New Pulp Publisher, Trinity Comics has announced that Frank (Lance Star: Sky Ranger) Dirscherl’s debut novel, THE WRAITH, is now available to buy (in paperback) in a new revamped and represented edition. This is the first novel in The Wraith novel series.
Go back to where it all began. Currently only available from the Trinity Comics Store, Frank Dirscherl’s The Wraith will soon also be available from Amazon, Barnes & Noble et al as well as an eBook. Stay tuned here for further details. For now, the paperback can be ordered from the Trinity Comics on-line store here.
About Frank Dirscherl’s The Wraith: In a world not far removed from our own, a city lies ravaged. Crime overruns its streets, its citizens are
helpless. Crime-lord Robert Latham, to the world at large a legitimate businessman, holds the city in his sway. Fear and intimidation rule throughout. One man stands above the rest, willing to fight for freedom. That man is The Wraith. The Wraith, the city’s bogeyman, is known to exist only by a very few, and seen by even fewer. Those that do know of him, especially Latham, know to fear him, for his fury at those who commit evil knows no bounds. By day, The Wraith is the reclusive millionaire Paul Sanderson, a man more mysterious and less seen than his night-time counterpart. Sensing the desperation of Latham and that his own time may be limited, Sanderson readies a replacement–Michael Reeve, an honest cop drawn inexorably into a world he may not be ready for. Can the new Wraith save his city even while he struggles to save his own soul?
Learn more about Frank Dirscherl’s The Wraith here.
About Frank Dirscherl: Frank Dirscherl AssDipArts (Lib Prac) CertIIIInfTch (Tech Sppt) ALIATec AIMM
Frank Dirscherl (b. 1973) is a professionally certified library technician and has been working in libraries since 1992. Over the years he has also covered and packed books and other material for a book wholesale company, worked as a data assistant at an ENT surgery and as a lecturer to children on the merits of the comic book. His written work includes The Wraith (filmed in 2005), Valley of Evil, Cult of the Damned, the non-fiction The Wraith: Eyes of Judgment – The Official Script Book & Movie Guide (with
Stephen Semones) and more. He lives on the south coast of NSW, Australia with his wife, where he’s currently working on his fifth Wraith novel amongst other works of fiction.
Comic Book Publisher, Dynamite Entertainment announces author David Liss and artist Colton Worley as creative team on the new series, The Shadow Now. Click on the images for a larger view.
Official Press Release:
Dynamite is proud to announce that beloved pulp-era crime-fighter will appear for the first time in the modern age in the upcoming The Shadow Now comic book series. Mystery/thriller novelist David Liss, whose previous comic book credentials include Black Panther and Mystery Men from Marvel and Dynamite’s The Spider, will usher the classic character into present day New York City with the assistance of talented artist and painter Colton Worley. The first chapter in this six-issue miniseries is slated for release in October, featuring cover artwork by Tim Bradstreet (Punisher) and interior artist Colton Worley.
The Shadow Now page 1
In The Shadow Now, the greatest pulp hero of all returns to New York City in modern times, having spent decades in the mystical East to rejuvenate himself. Lamont Cranston seeks to resume his old life, and his heroic alter-ego is ready to stand once more as an enemy to evil. But while he was gone, his foes have remained vigilant, and the most dangerous man The Shadow has ever faced prepares to rise once more.
“The Shadow is, without doubt, one of the coolest pulp characters of all time, so I was thrilled to get a chance to add something to the legend,” says the critically acclaimed David Liss, whose first book, A Conspiracy of Paper, won the coveted 2001 Edgar Award from the Mystery Writers of America for Best First Novel. “While we are working within the long and storied tradition of Shadow adventures, I think we’re also doing something original with this character, and that’s always a great combination. I was especially happy when I heard Colton would be doing the art for this miniseries. His art is stunning, and a perfect fit for our neo-pulp tone. This story is dark and moody, which I think a Shadow story should be, but I think we’re also portraying a very human and fallible version of the man behind the mask. Fans who have followed The Shadow in comics over the years are going to be very interested to see how we run with what’s come before this.”
The Shadow Now page 2
The Shadow began its existence in 1930 as a narrative voice on the Street and Smith radio program Detective Story Hour. The audience thrilled to the serialized adventures of this mysterious figure, whose mythos expanded to include Occidental mysticism, hypnotic powers over weak criminal minds, and twin .45 caliber handguns. With a keen intellect and relentless drive, The Shadow hunted criminals without mercy in an era when gumshoe detectives and bootlegging mobsters was a thrilling yet fearsome reality. The character’s popularity has endured for over 80 years, bolstered by appearances in radio serials, novels, comic books, films, and more. In recent years, Dynamite published a groundbreaking and well-received ongoing Shadow series launched by comic writer Garth Ennis (Preacher).
The Shadow Now page 3
David Liss has written comic books for Marvel and Dynamite, including Black Panther, Mystery Men, and The Spider. He is also the author of five novels, with more on the way. His debut novel, A Conspiracy of Paper (2000) with its hero, the pugilist-turned-private investigator Benjamin Weaver, was named a New York Times Notable Book and won him the 2001 Barry, MacAvity, and Edgar awards for Best First Novel. David’s second novel, The Coffee Trader, (2003) was also named a New York Times Notable Book and was selected by the New York Public Library as one of the year’s 25 Books to Remember. His third novel A Spectacle of Corruption (2004), the sequel to A Conspiracy of Paper, became a national bestseller. David’s fourth novel, The Ethical Assassin (2006) is his first full-length work that is not historical fiction. David’s most recent novel, The Whiskey Rebels, is set in 1790′s Philadelphia and New York. The third Benjamin Weaver novel, The Devil’s Company, arrived in stores in late 2009.
The Shadow Now page 4
“David Liss is one of those writers who just naturally understands pulp noir,” says Nick Barrucci, CEO and Publisher of Dynamite. “He understand the feel of it, the chills down the spine, that paranoid feeling that danger lurks at every turn. The whole idea behind The Shadow Now is that, despite all our advances, the world can still feel that way — there’s still evil lurking in the hearts of men, and only The Shadow knows how to deal with it. David can perfectly capture that old-time Shadow spirit, the foreboding and menace, the kind that would terrorize even today’s criminal element.”
The Shadow Now #1 is being offered in the August 2013 Previews catalog, the premiere source of merchandise for the comic book specialty market, with an intended street date of October 2013.
About Dynamite Entertainment: Dynamite was founded in 2004 and is home to several best-selling comic book titles and properties, including The Boys, The Shadow, Vampirella, Warlord of Mars, Bionic Man, A Game of Thrones, and more. Dynamite owns and controls an extensive library with over 3,000 characters (which includes the Harris Comics and Chaos Comics properties), such as Vampirella, Pantha, Evil Ernie, Smiley the Psychotic Button, Chastity, Purgatori, and Peter Cannon: Thunderbolt. In addition to their critically-acclaimed titles and bestselling comics, Dynamite works with some of the most high profile creators in comics and entertainment, including Kevin Smith, Alex Ross, John Cassaday, Garth Ennis, Jae Lee, Marc Guggenheim, Mike Carey, Jim Krueger, Greg Pak, Brett Matthews, Matt Wagner, and a host of up-and-coming new talent. Dynamite is consistently ranked in the upper tiers of comic book publishers and several of their titles – including Alex Ross and Jim Krueger’sProject Superpowers – have debuted in the Top Ten lists produced by Diamond Comics Distributors. In 2005, Diamond awarded the company a GEM award for Best New Publisher and another GEM in 2006 for Comics Publisher of the Year (under 5%) and again in 2011. The company has also been nominated for and won several industry awards, including the prestigious Harvey and Eisner Awards.
New Pulp creators, Martin Powell (writer) and Nik Poliwko (artist) bring Edgar Rice Burroughs’ The War Chief to the internet. The first strip is now live.
Tune in now for the start of a new weekly comic strip based upon Edgar Rice Burroughs’ historical novel of life and death during the final days of the Apache Wars. It is the fascinating adventure of Shoz-Dijiji, born as Andy MacDuff, and raised as a proud Apache. An honest and sympathetic portrait of Native Americans, ERB drew from his real experience living among them during his early years before becoming the world’s best-selling author. Burroughs himself considered THE WAR CHIEF his best and personally favorite novel among his nearly one hundred books.
Art: Nik Poliwko
Also Featuring the All New Weekly Comic Strips: TARZAN OF THE APES™ by Roy Thomas and Tom Grindberg CARSON OF VENUS™ by Martin Powell, Thomas Floyd, and Diana Leto THE ETERNAL SAVAGE™ by Martin Powell and Steven E Gordon THE CAVE GIRL™ by Martin Powell and Diana Leto — Starting in July!
The Silver Six By AJ Lieberman & Darren Rawlings Scholastic Graphix, 188 pages, $10.99
There’s a refreshing breathlessness to the action in The Silver Six, a brand new graphic novel being released on Tuesday. Set in a bleak future, humanity has apparently paved over the planet and has to survive in domed cities to breathe. Classes take field trips to the nearby corner where a tiny square of parkland, complete with a single tree, is an object of fascination. It’s a harsh and brutal form of survival given that the planet’s energy needs are seemingly handled solely by Craven Industries. They supply something called Hydro-2 and as long as they control this supply, they seemingly work above the law.
So does Phoebe Hemingway, a 12 year old whose parents died on a shuttle accident a year previously. She and her robot Max have been dodging revealing her true existence until social services finally catch up with her. Placed in an orphanage, Phoebe encounters five others and forms a fast friendship with them as if fate brought them together. As the story unfolds, that’s exactly the case as we learn each holds an identical document signed the day before their parents all died on the shuttle. Embedded in each document is a piece of a tiny electronic memory that needs to be pieced together so the kids can learn what really happened to their parents.
Meantime, old man Craven has dispatched Sam to retrieve Phoebe’s document, beginning a game of cat and mouse that drives most of the action. Once the running starts, they make it from the orphanage to a spacecraft to a moon and back again. Along the way, there’s some entertaining banter, some heroic acts, and an awfully lot of rushing around. Lieberman, best remembered for a run on Batman comics a decade or so back, keeps things moving so quickly that his target readers, 8-12 year olds, will turn the pages never stopping to question how 12 year olds know how to pilot spaceships and build robots.
Teachers will love this for its themes of friendship and family, heroic sacrifice and so on. There’s a large dollop of technical know-how tossed in yet we never see the kids actually taught any of this. Instead, the orphanage facility’s teacher is unintentionally misinforming the kids thanks to a Craven-supplied text.
Lieberman doesn’t do enough to make the six characters distinct and Darren Rawlings’ art style makes them appear 8 years old, not 12. Still his drawing is clear and imaginative with good color, which makes sense given his experience at Big Studios.
As an introduction to young adult science fiction or comics, this works just fine. It’s not the most original story and the plotting gets muddled halfway through, but the readers won’t notice, captivated by relatable, plucky characters.
Pulp’s power couple, Ginger and Tom Johnson return to The Book Cave to talk dinosaurs, history, the weather, and before we forget, Tom Johnson‘s new book “Three Go Back“. As always the Book Cave podcast crew enjoyed having Ginger and Tom visit and we are sure you’ll enjoy the book.
Pro Se, a cutting edge independent publisher of New Pulp and Heroic Fiction, adds yet another genre to its already stellar catalog- The Modern Crime Novel! From Author Jason Kahn comes the explosive Police thriller BADGE OF LIES!
“Pro Se prides itself,” Tommy Hancock, Editor in Chief and Partner in Pro Se, states, “on providing a wide variety of Genre and Pulp Fiction for readers to take advantage of. BADGE OF LIES from Jason Kahn is the next great step in doing that. Equal mixes of police procedural, crime novel, two fisted pulp, and shadowy noir, this novel also explores several deep themes, including the bond of friendship, the choices a person makes that define them, and the extreme grayness that morality can become. Jason captures each and every character with an almost instant photo type quality- you see them as they exist fully in every moment- and then masterfully pours them together into this hard hitting, fast flowing narrative.”
In BADGE OF LIES, Metro City Detective Frank Arnold has just buried his partner and best friend. Arnold soon learns that Mitch Connell may not have been the man Frank thought he was. And Arnold cannot drink away what’s coming.
BADGE OF LIES peels back the hard bitten exterior of two men– One, a recovering alcoholic detective who’s just laid his best friend torest, the other the dead friend and all the secrets he tried to carry to his grave. Secrets that Frank Arnold is left to deal with. Like the grieving mistress who winds up dead. Ties to organized crime. A cryptic warning from beyond the grave telling Frank he’s in trouble and not totrust anyone. This is the legacy Mitch Connell leaves his friend, a legacy that sends Arnold into a crazy game of suspicion, pursuit, and murder.
“Badge of Lies,” Kahn explains, “is a story of trust and betrayal, of a good cop who has to do bad things to make things right. Thanks to Pro Se Productions for making this possible, and I hope everybody enjoys the ride!”
In Frank Arnold, Kahn creates a character hard boiled enough to walk fictional streets with Hammett’s and Chandler’s creations! A cop hardened by the job, toughened by the very crime he fights, Arnold will stop at nothing to discover the truth about his partner’s death and stay alive in the bargain.
Can a good cop survive in the big city or does he have to wear a BADGE OF LIES? Modern Crime Prose from novelist Jason Kahn with an evocative cover by Mariana Cagnin with Fitztown and design and print formatting by Sean E. Ali and eBook design by Russ Anderson! BADGE OF LIES from Pro Se Productions!
For interviews, review copies, or more information on this book and Pro Se Productions, email Morgan Minor, Director of Corporate Operations, at MorganMinorProSe@yahoo.com and check out Pro Se at wwww.prose-press.com and www.prosepulp.com!
Neil Gaiman’s latest work, The Ocean at the End of the Lane, began as a short story and unexpectedly grew into a novella and then a novel. Neil also wasn’t sure at first whether it was going to be a story for children or adults, since much of the story, while narrated by an adult, takes place when the protagonist is seven years old. Finally the marketing dial landed on “adult;” and that makes sense, for the most part.
There is a lot of darkness in this book, which is also of a more personal or intimate nature than some of Neil’s more fantastical works. There is more of “Neil” (himself) in it as well; not in that it is his autobiographical experience, but in that it was born more truly from his personal history. This makes Ocean feel more solidly rooted in, not the almost-realistic fantasy world of many of his stories, but an almost-fantastical reality instead. The fantasy elements are tied so tightly into some pretty ugly human truths that it might be easier to view this book as reality through the eyes of an imaginative child now grown into adulthood than as a fantasy adventure.
And yet, despite the darkness and ugliness that are frequently present, there is light in this book as well, and comfort. In the Hempstocks, a solidly reliable family of women who “know things,” and are comfortably situated on the side of all that is warm and good and naturally right; in an adult’s memories of childhood haunts, which can be as bright as they are at other times dark; and in the more lighthearted flights of fancy, such as the discovery of some very unique kittens in a field. This is a book that faces darkness but also “takes pleasure in small things, even as greater things crumble.” It reminds adults of a time when they were children and took a child’s pleasure in the small things.
Yes, this is a book that will be enjoyed by adults; and yet despite, or in fact possibly because of some very intense and disturbing scenes, mostly involving the narrator’s father or Ursula Monkton, this is indeed also a book that I would have enjoyed as a child. Children’s worlds are not always made of sunshine and unicorns, much as we’d like them to be. They are often at least a little dark and twisty – whether that darkness originates in the home, or in the schoolyard, or elsewhere. From experiences like a childhood birthday party which none of our classmates attend; to the frustrations and helplessness of dealing with a controlling adult; to the threatened or actual dissolution of a nuclear family, children often experience darkness without any prior experiences to ready them for it, or guidance on how to deal with it.
For children who read, books can serve as a guide; or an assurance that one is not alone in the darkness, and that there is someone else out there who understands what it’s like to be a child in a world of adult things that are as yet only half understood. Books can be an escape, but they can also help children face realities. And books can be a comfort, when the darkness inherent in the story is balanced by light. This is one of those books that might serve these functions; for the right sort of child.
So is this a story for adults or children? Well, both. It is a book of many layers that can be approached from many angles. It is a thought-provoking story, and one that is worth re-reading and thinking about. It is a book that could be about a wondrous and frightening adventure; or about looking back at childhood through the eyes of an adult and realizing how past experiences have shaped you; or even a reminder to adults of the way our actions will impact our children, who are our responsibilities. It might also be an assurance that even if you’ve been through a childhood that gave you a hole in your heart – in which adults fought children, and the adults won, or in which your kitten was lost to you and any replacement for it was never your kitten again – you can bear it, and gradually heal, and never stop becoming a little more whole again.
There is so much substance to this short novel that I could write about what it is or is not for a long time. Instead, I recommend that you go and read it.
The Revelry
As I’ve mentioned before, this is a particularly prolific year in the life of Mr. Neil Himself. Possibly in reaction to all of the busyness, Neil decided to do a massive signing tour for The Ocean at the End of the Lane, after which he plans to take a long and well-deserved break from such events.
Washington, DC was the fourth stop on the tour, and fortunately I was able to attend. It was a great event, organized by Politics & Prose Bookstore but held at the Lisner Auditorium on The George Washington University campus. The auditorium was packed, with somewhere around 1,500 fans in attendance.
Neil took the stage at 7 p.m. and kept everyone enthralled for the next hour-and-some; first discussing the genesis of the book, which contains more “feelings” than some of his other works. “I don’t do feelings very much, being both English and male,” joked Neil. He then read from Chapter 4 of the novel, in which the narrator and Lettie Hempstock meet a very scary Thing. It is quite creepy.
After the reading, Neil answered questions collected from the audience beforehand. Some he answered with humorous efficiency:
“What was it like to work on Doctor Who?”
“It was enormously fun.”
“Do you choose your audience (adults or children) before writing?”
“Mostly!”
“Once someone has written things, what is your advice for getting published?”
“Sell the things you’ve written!”
Others he devoted more time to. A question about where the idea of the Hempstock family (members of which have also made appearances in Stardust and The Graveyard Book) originated resulted in a story about when Neil was young and his mother told him that the farm nearby was in the Domesday Book, which meant it was about a thousand years old – “and it didn’t occur to me that it would have been a hovel at that time. I just assumed that the red brick farmhouse had always been there, and that the same family would have been living there for a thousand years as well.” Neil named that imagined family the Hempstocks, and in reference to their appearances in other books, said “it just made sense that some of them would have gone off into the world.”
After answering a plethora of questions, Neil closed with a short reading from a more humorous bit of Ocean, and then stated that he would sign for us “until my hand falls off.” And so he would have, I am sure, but thankfully, despite signing well into the night, I believe he still has both of his hands. Which is good, because it’s much easier to write with hands, and I want Neil to keep on writing more amazing stories like The Ocean at the End of the Lane for a long time to come.
If you haven’t read the novel yet, I highly recommend it. And until next time, Servo Lectio!
BOOM! Studios, the comics and graphic novel publisher, has acquired indie label Archaia Entertainment. BOOM! Studios will be the surviving company and the Archaia brand shall be maintained as a distinct imprint of BOOM!.
The addition of Archaia positions BOOM!’s catalog of intellectual property as the largest independent company-controlled comic book and graphic novel library, behind only industry titans DC Entertainment (Warner Bros.) and Marvel Entertainment (Disney).
BOOM! Studios was co-founded by Ross Richie and Andrew Cosby in 2005, and is known for Irredeemable, various licensed properties like Planet Of The Apes, The Muppet Show, Farscape, and the upcoming Sons Of Anarchy, their KaBOOM! all-ages imprint with Adventure Time, and their BOOM!Town imprint with various literary comics. Archaia, established in 2002, is known for graphic novels Mouse Guard, Jim Henson’s Tale of Sand, Rust, Spera, Cowboy, and Gunnerkrigg Court.
BOOM!’s foray into feature films launches this summer with Universal’s August 2 release 2 Guns starring Denzel Washington and Mark Wahlberg, based on industry veteran Stephen Grant’s original comic. BOOM!’s also prepping to shop two more Grant properties in the works: Damned, Grant’s 1997 miniseries with Mike Zeck which BOOM! is re-releasing in July, and new comic The Deceivers which boasts a set-up akin to 2 Guns with spies. Meanwhile BOOM! is currently prepping its next feature Jeremiah Harm, based on the comic book by Keith Giffen, Alan Grant, and John Mueller, which Timo Vuourensola (Iron Sky) will direct. Archaia also has a number of titles previously optioned or in development including Rust (Fox), Lucid (Warner Bros.), Bolivar (Warner Bros.), and Feeding Ground (Pressman Films).
June 24th, 2013 – Los Angeles, CA – BOOM! Studios, the Eisner and Harvey Award-winning comic book and graphic novel publisher and two-time winner of Diamond Comics Distributors’ prestigious “Best Publisher” Gem Award, has merged with Eisner and Harvey Award-winning Archaia Entertainment, the publisher of graphic novels including Mouse Guard, A Tale of Sand, Rust, Spera, Cowboy, and Gunnerkrigg Court. BOOM! Studios will be the surviving company and the Archaia brand shall be maintained as a distinct imprint of BOOM!.
The addition of Archaia positions BOOM!’s catalog of intellectual property as the largest independent company-controlled comic book and graphic novel library, behind only industry titans DC Entertainment (Warner Bros.) and Marvel Entertainment (Disney). BOOM!’s comic books and graphic novels pioneer a new business model, sharing intellectual property ownership between the company and the creators who generate the content. BOOM!’s Chief Executive Officer and founder, Ross Richie, noted, “Our creator-friendly model ensures that creatives are rewarded financially as they generate the franchises of tomorrow. Archaia operates with the same philosophy and objectives, which is one of the many reasons this combination is such a great fit.”
“We are thrilled and excited to join with BOOM!,” Archaia President and Chief Operating Officer Jack Cummins, who will continue in the same role, said. “BOOM! is very committed to maintaining the brand we’ve worked so hard to build and preserving our relationship with our creators, fans, and retailers. They’re fans of Archaia first and foremost, and are avidly working behind the scenes to expand our market penetration and carry our catalog deeper into retail channels. Archaia readers can expect the same editorial approach that has garnered industry-wide awards but we will have a much stronger platform to deliver our content in all forms and channels. I am personally looking forward to bringing our team together with the fantastic team Ross has built.”
Richie added, “Archaia has a terrific track record for creating award-winning, beautiful books with high production values. Jack Cummins, Stephen Christy, Mark Smylie, and the entire Archaia team have built an amazing publisher. With BOOM!’s resources, Archaia fans will see more of the books they love, while retailers will enjoy better business through stronger trade terms.” The companies also plan to put key items from the Archaia catalog back into print.
BOOM! Executive Chairman Scott Lenet of the venture capital firm DFJ Frontier noted, “We are excited to be investors in a profitable, growing company with a fantastic early track record of creating, curating, and marketing properties that audiences genuinely love. We have ambitious plans to continue to fund the company’s expansion in comics, graphic novels, and other media.”
August 2nd sees the release of the first BOOM! Studios feature film, the Universal Pictures-distributed 2 Guns starring Denzel Washington and Mark Wahlberg, based on the Steven Grant comic book published by BOOM!. The company is currently preparing its second feature film for production: Jeremiah Harm, based on the comic book by Keith Giffen, Alan Grant, and John Mueller, will be directed by Timo Vuourensola of Iron Sky (jeremiahharm.com).
Archaia has optioned Royden Lepp’s graphic novel Rust to Twentieth Century Fox. Among Archaia’s other announced deals are the development of Lucid (Warner Bros.), Bolivar (Warner Bros.),and Feeding Ground (Pressman Films).
Recently, legendary creators including writer Paul Jenkins (Wolverine: Origin, Inhumans) and artist Brian Stelfreeze (Batman: Shadow of the Bat, Wednesday Comics) have announced to the industry that BOOM! is their new publishing home. This summer BOOM! also launched the first original comic book Clive Barker has ever created and written, Clive Barker’s Next Testament.
July sees the blockbuster release of Archaia’s Mouse Guard: The Black Axe, created by Eisner Award winner David Petersen, Cyborg 009 in partnership with acclaimed Japanese publisher Ishimori, and The Thrilling Adventure Hour based on the long-running stage play of the same name.
New Pulp Publisher, iPulpFiction.com shared their latest press release with All Pulp. iPulpFiction.com proudly presents Neworld Papers.
PRESS RELEASE:
HELP US CELEBRATE the launch of our new YA science fiction series, Neworld Papers, by downloading the Kindle Book for FREE on June 28th and 29th.
You don’t need a Kindle device to read the book. You can read Kindle eBooks on most computers, tablets, and smart phones using the Kindle App.
About Neworld Papers: “The treason of these papers is not just in the actions they document, but in their very existence.”
The people of Neworld have no concept of war, or murder, or even love. Theirs is a world without hunger or strife. Yet the world is a fiction — based on lies and omissions. Fallon is a young man with secret talents and the willingness to explore and learn. Pulled from a sheltered life, he becomes a chronicler of discoveries that challenge the very fabric of Neworld’s society.
Is revealing the truth worth the disruption of a society?
Neworld Papers has action, adventure, and romance grounded solidly in thought-provoking science fiction.
