Tagged: Pulp

PULP ARK 2012 LIFETIME ACHIEVEMENT WINNER ANNOUNCED

As first announced on PULPED (www.pulped.libsyn.com) today, the Pulp Ark Lifetime Achievement Award Recipient for 2012 has been selected.  Tommy Hancock, partner in Pro Se Productions, the sponsor of PULP ARK, the Official New Pulp Convention as well as the founder and organizer of Pulp Ark, reported to PULPED! host Ron Fortier that the selection process for the Lifetime Achievement Award, established in 2011, had been completed and a recipient named.

Although 11 other Pulp Ark Awards that will be given at Pulp Ark 2012 were selected by public nomination and then voting of those who nominated, the process for selecting the Lifetime Achievement winner was different.  Ten people considered to be involved in the New Pulp Movement significantly at this point were invited to participate on the Lifetime Achievement Selection Committee.  Each of these Committee members were given an opportunity to nominate three people for the Award.  The top three from these nominations were then placed on a ballot and the Committee voted from that ballot.  The members of the Committee included, Hancock, Barry Reese, Derrick Ferguson, Ron Fortier, Bobby Nash, Art Sippo, Van Plexico, Matt Moring, Michael Brown, and Joe Gentile.

To qualify for the recognition, a person must have been heavily involved in Pulp in some capacity significantly for at least ten years and had a known impact on Pulp.  According to Hancock, the recipient of this year’s Pulp Ark Lifetime Achievement Award is Howard Hopkins.

Known for his ability to work in multiple genres as well as his absolute love for all things Pulp, Howard first came to the notice of many Pulp fans as the publisher of Golden Perils, one of the first and premier Pulp fanzines.   Hopkins’ publishing career involved many stories in many genres and included him working not only as a writer, but as a Pulp historian and an Editor.

This award will be given posthumously as Hopkins passed away suddenly on January 12, 2012.  “This recognition,” Hancock acknowledged, “is well deserved.  Nominated last year, Howard was the fifth highest nominated in 2011 for the inaugural Lifetime Achievement Award.   One needs simply to look at the voluminous list of fiction as well as non fiction and editing Howard did to see that this award is the least that he is worthy of.   Many of us have learned how to better our craft because of Howard.  And we will continue to learn from him for years to come.”

The award will be given to Howard’s wife, Dominique, on her husband’s behalf.  The Awards Ceremony will be held during Pulp Ark 2012 on Saturday, April 21, 2012.

For further information on this award or Pulp Ark, contact Hancock at proseproductions@earthlink.net or go to www.pulpark.blogspot.com

Following is a Bibliography of Howard Hopkins’ work-

Author of 40+ horror/western/comics fiction books, numerous published short stories, including stories in The Spider Chronicles with John Jakes, The Green Hornet, Sherlock Holmes & Captain Midnight. Co-editor of The Avenger Chronicles.

Publishing History

Robert Hale, Ltd.: Western Novels
Blood on the Saddle, The Comanche’s Ghost, Blood Pass, Wanted, Ghost-town Duel, The Gallows Ghost, The Widow Maker, Guns of the Past, Palomita, The Last Draw, The Deadly Doves, The Devil’s Peacemaker, The West Wolf, The Phantom Marshal, Bandolero, Pirate Pass, The Silver-Mine Spook, Ladigan, Vengeance Pass, Johnny Dead, Poison Pass, Ripper Pass, Nightmare Pass, Hell Pass, Haunted Pass, Desolation Pass, Blood Creek, The Devil’s Rider, Coyote Deadly, Dead Man Riding, The Killing Kind, Hell on Hoofs, Twilight Trail

Ulverscroft/F.A. Thorpe: Western Novels
Blood on the Saddle, The Comanche’s Ghost, Blood Pass, Wanted, The Gallows Ghost, The Widow Maker, Guns of the Past, Palomita, The last Draw, The Deadly Doves, The Devil’s Peacemaker, The West Wolf, The Phantom Marshal, Bandolero, Pirate Pass, The Silver-Mine Spook, Ladigan, Johnny Dead, Poison Pass, Nightmare Pass, Hell Pass, Haunted Pass, Desolation Pass, Blood Creek, The Devil’s Rider, Coyote Deadly, Dead Man Riding

Dancing Willow Press:
Night Demons, Grimm, Dark Harbors, The Nightmare Club#1: The Headless Paperboy, Pistolero, The Dark Riders, Night Demons

Atlantic Bridge Publications:
Night Demons, Grimm, Dark Harbors, The Nightmare Club#1: The Headless Paperboy, Pistolero, The Dark Riders, Night Demons

Golden Perils Press:
Night Demons, Grimm, Dark Harbors, The Nightmare Club#1: The Headless Paperboy, Pistolero, The Dark Riders, Night Demons, The Nightmare Club #2: The Deadly Dragon, The Nightmare Club #3: The Willow Witch, The Chloe Files #1: Ashes to Ashes, The Chloe Files #2: Sliver of Darkness

Non-fiction: The Gray Nemesis, Shadowed Pages, The Black Bat History, Secret Agent X History, 40 issues of Golden Perils Magazine (editor/writer, 20 print/20 electronic)

Students of the Unusual: (Comic book anthology) “Strangler”

Moonstone Books:

The Spider Chronicles #1: “Death Reign of the zombie Queen”
The Spider Chronicles #2: “Scourge of the Giggling Ghouls”
The Avenger Chronicles: (Co-editor) “The Original Man of Steel,” “The Heart of the Crucible” & “The Blast Devil”
The Avenger: The Justice, Inc. Files (Co-editor) “The Flames of Tragedy,” “Vengeance, Inc.,” “Nellie,” “Mac,” “Cole”
The Avenger: Tales from Bleek Street: “Smitty,” “Josh,” “Rosabel”
The Captain Midnight Chronicles: “Witch of the Waning Moon”
The Green Hornet Chronicles: “Flight of the Yellowjacket”
The Green Hornet Casebook: “Sting of the Yellowjacket”
Sherlock Holmes: The Crossovers Casebook: (Editor) “The Haunted Manor” “A Study in Awareness”
Honey West Anthology (Editor)
The Golden Amazon: Three short stories, two comic scripts, one novel (Ripper, Burning Bright)
The Lone Ranger: Novel (Vendetta)
Comic book script: “Threesome” with Nancy Holder
The Spider: Four widescreen graphic novel adaptations: The Iron Man War, Judgement Knight, The Bat Man War, Satan’s Seven Samurai
The Spider: Widescreen comic book: The Strange Case of The Spider and Mr. Hyde

Books/Magazines for various publishers:

Weird Western Tales: “Night of the Crimson Moon”
Beat to a Pulp: “Ghost of a Chance”
The Holiday Mixer Anthology: “Slay Ride”
Where Legends Ride: “The Ballad of Jesse Barnett”
A Fistful of Legends: “Billy”

As well as:
15+ Short stories for various horror publications.
50+ non-fiction articles for various publications.



DOC WILDE RETURNS!

ANNOUNCEMENT: The Return of Doc Wilde!!!

 

In a young adult book market crowded with the depressing and the dour, Tim Byrd’s Doc Wilde swings in on a jungle vine to raise the flag high for adventure. Infused with pace, fun, and all the two-fisted action a reader could ask for, Wilde lovingly riffs on situations straight out of the old pulps, even while making them fresh for a new generation.
— Zack Stentz, screenwriter, ThorX-Men: First Class

In 2009, Penguin/Putnam released my book Doc Wilde and The Frogs of Doom, an adventure novel for all ages, my homage to the great pulp adventure stories of the thirties and forties. I conceived it as the first of a series, but Putnam waited to see how it was received before committing to more books.
The reviews were great, and the sales very good. As a result, Putnam asked for two more books. But, as regular readers of this blog know, I went through some rough times that delayed completion of the second book, and in the time since Frogs was released there has been a great deal of change in publishing. Thanks to digital distribution, the rapid rise of ebooks, and print on demand, the options for authors are much better than they used to be.
So, today, I’m excited to announce that Doc Wilde is going indy.

Written in fast-paced, intelligent prose laced with humor and literary allusions ranging from Dante to Dr. Seuss, the story has all of the fun of old-fashioned pulp adventures. A tale ‘terrifying and dark, of indescribable horrors and eldritch mysteries,’ this is sure to be Wilde-ly popular, and readers will anxiously await future installments.                                                     —Kirkus Reviews

Putnam treated me well enough, but I was largely underwhelmed with my experiences with them. The  money was relatively lousy (and usually delivered months after it was contractually supposed to be), they did no promotion, and I thought they failed to take advantage of important opportunities. At no point did I get the idea that my input was valued, except insofar as delivering a printable text was concerned. And they allowed the hardback to sell through its print run and fall out of print before even scheduling a paperback printing, meaning the book’s effective shelf life and opportunity to find new readers was less than two years. In other words, I was treated like most authors are treated by the Big 6.
The thing is, I want to make a living at this, and unless the series really took wing, I was never going to do that under standard publishing terms. Everybody in publishing makes a good living, with benefits, except the folks who write the books. Going independent is a gamble, but honestly, if it doesn’t work, I’m not out much income, and if it does (and I expect it will) I’ll at least be able to keep the roof over my head.
So this is the year of Doc Wilde.

Doc Wilde and the Frogs of Doom is an adventure yarn in the old tradition. It gets that reading is an intellectual activity, and that an adventure, to be really good, has to engage the reader’s brain. I love a smart book!
—Daniel Pinkwater, author of The Neddiad and The Yggyssey

The fact that Putnam allowed Frogs to fall out of print turned out to be a great thing, because it allowed me to retrieve the rights and I can start the series anew, the way I want to. There were things I wanted to do with the books that I wasn’t getting to do with Putnam, and now I can.
One of those things is working with Gary Chaloner. As I’ve written before, well before I finished writing Frogs, I tried to find the perfect artist to depict the Wildes, and Gary was my choice. Not only was he a gifted graphic storyteller with a distinctive style, he was also a huge fan of pulp adventure and had an instinctive understanding (and love) of the material. Together we decided to produce lavishly illustrated books, and he put a lot of time into honing his designs to match my vision of the characters. (To see some of his early designs, go here.)

The Wildes à la Chaloner

When I signed with Putnam, they completely disregarded my wishes. The resulting book had a really nice cover, but I never got so much as an email consultation from the artist and I have a few minor issues with some of its details. There were no lovely illustrations inside. Instead, there were some goofy typographical effects that (I felt) distracted the reader and made the book look like it was meant solely for very young readers, rather than for young and old as I intended.
Well, Gary’s back on board, and we’re doing the books the way we originally envisioned.
Here’s the plan:
Doc Wilde and The Frogs of Doom will be released in its new edition in June, in both ebook and paper. It will offer my preferred edit of the novel, along with a new short Doc Wilde adventure, and (like future books) will have a new cover and be fully illustrated by maestro Gary Chaloner.
In the next few weeks, I’ll be putting together a Kickstarter project so folks can help us with the relaunch and get assorted boons ranging from being named in the acknowledgments to autographed limited editions and other exclusives.
Then, in August or September, the long-awaited second adventure will finally appear, Doc Wilde and The Mad Skull, in which the Wildes face a mind-blowing mystery and a truly bizarre villain. Book 3, to be named soon, will follow in November.
Had I remained with Putnam, by year’s end there would have possibly been a paperback of Frogs of Doom, and The Mad Skull might have seen print some time next year, though more likely it would have been in 2014. Doing things this way, you get the first three books by Christmas, with more to follow next year.
This is all very exciting for me. Going indy will allow me not only to produce nicer books, not only to make more money (at less cost to readers), but to have a more organic and personal relationship with fans. It’s a great time to be a writer.
Stay tuned for more news, including the details of the Kickstarter project…

A true delight…Tim Byrd has taken Doc Savage, added in a pinch of Robert E. Howard, a liberal dose of H.P. Lovecraft, and mixed it all together in a well done, enchanting pastiche of the pulps that will appeal to the adult audience as well as the young adult readers. It is an over the top at times, rip roaring adventure that returns us to the days of yesteryear and leaves us wanting more.
—Barry Hunter, The Baryon Review

(Note: At the time I post this, Putnam’s ebook version of Frogs of Doom is still available online. The wheels of publishing grind slowly, and they haven’t yet gotten around to removing it as they’re supposed to. If you’re interested in the book, I encourage you to wait for the new version later this year. It will be a much better edition, will cost you less, and I’ll benefit a lot more from the sale.)

STEEL CITY NOIR

STEEL CITY NOIR

Art: Dave Stokes

Writer, Vito Delsante’s new noir pulp story, Tonight Down By The River debuts at http://welcometotripcity.com/2012/02/tonight-down-by-the-river/

In Tonight, Down By The River, a rendevouz leads to murder.

Art: Dave Stokes
She wasn’t afraid.
It wasn’t their first date and while she was as nervous as she always was when they met, she wasn’t scared.
She just didn’t want to get caught.
She arrived at their favorite meeting place early, a small bar called Hemingway’s on Forbes Avenue, and she slid into their favorite booth. She didn’t dress conservatively on purpose, choosing a low-cut blouse over the business attire she was more comfortable wearing. The blouse clung to her curves, accentuating her tiny hips and her enhanced bust. The skirt was tight and gave the semblance of a shape where one didn’t exist naturally.

Read more at http://welcometotripcity.com/2012/02/tonight-down-by-the-river/

About Trip City:
TRIP CITY is a Brooklyn-filtered, multimedia, literary arts salon that launched November 1st, 2011. Curated by and featuring exclusive content from Emmy award winning artist, Dean Haspiel (Billy Dogma, Bored to Death), Seth Kushner (The Brooklynites, CulturePOP), Chris Miskiewicz (Everywhere), and Jeffrey Burandt aka Jef UK (Americans UK), with a fellowship of regular contributors featuring; Joe Infurnari (MUSH! Sled Dogs with Issues, Marathon), Nick Bertozzi (The Salon, Lewis & Clark), Jennifer Hayden (Underwire), Nick Abadzis (Laika), Jen Ferguson (Art in Chaos), Ron Scalzo (Bald Freak Music), Sandra Beasley (Don’t Kill the Birthday Girl: Tales from an Allergic Life , I Was The Jukebox), Dan Goldman (Shooting War, Red Light Properties), Jeff Newelt (Heeb Magazine, The Pekar Project), Jonathan Vankin (The World’s Greatest Conspiracies), Amy Finkel (Furever), Kevin Colden (Fishtown), and The Perv Whisperer (The Perv Whisperer).

Welcome to Trip City.


Trip City” © Dean Haspiel. All materials are © their respective creators.

Some material on the Trip City website may contain adult subject matter and may not be appropriate for children.
 

New Pulp’s Table Talk – Turning the Table

Those of you who follow this column know we run a regular “Questions from the Reader” segment every few weeks. Well, the guys like the interaction so much (let’s face it, sitting in an office with nothing but you and your imaginary friends can make a writer very lonely) they decided to try a new spin on it.

This week, Barry Reese, Bobby Nash, and Mike Bullock decided to turn the tables on you, the reader, and pose questions for you to answer. Please pick one (or more) question(s) and respond in the comment field at http://www.newpulpfiction.com/2012/02/table-talk-turning-table.html. When responding, please let the guys know to which question you’re replying so as to avoid confusing them more than life in general already has.

Question #1 (Bobby Nash): There has been a lot of discussion lately on the appeal of pulp and new pulp to modern audiences? What makes you, the reader, want to pick up a classic pulp or new pulp book? Is it characters, publisher, creators, cover art, or something else? What are you looking for in your pulp tales?

Question #2 (Mike Bullock): What do you prefer reading, existing characters in all new stories, or all new characters in new adventures? Or, a mixture of both? Please explain why.

Question #3 (Barry Reese): Are there any genres you feel are currently being neglected in New Pulp? If so, what would you like to see and in what format?

New Pulp’s Table Talk – Turning the Table is now available at http://www.newpulpfiction.com/ or at the direct link: http://www.newpulpfiction.com/2012/02/table-talk-turning-table.html

Join the conversation. Leave us a comment on the blog and let us know your thoughts on this topic. We’d love to hear your thoughts and questions.

Have a question you want the Table Talk Trio to answer? Send it to newpulpfiction@gmail.com with “Table Talk Question” in the subject line. Also, let us know if you want attribution for the question, or you’d rather remain anonymous. Please, keep the questions pertinent to the creation of New Pulp and/or writing speculative fiction in general. We’ll get the questions worked into future columns.

Follow the Table Talk Trio on Twitter @BarryReesePulp @BobbyNash @MikeABullock and Facebook.

HANCOCK TIPS HIS HAT TO BPRD: BEING HUMAN!

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock
BPRD: BEING HUMAN
Mike Mignola, John Arcudi, Scott Allie, et al
Dark Horse Comics
I’m a Hellboy Fan.  Probably not as well read as most, but a fan nonetheless.   Hellboy is a kind of visual Pulp that excites the senses for a variety of Pulp fans-Horror, mystery, fantasy, adventure, and on and on and on.   Although the quality of stories has varied at times, one thing remains true.  A Hellboy related Tale is never ever without weirdness and adventure.  Never.
The same holds true for the stories found in ‘BPRD: Being Human.’  There’s haunted woods, zombie plantation owners, werewolves, spirit eating demons, and that’s just the bad guys.  Although Hellboy makes an appearance, this collection focuses on other members of the BPRD and each story ties very strongly into the title of the collection.
This book is about the aspects of humanity that some members of the BPRD feel like they don’t have, others feel like they don’t deserve them, and still others are desperate to have some sense of humanity.   In that, the book hits home.  Each story, there are four, clearly illustrates just how human the strange beings that work with or alongside the BPRD actually are and how maybe the humans around them could take lessons. 
The art is stunning as usual.  Creepy, under your skin, making you study the shadows to see what might jump out at you.   Overall, the collection is solid.  The werewolf story is probably my favorite as it conveys its point amongst a ton of action in a very few pages.  The  Roger the Homunculus story started off strong, but didn’t really have a resolution that lived up to the beginning.  The other two stories were usual fare from the Hellboy realm, which means they were pretty solid.
FOUR OUT OF FIVE TIPS OF THE HAT-  The book made its point.  And did it with spooky art and fairly strong storytelling.

HANCOCK TIPS HIS HAT….SLIGHTLY…TO ‘CALLER ID’

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock
CALLER ID
Rachelle J. Christensen
Cedar Fort
Sometimes the four lines describing something that has a cool cover are enough to pull someone into reading a book.  And sometimes, even for a fan of almost any even slightly Pulp hinting piece of prose like me, that handful of lines turns out to be the best part of the experience.
‘Caller ID’ is a story of a young lady who accidentally stumbles upon evidence of something going on out of the ordinary around her idyllic, wealthy home and lifestyle.   Literally into a marijuana field and accidentally onto a name on a Caller ID screen that is supposed to be the first step into the harrowing adventure ahead.
Kidnapped and held prisoner, our young heroine works fervently to piece the mystery around her together and to escape.  Meanwhile, her family brings in the FBI, including Agent Jason Edwards, who makes it his singular mission to rescue her and sort out all the details.
‘Caller ID’ has moments of suspense.  It has several scenes that can be described as tense and action filled.  There’s also an undercurrent of mystery and a countercurrent, it seems, of romance.   The author handles words well and there’s quite a bit of potential within this book, but it doesn’t ever make up its mind what sort of book it is.  Even if it is a suspense romance as its been billed, it doesn’t even clearly define itself that way.   The book opens with a promising build up of the heroine, then focus shifts to the possible villains, then back to her, then to the Agent and at that point, the narrative completely loses focus.  The resolution is telegraphed far too soon and that’s even not tied up well as there’s a last minute twist that lacks credulity. 
TWO OUT OF FIVE TIPS OF THE HAT-‘Caller ID’ could have been high octane, tense, and still developed a romance between clearly defined characters.  Instead it just sort of rambled without really going anywhere exciting.  

HANCOCK TIPS HIS HAT TO THE DEBUT OF PI NICHOLAS COLT!

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp By Tommy Hancock

POCKET 47

By Jude Hardin

OceanView Publishing

One of the best liked, most lampooned, often replicated, sometimes screwed up, extremely action packed, twisty and turny sub-genres of Pulp is the Private Eye tale.   Everything from Hard Boiled to Cozy to Armchair to Science Fiction to Western to on and on ad nauseum, the PI story has endured many a different take and new coat of paint and withstood rather well.  But sometimes the best way to treat a PI is straight ahead and direct, even if it’s a tale clothed in modern trappings.  There’s never anything better than a two fisted, guns blazing gonna do what he’s gotta do gumshoe.   And it’s even better when characterization rides alongside the plot like Tonto following The Lone Ranger.

That is ‘Pocket 47’.

Jude Hardin introduces PI Nicholas Colt in this novel and Colt comes in with a ton of tragic baggage and a moral code akin to Chandler’s Marlowe and Parker’s Spenser.  A former top selling blues guitarist in a band, Colt’s life took a horrible turn when a plane crash claimed his band and his wife and daughter, leaving him as the only survivor a different man.   Years later, Colt lives in an Airstream trailer in Florida, fishes when he wants to, doesn’t play the guitar, and works as a private eye with a reputation for working runaway cases.

A client enters into Colt’s life as the novel opens, a young nurse desperate to find her fifteen year old sister who she had rescued from foster care and who has now ran away.   What starts as a typical case of tracking the girl to her favorite haunts and hiding spots takes a turn when Colt finds her and she claims someone is trying to kill her.  What ensues is murder, kidnapping, fist fights, good and bad cops, a religious white supremacist leading an army of zealots, and most of all secrets.  Secrets surrounding the runaway.  Secrets that engulf almost everyone Colt meets along the way.  And most of all, secrets that may very well tie into the most horrible event in Nicholas’ Colt’s life. 

In ‘Pocket 47’, Hardin makes everything count and matter.  Including the cryptic title.  Colt is a solid entry into the hard boiled PI school, even though he may wear shorts and spend long days fishing.  He has a serious set of rules, so serious he often quotes them and lives by them, a tried and true proof that he’s cast in a classic light.  But he’s also not Superman.  The plane crash in his past, Colt encounters enough problems in his present life to send most men spiraling into a bottle never to float to the top again.  But he barrels on, putting clues together in a solid whydunit, and taking on the police, pimps, wealthy doctors, and a Nazi like religious group to boot. 

The only problem I had with ‘Pocket 47’ and it’s one that is minor overall, is that it really could have been two books.   There’s a point in the tale where for the most part all seems resolved and it could easily be the end of the tale and yet it’s not.  By the end of the book, it’s obvious how it all ties together, but it did get slightly disjointed before it roared on to its more than satisfying ending.

FOUR OUT OF FIVE TIPS OF THE HAT- ‘Pocket 47’ is a welcome addition to my PI shelf and Nicholas Colt is definitely a character that needs to play his way into another novel….or five.


PRO SE PRESENTS-THE PODCAST!

Press Release
Pro Se Productions, a noted New Pulp Publisher, debuts its very own podcast featuring the creators behind the magic and mayhem that is Pro Se.  This initial episode, hosted by Pro Se Partner and Editor-in-Chief Tommy Hancock, features four of the six writers involved in the debut volume of Pro Se’s latest line of New Pulp Novels, Pulp Obscura!  Ian Watson, Adam Lance Garcia, Barry Reese, and Frank Schildiner join Hancock in discussing their tales and take in THE NEW ADVENTURES OF RICHARD KNIGHT, a volume of new stories featuring an obscure Pulp character.  This volume, as with other Pulp Obscura titles, act as companions to volumes of reprints of the featured character printed by Altus Press!  Enjoy the information, the discussion, the hilarity, and more that makes this project and Pro Se Productions!  And tune in EVERY THURSDAY for a new episode of PRO SE PRESENTS!

New Pulp’s Table Talk Is Back! And They Brought Character Storms With Them.

Welcome back to Table Talk. Sorry we’re late, we got here as soon as we could. This week, Barry Reese, Bobby Nash, and Mike Bullock discuss doubts, storms, characters, and lost inspiration.

New Pulp’s Table Talk – Character Storms is now available at http://www.newpulpfiction.com/ or at the direct link: http://www.newpulpfiction.com/2012/02/table-talk-character-storms.html

Join the conversation. Leave us a comment on the blog and let us know your thoughts on this topic. We’d love to hear your thoughts and questions.

Have a question you want the Table Talk Trio to answer? Send it to newpulpfiction@gmail.com with “Table Talk Question” in the subject line. Also, let us know if you want attribution for the question, or you’d rather remain anonymous. Please, keep the questions pertinent to the creation of New Pulp and/or writing speculative fiction in general. We’ll get the questions worked into future columns.

Follow the Table Talk Trio on Twitter. @BarryReesePulp @BobbyNash @MikeABullock

FORTIER TAKES ON FELONY FISTS!

ALL PULP REVIEWS by Ron Fortier
FIGHT CARD : FELONY FISTS
By Paul Bishop
(http://www.bishsbeat.blogspot.com/)
128 pages
Punch. Block. Counterpunch. Duck. Uppercut. Jab. Haymaker. Clinch. The staccato machine-gun lingo of boxing that taps across the brain like a dance choreographed by battling gladiators.  It is a ballet of flying fists, controlled mayhem performed by all manner of combatants with something to win, prove or defend.  Of the entire classic pulp sports genre, the boxing magazines were by far the most popular and prolific. Now a group of today’s finest new pulp scribes have come together to recreate the blood, seat and tears of those canvas arenas in a series of short novellas under the guiding hand of accomplished novelist, Paul Bishop.
Bishop has an extensive resume from his long career as a police officer then detective for the Los Angeles police department, television and movie scribe and finally mystery/crime novelist.  Recently he’s gotten into the new pulp movement and it’s clear by this tale just how much he loves the old school boxing tales.  This story has the atmosphere and feel of an old Warner Brothers black and white flick from the 40s & 50s and one can easily envision actors like Spencer Tracy and John Garfield in the roles of his characters.  It is that evocative of the time and setting; L.A. in 1954.
Patrick “Felony” Flynn is a young cop on the force who is also an amateur boxer, having been taught by a tough-minded Catholic priest in the Chicago orphanage he and his brother were raised in.  Coming out of WWII and the Navy, where he continued his pugilistic ways, he swaps one blue uniform for another in getting back to civilian life.  His goal is to eventually become a detective and member of the famous anti-mob unit led by Chief Parker and called “The Hat Squat.”  
Through a series of fateful events stemming from his boxing prowess, Flynn is recruited by Chief Parker to help stymie mobster Mickey Cohen’s plans to infiltrate the boxing world via his heavy-weight fighter, Solomon King.  If King can whip Archie Moore, the reigning champion, then Cohen will have established a foothold in the city as well as the sports community.  Something Parker obsessively vows to stop at any cost; including making Flynn a detective in his elite team providing he becomes a professional boxer and takes defeats King.  No small tasks any way you slice it up.
What follows is a thoroughly enjoyable, fast paced, knowledgeable yarn that was a pure joy to read start to finish.  Bishop never misses a beat; again, knowing his melody by heart and relishing every single sentence, paragraph and chapter like a superbly orchestrated fight strategy.  “Fight Card: Felony Fists” is a sensational opening to what this reviewer expects is going to be a truly amazing series that will revitalize a classic pulp genre in a bold new way readers are going to love.  Me, I’m in his corner all the way.