Tagged: Joss Whedon

Joss Whedon is OK With Friday Nights

Joss Whedon is OK With Friday Nights

  • News
  • December 13, 2008

Joss Whedon told the Los Angeles Times that if he were running Fox, he would also have scheduled his new series, Dollhouse, on Friday nights. It will debut on February 13, paired with Terminator: The Sarah Connor Chronicles.

"It’s not a slam dunk, ‘We love everything you’re doing’ slot. Everybody knows that," he said. “The executives I’m dealing with are canny guys."

The current executives at the network are not the same ones who played games with his last series, Firefly, and then summarily dumped it when the show was slow to find its audience.  The new execs have shown a willingness to let the series be sampled. “They’re bringing down expectations regarding how big of an audience they think it will bring in the beginning, and then as the show progresses. They need to do that."

"If I were an executive, I would have put it on Friday too, honestly,” Whedon added. “And not as a dig. The people who want this will find it, and hopefully more will as well. Fox is aware that TV just doesn’t exist the same way. People watch it online, on DVD, on their TiVos. It’s not the end of the world, but of course everyone’s been predicting the end of the world for Dollhouse‘since it was announced."

Whedon also noted that while Fox executives will likely have to wait patiently for building returns on the show, he hopes fans will be just as patient with the story line. "We’re trying to create something that’s more than the sum of its parts. And not just in an ‘Oooh, we’re heavy with mythology’ way. Dare I say we’re reaching for something more philosophical? Am I allowed to say philosophical? Or does that just mean my show will fail?"

A Qualified Positive Notice for ‘Dollhouse’

A Qualified Positive Notice for ‘Dollhouse’

  • News
  • December 7, 2008

Time magazine’s television critic,  James Poniewozik, has posted the first review for Joss Whedon’s Dollhouse, which will not air until February 13.

He wrote, “It was both better and worse than I expected, in different ways. One of my concerns about it was that — given Joss Whedon’s talent for making absorbing serials — the case-of-the-week nature of the show would make it harder to grow attached to. (I’m assuming that anyone who cares at this point knows the premise already, but in case I’m wrong: Eliza Dushku plays Echo, an "Active," which is a person who has agreed to let a secretive organization erase his or her original memories and personality and implant new ones in them for "assignments" involving rich clients.)

“Yes, this is certainly Joss Whedon trying to do What People Think Works on Broadcast TV Today—the legendary serial-procedural hybrid. But the first episode—in which Echo is imprinted with a kidnapping-negotiator’s personality to secure the return of a rich man’s abducted daughter—is well enough written to be absorbing. Writing a crime hour doesn’t seem like Whedon’s thing, but the episode is tight, suspenseful, with intriguing psychological twists and flashes of Whedonesque humor.”

He is concerned that the show “is less a series concept than an actress’ showcase, a sort of extreme version of an Alias undercover premise.”

Still, he’s optimistic about the series and its future, concluding, “But for me, the main draw now is not seeing Dushku become a different person every week, but getting to see Joss Whedon become a different writer every week.”

Eliza Dushku Talks ‘Dollhouse’

Eliza Dushku Talks ‘Dollhouse’

  • News
  • December 6, 2008

Eliza Dushku spoke with Sci Fi Wire, beginning the publicity drum beat counting down to the February 13 debut of Joss Whedon’s Dollhouse.  As most know, Whedon and Dushku were having a meal when inspiration struck and he conceived the show for her on the spot.

The Dollhouse refers to a government operation where the assets have their memories wiped with new personalities imprinted.  The series picks up when Dushku’s character begins to recall her past “lives”.

"Last episode, they surgically implant cameras into my eyeballs and send me into a cult compound as a blind woman," Dushku told the press. "I was playing this tripped-out blind woman. Then I’m playing a 50-something-year-old woman in my own body in this next episode. There are just so many stories.”

The series is shooting 13 episodes including a reshot pilot and once shut down production for two weeks in order to let Whedon retool.  As a result, it has picked up the label of a “troubled” show before it airs.  On the other hand, the stylish promos have generated good word of mouth.

"I think [the way] he also originally had outlined it, we had the 13 episode pickup, but he wanted to gradually play out stories and do a lot of setups," she said. "[The network] wanted more payoffs early on to hook people, I think, so we made that adjustment. I think it’s been really successful. The scripts are tight, solid, fast, action, drama, comedy. It’s really great."

When asked about the Friday night “death” slot for SF on Fox, she scoffed and said, "Dude, we’re in the age of DVR. People watch what they want to watch."

Joss Whedon Wins Forry Award

Joss Whedon Wins Forry Award

  • News
  • December 2, 2008

The Los Angeles Science Fiction Society voted writer/director Joss Whedon the 2008 recipient of the Forry Award.  The prize is given to people for “Service to the Science Fiction Community.”

According to LASFS’ minutes, “At the meeting of October 2, Joss Whedon was chosen as the recipient of this year’s Forry Award. Now all we have to do is figure out how to actually give him the award.”

The award is named after Forest J. Ackerman, who turned 92 on November 24 and is considered the West Coast’s first official science fiction fan and a member of First Fandom. Ackerman had a health crisis in November but has rallied and is still holding court at his Ackermansion.

Joss Whedon Named #1 Showrunner

Joss Whedon Named #1 Showrunner

  • News
  • November 16, 2008

The Hollywood Reporter named its top 40 showrunners with genre mastermind Joss Whedon heading the list. The role of showrunner has evolved through the years but is the producer charged with making the television series hum, from concept to airdate.  They tend to direct the creative process and are involved in every aspect such as the stories, casting, and post-production. Whereas the director has the final say on a movie set, the showrunner is the voice on a television production.

Whedon’s choice is interesting considering he has not produced a television series since the failed Firefly in 2003 and there’s been much controversy surrounding his next show, January’s Dollhouse.

Here’s what the trade says about the top ten showrunners.

Joss Whedon, Dollhouse (Fox)

Whedon believes in the power of the writers room so much that after filming three episodes of his forthcoming midseason drama Dollhouse, he shut down production because he hadn’t spent enough time there. "I use the room for (script structure) and then I send people off on their lonesomes to write," he says. Whedon prefers that approach for himself, too; he’ll head to a restaurant with his Pilot Razor Points and listen to movie soundtracks while composing scripts by hand. He is a showrunning vet (at one point he was in control of Angel, Firefly and Buffy the Vampire Slayer), but Whedon says that doesn’t make him experienced. "The thing about showrunning is you never learn anything," he admits. "The biggest part is to surround yourself with smart people and then take credit for it."

(more…)

Whedon Gives ‘Dollhouse’ Update

Whedon Gives ‘Dollhouse’ Update

  • News
  • October 27, 2008

When it comes to Joss Whedon’s new television series Dollhouse, "playtime" is the last word on anyone’s lips.

The upcoming Fox show has experienced some pretty serious road bumps since its inception. A reshoot of the series pilot was ordered, shifting the originally shot first episode into the second episode slot. Soon after, a filming hiatus was announced to refocus the tone and direction of the series. Most recently, the full season pick-up of Terminator: The Sarah Connor Chronicles has left some Whedonites wondering whether there’s an adequate prime time slot for Dollhouse.

Now, Joss Whedon’s breaking the silence about the mishaps on his blog, Whedonesque.

"Basically, the Network and I had different ideas about what the tone of the show would be," Whedon writes. "Their desires were not surprising: up the stakes, make the episodes more stand-alone, stop talking about relationships and cut to the chase. Oh, and add a chase. That you can cut to. Nothing I hadn’t heard before on my other shows (apparently my learning curve has no bendy part) but frustrating as hell given our circumstances – a pilot shot, scripts written, everybody marching together/gainfully employed… and then a shutdown."

Despite the hardships, Whedon states that "nothing essential has changed about the universe [of Dollhouse]. The ideas and relationships that intrigued me from the start are all there (though some have shifted) … and the progression of the first thirteen eps has me massively excited."

Whedon also writes that Eliza Dushku’s performance is nothing short of "strong, radiant and unmistakable," calling her an actress "who could coast on talent and never ever does."

"Some things I’d intended to hold back are laid out much sooner," Whedon continues about the show’s pacing, "and some are rolling out more slowly." Part of these pacing issues, he clarifies, include the full scrapping of the original pilot in favor of the reshot version. He doesn’t say whether or not the original pilot is still set to be the series’ second episode despite previous reports.

Other than that, there are some casting changes, as the Dollhouse head of security, Laurence Dominic (Reed Diamond), is sticking around the show longer than the single first episode he was originally planned for.

"Most of my problems seem to involve my actors making themselves indispensable," Whedon concedes, then clarifies: "This is the good problem kind."

The first promos for the series, marked only as "coming soon", began airing during the World Series broadcasts and looks pretty cool.

‘Dollhouse’ Delayed for 2 Weeks

‘Dollhouse’ Delayed for 2 Weeks

  • News
  • September 11, 2008

Zap2it is reporting that production has been shut down on Joss Whedon’s Dollhouse for two weeks. If this sounds familiar, it’s because Fox just did the same thing on 24 and for the same reason: a chance to tighten the scripts.

Whedon apparently had been so involved in directing two episodes, he was neglecting the writers’ room and the scripts weren’t ready. He approached Fox and asked for the time off and they were happy to grant it since the midseason replacement wasn’t needed until after the holidays. Whedon had directed two of the three episodes shot to date.  The series order is for eight episodes meaning a good sized proportion of the series is now in the can.

A Fox rep told the website, "We have every confidence that [the extra time] will allow Joss to make the show the best it can possibly be. It’s very rare that you have a head writer who is also directing two episodes in a row. But we are happy that Joss is directing, because this is his vision."

 

ComicMix Radio: Storm Clouds Build Over Watchmen

ComicMix Radio: Storm Clouds Build Over Watchmen

According to the media, lawyers are gearing up for a "frenzied fight" over the screen rights to the biggest graphic novel of all time, plus:

  • Barack sells out at Image
  • It’s now a world without Don LaFontaine
  • Robert Englund tells us about the rebirth of V
And on Saturday, catch ComicMix Radio as we are joined by Joss Whedon, taking us through the future of his work in comics and Serenity. Then, just like now, all you need  to do is Press the Button!

 

 

 
And remember, you can always subscribe to ComicMix Radio podcasts via iTunes - ComicMix or RSS!

 

SDCC: Joss Whedon and the Doctor Horrible’s Sing-Along Blog Panel

  • News
  • July 27, 2008

At San Diego Comic-Con’s Doctor Horrible panel, Joss Whedon and company used the opportunity to make a few announcements regarding the future of the Doctor Horrible franchise, as well as a surprise bit of information on the return of a popular character in the Buffy: Season Eight comics.

The big announcement of the panel was the development of a fourth act of the Doctor Horrible saga somewhere on the horizon. While they wait for Act IV, fans of Doctor Horrible’s Sing-Along Blog can expect the release of the soundtrack on iTunes in “a couple weeks.” In addition, for the planned DVD fans will be invited to submit their own three-minute video applications for admittance to the Evil League of Evil, the show’s writers will decide on the best 10 and include them as a special feature.

In news not related to the topic of the panel, Joss Whedon announced that fan favorite character Oz will be returning in the Buffy: Season Eight comics.

Featuring Horrible director and writer Joss Whedon, actors, Neil Patrick Harris, Felicia Day, Nathan Fillion, and Simon Helberg, as well as co-creators and writers, Jed Whedon, Zach Whedon, and Maurissa Tancharoen, if nothing else the panel served to confirm suspicions that Joss probably has the best job in the world.

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SDCC Interview: Joss Whedon on “Shepherd’s Tale,” “Buffy: Season Eight” and “Angel: After the Fall”

SDCC Interview: Joss Whedon on “Shepherd’s Tale,” “Buffy: Season Eight” and “Angel: After the Fall”

  • News
  • July 26, 2008

Fan-favorite creator Joss Whedon is just about everywhere this weekend at San Diego Comic-Con, promoting his groundbreaking Internet series Doctor Horrible’s Sing-Along Blog [here’s my recent interview with Joss Whedon on Doctor Horrible] as well as his work on various comic book spin-offs from his popular TV series Firefly and Buffy the Vampire Slayer, among other television and film projects.

I had a chance to sit down with Whedon recently to discuss The Shepherd’s Tale, his upcoming miniseries featuring the enigmatic Derrial "Shepherd" Book, a character from Firefly whose origins remain one of the series most popular unresolved threads. We also spent some time chatting about the current comics based upon Angel and Buffy the Vampire Slayer, as well as his thoughts on bringing characters back from the dead.

COMICMIX: With The Shepherd’s Tale, why is Shepherd Book the first character from Firefly to get a solo story?

JOSS WHEDON: I’ve done a breakdown of the story. I think Jim Krueger is going to write the actual script. The biggest mystery of what we never got to tell is Shepherd’s backstory. Everybody knew there was something more than just being Shepherd in there. And poor Ron [Glass] came to me during the strike and said, "I’m going to another convention. You’ve got to give me something." It’s been a number of years and they always ask [about Shepherd]. I said, "You know what, it has been long enough and this isn’t something I’m going to save for the sequel that may never happen, so we’ll make a comic book out of it."

Because it’s an interesting story, really. It’s the single most-asked question: "What’s up with Book?" And now we’re going to answer that.

CMIX: Have you considered doing spin-offs for any of the other Serenity characters?

JW: I’m spending a lot of time with the Buffy comic and that series just lends itself to the medium very well. The Serenity comics are a bit harder to pull together, so I haven’t focused on them as much.

(more…)

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