Tagged: review

NEW FROM RADIO ARCHIVES

RadioArchives.com Newsletter

 
April 12, 2013
 
 
The popular CBS Radio Workshop series is back with Volume 2! This seven hour set contains fourteen radio dramas, including children’s author, lyricist and playwright Edward Eager’s “The Toledo War”; an adaptation of the best-selling “The Little Prince”, Antoine de Saint-Exupery’s most famous work which was autobiographical; John Cheever’s “The Enormous Radio”, which allows a family to hear what goes on in their neighbors’ residences; “A Matter of Logic”, in which writer-director Anthony Ellis and announcer William Conrad, known to radio audiences as Matt Dillon on Gunsmoke, struggle to deal with a script; “The Stronger”, the famous 1889 play by August Strindberg which consists of two characters, only one of whom speaks.
 
The CBS Radio Workshop debuted at the end of the Age of Classic Radio, which was a time of innovation and experimentation, especially in terms of radio drama. The broadcasts consisted of a variety of formats, including a folk ballad enacted with music and rhyme, an interview with Shakespeare and an analysis of satire.
 
The man behind CBS Radio Workshop, which debuted in 1956, was William Froug. Inspired directly by the work of Norman Corwin on the original Columbia Workshop, Froug put all the pieces together to produce a program that took the best of what had come before it and succeeded even further in production, performance and storytelling.
 
Premiering with a two-part adaptation of Aldous Huxley’s Brave New World, which was narrated by the author himself, with a score by famed film composer Bernard Hermann, Froug drew upon the works of many popular writers, including Edgar Allan Poe, Mark Twain, Sinclair Lewis, H. L. Mencken, Frederick Pohl, Thomas Wolfe, James Thurber and Robert Heinlein.
 
CBS Radio Workshop not only continued to push boundaries in terms of utilizing story, music, voice and more in exciting, modern ways, it broke new ground in radio drama. In short, the CBS Radio Workshop set the standard for modern audio drama.
 
Blending sound effects with story, music with voice, and quality with substance, the episodes on CBS Radio Workshop, Volume 2 shows how boundless storytelling can be with audio drama. 7 hours $20.98 Audio CDs / $10.49 Download.
 
 
Will Murray’s Pulp Classics #23
by Robert J. Hogan
Read by Michael C. Gwynne. Liner Notes by Will Murray
 
 
Popular Publications publisher Harry Steeger and writer Robert J. Hogan had scored a hit with G-8 and His Battles Aces in 1933. A year later, they put their heads together and concocted a crime series with a fantasy flare. They called it The Secret 6!
 
Steeger always credited the successful Park Avenue Hunt Club stories running in the pages of Detective Fiction Weekly as his main inspiration. But the types of stories he asked Robert J. Hogan to write smacked of the one and only Doc Savage. In a sense, The Secret 6 was a take off of Doc Savage and his men—but without the superhuman aspects of Doc. The title was lifted from a 1931 crime film. To insure that the first issue sold like hotcakes, they stole a little more of Street & Smith’s thunder by titling that debut novel The Red Shadow.  
 
The premise was simple. Framed for the crimes of the diabolical Red Shadow, a mystery man with a haunted past calling himself King breaks out of the Death House. Scouring the Underworld, he assembles a team of shadowy specialists who dedicate themselves to hunting down The Red Shadow. But The Red Shadow conceals a secret even The Secret 6 doesn’t suspect!
 
One major clue can be found in a list of the members of this new crime-busting organization: King, The Doctor, The Professor, The Key, The Bishop, Shakespeare and Luga. Yes. Seven men have banded together to become the fearless fugitives operating outside the law known as—The Secret 6! One will not survive…
 
Only four issues of The Secret 6 were ever published. But what a glorious run! The Red Shadow was followed by House of Walking Corpses, The Monster Murders and The Golden Alligator. Each succeeding novel was more fantastic than the one before. Collectively, they read like a dry run for Carleton E. Morse’s classic radio series, I Love a Mystery.
 
The Red Shadow is narrated with the headlong velocity of a locomotive by Michael C. Gwynne. Three action stories round out this first Secret 6 audiobook, all of them penned by Robert J. Hogan hiding under a blizzard of pseudonyms. 6 hours $23.98 Audio CDs / $11.99 Download.
 
 
RadioArchives.com and Will Murray are giving away the downloadable version of the newly released Strange Detective Mysteries audiobook for FREE.
 
If you prefer the Audio CDs to play in your car or home CD player, the coupon code will subtract the $11.99 price of the download version from the Audio CDs. That makes the Audio CDs half price.
 
Add Strange Detective Mysteries to the shopping cart and use the Coupon Code AUDIOBOOK.
 
“Strange Detective Mysteries #1 is one of my favorite pulps and I am excited to produce it as an audiobook with my good friends at Radio Archives. It leads off with Norvell W. Page’s bizarre novelette, “When the Death-Bat Flies,” and includes thrilling stories by Norbert Davis, Paul Ernst, Arthur Leo Zagat, Wayne Rogers and others. Popular Publications went all-out to make this 1937 debut issue a winner. And they succeeded!”
 
Happy listening,
Will Murray
 
 
 
New Will Murray’s Pulp Classics eBooks
 
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 
Weird, haunting, the murder-melody rang in the ears of New York — and all those who heard its sinister song died in the throes of raving madness! For a monstrous musician had mastered the city, holding the police and Underworld alike at bay. One by one, the men marked to die received the music-score with the printed notes that were tiny skulls — and none dared raise a hand to stay the red harvest. Yet Richard Wentworth, in the grim black garb of the Spider, struck at the unseen Terror — matching one courageous champion’s strength against the fabulous power of a madman who had found the way to murder men with a simple score of music! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.
 
 

It struck out of the night, a phantom monster whose blood-red shadow brought death to everyone it touched. New York was panic-stricken. Beneath its reign of terror, the police were helpless. But grimly, out of the list of victims, rose six men — six men who vowed to track the scarlet killer to a murder showdown! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.

 
In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine by Arthur Leo Zagat, reissued for today’s readers in electronic format. $2.99.
 
99 cent eBook Singles
Each 99 cent eBook Single contains a single short story, one of the many amazing tales selected from the pages of Terror Tales and Rangeland Romances. These short stories are not included in any of our other eBooks.
 
What would you do if you knew the ones you loved were doomed to die horribly in your defense? In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
 
Lester Emery feared that his body remained in the laboratory, while his disembodied spirit was driven forth to murder — slave to the grim genius of a madman… In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
 
From nowhere came the hand — bringing with it a lingering death… In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
 
 
Miles from the wagon train and afoot in hostile Indian country, Linda found herself alone at night with her sister’s sweetheart. Linda feared this handsome buckskin man, but she feared her own heart more — for she knew she’d give it to him… for the asking! One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.
 
When vibrant Marta met Noah Conrad she knew that she would have to come out of her shell of indifference and match wits and kisses with a soft, cuddly, starry-eyed belle. One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.
 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available at:
 
 
Search for RadioArchives.com in iTunes.
 
 
 
 
Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 
See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of  the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
 
 
 
Will Murray’s Monumental New Novel
Doc Savage vs. King Kong!
 
Eighty years ago in February, 1933 the Street & Smith company released the first issue of Doc Savage Magazine, introducing one of the most popular and influential pulp superheroes ever to hit the American scene. Doc Savage was the greatest adventurer and scientist of his era, and while his magazine ended in 1949, he influenced the creators of Superman, Batman, Star Trek, The Man from UNCLE and the Marvel Universe—to name only a few.
 
While that first issue of Doc Savage was fresh on Depression newsstands, RKO Radio Pictures released one of the most important fantasy films of all time. Everyone knows the story of how King Kong was discovered on Skull Island and hauled back to New York in chains, only to perish tragically atop the world’s tallest skyscraper, the Empire State Building.
 
As it happened, that was where Doc Savage had his world headquarters. For decades, fans have wondered: Where was Doc the day Kong fell?
 
On the eightieth anniversary of these fictional giants, Altus Press is proud to release the first authorized clash between The Man of Bronze and the Eighth Wonder of the World—Doc Savage: Skull Island. Written by Will Murray in collaboration with Joe DeVito, creator of KONG: King of Skull Island, Doc Savage: Skull Island is a new pulp epic.
 
The story opens when Doc returns from his secret retreat in the North Pole to discover the cold corpse of Kong lying on his doorstep.
 
“I know this creature,” Doc tells his dumbfounded men.
 
Tasked to dispose of the remains, the Man of Bronze then relates the untold story of his epic encounter with Kong back in 1920, after Doc returns from service in World War I, long before Kong became known to the civilized world as “King” Kong.
 
Doc Savage: Skull Island is a multi-generational story in which Doc and his father—the man who placed him in the hands of scientists who made him into a superman—sail to the Indian Ocean in search of Doc’s grandfather, the legendary Stormalong Savage, whose famous clipper ship has been discovered floating, deserted, her masts snapped by some incredible force.
 
The quest for Stormalong Savage leads to the fog-shrouded Indian Ocean and—Skull Island! There, Doc Savage faces his first great test as he encounters its prehistoric dangers and tangles with the towering, unstoppable Kong.
 
“When Joe DeVito brought this idea to me,” says Will Murray, “I knew it had to be written with reverence for both of these immortal characters. So I used the locale of Skull Island to tell a larger story, an untold origin for Doc Savage. It all started back on Skull Island….”
 
“Pulling off the first ever face-off between Doc Savage and King Kong was both challenging and exhilarating,” adds DeVito. “Will’s unique take on the tale scatters the primordial mists surrounding Skull Island long enough to reveal secrets of both classic characters hidden since their creation.”
 
Doc Savage: Skull Island has already been hailed as “The Doc Savage novel that Doc fans have been waiting on for 80 years!”
 
Doc Savage: Skull Island is the fifth entry in Altus Press’ popular Wild Adventures of Doc Savage series. Cover by Joe DeVito. $24.95.
 
 

Richard Wentworth, in the guise of his crime-fighting alter-ego, returns in two 1930s tales of The Spider. First, in “Wings of the Black Death” (1933), The Spider wages a desperate struggle against a foe fiendish enough to use bubonic plague as a weapon. While the tainted air swirls among the populace, bringing death to all it touches, a clever scheme is revealed to strip the nation of wealth and life. And the worst part? The Spider may be to blame! Then, in a stunning story from 1936, hundreds of citizens have suddenly been struck blind, including Nita van Sloan and The Spider himself. The mysterious Blind Man wields a terrible weapon that robs his victims of their sight, spreading suffering and terror with every step. Betrayed by his loyal retainer Jenkyns and robbed of his vision, how can Richard Wentworth possibly save New York from “Satan’s Sightless Legion” (1936)? These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. On sale for $12.95, save $2.00

80th Anniversary Commemorative Special. Commemorating the Man of Bronze’s anniversary with two expanded novels, restored from Lester Dent’s original manuscripts with never-before-published text! First, a Wall Street scandal sets the Man of Bronze on the golden trail of “The Midas Man,” who plots to control the global financial system. Then, while recovering from a serious head wound, a disoriented Doc Savage battles modern-day pirates and murderous zombies in “The Derelict of Skull Shoal.” PLUS: “80 Years of Doc Savage”: a Pictorial History of the Pulps’ Greatest Superman! This landmark collector’s edition features the original color pulp covers by Walter M. Baumhofer and Modest Stein, Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels. $14.95.

 

80th Anniversary Commemorative Special. Commemorating the Man of Bronze’s anniversary with two expanded novels, restored from Lester Dent’s original manuscripts with never-before-published text! First, a Wall Street scandal sets the Man of Bronze on the golden trail of “The Midas Man,” who plots to control the global financial system. Then, while recovering from a serious head wound, a disoriented Doc Savage battles modern-day pirates and murderous zombies in “The Derelict of Skull Shoal.” PLUS: “80 Years of Doc Savage”: a Pictorial History of the Pulps’ Greatest Superman! This landmark collector’s edition features the original color pulp covers by Walter M. Baumhofer and Modest Stein, Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels. $14.95.

 
 
The Master of Darkness explores mansions of murder in two thrilling pulp mysteries by Walter Gibson writing as “Maxwell Grant.” First, in Spoils of The Shadow a mastermind plots five super-crimes, but innocent victims will be murdered if The Shadow intervenes! Then, the Master of Darkness sheds light on the terrible secret of the House of Silence in one of Walter Gibson’s most atmospheric mysteries. This instant collector’s item showcases both classic pulp covers by George Rozen and the original interior illustrations by Tom Lovell, with commentary by popular culture historian Will Murray. $14.95.
 

The original “Man of Steel” returns in three action-packed pulp thrillers by Paul Ernst and Emile Tepperman writing as “Kenneth Robeson.” First, The Avenger is blamed when massive power outages black out North America. Can Dick Benson locate the mastermind called Nevlo in time to prevent a deadly final blackout? Then, Death in Slow Motion cripples an American industry, and Justice, Inc. must find an antidote in time to save hundreds from the deadly paralysis plague! Finally, a defeated crook returns to plot Vengeance on The Avenger in an exciting novelette by Spider-wordsmith Emile Tepperman. This classic pulp reprint includes both color covers by Graves Gladney, Paul Orban’s dynamic interior illustrations and commentary by pulp historian Will Murray. $14.95.
 
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $25.00
 
 
 
 

By Dr. Art Sippo

 
In the backwoods of Northern Michigan, a local bully, Bruno Hen, is found crushed to death in his own home. The doors were locked and he was well armed, but SOMETHING removed the roof of his log cabin and reached in to crush him like a bug. The bullies neighbor hears the commotion and comes to see what happened. He is horrified. Thick timbers had been snapped like matchsticks. All around the site were enormous tracks of some huge unknown creature. What could have done this? The neighbor knows that there is only one man who can solve this mystery: Doc Savage, the Man of Bronze. And so he goes to New York City to enlist Doc’s aid. But then he is gunned down in the hallway outside of Doc’s 86th floor aerie. Doc discovers news clippings on the man’s body describing the horrific scene of death at the cabin and he is drawn into the affair.
Then ads start appearing in Newspapers around the country warning that The Monsters are coming bringing death and destruction! All of these ads had been mailed from the same Michigan town where Bruno Hen was killed.
Doc Savage and his Iron Crew in the company of the beautiful lion tamer Jean Morris travel to rural Michigan and discover a huge walled compound with an electrified net draped over its top. They hear loud noises and suspicious rumblings. What is inside the compound? Who is the mysterious Pere Teston? What are The Monsters? Can even Doc Savage defeat creatures who can tear a building apart with their bare hands?
The Monsters was one of the earliest and most popular Doc Savage adventure. In fact is was so well done that it was the basis for the first story arc in Batman comics. This is one Super Saga you have to read! Double Novel reprint $12.95
 
Comments From Our Customers!
 
Carolyn H Andersen writes:
I am so happy that this has become available. Nelson Eddy is one of my two favorite baritones, and Dorothy Kirsten is also a favorite. I enjoy her visits to the Railroad Hour with my other favorite baritone.
 
Dennis E Henley writes:
Thanks for the quick service which is outstanding. I’ll be back to get more ebooks as I’m  only to happy to support a company that thinks of its customers first.
 
Eugene Dungan writes:
I just received two more of your Pulp Audiobooks in the mail today, I now have 26 of your Pulp Audiobooks. I have been very happy with your service that you have given me. I am looking forward to many more of your Pulp Audiobooks and I would like to see more Pulp Audiobooks of “The Spider”.
 
If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!
 

The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
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NEW DIGEST SERIES DEBUTS FROM PRO SE PRODUCTIONS-DRAMATIS PERSONAE! TRUTH IS FICTION!

Pro Se Productions, a Publisher known for Innovative Genre Fiction and New Pulp, announces one of its most interesting, unique projects to date!  Author Joseph Lamere brings a wild concept to Pro Se in the first volume of his digest series, DRAMATIS PERSONAE! 

The Truth isn’t stranger than Fiction. Truth is Fiction! Find out in Joseph Lamere’s DRAMATIS PERSONAE: PUBLIC DOMAIN!

For your whole life secrets have been kept from you. Science and history books have gotten it wrong. They only tell part of the story. Maybe someday these books will be rewritten, but only if Diogenes Ra’s secret gets out. 

If you only knew what Diogenes Ra knew

He knows something the rest of us don’t. Fiction is real. All your favorite characters exists, their stories overlapping in one grand, timeless narrative. Diogenes Ra can access that narrative. For the right price he will even bring your favorite fictional characters here to our world. But they can’t be gone long. They have to get back to their stories in time for you to read them or watch them on TV. 

Diogenes Ra believes he alone possesses the ability to pass unchecked between this world and the one we mistakenly call fiction. He’s about to find out he’s wrong. 

“One of the awesome things about being a Publisher of Genre Fiction,” Tommy Hancock, Partner in and Editor-in-Chief of Pro Se states, “is that it’s a fertile field for new and different takes on old standards.  With DRAMATIS PERSONAE, Joseph has brought something to the table that’s part mystery/part mash up/ part family drama and most definitely all Fun.   The characters jump off the page, literally within the story, but also Diogenes and crew are truly unforgettable on their own.   This is a series that Pro Se will be glad to share with the world for a long time coming.”

DRAMATIS PERSONAE: PUBLIC DOMAIN by Joseph Lamere! With Cover Art by Terry Pavlet, Format and Design by Sean Ali, and Ebook Design by Russ Anderson! The first of a fantastically imaginative new series from Pro Se Productions!

DRAMATIS PERSONAE: PUBLIC DOMAIN is available for $8.00 in print from Pro Se’s own store at https://www.createspace.com/4234535, from Amazon at http://tinyurl.com/d8kjfnl and available in digital format for $2.99 for your Nook at http://tinyurl.com/crtlvjc, on your Kindle at http://tinyurl.com/c5tu4ta, and for other formats via Smashwords at http://www.smashwords.com/books/view/303433!

Interested in interviews and review copies of this title? Email Morgan Minor, Pro Se’s Director of Corporate Operations at TommyHancockPulp@yahoo.com

The New Who Review “The Rings of Akhaten”

“Something Awesome”.  Seems an easy thing to ask for from a fellow who can go to any moment in time and space, and allows for lots of interpretation.  So Clara asks for that, The Doctor is happy to provide, whisking her off to…

THE RINGS OF AKHATEN
By Neil Cross
Directed by Farren Blackburn

The Doctor takes Clara to Akhaten, a group of worlds inside a series of asteroid belts orbiting a huge star.  It’s the time of a ceremony that will supposedly keep the god which created their worlds asleep.  Young Merry is elected to sing the history of their civilization, and is naturally skittish about getting it right.  It’s made plain as time passes that this is more of a sacrifice than a simply ceremony, forcing The Doctor and Clara to take a hand in saving young Merry, and to keep the very real god from eating the system.

The episode serves two purposes; to serve as a BIG info dump for Clara’s backstory, and to really let The Doctor show off to her. As to that second half, it’s very much a parallel to The End of the World, Rose’s first foray into space.  Both feature a bevy of new aliens, including the Face of Boe, and both feature am enlarging sun threatening to engulf them.

The story is solid, and Jenna-Louise Coleman does wonderfully in the common spot of the companion’s first exposure to the rest of the universe, but I thought the direction on Matt was a bit lacking.  In comparison to the magnificent bombastic speech he gave in The Pandorica Opens, his monologue to the sentient sun was somewhat lacking.  It may have been a decision to make him seem sadder, or tired, weighed down, but it came off weak for me.  I’d have much rather seen him almost daring the sun to take it all, as opposed to the more resigned tone he had here.

Also, we’re once again seeing a story where the companion saves the day when The Doctor’s plans come up lacking.  That’s been happening a LOT more with Moffat’s run on the show, and while I enjoy seeing a strong character, as I’ve said before, I wouldn’t mind seeing The Doctor save everybody on occasion.

THE MONSTER FILES – The sentient sun of Akhaten reminds one of the antagonist in 42, a living sun fighting back after the mining ship accidentally stole her children.  This one is clearly more belligerent in its attitude.

The production team went to great lengths to create a wide range of brand new creatures in this episode.  We’ve had a couple of big collections of aliens in the new series, like the aforementioned party on Platform One, Dorium’s place in A Good Man Goes to War, and even the bar where Captain Jack met Alonzo.  Save for the last one, they’ve gone out of their way to create new aliens, as opposed to grabbing stuff off the rack.  One race breathed though some sort of filtration device, somewhat reminiscent of the Hath, the fish-creatures from The Doctor’s Daughter.

GUEST STAR REPORT Neil Cross (writer) Created the series Luther, for which we are all rightly thankful.  He also wrote the script for Mama, Guillermo Del Toro’s recent presentation

Farren Blackburn (Director) last worked on Doctor Who when he directed The Doctor, The Widow and the Wardrobe, last year’s Christmas Special.  He’s had a long career in directing TV, including an episode of Luther and two of the remake of Terry Nation’s Survivors.

BACKGROUND BITS AND BOBS – Trivia and production details

A TALE THAT GROWS IN THE TELLING – There’s been a number of stories in the series that center around a grand festival that serves as a way for an old threat to return.  The most memorable are the twin tales Kinda and its sequel Snakedance.  The actions of the villain in those stories were more deliberate; here it’s more a case of time being up for the dormancy of the sun.

“I came here a long time a go with my granddaughter” – This is, in fact, the first mention of Susan in the new series.  Clara’s double take on the fact that a man this young-looking can have a granddaughter is not followed up upon, but will almost certainly be referred to again.

Also, did anyone else find it odd that they refer to their god as “Grandfather”?

“What’s happening, why is it angry?” – The TARDIS translates foreign and alien languages automatically for those traveling within it.  But there’s almost always a scene where a companion is faced with an alien it can’t understand.  Now, there’s any number of explanations that could explain such a thing, like they haven’t been on the ship long enough for all languages to process, or some languages are more differnt from English (or too simplistic, such as more animal -like speech like Doreen’s) to be immediately legible.  But it all comes down to the fact that a scene where a Companion misunderstands a situation due to not knowing the language, resulting in a comedic moment, is just plain too comedic a moment NOT to do.  And any attempt to inject import into it is just plain Looking Too Hard.

“Not money….something valuable” – The big theme of the story is that of experiences and memories having an intrinsic value.  For the people of the system, they’re used as currency, a system which I have to admit sounds cooler than it would be in actual use.  I can imagine any number of problems with having to part with one’s cherished belongings in order to buy the groceries.  In the case of the god at the center of the system, those memories and experiences are its literal bread and butter.  Clearly it merely reads those memories as opposed to draining them, as The Doctor isn’t reduced to an empty shell.  In the case of Clara’s leaf, it’s absorbed entirely as it doesn’t have any memories itself, but represents potential existence, a life un-led.  Need I mention that this is also the chosen food of the Weeping Angels?

“Shoes and Ships and Sealing Wax, and Cabbages and Kings” – The Doctor quotes Lewis Carroll, specifically The Walrus and The Carpenter.  While his work has never been mentioned in the TV show, it’s been referenced in the other media a few times.  The Doctor met the author in an prose adventure called The Shadows of Avalon, and in a fan-made video adventure called Downtime (which features the Great Intelligence, but that’s likely just a coincedence), it’s revealed that he photographed a young Victoria Waterfield. (Those who know a bit about the kind of photography Mr. Dodgson liked to take of young girls may find a moment of thought there)

BIG BAD WOLF REPORT

CARLOTTA VALDEZ I WILL MAKE YOU HER – It wasn’t until The Doctor said out loud that the reason he was so keen on spending time with Clara is because she “remind[s] me of someone who died” that I realized that The Doctor is in a similar situation to Scottie in Alfred Hitchcock’s Vertigo.  Like in the film, Scottie loses Madeline after she falls from a high place.  The Doctor doesn’t fall into a depression over it (that was from the last one) but does become very excited about meeting her again, or at least another close approximation.  Clara’s bold statement that she won’t be a “replacement” for the other Clarae shows an independence that Judy never had in the film.  And just to keep the pot stirring, Scottie was the target of a con job, and Judy was only pretending not to know him, when in fact (SPOILERS) she had been posing as Madeline to use him as a patsy in her “death”, (END SPOILERS)

“She’s not possible” – But it’s clear that The Doctor is fascinated by Clara, not in the way Scottie was of Judy, but more as trying to figure out how she can appear at three moments of history.  It’s more than spatial genetic multiplicity, which is how Gwen Cooper looks so much like Gwyneth from The Unquiet Dead – here it seems much more like it’s the SAME person, with so many “Clarallels”.  He follows her through her whole life, from the moment her parents met to the time of her mother’s passing, which serves to reveal the secrets behind both Clara’s book, and the leaf which she called “page one”.  The two years she skipped in the progressive numbers on the book were 16 and 23 – 23 was the year the Maitland’s mom died, and she was simply too bust thinking about them to write in the book, and 16 was the year her own mom died.  This also serves to explain how she couldn’t bear to leave her friends on their own when their mom died.

NEXT TIME ON DOCTOR WHO – What’s big and hard and full of…OK, it’s a submarine, and there’s a bunch of very nervous Russians trying to stay alive against one The Doctor’s oldest enemies. A return to the Cold War, seven days hence.

ALL PULP LIVES! AND A MYSTERY ENSUES!

Tommy Hancock, Editor in Chief of and one of the founding members of All Pulp, announced today that since his announcement on April 1, 2013, concerning the closing of All Pulp if someone did not assume his duties, which he submitted his resignation from approximately a month ago, several interested individuals have applied.  And as of today, Hancock has made a decision as to who will be in charge of continuing the great legacy of Pulp Coverage All Pulp has maintained since opening in September, 2010.

“This,” Hancock states, “is truly a great day for All Pulp.  Although I’m not currently at liberty to reveal who the new ramrods of the outfit will be, I promise that the quality from All Pulp will not only continue, but will most likely improve with a whole new host of possible contributors.  Also, this move will carry All Pulp to multiple audiences, including not only our wonderful readers who fill the New Pulp Movement, but to fans of all sorts of Pop Culture goodness.”

Hancock states that even though he is in no way rescinding his resignation as Editor-in-Chief, the new development has inspired him to maintain with All Pulp as a contributor beyond the occasional book review he originally promised.  “I’ll be a presence in the continuation of All Pulp,” he explains.  “Not the guy in the Captain’s chair, but with where All Pulp is going, I’ll definitely be a regular part of things.”

Stay tuned to All Pulp, continuing in its normal fashion until further developments are announced.

The New Who Review – The Bells of Saint John

BOSJ11

How many times have you been told not to use wifi you don’t recognize?  This week’s episode takes the threat of identity theft to an all new degree.  And the only reason The Doctor found out about it at all is cause he got a call from a lady who said she couldn’t find the Internet.  Spoiler shields up, watch for falling planes, and listen for…

THE BELLS OF SAINT JOHN
By Steven Moffat
Directed by Colm McCarthy

The Doctor is in the early 13th century, meditating over the living (well, living somewhere) mystery that is Clara Oswin Oswald.  So when he’s told “The Bells of St. John are ringing”, he races back to his hidden TARDIS, (with its “St. John’s Ambulance” label) where the phone in the door is ringing.  He’s getting an impossible call from modern day, from the impossible Clara Oswald, who thinks she’s calling tech support.  In London, people are mysteriously dropping dead shortly after using a rogue wifi feed.  Clara is having trouble with her wifi, and even after The Doctor comes to help, the troubles only get worse.

A great start to the series, with another trademark move of Moffat; take something common place, and make it terrifying.  He’s done it with shadows and statues, and now he’s made wifi something to be feared.  Jenna-Louise Coleman makes her (official) debut as the new companion Clara

THE MONSTER FILESThe Spoonheads are another example of a new monster that don’t actually get to do much.  Like the antibodies of Let’s Kill Hitler, they’re a physical effect that doesn’t even get to move.  The CGI head-spin thing is wonderfully unnerving, and it’s a great visual cue that something creepy is about to happen.  We’ve had any number of robots masquerading as humans, including the Teselecta from the aforementioned episode, the titular creations from The Android Invasion, not to mention The Androids of Tara.

The episode has clear similarities and parallels to Mark Gatiss’ episode The Idiot’s Lantern – an unseen force stealing people’s minds via new technology, faces trapped on TV screens, even The Doctor and his companion tooling about on a motorbike.  Many (myself included) expected to see a return of The Wire, the energy-based being from that episode, only to be happily swerved by the actual baddie.

GUEST STAR REPORT

Celia Imrie (Miss Kizlet) worked with Jenna on the recent Ttianic mini-series, appeared as the matron in both recent St. Trinian’s movies (films which have reached Kevin Bacon levels for Doctor Who connections), and was Lady Gertrude in the Gormenghast adaptation.  She brings a quiet menace to her role, and the final twist was quite tragic.

Geff Francis (George Maitland) actually does spell it like that. He was a regular in the Life on Mars spinoff Ashes to Ashes, as well as on the The Singing Detective.  Doctor Who is not afraid to get very good actors for even the smallest parts, but I’m rather hoping that the Maitland family appears again before the end of Clara’s story.  There’s a lot of story going on here, and each of the three actors had clear emotions built into their portrayals. Eve De Leon Allen (Angie), star of Nuzzle and Scratch, did particularly well at playing a young girl who has lost her mum, even in the brief moments she had on screen. Eve is the actor whose copy of the Neil Gaiman script was lost in a cab, which suggests that she, and hopefully the rest of the family will indeed be back, at least in that episode.

BACKGROUND BITS AND BOBS – Trivia and production details

CREDITS WHERE CREDITS ARE DUE – The credit sequence is largely unchanged from the Christmas episode, but the theme has undergone another slight tweak.  the strings are pushed to the background, possibly gone altogether, and the four-beat theme has been pulled more to the front.  The song is a lot deeper, more in the bass range. Some of the sound effects have been edited – the electric twinkly bits have been softened as the Doctor Who logo disintegrates. It’s been shortened slightly – a couple of the motifs are missing as the sequence races to the episode title and the opening of the TARDIS doors, which I must say I love.

SET PIECES – We get a longer look at the new TARDIS in this episode, including the space under the main control floor, which has a wooden storage chest that resembles the design of the short-lived wooden TARDIS set first seen in The Masque of Mandragora.  We’re supposed to see a great deal more of the ship’s interior in an episode later in this series.

“He’s definitely not a monk” – The Meddling Monk was the first Time Lord other than The Doctor seen in the series, way back in the Hartnell days, even before the term “Time Lord” had been coined.  The Doctor also disguised himself as a monk, a headless one, during the Battle of Demon’s Run in A Good Man Goes To War, and briefly at the end of The Wedding of River Song.

“Eleven’s the best – you’ll cry your eyes out” – The book Summer Falls is written by Amelia Williams, AKA Amy Pond.  This is a further clue into her life in New York after the events of The Angels Take Manhattan – she clearly got into both writing, and later publishing, as she was also responsible for publishing the Melody Malone adventures.

Summer Falls will be made available as an e-book tie-in as the Melody Malone adventure was, via BBC E-books on April 2nd.

“That is NOT supposed to happen!” – The Doctor does get calls in his TARDIS, but usually on the phone on the console. The phone on the outside door is not supposed to ring.  The last time it did was in The Empty Child, when the mysterious young boy was able to communicate through it.  I hasten to add that the young Melody Pond had the same ability to communicate through any phone, as seen in The Impossible Astronaut. I also love the fact that the handset’s cord is comically long.

“You know, I never realized how much I enjoy hering that said out loud” – The Question, “Doctor Who?” has been a recurring theme since the very beginning of the series.  It’s become an important plot point since the end of The Wedding of River Song, when it was connected to The Question, asked on the Fields of Trenzilore, at an event know eerily as The Fall of the Eleventh.  There have already been teaser ads suggesting that in the anniversary episode, we would learn The Doctor’s true name. Fan rage has risen to high levels over that, and we shall have to wait till November to see how that works out.

“Fine, let’s do it together” Fans of Douglas Adams will recognize that gag from The Hitchhiker’s Guid to the Galaxy as Zaphod and Ford attempt to pilot the Disaster Area sun-dive ship (Or if you’re a REAL fan, the Captain of the Haghunemnon fleet).

“Earl’s Court was an embarrassment” – Earl’s Court is the location of the last police box in London, and yes, it’s blue, and yes, it’s quite the tourist attraction for Who-fen.

“I never take the TARDIS into battle” – The Doctor is driving a Triumph motorcycle, a brand as beloved to the UK as Rolls Royce.  The “Trusty Triumph” was the model of choice for soldiers in World War II.  Plus, now we know the TARDIS has a garage as well as a swimming pool.

Old friends…very old friends” – UNIT was founded after the second televised appearance of The great Inteligence, thought its leader, Brigadier Lethbridge-Stewart was instrumental in its defeat in the Underground in The Web of Fear.  Presumably it kept tabs on The Doctor and his friends in any way it could.

“You don’t run out on the people you care about…wish I was like that” – I’m starting to get actively annoyed with this idea that The Doctor is such a horror to be with.  It’s become a recurring idea since The Stolen Planet, and it flies in the face of the experiences of very nearly all of his friends.  Yes, the ends have been tragic for a small few, and the rest leave his company as far better people, who go on with their lives doing all they can to make the world a better place.  The level of guilt he feels is out of place.  He feekls bad about losing Amy and Rory to the Angels, but he knows for a fact they ended up fine.

BIG BAD WOLF REPORT – This may be the fastest reveal of the Big Bad in the new series’ history.  The Great Intelligence, generally suspected to be making a quick return after the Christmas episode The Snowmen, were revealed as the mysterious “Client”. It had been announces that Richard E. Grant would be appearing in the series again, tho the BBC was quite mum as to exactly who he would be playing. We can see why.

“The Girl Twice Dead” – Clara’s story is clearly and obviously going to be the biggest puzzle of the series.  The three iterations of her we’ve seen so far have delightful parallels, and surely more will be found as the episodes roll on.

We already have more than a few Clara-parallels…Clarallels, if you will:

She was a governess in The Snowmen, with a penchant for helping others. She’s helping a family cope with the loss of their mother in present day, and while her title was “Junior Entertainment Manager” on the Starship Alaska, that could be read not as an assistant to the manager, but the person in charge of entertaining the “juniors” as in, watching the children on the ship.

“RYCBAR123” – Aside from the fact that Whovians everywhere are updating their wifi network names and passwords, this was modern Clara’s inspiration to repeat the phrase across time “Run you clever boy and remember”, uttered by both past and future Clara at their passing, and get him interested in her.

“I call him Nina” – The pet name Oswin gave Rory, after a past paramour (“I was going through a phase”) pop’s up again, as the name of one of Angie’s friends.  Yes, it’s a common name, but this is Doctor Who – there are no coincedences.

Just Clara Oswald, what was that middle one?” – Clara comes up with the name “Oswin” as a username when she starts hacking Miss Kislet’s network, but it’s the same name the other two versions of her has.

“The girl at the shop gave it to me, said it was the best help line in the universe” – With the announcement that David Tennant and Billie Piper are returning to the series for the anniversary, Clever Theories are running amuck that Rose was the aforementioned girl in the shop.  It might be, and it might not be, but the point is, SOMEONE gave her the number to the TARDIS, and helped her get found.

“101 Places to see…” Even thought the book is designed to resemble The Daring Book for Girls (a sequel to The Dangerous Book for Boys), the traditional end of that title is “…before you die”.  Also, if you look about her room, ALL her books have to do with traveling and foreign lands.  Many brain cells have been spent on the significance of both the 16 and 23 being skipped in the years in the book.  It could be waved off as simply a brief lack of interest in the book those years; last year would have been the time her friend died, and she may have been distracted, for example.  But the 23 is a significant number – it’s popped up as Victorian Claras’s birthday (specifically, Novenmer 23rd, the date of the show’s first broadcast) and she mistypes “123” earlier in the episode.  And of course, since by delightful coincidence November 23rd is a Saturday this year, the anniversary episode will screen on the exact right day.

Page One may contain a leaf (Maple, I believe – are there many maples trees in England?), but page two contains a letter appearing to be from something or someone named “Delsa”.  No ideas who that is yet, but again, they don’t put things in by mistake.

NEXT TIME ON DOCTOR WHO – The Doctor is SICK of…well, no, he seems quite excited by the idea of Dinosaurs on a Spaceship. Lestrade finds his division, Ron Weasley’s did is also Rory’s dad (so…related?) and also Queen Nefertiti. Seven days away…you busy?

Radio Archives newsletter

RadioArchives.com Newsletter

 
March 29, 2013

Continuing to Celebrate the 80th Anniversary of King Kong
Radio Archives has some great King Kong and Doc Savage products for you in the next couple months. Four exciting products in fact and you can order the third one, KONG: KING OF SKULL ISLAND today! Here’s Joe DeVito to tell you more:
It is 1957, twenty five years after King Kong’s fall from atop the Empire State Building. Carl Denham and the body of Kong vanished before any investigation could be launched, leaving rumor and speculation in their wake. Denham’s son, Vincent, was left behind. Now a paleontologist, he desperately searches for Kong’s Skull Island home, his father – and the truth.
 
Once there, Vincent becomes captive to an enigmatic island elder know as ‘Storyteller’. Her ancient tale of the islanders’ quest to escape a terrible fate mysteriously has the power to reach across time and change the destiny of both Vincent and Carl – if they survive. For at the nexus of every event is the beast-god of Skull Island: KING KONG

 

Created and Illustrated by Joe DeVito. Written by Brad Strickland with John Michlig
Read by Joey D’Auria. Liner Notes by Joe DeVito
 
 

In 1933, American showman Carl Denham returned from a mysterious, hidden island with a priceless treasure. A treasure not gold or jewels, but the island’s barbaric god, a monstrous anthropoid called “Kong.” The savage giant escaped and wreaked havoc among the man-made canyons of Manhattan, but within hours of the giant ape’s death his bodyand Carl Denhamdisappeared. Twenty-five years later, the son of Carl Denham makes a shocking discovery that leads him back to the site of his father’s greatest adventure and to the answers that will unlock the century’s greatest mystery and history’s greatest miracle. Authorized by the Cooper Estate and based on the original novel that inspired the all-time classic film. This new novel acts as both prequel and sequel to the classic fantasy tale, King Kong. Acclaimed fantasy artist Joe DeVito and top fantasy and science-fiction writer Brad Strickland join forces to make for an interactive visual-narrative storytelling experience unlike any other.
 
“Anyone who loves King Kong with Carl Denham and Ann Darrow in 1933 and hated DeLaurentis’ 1976 remake cannot help but love this new Kong book. Bravo!”
— Ray Bradbury
 
“I had never wondered before where King Kong came from, and how such a creature could exist, until I saw what Joe had sent. It was all a revelation to me.”
— James Bama
 
“Kong: King of Skull Island is the first—and for my money, only—addition to the Kong myth that does the original proud.”
— Arnle Fenner. Spectrum Fantastic Art
 
“I give this book a BIG two gorilla thumbs up and highly recommend it to anyone, especially, who wants to know more about the Eighth Wonder of the Wortd.”
— Bob Burns, Archivist of Fantastic Cinema
 
Read by the marvelous Joey D’Auria. 9 hours $35.98 Audio CDs / $17.99 Download.

 

 
 
The Kraft Music Hall began in 1933 as The Kraft Program, a radio music-variety show featuring orchestra leader Paul Whiteman, who was billed as “the King of Jazz” and who was arguably America’s first popular music superstar. Later hosted by Bing Crosby from 1936-1946. During the Al Jolson years, Nelson Eddy was the host of the summer show from 1947-1949.
 
Nelson Eddy, a classically trained baritone, is best remembered today for his nineteen films, particularly those with soprano Jeanette McDonald, who was Eddy’s co-star in eight musicals. His best-known film is Rose-Marie (1936), in which Eddy portrayed Sgt. Bruce, a steadfast Canadian Mountie that has been imitated and satirized, giving birth to the cartoon Dudley Do-right among others. The musical’s biggest hit, Indian Love Call, is so ubiquitous, selling over a million copies, that many who have not seen the film know the song. Eddy was the highest paid singer in the world in his heyday, earning $10,000 for a single concert.
 
In his last two seasons with The Kraft Music Hall, Eddy was joined by co-host Dorothy Kirsten. She was an operatic soprano who had debuted at the 1939 New York World’s Fair. After performing roles with a number of opera companies, Kirsten had her own radio program, Keepsakes, from 1943-1944.
 
Rounding out Eddy’s supporting cast were announcer Ken Carpenter, who had joined Bing Crosby in 1936 when the famous singer began his tenure as host of the show (Crosby called him “the man with the golden voice”) and continued to announce for Crosby on various programs for the following twenty-seven years, and; musical director Robert Armbruster, who joined the show in 1948. A conductor, composer, pianist and songwriter, he was featured in classical piano solos each week on the program.
 
The Kraft Music Hall Starring Nelson Eddy contains fourteen half-hour shows in Sparkling audio quality from the summer of 1948. Five of the shows are rare dress rehearsals. 7 hours $20.98 Audio CDs / $10.49 Download.

 

 

New Will Murray’s Pulp Classics eBooks

 
The best of timeless Pulp now available as cutting edge eBooks! Will Murray’s Pulp Classics brings the greatest heroes, awesome action, and two fisted thrills to your eReader! Presenting Pulp Icons such as the Spider and Operator #5 as well as wonderfully obscure characters like the Octopus and Captain Satan. Will Murray’s Pulp Classics brings you the best of yesterday’s Pulp today!
 

From sinister Chinatown came the epidemic of terror that fell upon New York. For all over Manhattan defenseless citizens were dying with a Blood Orchid in their hearts! Through the rain of red petals that filled the sky, the Dragon screamed his ultimatum that death and destruction would walk the streets unless his word was heeded. From the resources of America — her brains and bullion — this monster planned to build an Eastern empire! With the city prostrate and the Law at bay, Richard Wentworth took up the challenge. In the Spider’s cloak of night, he struck at this Prince of Darkness — waging desperate battle against the strangest crime cavalcade and the most serious threat to civilization known in the history of modern man! Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. $2.99.

 

 
Sweeping westward down the Pacific slope, the Purple Emperor’s invading armies thundered to trap the last defending Americans between flaming guns and an ocean grave. Operator 5, with the audacity of desperation, launched a forlorn hope — a dazzling daring raid into the heart of the enemy’s lines. Here is the tale of the mad dash of his pitifully heroic handful of volunteers toward the great gun works where he might snatch victory from defeat. Total Pulp Experience. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine. As a special bonus, Will Murray has written an introduction especially for this series of eBooks. $2.99.
 

In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a collection of stories from the pages of Terror Tales magazine by Wayne Rogers, reissued for today’s readers in electronic format. $2.99.
 

99 cent eBook Singles
Each 99 cent eBook Single contains a single short story, one of the many amazing tales selected from the pages of Terror Tales and Rangeland Romances. These short stories are not included in any of our other eBooks.

While the orchestra played, my beloved Carla danced… But when it stopped, her loveliness became something that was unearthly and vile — and murderous! In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird menace is the sub-genre term that has survived today. Terror Tales magazine was one of the most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.

Could Conroy trust those savage charms to cure the girl who bleated like a goat? In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
 

Did the very fiends of hell possess young William Arnold’s soul and body, that he should twine his clutching fingers about the throat of his own beloved bride? In 1934 a new type of magazine was born. Known by various names — the shudder pulps, mystery-terror magazines, horror-terror magazines — weird me most popular. It came from Popular Publications, whose publisher Harry Steeger was inspired by the Grand Guignol theater of Paris. This breed of pulp story survived less than ten years, but in that time, they became infamous, even to this day. This ebook contains a classic story from the pages of Terror Tales magazine, reissued for today’s readers in electronic format. $0.99.
 

 

Judy knew that it wasn’t fair to a girl for Bart to kiss her gloriously… then let her learn of his plans to marry high-and-mighty Laurita. It just wasn’t fair — and impish Judy devised a sensational retribution! One of the most popular settings for romance stories was the old west, where men were men and women were women. As many a swooning damsel could attest, “There’s something about a cowboy.” The western romance became one of the most popular types of magazines sold during the early and mid-twentieth century. $0.99.

 
All eBooks produced by Radio Archives are available in ePub, Mobi, and PDF formats for the ultimate in compatibility. When you upgrade to a new eReader, you can transfer your eBook to your new device without the need to purchase anything new.
 
Find these legendary Pulp tales and more in Will Murray’s Pulp Classics, now available at:
 

 
Search for RadioArchives.com in iTunes.
 
 
 
 
 

Receive an exciting original Spider adventure FREE! Part of the Will Murray Pulp Classics line, The Spider #11, Prince of the Red Looters first saw print in 1934 and features his momentous battle with The Fly and his armies of crazed criminal killers.
 
For those who have been unsure about digging into the wonderful world of pulps, this is a perfect chance to give one of these fantastic yarns a real test run. With a full introduction to the Spider written by famed pulp historian and author Will Murray, The Spider #11 was written by one of pulp’s most respected authors, Norvell W. Page. Writing as Grant Stockbridge, Page’s stories included some of the most bizarre and fun takes on heroes and crime fighting in the history of escapist fiction.
 
Even today Page’s scenarios and his edge-of-the-seat writing style are still thrilling both new and old fans everywhere. For those who have never read one of these rollercoaster adventures, you are in for a thrill. If you already know how much fun a classic pulp is, make sure you get a copy of this classic.
 

See what the Total Pulp Experience is for yourself. These exciting pulp adventures have been beautifully reformatted for easy reading as an eBook and features every story, every editorial, and every column of the original pulp magazine.
 
Send an eMail to eBooks@RadioArchives.com and start reading your FREE copy of  the Spider #11 within seconds! Experience The Best Pulps the Past has to offer in the most modern way possible!
 
 

 
An iPad book app of gargantuan proportions based on the original novel by Joe DeVito and Brad Strickland.
 
Available now through the iPad through the Apple App store and at www.copyright1957.com
 
Droid version available soon!
 
This digital version of the authorized prequel/sequel to the King Kong story takes you back to Skull Island for a dramatic telling of Kong’s origins and the civilization that built the Wall.
 
Based on DeVito’s 2004 illustrated print edition, abridged text scrolls manually over creatively combined views of the fantastic paintings and sketches from the original book with new imagery created specially for this app,
 
Together, with two latter day explorers, you find the island and view ancient murals and statues, then learn from the enigmatic Storyteller the story of the island’s past. Mysteriously, everyone is inextricably bound to the Storyteller’s tale. It tells of islanders Ishara and Kublai, and their quest to escape a terrible fate which threatens both themselves and their people. That struggle has the power to reach across time and change the destiny of all. If they survive. For at the nexus of every event is the beast-god of Skull Island: KING KONG.
 
A separate gallery of the illustrations and commentary from the original book are included. It’s a pulp-tastic production you’ll never forget!
 
 
Customer Reviews:
“Best app I have downloaded yet! Incredible visuals and a great story!”
 
“This is beyond awesome! I probably feel like those who saw the movie for the first time!”
 
“…this is something I’ve never seen before…a completely new way to experience a novel!”

for the ‘Doc Savage: Skull Island’ cover are now available direct from Joe DeVito!

Please go to either of these addresses for all the details:

http://www.kongskullisland.com/print.html

http://jdevito.com/print.html

 
 
 
 
 
 

Will Murray’s Monumental New Novel
Doc Savage vs. King Kong!
 
Eighty years ago in February, 1933 the Street & Smith company released the first issue of Doc Savage Magazine, introducing one of the most popular and influential pulp superheroes ever to hit the American scene. Doc Savage was the greatest adventurer and scientist of his era, and while his magazine ended in 1949, he influenced the creators of Superman, Batman, Star Trek, The Man from UNCLE and the Marvel Universe—to name only a few.
 
While that first issue of Doc Savage was fresh on Depression newsstands, RKO Radio Pictures released one of the most important fantasy films of all time. Everyone knows the story of how King Kong was discovered on Skull Island and hauled back to New York in chains, only to perish tragically atop the world’s tallest skyscraper, the Empire State Building.
 
As it happened, that was where Doc Savage had his world headquarters. For decades, fans have wondered: Where was Doc the day Kong fell?
 
On the eightieth anniversary of these fictional giants, Altus Press is proud to release the first authorized clash between The Man of Bronze and the Eighth Wonder of the World—Doc Savage: Skull Island. Written by Will Murray in collaboration with Joe DeVito, creator of KONG: King of Skull Island, Doc Savage: Skull Island is a new pulp epic.
 
The story opens when Doc returns from his secret retreat in the North Pole to discover the cold corpse of Kong lying on his doorstep.
 
“I know this creature,” Doc tells his dumbfounded men.
 
Tasked to dispose of the remains, the Man of Bronze then relates the untold story of his epic encounter with Kong back in 1920, after Doc returns from service in World War I, long before Kong became known to the civilized world as “King” Kong.
 
Doc Savage: Skull Island is a multi-generational story in which Doc and his father—the man who placed him in the hands of scientists who made him into a superman—sail to the Indian Ocean in search of Doc’s grandfather, the legendary Stormalong Savage, whose famous clipper ship has been discovered floating, deserted, her masts snapped by some incredible force.
 
The quest for Stormalong Savage leads to the fog-shrouded Indian Ocean and—Skull Island! There, Doc Savage faces his first great test as he encounters its prehistoric dangers and tangles with the towering, unstoppable Kong.
 
“When Joe DeVito brought this idea to me,” says Will Murray, “I knew it had to be written with reverence for both of these immortal characters. So I used the locale of Skull Island to tell a larger story, an untold origin for Doc Savage. It all started back on Skull Island….”
 
“Pulling off the first ever face-off between Doc Savage and King Kong was both challenging and exhilarating,” adds DeVito. “Will’s unique take on the tale scatters the primordial mists surrounding Skull Island long enough to reveal secrets of both classic characters hidden since their creation.”
 
Doc Savage: Skull Island has already been hailed as “The Doc Savage novel that Doc fans have been waiting on for 80 years!”
 
Doc Savage: Skull Island is the fifth entry in Altus Press’ popular Wild Adventures of Doc Savage series. Cover by Joe DeVito. $24.95.
 
 

Pulp fiction’s Master of Men returns in two classic stories from 1938 and 1942. First, in City of Lost Men (1938), Manhattan’s guardians of the law are turned into drooling lunatics, leaving the city wide open to thieves and criminals. Who is behind this hideous menace? Can the afflicted be cured or are they doomed to insanity forever? Death is the only answer in this epic fight between the Master of the Mad and the Master of Men! Then, strange cat-like men are striking down their victims with a horrifying death-device that causes the doomed to wither away to nothing. A man with no face points a slender cane and a man dies. With his fiance Nita van Sloan enslaved within the Temple of Beauty, The Spider battles to save New York from the Gentleman From Hell (1942). These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. $14.95. On sale for $12.95, save $2.00

 

The Master of Darkness explores mansions of murder in two thrilling pulp mysteries by Walter Gibson writing as “Maxwell Grant.” First, in Spoils of The Shadow a mastermind plots five super-crimes, but innocent victims will be murdered if The Shadow intervenes! Then, the Master of Darkness sheds light on the terrible secret of the House of Silence in one of Walter Gibson’s most atmospheric mysteries. This instant collector’s item showcases both classic pulp covers by George Rozen and the original interior illustrations by Tom Lovell, with commentary by popular culture historian Will Murray. $14.95.
 

The original “Man of Steel” returns in three action-packed pulp thrillers by Paul Ernst and Emile Tepperman writing as “Kenneth Robeson.” First, The Avenger is blamed when massive power outages black out North America. Can Dick Benson locate the mastermind called Nevlo in time to prevent a deadly final blackout? Then, Death in Slow Motion cripples an American industry, and Justice, Inc. must find an antidote in time to save hundreds from the deadly paralysis plague! Finally, a defeated crook returns to plot Vengeance on The Avenger in an exciting novelette by Spider-wordsmith Emile Tepperman. This classic pulp reprint includes both color covers by Graves Gladney, Paul Orban’s dynamic interior illustrations and commentary by pulp historian Will Murray. $14.95.
 

 
The pulp era’s greatest superman returns in two action-packed novels by Lester Dent writing as “Kenneth Robeson.” First, what could cause an entire island to vanish into thin air? Doc Savage and his aides must unravel the strange secret of Mystery Island to save England from environmental armageddon. Then, the Man of Bronze (in a rare solo adventure) encounters a strange bearded giant floating in the Bay of Fundy. This double-novel collector’s edition leads off with a classic color cover by Emery Clarke, and showcases all of Paul Orban’s original interior illustrations and new historical commentary by Will Murray, writer of eleven Doc Savage novels. $14.95.
 
This is an authentic replica of an original pulp magazine published by Girasol Collectables. This edition is designed to give the reader an authentic taste of what a typical pulp magazine was like when it was first issued – but without the frailty or expense of trying to find a decades-old collectable to enjoy. The outer covers, the interior pages, and the advertisements are reprinted just as they appeared in the original magazine, left intact to give the reader the true feel of the original as well as an appreciation for the way in which these publications were first offered to their avid readers. To further enhance the “pulp experience”, this edition is printed on off-white bond paper intended to simulate the original look while, at the same time, assuring that this edition will last far longer than the original upon which it is based. The overall construction and appearance of this reprint is designed to be as faithful to the original magazine as is reasonably possible, given the unavoidable changes in production methods and materials. $25.00
 
 
 
 
 

By John Olsen
 

“The Third Shadow” was originally published in the March 15, 1936 issue of The Shadow Magazine. A black cloaked figure of the night strikes again. But this singular mystery man is not The Shadow. And the eerie figure strikes not against crime, but strikes at gambling establishments, collecting loot for his own ends. Someone is impersonating The Shadow!
 
This pulp novel from 1936 offers an interesting twist on The Shadow, one that had not been seen before. But it was anticipated earlier by Police Commissioner Ralph Weston. Weston, you may remember, refused to believe in The Shadow in the early years of the pulp magazine. When Detective Joe Cardona reported being rescued by an uncanny cloaked personality, Weston would refuse to believe it was a single man. He argued that it could be the same man that Cardona had encountered before, or that it could be someone else dressed in black. There could be various personages appearing in black cloak and slouch hat. And finally, in this story, that is exactly what happens.
 
Some unknown impersonator is masquerading as The Shadow! In this story, author Walter Gibson examines what would happen if someone else should don the garb of black and appear in public as The Shadow. And what if this someone was a criminal? He could use the palpable fear generated by just the sight of the cloaked crimefighter, to his own nefarious ends. And what if a third Shadow appeared? What if some master criminal saw how effective the second Shadow could be, and decided to appropriate the scheme and expand upon it? Would the rightful Shadow, the scourge of the underworld, then lose his power? Could he do anything to stop the ever-growing crime wave? It’s this interesting premise upon which “The Third Shadow” is based.
 
The story opens with a simple crime. It’s a crime that The Shadow resolves in the first four chapters. Lucian Yorne was a jewelry salesman. He was murdered in his office; his jewels and cash stolen. The law was on the case, but overlooked certain angles that only The Shadow could see. It won’t be giving much away to reveal that Parlington, the butler, did it.
 
The Shadow confronts Parlington in the pantry. The butler quakes in fear at the sight of the man in black. The Shadow forces him to write out a confession. The hiss……
Double Novel reprint $12.95
 

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REVIEW: Willow

Willow Domestic BD+DVDSometimes you are born for a life of adventure and sometimes adventure recruits you into its cause. For George Lucas, the latter approach is preferable as witnessed in Luke Skywalker in Star Wars and Willow Ufgood in Willow. While Skywalker unknowingly had it in his blood, Willow was far more the ordinary person thrust into an extraordinary cause.

Lucas conceived of Willow’s tale back in 1972 and kept it rattling around his mind until technology was sophisticated enough to tackle it on film. Casting Warwick Davis as Wicket in Return of the Jedi probably began the move from backburner to the front of the production slate even though it was another five years before the film began production. By then, Lucas was no longer interested in directing, instead choosing Ron Howard to mount his first major fantasy. By then, Howard, who was a directing contemporary of Lucas although they traveled in different circles, had just finished Cocoon, a science fiction tale dosed with lots of humanity, and that’s apparently what Lucas wanted.

What we got in 1988, though, was an uneven tale with loads of nice scenery and nifty Industrial Light & Magic special effects but none of the characters sang and Howard definitely seemed out of his element. A new edition, with an excellent transfer, has just been released on Blu-ray by 20th Century Home Entertainment.

willow-blu-ray-dvd-WIL_IA_1008_rgbThe story is not especially original as Queen Bavmorda (Jean Marsh) of Nockmaar wants no rivals and to forestall a prophecy, has every pregnant woman in the kingdom imprisoned. Of course, a woman manages to give birth to her child, who turns out to be Snow White, er, The One. To protect her, the mother sacrifices her child, sending it in a small boat on the river where it is found by Willow’s children. Willow is a Hobbit, er, Nelwyn; a farmer, happily married, and not seeking a change in his life. The baby, though, upends everything, especially as the Queen’s hounds come hunting. Willow and the baby, Elora Danan, flee, encountering Madmartigan (Val Kilmer), who is a handsome Daikini; a disgraced knight who swings a mean sword. Following instructions, Willow will risk everything to safely deliver the child to the good king and queen of Castle Tir Asleen. Meantime, Madmartigan encounters and romances Bavmorda’s daughter, Sorsha (Joanne Whalley), getting his just reward. For the two hour and six minute running time, you pretty much know what’s going to happen, and you’re rooting for the heroes.

willow-blu-ray-dvd-WIL_IA_1028_rgbThe screenplay, written by Bob Dolman (How to Eat Fried Worms), based on Lucas’ long-simmering concepts, is overly predictable and none of the characters manage to sparkle. Kilmer is too grim, Marsh too broad. Davis’ title character is earnest but flat, given little to work with. Even former Munchkin Billy Barty is overly broad as The High Aldwin, the magician who takes Willow on as an apprentice. He’s forgiven considering how awful the Brownies (Kevin Pollak and Rick Overton), the two French-accented companions, are. That said, Howard still shows the film’s potential in some lovely quiet moments between the characters. Saddled with a so-so story and inexperienced with the demands of special effects, these are few and far between, which just makes us yearn for more. Darker than your typical kids’ fantasy, this overall holds up on rewatching, which has explained its enduring commercial success. As recently as last month Kilmer tweeted there will be a sequel, but after all this time, it remains wishful dreaming.

willow-blu-ray-dvd-WIL_IA_1027_rgbShot partly in New Zealand, it has lovely views and the SFX are fine for when they were crafted but clearly budgetary constraints kept some of the more exciting set pieces from completion, saving them for use in the Marvel adaptation or novelization (speaking of which, go find the Chris Claremont-penned of tie-in sequel novels). James Horner delivers a familiar and lackluster score, that doesn’t help the overall feel of being a retread.

The new transfer is superior to the 2001 DVD release. Lucas and company personally oversaw the work so the print is clean and the colors are well balanced. The THX soundtrack is equally glorious and makes for an improved viewing experience.

The special features have chosen to skip the Davis commentary from the previous release but does offer up the other ones, including Willow: The Making of an Adventure (23:29), a 1988 documentary; From Morf To Morphing (17:24), with visual effects supervisor Dennis Muren; and, Willow: An Unlikely Hero – Personal Video Diary of Warwick Davis (10:53), with some interesting on-set videos he shot during production.

New to the disc is Willow: Deleted Scenes with Ron Howard (12:32) includes the completely dropped subplot with Sorsha’s father, some of Willow performing magic tricks, and a “fish boy” scene that ILM couldn’t quite get right. There is also a brief one minute-plus montage of the film’s lush Matte Paintings.

REVIEW: Easy Money

Easy MoneyThanks to Steig Larson, there’s a perceived appetite for all things Swedish so some of the more stylish or interesting books and films are coming over here in drips and drabs. The most recent import is Easy Money, a film that benefits from a moral gravity underlying the crime tale. Adapted by director Daniel Espinosa from Jens Lapidus’ 2006 novel Snabba Cash, it tells the story of a student, JW (Joel Kinnaman), who falls for Sophie (Lisa Henni ), an heiress so turns to crime in order to keep up with her lavish lifestyle. You just know things are going to spiral out of control this point on so the key for the production is keeping us in plausible suspense and entertained. Sure enough, he crosses the Serbian mafia and gets embroiled with Jorge (Matias Padin Varela), a fugitive from the mob. It’s dark and violent and messy.

While released in Europe back in 2010, it came here last year courtesy of The Weinstein Company and was met with more yawns than praise. (After winning the bidding war for the remake rights, Warner Bros. turned it over to Zac Efron to produce and start, but we;’ll see what happens should this ever get made.) Still, the film was a box office smash in its home country and did well throughout Europe.

It has enough testosterone fuelling the opening sequences to hook jaded American audiences complete with violence, a prison break out and fast cars. Kinnaman, best known to audiences for his work in The Killing, is an appealing underdog we’re rooting for in the first third. You can see why he falls for the sexy blonde beauty Henni and why he might risk everything for her. Espinosa, though, careens from shot to shot and the narrative loses cohesion by the midway point and the audience stops caring by the time we get to the climax.  There might be too many threads crying for attention for the director to properly service and more condensation might have been required.

[youtube]http://www.youtube.com/watch?v=9KW0wFMQMvg&feature=youtu.be[/youtube]

The core remains the conflicts and consequences of choices made by the main characters, all of whom are trying to get out from under crushing burdens, which makes this more than your typical crime noir.

This is a pretty bare bones DVD release from Starz/Anchor Bay with nary an interesting extra so the decision is up to you if the story is enough to spring for the disc.

Coming to DVD Next Week

Coming to DVD Next Week

Killing Them Softly is coming to DVD next week and here’s a clip to whet your appetite.

Jackie Cogan is an enforcer hired to restore order after three dumb guys rob a Mob protected card game, causing the local criminal economy to collapse. The underperforming film stars Brad Pitt, Ray Liotta, and, Richard Jenkins.

The Swedish thriller Easy Money is also coming to disc next week and our review will run tomorrow. For now, here’s a look:

Review: Rebel Angels

Rebel-AngelsThe Lady Lazarus saga’s final chapter for the tale that is, of the three, the most humanRebel Angels (Tor Books, Hardcover, $26.99, March, 2013). It’s October, 1939 and our heroine Magda is saying goodbye to her little sister Gisele, sending her off with spymaster Knox to be protected by Churchill in the UK whilst Magda and her fallen angel-man Raziel sallie forth to Baku, Afghanistan to find a way to bring down the Asmodel-possessed Hitler and prevent the wholesale slaughter of millions that Gisele has foreseen. To do this, Magda seeks the primordial magic even more potent than the Book of Raziel, the Lazarus women’s legacy—the Heaven Sapphire. And the last time it was used, all Hell broke loose. The gem is its own creature, not to be summoned by mere words, not even by a Lazarus, the ancient line of witches who can come back from the dead via a deal with the Witch of Ein Dor of the Bible. Everyone is after it and she has to get there first, no matter the cost. And so she has to announce to Vampire Count Gabor Bathory that she is quitting his employ and leaving Budapest once again to try to stop this war—and get his blessing on her clandestine marriage to the man who’d given up Heaven to be with her.  What does Bathory do?  The only thing a Vampire Count can do for the closest thing he has to a daughter in the face of war—he allows her to escape by throwing the most lavish vampire party ever and invites all magicals, under a truce, to celebrate with him! Even her beloved Eva, now in deep-cover as the SS Werewolf leader Szalasi’s paramour, attends. All the players are on stage for the grand finale in contexts at once perplexing, astonishing, and satisfying.

And that’s what makes this work, even when I can barely suspend disbelief – as with the literal flying carpets of the women of Helena. The human merchant Ziyad is just that in his air of passion in the real sense of the word—to suffer as a mensch, an Aristotelian man, and not merely a human animal. The over-arching emotions and dilemmas in this climax are elevated to what is best and worst in humans, so that infernal and divine are one and meet—as above, so below, the divine reaching down toward humanity and humanity reaching up toward the divine, by either good or evil means, by true hearts of compassion or bloated egos. And the means makes all the difference, so that evil might not triumph over the face of God’s creation, via the human spirit in all of them, even the once-divine. This concluding chapter is not so much an ethical book (that was more for book II), but a passionate one, one that faces despair head-on and says, like Gandalf to the Balrog, “You shall not pass!”

Lang’s prose here is her most calculated—book I is still the book of my heart. But she pulls off things here that made me doubt and yet made them somehow plausible. She’s honest enough that not all of your favourites will survive, but none will be forgotten, and thus stays true to the Jewish concept of yizkor that propels this story: remember so that none truly die forever. There are awww moments that remind you that Lang is also a romance writer, without sending you for the insulin shots.  She does not flinch from torturing her characters—see the dungeons of the Baku Institute where the mad scientist Prof. Roskonikoff conducts operations that resemble crude, early frontal lobotomies. This is not a book to be handed to young women without adult supervision. Finally, I will say that, in the end, somehow, a spark of love triumphs and there is, indeed, life out of death.  And you can’t help but love that and smile.

Lady Lazarus (Tor, trade Sept. 2010 $14.99, mass market June 2011 $7.99)

Dark Victory (Tor, March ’13, hardcover $25.99, Kindle $9.99)