trying to be the best writer or journalist he could be. His works of prose and poetry made for excellent reading in the newspapers and magazines while he laid the groundwork for contemporary detective fiction and helped transition us from the more genteel gothic tale to one of pure horror.

Screenwriters Ben Livingston and Hannah Shakespeare used the unrecorded circumstances of Poe’s final days and blended them with elements drawn from his works to tell this particular story that fails to be a solid detective yarn or be particularly scary. Director James McTeigue’s (V for Vendetta) best move was to cast John Cusak as Poe, giving us a sympathetic character, although he appears far too robust given what really happened in Baltimore back in 1849. Foreshadowing the serial killers that became a staple of newspapers and novels decades later, this story shows us Poe chasing such a killer.

None of it really happened and the R-rated film is too violent for my young charges to see, which may be just as well given its lack of real suspense or good writing. Even the pounding soundtrack is more distracting than unsettling, just another layer of noise on an all-too busy film.

Why is he in Baltimore? Not chasing a killing but there to woo and marry Emily Hamilton (Alive Eve), despite the disapproval of her father, Captain Charles (Brendan Gleeson). He’s also drunk and in need of work, hoping to land some assignment from editor, Maddox (Kevin McNally). During this time, someone is killing young women in a manner reminiscent of Poe’s work so Police detective Emmett Fields (Luke Evans) summons Poe for a consultation and suddenly the game is afoot.

If you enjoy Poe’s work, you will appreciate the nods which have been woven or shoved into the fabric of the story but on the whole it is tedious business, not at all helped from flat dialogue and characterizations to a less than effective atmosphere. And it also avoids being interesting by being very predictable so of course Emily falls into the killer’s hands and Poe will be the only one to save her. Had the screenwriters actually used Poe’s structure of building suspense and playing with the psychological underpinnings of gothic fiction, things might have turned out far differently. Instead, we’re left checking our watch and wondering how such rich material could feel so obvious.

The film’s transfer to Blu-ray is nicely handled and McTiegue’s dark, shadowy shots retain their black moodiness. Similarly, the audio work is just swell.

McTiegue and producers Marc D. Evans, Trevor Macy, and Aaron Ryder provide rich details on the film’s making in the audio commentary. The disc also comes with six Deleted and Extended Scenes (10:41); none of which are missed. The Raven Guts: Bringing Death to Live (13:32) is a just-right-length making of featurette while the teaching in me wanted more from The Madness, Misery, and Mystery of Edgar Allen Poe (9:50), as a pair of experts tell us what Poe’s life was really like, especially at the end. There are three additional pieces: Behind the Beauty and Horror (2:18), The Raven Presents John Cusack & James McTeigue (2:45), and Music for the Raven – The Team (5:10).

Marc Alan Fishman: Another Three Bite The Dust

I’m tempted to be cheeky. I was considering writing this whole article in a faux-eulogy for our newly departed (departing …) series from the New 52. But, let’s be honest, I’ve done it before. So, how about we cut through the pretense and figure out why – beyond the obvious – these series are headed back to the scrap pile.

For those not in-the-know, Blue Beetle, Grifter, and Frankenstein: Agent of S.H.A.D.E have been given the axe. Ask Bob Wayne, Sales Guru of DCNew, and he’ll proudly produce the following PRSpeak:

“There’s always going to be some pressure on whether or not the new idea being pitched is maybe more exciting than another series we have that may have already told its story,” he said. “That might mean it’s maybe time to put that title on the shelf for a while or have the characters migrate into some other title. So there’s not really a hard and fast rule where there’s a line in the sand where if it falls below this point on the Diamond chart or doesn’t make this percentage of X, it’s gone. It’s really very story driven.”

So, there you have it kiddos. Blue Beetle, Grifter, and Frankenstein simply told their story. And they needed to sit out for a while so some new books can grace the shelf. Well, that’s sort of true. As ComicBookResources properly reported, all three of the titular characters here will all show up in new books. Consider then, if you will, the following conundrum: If a title is canceled in the forest, and no one cares, can you just move the important pieces into another book and call it a day?

I’ll be honest. Out of those three books, I’ve only read one. I purchased the first 10 issues of Blue Beetle. I gave up after one too many crossovers and false starts. This is after I reviewed the book, positively, over at MichaelDavisWorld. Simply put? The series has yet to find solid ground to stand on. Akin largely to the now defunct Static Shock series, I felt the editorially mandated ‘must-see-teevee’ issue drive has tanked the series. Over the course of just a year in publication, Blue Beetle has received his super powers, fought his best friend (who became a villain Beetle), moved to New York, got in the way of the DEO and Director Bones, fought his best friend again, fought Kyle Rayner’s rainbow brigade, and will end his series fighting the Reach, creators of his bug-suit. I’m pretty sure before the end of this volume, he may fight his best friend again. Is it any wonder the story is ending? It never started!

Over at Frankie and the Slim Shadies? Different song, same dance. On paper, it’s actually a bit baffling. The series has enjoyed a nearly consistent creative team – and a cursory look over several review sites even show that the book was consistently entertaining. But as I glazed over the 13 available covers, I saw a schizophrenic book. One week, the mean green machine is slaying the rot. Another week? An underwater monster. Then some insects. Then OMAC. Obviously, Jeff Lemire knows how to write well. And it appears he tried to breath as much life into the book as the lightening bolts would let him. But what I didn’t see there in all the reviews … consistency of story. I guess when you have to change gears like Frank swaps limbs, it’s not an easy task to stay alive. Heh.

And how about Grifter. Much has been written about the Rob Liefeld production. Suffering from the same repeated editorial mandates, and shoehorning of the Wildstorm Universe into the DCU … is it any wonder that all of the WU books are tanking on the sales sheets? Ooops. Sorry. I mean “story sheets.” Because all of this is really story driven, folks. Keep the simple facts in mind. They had a team in place at launch. Nathan Edmondson and CAFU. It didn’t take even six issues for the carousel of artists to fill in and out of the book. Then at issue nine, enter Liefeld’s typewriter. And three issues later? Another new penciler. Is it any shock to you that when a book changes artists this much, it’s circling the drain? Go look on your shelves right now, and count for me the number of creative team shifts that occurred in the best runs of your favorite books. Yeah. I thought so.

Ultimately, these three series each have had high points and low. By their very nature of being DC titles, they see sales indy guys like me and my kin would kill for. They are distributed far and wide. They are reviewed on countless sites. They are picked apart and debated for their merits. At the end of the day though … the powers that be want to see success. And put any spin on it you want … if the book isn’t banking beaucoup bucks (or I surmise … banking enough to be above water, or carrying the possibility of future licensing deals), the grave is dug in the ditch next to the road. Let’s not be unrealistic; we knew that the New52 was not going to deliver 52 critically-acclaimed sales-powerhouses. The zeitgeist would never have been able to sustain that much hype, love, and attention. What this is … is what it’s always been; the nature of the comic industry is to die and be reborn at the right place and the right time.

Mourn not for Grifter, Blue Beetle, or Frankenstein, kiddos. They’ll all be back, and be canceled just as quickly, when we cover the New52 NOW next year.

SUNDAY: John Ostrander

Dr. Kildare! Dr. Yen Sin! Pulp and More from Radio Archives!

  • News
  • October 19, 2012

RadioArchives.com Newsletter

 
October 19, 2012
 
 
 

“…One of the great citadels of American medicine…”
 
Radio listeners in the 1940s and 50s were introduced to Blair Memorial Hospital this way and welcomed into the life of one of the most enduring physicians of American Fiction. The Story of Dr. Kildare, Volume 3 gives modern listeners the chance to enjoy the drama, humor, and fantastic storytelling that have made Kildare and company a part of American culture.
 
Based on the highly successful Dr. Kildare series of B-Movies by MGM, The Story of Dr. Kildare retained not only the charm and pathos of the films, but also brought two stars from the movies that’d left their marks on the series. Lew Ayers, who portrayed the idealistic young Dr. Kildare in the first MGM films, reprised the part for radio. As important as Ayers, acting legend John Barrymore lent his talents once more to the role of Dr. Leonard Gillespie, Kildare’s curmudgeonly mentor and often partner in the cases Kildare worked in each episode.
 
Great talent was not The Story of Dr. Kildare’s only strong point. Production on this syndicated, relatively low budgeted program was top notch, featuring William P. Rousseau as director, an original score by Walter Schumann, and scripts from such greats as Jean Holloway and Les Crutchfield. Each episode was a self contained superbly presented drama. The Story of Dr. Kildare Volume 3 from Radio Archives is six hours of classic drama at its finest restored to the highest quality possible for pure listening enjoyment. Make The Story of Dr. Kildare, Volume 3 part of your essential listening
 
Six hours, twelve shows of great fun. $17.98 Audio CDs / $8.99 Download.
 

 

Any program in entertainment needs its own special energy, something that drives it to be the best of the best. When that special electricity comes from many different angles, then you get shows like those in Mutual Radio Theater, Volume 3.
 
An entry in the comeback of radio drama in the late 1970s and early 1980s, Mutual Radio Theater provided new and amazing shows five nights a week for its entire run. Written by leading names in radio, Mutual Radio Theater also sported something that every show needs to succeed. Star power.
 
Each night of the week, a different star hosted – Lorne Greene, Andy Griffith, Vincent Price, Cicely Tyson, and Leonard Nimoy. These stunning talents, though, were only the beginning. The shows were peopled with stars from both classic radio and modern television and movies. Names from the golden era of radio drama included John Dehner, Vic Perrin, Hans Conried, Marvin Miller, Parley Baer, Elliot Lewis, Jeff Corey, Virginia Gregg, and Lurene Tuttle. Modern entertainment lent some of its best talent as well, including Tom Bosley, Marian Ross, Lloyd Bochner, Rick Jason, Frank Campanella, Toni Tennille, Arthur Hill, and Jesse White.
 
Mutual Radio Theater, Volume 3 contains 20 Stereo episodes featuring legendary talent alongside up and coming stars of the early 1980s. Combined with the stellar writing talents of such greats as Arch Oboler, Mutual Radio Theater, Volume 3 is a must have for any Radio enthusiast! $59.98 Audio CDs / $29.99 Download.

 
Because of your great response, Digital Downloads of any of our Old Time Radio sets will be priced at 50% off the regular Audio CD price through the end of the year. You get the same sparkling high quality audio content as our compact disc collections at a reduced price, Delivery immediately upon payment, and the ability to play them on your phone, computer, or portable device! Purchase the audio collections you love and enjoy them in a whole new way!
 

 

 
Read by Joey D’Auria and Michael C. Gwynne
 

Among fans of classic pulp fiction, aficionados of supernatural stories consider Popular Publications’ Terror Tales the magazine for people who found the Lovecraftian stories in Weird Tales too tame and Universal’s classic monsters too Hollywood!
 
Between 1934 and 1941, Terror Tales and its legion of unholy authors spewed forth an unremitting litany of horror, terror, torment and torture—all directed at ordinary American couples faced with supernatural menaces torn from their deepest, darkest nightmares. Think Scream during the Great Depression.
 
We have selected seven of the most compelling stories torn from the pages of Terror Tales for this sampler from Hell.
 
In Paul Ernst’s horrific “The Mummy Maker,” an innocent woman faces the fearsome fate of being mummified alive! Norvell Page’s disquieting “Accursed Thirst” takes us into the dark mind of a vampire—or is it a werewolf? The specter of a dead Egyptian deity loosed upon the modern world comes alive in E. Hoffmann Price’s eerie “The Cat Goddess.” Asian elementals harass the curious in Arthur J. Burks’ creepy “Six Doors to Death.” G. T. Fleming-Robert’s gruesome “Moulder of Monsters” serves up twisted human flesh. Maitland Scott’s unsettling “Shadows of Desire” leads us inexorably to a traumatic climax. Finally, terror and horror compete for supremacy in Frederick C. Davis deeply disturbing “Dig Deep the Graves!”
 
Terror Tales is narrated with appropriate doom-laden solemnity by Joey D’Auria and Michael C. Gwynne. Shivers await! Horrors abound! Try not to listen after midnight. We are serious about this. Not for children! Seven terrifying hours. $27.98 Audio CDs / $13.99 Download.
 
By Derrick Ferguson

 
The Mystery of The Dragon’s Shadow is the latest audio adventure from Will Murray’s Pulp Classics. The title character is from the “Yellow Peril” sub-genre of pulp made popular by Sax Rohmer’s Dr. Fu Manchu character. Dr. Yen Sin is very much a character in that same mold as Fu Manchu: a superhumanly brilliant Asian scientist scheming to rule the world. At his disposal is an army of killers, fiendish devices of such advanced science they appear to be magic and femme fatales who relish luring stalwart heroes into inescapable death traps.
 
Two things really set this audiobook apart: the hero of the story, Michael Traile is more than a match for Dr. Yen Sin as due to a childhood surgery, he is incapable of sleeping. This means that he’s got extra time to learn all sorts of skills from the mundane to the mystical. Skills that make him capable of surviving whatever Dr. Yen Sin throws at him.
 
The other thing that sets this audiobook apart is the outstanding voice work of Michael C. Gwynne which is just perfect for this story. To my ears his voice has an authentic 1930’s sound that made me feel like I was listening to a recording from that period and not one recorded today.
 
As an African-American I am frequently asked how I can enjoy reading the pulps and listening to audio dramas of that era as the racism of that period of our country’s history is reflected in the popular culture of the time. Long ago I reconciled myself to the fact that the pulps were produced during a time when people simply were not as enlightened or as culturally sensitive as they are now. In order to enjoy any art form that was created in periods of history that were not sympathetic to a particular culture or race, one either accepts that this was how people saw the world at that time and dives into the story, movie, novel, play or music as pure entertainment or just leaves it alone.
 
There are three Bonus short stories in this audiobook, two of them read by Joey d’Auria and one read by Mr. Gwynne. The three stories involve Asian criminals and Chinatown set mystery and intrigue. It’s a package of stories well worth the time and money and I excitedly look forward to the next audiobook read by Mr. Gwynne and I think that after you listen to Dr. Yen Sin: The Mystery of The Dragon’s Shadow, you will too.
 

 

FREE Spider eBook!

 
Receive an exciting original Spider adventure for FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect opportunity to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 

See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of  the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!

 

 

The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and more, Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 

Throughout the dives of the Underworld and in the dens of criminals, the news was spread in eager whispers: “The Boss will get the Spider! He’ll make himself th’ biggest shot in the country!”… But those nearest the criminal genius sat silent, remembering the horrible acid vat reserved for those who talked too much. Richard Weatworth — that grim Spider who strikes when the Law fails or dares not — faces the bitterest decision of his life. His servants have been maddened, his beloved Nita is a hostage to doom, and he must brand Kirkpatrick — his very dearest friend — with the red seal of the Spider! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 

America had never before known two such men as those who were pitted against each other: Richard Wentworth, the Spider, the avenger — and Tang-akhmut, the sinister Egyptian, the destroyer. Never before had America witnessed such Titanic Struggle. The man who came out of the East set out deliberately to rule this country — or ruin it — by debauching the women, by promising the men a carnival of looting and rapine and crime. Richard Wentworth knew that he alone could cope with this all-powerful Oriental criminal — yet Richard Wentworth had been swiftly stripped of his armor and his weapons, his wealth and his friends. An unarmed man attacking a Juggernaut, the Spider plunges into this epic battle! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks.

 

Gold — a nation’s strength for war and peace — had been completely looted from the Treasury in Washington by an octopus-like international syndicate. A mysterious madman — more cunning even than death — captained the ruthless spy-crew which was sucking the life-blood from our land. The proudest nation in the world seemed helpless — doomed! One man alone, Operator 5 of the American Intelligence, grasped the full import of that crafty plunder-plan. And he — known to only his best friends as Jimmy Christopher — was spied upon by his brothers of the Service, suspected of treason by a short-sighted superior, hampered by senseless bureaucracy. In the hour of America’s greatest peril, Operator 5 must sacrifice father, friends, honor, and his beloved in order to wrest victory from what promises national dishonor and ignominious defeat! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks.

 
Terror Tales Hugh B. Cave, Book 1

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine, all written by Hugh B. Cave, reissued for today’s readers in electronic format.

 

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine, all written by Paul Ernst, reissued for today’s readers in electronic format.
 

Captain Future… the Ace of Space! Born and raised on the moon, Curt Newton survived the murder of his scientist parents to become the protector of the galaxy known as Captain Future. With his Futuremen, Grag the giant robot, Otho, the shape-shifting android and Simon Wright, the Living Brain, he patrols the solar system in the fastest space ship ever constructed, the Comet, pursuing human monsters and alien threats to Earth and her neighbor planets.
 
This is one of the infamous “final seven” Captain Future tales. After a run of twenty pulp issues, the quarterly magazine closed. But that was not the end of Captain Future. He returned in a series of short stories published in Startling Stories magazine, beginning with the January 1950 issue. Edmond Hamilton, creator of Captain Future and author of the majority of the full-length novels, returned to pen seven more Captain Future stories. His style had matured, as had his original audience, and these final seven Captain Future stories are considered to be some of his best. Captain Future left the pages of Startling Stories with the May 1951 issue, but editors left open the possibility that Captain Future might return some day. True fans are still waiting. Until then, Captain Future returns in these vintage pulp tales, reissued for today’s readers in electronic format.
 

All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available in the Kindle store and the Barnes and Noble Nook store! and RadioArchives.com!

 
 
You can upgrade the eBooks you have purchased from Radio Archives for FREE. We have made the eBooks look better by polishing the formatting, making the graphics crisper, and a new Contents page. It is now We made it easier to purchase by eliminating the zipfile. Buy a Will Murray’s Pulp Classic from your iPad or other mobile reading device, and be reading within seconds. There is no need for a desktop computer. Customers who have purchased the previous eBooks can upgrade to the new versions for Free. Send an email to Service@RadioArchives.com for upgrade instructions.
 

 

 
One of the top crime-fighters from the golden age of pulp fiction, The Spider returns in two thrill-packed adventures written by Norvell Page under the pseudonym of Grant Stockbridge. First, in “The Spider and the Jewels Of Hell” (1940), Tough, dauntless miners, accustomed to hardship and danger, paled in helpless terror as their homes were destroyed, their loved ones slaughtered! No one was safe, above ground or below, when The Killer walked among them. Only the Spider dared challenge the strangle-hold of fear that held an entire town in its deadly grip! Then, in “Recruit For the Spider Legion” (1943), Staunch supporter of justice and champion of the law Stanley Kirkpatrick, finds himself about to gain unexpected insights into the workings of the system when he himself is faced with the electric chair! Can the very man who has forever branded the Spider a criminal for his vigilante efforts join with his old enemy to battle the forces of Kali? These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. Available now for $14.95!
 
 
 
 
 

The shattering sequel to Fortress of Solitude.
 
The Doc Savage exploit that went untold for 74 years—Death’s Dark Domain!
 
In the aftermath of the evil John Sunlight’s pillaging of the secret Fortress of Solitude, a dreadful super-weapon has fallen the hands of a Balkan dictator intent upon seizing control of the vampire-haunted zone of desolation known as Ultra-Stygia. War is imminent. Monsters are loose in the disputed region. A strange darkness falls over the sinister landscape. Only Doc Savage, the Man of Bronze, understands the terrible threat to humanity. And only he can prevent the terror from spreading…
 
There are unknown Things prowling the darkest patch of land on the planet. Haunted by creatures that might have emerged from the Hell’s lowest regions, ancient Ultra-Stygia has turned into a cauldron of conflict between rival countries. Monster bats careen through the night sky. Invisible Cyclopes patrol the scorched battleground. And a power beyond understanding robs men of their vision.
 
Can the 20th century’s premier scientist and superman untangle this Gordian knot of carnage before neighboring nations are drawn into an apocalyptic new world war? Or will the Man of Bronze succumb to an unstoppable power he himself has unleashed upon mankind?
 
From the frozen Arctic to the war-torn Balkans, Doc Savage and his fighting five follow a winding trail of terror to a blood-freezing climax.

 
Death’s Dark Domain features a fantastic cover painted by Joe DeVito! Buy it today for only $24.95 from Radio Archives.

 

Back in print after 20 years! The rare Lester Dent-Will Murray collaboration resurrecting the original pulp superman…

 
Also available is the first Altus Press edition of Will Murray’s 1993 Doc Savage adventure, The Forgotten Realm. Deep in the heart of the African Congo lies a secret unsuspected for thousands of years. Doc Savage and his men embark on a quest to discover the secret of the strange individual known only as X Man, X for unknown. Before they come to the end of the trail, they find themselves fighting for their lives like gladiators of old!
 
No one knows who—or what—the strange being who calls himself “X Man” truly is. He was found wandering the ruins of a crumbling Roman fort, dressed in a toga, speaking classical Latin—and clutching a handful of unearthly black seeds.
 
Declared insane, the X Man patiently tends his weird plants until the day, impelled by a nameless terror, he flees Wyndmoor Asylum to unleash a cyclone of violence that is destined to suck the mighty Man of Bronze into the blackest, most unbelievable mystery of his entire career. For far from Scotland lies a domain of death unknown to the world and called by the ancient Latin name of Novum Eboracum—New York!
 
From the wild Scottish moors to the unexplored heart of darkest Africa, Doc Savage and his indomitable men embarked upon a desperate quest for the Forgotten Realm….
 

The Forgotten Realm features a spectacular cover painted by Joe DeVito! Buy it today for only $24.95 from Radio Archives.

 

Eerie Halloween Special
The Master of Darkness investigates baffling mysteries in two classic pulp novels by Walter B. Gibson writing as “Maxwell Grant.” First, a deadly outbreak of “Gypsy Vengeance” pittin gclan against clan can only be ended by The Shadow’s justice! Then, the Knight of Darkness must pierce the mystery behind a silver veil to end the murderous crimewave commanded by “The Veiled Prophet.” BONUS: legendary sleuth Nick Carter investigates murder on the set of a Shadow movie in a classic story from the Golden Age of Comics! This instant collector’s item showcases the original pulp covers by George Rozen and Graves Gladney plus the classic interior illustrations by Tom Lovell and Edd Cartier, with historical commentary by Anthony Tollin and Will Murray. Buy it today for $14.95.

 

Expanded Manuscript Edition Plus Supersnipe!
The pulp era’s greatest superhero returns in two incredible tales by Lester Dent writing as “Kenneth Robeson.” First, Doc, Monk and Ham journey to the Indo-China jungles to solve the strange enigma of “The Flaming Falcons” in a novel expanded from Lester Dent’s original 1939 manuscript. Then, what is the bizarre connection between “The Two-Wise Owl” and the murder of Ham Brooks’ brother? BONUS: Supersnipe, “the boy with the most comic books in America,” gets imto mischief on the set of a Shadow movie in a classic story from the Golden Age of Comics! This double-novel collector’s edition features both original color pulp covers by Emery Clarke, Paul Orban’s classic interior illustrations and historical commentary by Will Murray, writer of ten Doc Savage novels. Buy it today for $14.95.

 

Expanded Manuscript Edition Plus Supersnipe!
The pulp era’s greatest superhero returns in two incredible tales by Lester Dent writing as “Kenneth Robeson.” First, Doc, Monk and Ham journey to the Indo-China jungles to solve the strange enigma of “The Flaming Falcons” in a novel expanded from Lester Dent’s original 1939 manuscript. Then, what is the bizarre connection between “The Two-Wise Owl” and the murder of Ham Brooks’ brother? BONUS: Supersnipe, “the boy with the most comic books in America,” gets imto mischief on the set of a Shadow movie in a classic story from the Golden Age of Comics! This double-novel collector’s edition features both original color pulp covers by Emery Clarke, Paul Orban’s classic interior illustrations and historical commentary by Will Murray, writer of ten Doc Savage novels. Buy it today for $14.95.

 

 

By John Olsen

 

Who is The Black Falcon? A black feather. The dyed feather of a falcon is the only clue to the man behind an insidious game of crime. Even his evil minions don’t know his identity. Yet they readily accept his payments, packets of money banded along with a single black feather. The law receives taunting letters from the crime master, affixed with another of those black feathers.
 
The Black Falcon boasts of his ability of kidnap wealthy society members and return them at will. And he makes good upon his boasts!
 
Who will be next? None other than Lamont Cranston! Yes, The Black Falcon has confirmed that Cranston is The Shadow, and determines to kidnap him. This will not only serve the purpose of a million-dollar ransom, but will also eliminate the threat from the black-cloaked avenger.
 
It will take all the unique abilities of The Shadow to thwart this Napoleon of crime. It will tax The Shadow to his fullest. And it’s a classic early story that you won’t want to miss.
 
Featured in this story are underworld-agent Cliff Marsland, reporter Clyde Burke and long-time agent Harry Vincent, with Burbank and Rutledge Mann in brief appearances. The Shadow appears in disguise as Lamont Cranston. And representing law and order are Commissioner Weston and Joe Cardona.
 
This story features the appearance of those unique rubber discs. The Shadow uses the concave suction cups to scale the sheer outside wall of a tall apartment house. In these early stories, The Shadow was apparently a bit of an inventor. He was occasionally mentioned as having invented some device that was used. In this one, Harry Vincent uses a wireless sending set, secreted in the rumble seat of his coupe. The equipment, it is mentioned, was The Shadow’s own invention. Is there no end to what The Shadow is capable of?
 
A feature of the early Shadow novels that disappeared after time was The Shadow’s “horror face.” In later years, the horror face was discarded and we learned the under the slouch hat was the face of Kent Allard. Apparently it was Allard’s true face and not disfigured.
 
In this novel, however, The Shadow has his horror face, and reveals it to The Black Falcon in the exciting climax of the story. The Shadow tells The Black Falcon, “…those who have seen the true face of The Shadow have never lived to recite their discovery!” The sight of his face causes The Black Falcon to slump in horror. His ashen face reveals terror, something the evil fiend had never felt before.
 
Yes, this is The Shadow at his finest. It’s a thrilling early pulp novel. And it can be found in The Shadow Volume 5 for only $12.95 from Radio Archives!
 

Comments From Our Customers!
 
Joseph Roman Leary writes:
It was the audio sample that sold me on Dr. Yen Sin. I thought Mr. Gwynne’s narration was great.
 
Larry Black writes:
Please send me a complimentary e-copy of Spider #11 and keep up the excellent work. I really enjoy your virtually endless selection of great Old Time Radio shows!
 
Dale writes:
I’ve been buying ebooks produced by your company for quite a while now and have always been impressed with what I’ve received.
 
It was a VERY pleasant surprise that greeted my eyes when I checked the most recent ‘pulp’ Kindle books on Amazon today and saw that you guys have released over half a dozen collections from the rare ‘Terror Tales’ magazine! I immediately bought all of them except the Hugh B. Cave collection (Being a big Cave fan I already have all of the stories in that collection).
 
THANK YOU VERY MUCH for releasing these! We horror fans are STARVING for these fun, wild and fast-paced stories!
 
The formatting is very nice and the Table of Contents are great with links for every chapter of every story. I’m glad you guys have done just as fine of job with these collections as you have with your other excellent ebooks.
 
PLEASE RELEASE MORE of these fascinating ‘weird menace’ / ‘shudder pulps’! It would be a dream come true to be able to see all (or even most) of the short stories from ‘Terror Tales’ as well as the other 2 essential terror titles like ‘Horror Stories’ and ‘Dime Mystery Magazine’.
 
My friend and I were having a bit of a contentious debate as to whether you have the resources to procure and release most (if not all) of the issues or short stories from the ‘Horror Stories’ or ‘Dime Mystery Magazine’ pulps (also produced by ‘Terror Tales’ creators Popular Publications).
 
As you may already know ‘Horror Stories’ and ‘Dime Mystery Magazine’ issues are EXTREMELY rare and my buddy thinks even you guys couldn’t find enough of them to release substantial collections but I disagreed with him and said that you are the most organized and sophisticated of the pulp companies on the planet and that I think you guys could actually pull it off if you decided to do so.
 
I’m not sure how big the market is for ‘weird menace’ pulps but since even beat up copies of the original issues go for hundreds of dollars these days and good condition copies are some of the most expensive on the market (and recent write-ups in prominent horror magazines / sites have no doubt sparked interest among the younger generations) I suspect you guys could make pretty good money if you were able to release story collections (or better yet, entire issues) from ‘Horror Stories’ or ‘Dime Mystery Magazine’.
 
What are the chances of these 2 titles being released by Radio Archives and do you plan to release more collections from ‘Terror Tales’? I’m developing on a blog site that will prominently feature articles about the ‘Weird Menace’ pulps and would be glad to post links to your ebooks so that people can know where to get them.
 
Also, at the end of Will Murray’s introduction for the ‘Terror Tales’ collections there is mention of an ‘audio’ version of Terror Tales from your company which I find to be especially intriguing.
None of them are listed on the site (as far as I can see) so I assume they haven’t been released yet. Are you planning on adding them in the near future?
 
Thanks again for releasing these incredibly rare stories for the world to see! For far too long literary historians have overlooked this fertile albeit lurid subgenre but the authors were better than the reputation of the subject matter and their work deserves to be seen so that the record can be set straight about the strength of the horror stories from the 30s.
 
I’m spreading the word!
 
Thanks and Take Care
 

If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!

 
The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
If you no longer wish to receive our newsletter, or if this newsletter has been sent to you in error, please reply to this e-mail with the subject line UNSUBSCRIBE and your name will immediately be removed from our mailing list.
 

REVIEW: Bones the Complete Seventh Season

Bones has carefully straddled the line between light-hearted crime drama, ala Hart to Hart and taut melodrama. Over the seven seasons, showrunner Hart Hanson has carefully brought the main characters, Special Agent Seely Booth (David Boreanaz) and Dr. Temperance Brennan (Emily Deschanel), together, nicely balancing the “will they or won’t they?” romantic tension until finally, in the last season, they finally became a couple. Probably quicker than anticipated, thanks to a real life pregnancy, Brennan was with child.

The seventh season of Bones, now out on Blu-ray from 20th Century Home Entertainment, is a shorter than normal thirteen episodes because of the circumstances, but Hanson did not slow down the pacing, setting things up for a dramatic cliffhanger that left fans really hanging for the spring and summer.

Along the way, the supporting cast at the Jeffersonian Institute Forensic Sciences Department was also given their moments in the spotlight, proving they are one of the richest, most interesting ensembles on prime time. With all the personal issues surrounding the cast, it’s pretty impressive they still manage to fit in unique corpse of the week stories. Things kicked off with a body at a paintball event and continued forward. The forensic testing results remain ridiculously fast in arriving and Angela (Michaela Conlin) never meets a challenge whose butt she can’t kick so there are definite stretches of credulity, moreso this season than in the past. Sweets (John Frances Daley) lost some of his boyish charm as he grew deadly accurate with his service revolver.

The series nicely rotated the usual interns, freshening the group dynamic with regularity and the addition of southern gentleman Finn Abernathy (Luke Kleintank) was a nice addition. His flirtation and dating of Cam’s (Tamara Taylor) daughter was an interesting development that ultimately went nowhere.

The most unusual episode of the season has to be “The Suit on the Set” where Booth and Brennan travel to watch a film based on one of her books is being made. They skewer Hollywood’s inability to faithfully adapt a novel, going for busts and pyrotechnics over plot and characterization. A little silly but a refreshing change of pace.

The finale sees the return of criminal Christopher Pellant who goes out of his way to frame Brennan, turning her into a wanted felon. The problem here is that the circumstantial evidence mounts so high so fast, at least one of the characters should have at least questioned the absurdity of all this damning information pouring out at once. But nope, never happened. Instead, Brennan and her dad (Ryan O’Neal) take the baby and go on the run, leaving Booth behind.

Given the shortened season, one would have expected either additional special features to compensate or fewer given the dearth of material to work with. We get more of the latter than the former with two deleted scenes, commentary on one episode, a four minute Gag Reel, and two small pieces on the Hollywood episode. First, there’s Creating The Suit on the Set (10:59) on how the episode was made then a fun, fake Bone of Contention: On the Red Carpet (3:18)

I was late to the series and was able to plow through the first five seasons to jump on board but you cannot start cold with this season. It’s too involved in its continuity and character relationships to be totally accessible to a newcomer. But for those of us who are fans of this show, adapted from the novels by Kathy Reichs, it was a slid if flawed season and worth a second look.

DOMINO LADY AUTHOR VISITS EARTH STATION ONE

New Pulp Author, Nancy Holder visited the Earth Station One podcast this week to talk about her work on Buffy The Vampire Slayer.

The ESO Countdown to Halloween continues as Mike Faber, Mike Gordon, and Bobby Nash are joined by listener David Ingrund and New York Times best-selling author Nancy Holder to review the entire series of Buffy the Vampire Slayer once more (with feeling). We also review the third season premiere of The Walking Dead. Plus, Nancy’s writing partner Debbie Viguie reveals a special announcement! All this and the usual Rants, Raves, Khan Report, and Shout Outs!

Join us for yet another episode of The Earth Station One Podcast we like to call: Buffy The Vampire Slayer at www.esopodcast.com.
Direct link: http://erthstationone.wordpress.com/2012/10/18/earth-station-one-episode-133-buffy-the-vampire-slayer-revisited

REVIEW: Moonrise Kingdom

You have to credit director Wes Anderson with having a unique vision, one that is slightly off kilter compared with most of his fellow filmmakers. As a result, his films tend to visually interesting and highly stylized, getting notably quirky performances out of his cast. Moonrise Kingdom, his oddly sweet summer confection, is the latest such offering. He revels in dysfunctional groupings, in this case a family and local community, set in 1965, on the cusp of dramatic changes to society as a whole. This tale features two twelve year olds who run away as a storm looms over New Penzance, an isolated island off the coast of northern New England and has a kid’s book feel to it. In many ways, it reminded me of having fairy tale similarities to the hyper-realized rainbow bright Pushing Daisies.

You laugh at the oddball characters, marvel at the mannered performances from a stellar cast, and find your expectations upended time and again. You root for the kids, Sam Shakusky (Jared Gilman) and Suzy Bishop (Kara Hayward), to find happiness. To them, it’s a love story. He abandons his scout troop and she runs away from home, and you would too given her dazed dad Walt (Bill Murray) and adulterous mother Laura (Frances McDormand).

Sam is an orphan and his foster family doesn’t want him back so it falls to the local sheriff (Bruce Willis) and the scout master (Edward Norton) to mount the hunt. With the storm approaching, things are ratcheted high enough to snag the attention of Scout commander Pierce (Harvey Keitel) and Khaki Scout chaplain Cousin Ben (Jason Schwartzman) along with Social Services (Tilda Swinton); and yeah, that’s the character’s name.

While the storm and the missing children are whipping the adults up into a stylized frenzy, the two kids are innocent, unaware, and wholly devoted to one another. While every adult is flawed and mostly unlikable, the kids are fresh-faced and worthy of rooting for. What’s interesting is watching the effect their unseen devotion to one another is having on the adults as the film progresses. One by one, love transforms (or at least softens) the adults, the authority figures who are thinking of punishment and retribution.

The story is charming and riveting in its simplicity, a testament to Anderson’s skill as a storyteller. The movie is lovingly transferred to Blu-ray so the soft colors, a palette that works so well as an element, are well captured. The audio is also superb.

Amazingly, there are but three three-minute featurettes included on the disc: A Look Inside Moonrise Kingdom, Welcome to the Island of New Penzance, and Set Tour with Bill Murray.

Dennis O’Neil: Green Arrow and Lance Armstrong

Okay, sue me. Last week I blathered on about trying to know as little as possible about movies and television shows before seeing them. So comes Wednesday, the day the new Green Arrow series, catchily titled Arrow, was to debut and what to my wondering eyes should appear, in the arts section of the New York Times, but a review of that same series. What the hell, right? I read the piece and very favorable it was, too, and later I was in front of the set, tuning it to the CW, waiting for the latest incarnation of the emerald archer. And waiting. And waiting. Because what I was seeing was two hours of programming about football.

Football?

I mulled scenarios. Somebody screwed up getting Arrow and the show scheduled to follow it to the various broadcast outlets? Something in both of them outraged some easily offended poo-bah with enough clout to kill hundreds of thousands of advertising dollars? The football lobby got the shows pulled so it could hype images of big dudes bumping into each other?

The next morning, Mari met a friend at the swimming pool she frequents. Friend told Mari how much she’d enjoyed Arrow. Friend lives in our area.

Time to get seriously paranoid. I was having an acid flashback and I only imagined I was watching sports…The universe was punishing me for not keeping faith with the ComicMix readers…

Maybe not. But then, what? As of right now, I don’t know. If any explanation of the hijacking of the archer by the gridiron mob has appeared, I missed it.

But I did see a story about another hero that appeared on the front page of the Times and jumped to the sports section. It concerned a real-life American athlete who won cycling’s most prestigious event, the Tour de France, seven times.

And doped himself for at least two of those wins and maybe more.

And pressured his teammates to use performance-enhancing drugs.

And lied.

Lance Armstrong, take a bow, and try not to moon the crowd while you’re doing it.

So I missed Arrow and that might be a bigger cause for lament than it, at first glance, seems to be. Because maybe fictional heroes are the only ones we have left. The people we once admired – priests, law-enforcers, athletes, lawyers, and especially politicians, both in and out of office – seem to have feet of clay up to their eyebrows. Admire them? Hell no. Despise them, maybe.

Green Arrow wouldn’t have done what Lance Armstrong did. Unless he was a real human being and the pressure to compete,, to win, was so great that he virtually had to use any means necessary. Then he might go seeking an affable pharmacist. You might be right behind him and I’d be there, too, holding your coat, waiting my turn.

RECOMMENDED VIEWING: The Teaching Company is my favorite business organization. Wiggly, mind-wandering me has never been easy in classrooms – unless I’m standing at the front of them professoring, in which case I enjoy them ­but I kind of like knowing things. So, with its Great Courses program, The Teaching Company fills a vacuum for me. At very modest cost, it sends me audio and/or video recordings of the teachers you wish you’d had doing what they do best. The range of courses is long and large, and most of those I’ve sampled were terrific. I particularly want to recommend Big History: The Big Bang, Life on Earth, and the Rise of Humanity. Presented by David Christian. Absolutely the best course I’ve ever taken, in or out of school.

FRIDAY: Martha Thomases

 

REVIEW: The Best Exotic Marigold Hotel

Your first thought at seeing this review is: “Why on earth is ComicMix reviewing this?” First of all, we’re a pop culture site; but more importantly, this is a film filled with marvelous British actors we have enjoyed in countless genre offerings. They deserve to be seen in just about anything they do and when you put them all together, it’s a British version of The Expendables, the geriatric edition. When you have Judi Dench (the current Bond films), Maggie Smith (Harry Potter, et. al.), Bill Nighy (the Pirates of the Caribbean series), and Tom Wilkinson (Batman Begins) acting together, you sit down and pay attention.

The Best Exotic Marigold Hotel is a charming, well-written, well-acted film that is actually about something. It was directed by John Madden (Shakespeare in Love) and based on Deborah Moggach’s novel These Foolish Things. The cast is fortunate to still be working, but many of their peers – and many of us – are not working as we age, and our future has come into question. The film follows these Brits as they decide to relocate from their homeland to a more affordable retirement community in India. They were suckered into believing the glossy brochure, without stopping to investigate. The reality, of course, is far worse than imagined and now they have to deal with the decisions they have come to make.

The film, now out on DVD from 20th Century Home Entertainment, plays things with a light touch while the subject matter is fairly heavy and resonates with our aging elders here, too. There’s Dench as a recently widowed woman who finds 21st Century technology baffling, and Wilkinson, who lived in India as a young man and has desired for a return. Nighy and Penelope Wilton (Shaun of Dead) blew their retirement savings on funding their daughter’s failed start-up so make this move out of desperation. And there’s Smith, playing a racist who only came to India for a quick and cheap hip replacement operation. It’s not all bleak as Ronald Pickup plays a retiree hoping to score with some of his compatriots, his ardor still running hot.

Sharp contrasts are drawn between the characters and their motivations for making such a major move so late in life. How they react to the decrepit hotel, run by the charming, enthusiastic and overwhelmed Dev Patel (Slumdog Millionaire) propels much of the story. Jaipur, where the story takes place, is beautiful and squalid, a composite of modern day India.

[youtube]http://youtu.be/-tbxrUYPIoY[/youtube]

The film follows the characters and over time we watch some adjust, some struggle, and many fight. It’s a school of fish out of water, prompting a lot of cultural miscues and comedy, but it overlays a poignancy that this stellar cast projects in a nice, subtle way. They learn things from the local people, and each other, while they also teach Sonny a thing or two, letting him finally take the belated steps towards a mature adulthood.

The film has its predictable moments but you’re smiling through most this and you want a happy ending for all concerned, which you (for the most part) get. It’s immensely satisfying and worth a look.

The transfer to Blu-ray is good, not great, and has fine audio. There are a handful of perfunctory extras that are too short for the subject matter, such as Behind the Story: Lights, Colors and Smiles (2:34) and Casting Legends (3:55). The exotic and picturesque locales get their due in Welcome to the “Real” Best Exotic Marigold Hotel (2:55) and Trekking to India: “Life is Never the Same” (2:45).

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks