Tagged: Iron Man

MIKE GOLD: Perception

MIKE GOLD: Perception

Yesterday, ComicMix’s Matt Raub wrote a story about the possibility of noted actor Samuel L. Jackson playing Nick Fury in the upcoming Iron Man move. I hope that’s true; he would be the perfect choice.

Matt noted that this would probably be the Ultimates version of Fury. I thought about that for a while. Clearly, the perception is that since both this version and Mr. Jackson are black and the Marvel universe version is white, the movie version is based upon the Ultimates. That makes sense, but if you think about it, the only differences between the two are the character’s race, his age, and his rank. It is unlikely the movie would burden itself with Fury’s World War II backstory, and it really doesn’t matter if Fury is a colonel or a general. And unless there’s a plot point that is relevant to the story, his race doesn’t matter either, outside of a much-needed superhero role model.

The fact is, movies exist in their own universe – not in the Ultimates universe or the Marvel universe. But since Jackson is black, we (including me) are likely to perceive this relationship.

I’m reminded of this because a couple blocks from this past weekend’s New York City’s Museum of Comics and Cartoon Art (MoCCA) wonderful independent comics convention was Manhattan’s annual Gay Pride march. Over a million strong. And the focal point of the parade is the same-sex marriage bill that’s before the New York State senate. The governor already said he’d sign it.

Of course, there’s plenty of opposition. Some people – for reasons that completely defy me – feel their marriage and the entire “institution” of marriage would be threatened if this bill passed. That makes no sense. There is a perception on the part of some that this is true, but the only proof they offer is that “marriage is between a man and a woman,” which is asinine, or that the only purpose of marriage is procreation, which spits in the face of heterosexual couples who cannot conceive, either for reasons of health or age.

This is what we call bigotry. The Nick Fury story is not.

There is also the perception that churches would be forced to violate their principles by having to perform same-sex marriages. This is also asinine. Churches get to make such exceptions all the time. Some will not perform interfaith marriages. Some will not perform burials unless the deceased had met, in life, certain criteria. Religion, enjoying the privileges of the First Amendment, is exempt from performing functions that violate its principles.

As Jon Stewart has said, “You mean, I don’t have to marry a guy? Then what’s the problem.” Live and let live. Let’s not get bent out of shape about how the folks down the road want to live their lives.

Just as we hope the only criterion for casting Nick Fury is the quality of the actor’s work.

Is Nick Fury Samuel L. Jackson?

Is Nick Fury Samuel L. Jackson?

After about a week of watching what looks like another “Crispen Glover as Joker” rumor, we here at ComicMix have decided to go with the story that Samuel L. Jackson has been added to Jon Favreau’s Iron Man cast as none-other-than Nick Fury.

Aint It Cool News first broke the story on Thursday with an impenetrable source: seeing Jackson physically on the set. Again, those of us who remember the constant tug-of-war game between the truths and jokes that many alleged Internet journalists like to play with us are pretty weary about this news, because it seems TOO GOOD TO BE TRUE!

If this were the case, Jackson would evidently be portraying the Ultimate version of the character, of which he was originally modeled after. Not only is this the biggest casting news for next May’s film but for future Marvel projects as well, opening the door for a spin-off franchise – and an Avengers film, which Marvel is already discussing.

The most interesting thing about this story is how the Internet fan base seems to be torn into two camps over the news: one that is jumping for joy over the news, and the other that is up in arms, saying that it would be another “Michael Clarke Duncan as Kingpin.". So I put the question to the fans here at ComicMix: What say you, Funny-Book Fans? Comment now!

Here’s Your Iron Man Cast

Here’s Your Iron Man Cast

Entertainment Weekly just released the cast picture for next summer’s Iron Man. The line-up shows us Robert Downey Jr. as wealthy weapon-maker Tony Stark, Gwyneth Paltrow as his administrator Pepper Potts, Terence Howard as his buddy/bodyguard (and later War Machine) Jim Rhodes, and a clean-headed Jeff Bridges as mentor (and villain?) Obadiah Stane. Those of us who remember Stane’s character from Card’s Ultimate Iron Man storyline know how truly evil this character can get, and I can’t wait!

The movie, directed by Jon Favreau, drops next May, so expect to see more promotional pictures to come.

LICENSING SHOW Day 2: Plenty o’ Pix

LICENSING SHOW Day 2: Plenty o’ Pix

A pretty big outcome for the second day of the 2007 Licensing Show. Lots of movie pushes, of course with this being one of the biggest franchise summers in film history. Warner Bros was there in the same form as last year, showing off some of the new cars from their new flicks. We got the first peak at the The Dark Knight’s brand new BatPod (and no, you can’t play music on it, its just a cooler name than Bat-Cycle) also we got an up-close look at the new Mach 5 from next summer’s Speed Racer.

Also in the movie department, we got a bit of a tease over at Marvel’s booth for both The Incredible Hulk and Iron Man slated to come out next summer as well. Nothing too exciting over there, but the New Line booth was surprisingly pretty popular. To promote next year’s Golden Compass, there was a nine-foot armored bear, and despite popular belief, not only do I like girls, but I am also really looking forward to this film. Based of the series of His Dark Materials books by Phillip Pullman, this is the first of the series, and looks to be even better than last year’s underachiever in The Chronicles of Narnia.

They also were promoting a film that I have heard absolutely no buzz about up until today entitled Inkheart starring Brendan Fraser, Paul Bettany, and Helen Mirren, based on the book by Carnelia Funke of the same title.

The BBC booth was also there promoting the hell out of Doctor Who, which I had absolutely no qualms with. This big push was due to the American release of series three to the Sci-Fi Network next month. Also coming to Sci-Fi in August, and came to me as a huge surprise was a remake of Flash Gordon. Now before I dusted off my Queen soundtrack and started to dance, I did a little bit of research, and the creative team consists of some of the minds that brought us Relic Hunter, Beastmaster, Young Blades, Andromeda, and oh, yes: Painkiller Jane. So before we all get excited and break out the champagne, I’d bet on this show being off the air before the bottle runs dry.

Finally, and by far my favorite part of today’s show was the news about Xip3, a new jacket company buying the rights to Transformers to release a “Transforming Jacket” that will be released with the DVD in November. I got to see first hand how this works, and it’s pretty cool. The jacket is black with silver accents, and can “transform” from a sports jacket to a backpack to a pillow in seconds. The unisex jackets will all be numbered and in sizes extra small to extra large. You can reserve your copy starting in July over at the Xip3 website.

Overall, a great show and I can’t wait to hear what wonderful things await for the ComicMix crew for day three!

ROBERT GREENBERGER talks Civil War

ROBERT GREENBERGER talks Civil War

It must come as quite a shock to you. We’re talking about a profound cultural shift for the betterment of mankind, People want this, Richard. They need the superhumans of the world to be responsible, properly trained, qualified…and ultimately held accountable. That’s what the initiative is all about. We’re trying to move out of the dark ages of masked vigilantes into a brighter future where tragedies like Stamford can’t ever happen again.

– Tony Stark to Richard Ryder, Nova #2.

World War Hulk began last week and we saw the jade-jawed giant arrive on Earth with a pretty big mad on. With less than twenty-four hours to evacuate Manhattan, Doctor Strange and his, er, estranged Avengers offer to help Iron Man clear the populace. Shellhead magnanimously offers amnesty for their help.

Welcome to the new status quo in the Marvel Universe. The dust continues to settle from the brawl that was Civil War and with all of Earth confronted by a new menace, now’s not a bad time to assess the new political landscape.

After the Mutant Registration Act, unveiled in Uncanny X-Men #181 and passed into law, required all mutants in America to be registered. Those not complying faced criminal charges. Once that was passed, a parallel super-hero or super-power act was an obvious follow up and came up during the Acts of Vengeance crossover. Fantastic Four #335 began the first serious examination of such an act. Reed Richards addressed a congressional subcommittee saying such an act was unnecessary. His odd argument that such a law wouldn’t be followed by the villains anyway struck an odd chord.

While American legislators dithered over it, the Superpowers Registration Act became Canadian law in Alpha Flight #120.

Years went by without much activity on either front with the Mutant law not being vigorously enforced and the super-human law a mere idea.

Then came the House of M.

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Comic Book Box Office Examined

Comic Book Box Office Examined

Comic books turned into motion pictures tend to be expensive exercises given the need to create costumes, simulate super-powers and make things sufficiently larger than life to appeal to filmgoers of all ages.

The traditional rule of thumb is that a movie has to earn three times its budget in domestic revenue to be considered profitable.  This way, the cost of production, backend money to producers and performers and marketing costs could be recouped.  After all, studios receive a sliding scale percentage of the box office gross.  For example, if a movie opens with $100 million that first weekend, chances are the studio sees a hefty percentage, anywhere from 50-80% of that income and as time passes, the ratio between studio and theater change so by week 12 (should a movie last that long), the theater gets the lion’s share.  Which helps explain why popcorn costs $5 a bucket – theaters need to earn profit somehow.

International box office as well as ancillary income (pay-per-view, hotels/airplane sales, home video/video downloads, related licensing) was always considered gravy.  Over the last few years, with movie theater attendance stagnant or down, studios have crowed about being profitable by counting all the money now.  

So, with all but one of this year’s comic book related films now showing, we here at Comic Mix thought it worth taking a peek at how well the films have performed.  The numbers below show the box office income to date followed by their production budget. (Marketing costs are an additional $20-40 million depending on film.)

Ghost Rider, $115,802,596 / $110,000,000

300, $210,250,922 / $65,000,000

TMNT, $42,273,609 / $34,000,000

Spider-Man 3, $330,021,137 to date / $258,000,000

Fantastic Four: Rise of the Silver Surfer, $58,051,684 (opening weekend) / $130,000,000

Stardust, August 10

So, from the top, Ghost Rider should have earned $330,000,000 in domestic box office to recoup costs and be profitable.  Instead, it came up short but given how it was received, how it did around the world and how much licensing it brought it, Sony can consider it a hit, albeit a modest one.

Spider-Man 3, despite a critical drubbing, is nowhere near close to ever being profitable.  Unless you look at the international numbers which has it at $800,000,000 with a bullet and will clearly make money for Sony and Marvel.

On the other hand, the all-CGI Teenage Mutant Ninja Turtles was a flop for New Line.  It did not stimulate toy and related merchandise sales nor did it generate any real buzz for the property.

The one movie to succeed in the traditional model was 300, which earned something like $30,000,000 in box office profit before taking in any wordwide box office income or licensing revenue.  Kudos to Zack Snyder and now we know why studios are willing to gamble on him in the future (which is good news for us since his next two films should be Watchmen and Ronin).

And here’s our schedule scoreboard for the future:

2008

Wanted, March 28

Iron Man, May 2

Incredible Hulk, June 13

Dark Knight, July 18

Hellboy 2: The Golden Army, August 1

2009 & Beyond

Superman Returns 2, June 2009 (may be delayed until 2010)

Sin City 2, no date

Watchmen, no date

Captain America, no date

LICENSING SHOW: Day One

LICENSING SHOW: Day One

The Licensing Show in New York City is a three-day orgy of consumerism.  I don’t mean like Las Vegas is an orgy of consumerism, or like Christmas has been debased into an orgy of consumerism.  No, the Licensing Show is an entire Javitz Convention Center full of companies large and small, looking to expand their properties onto more properties.

Of course, Marvel and DC are there.  So are MGM, Paramount, Disney, Nickelodeon and NASCAR.  If you want to make a toy, a lunchbox, a videogame, a paper plate or a cell phone, and you don’t quite trust yourself with your own ideas, you can buy yourself some help from a brand with a proven track record.  I can understand why you want a license for Batman: The Dark Knight if you make toys or Halloween costumes.  I don’t understand why you want a license for Pledge or Crisco.

As with most conventions, the most interesting stuff is not always the biggest.  Yarto Licensing, for example, is a British company there to promote Hackman: A Dog in a Bucket, a comic strip created by Bill Houston (recently collected into a book by Harper Collins).  Hackman is a spaniel who is so anxious, so paranoid, so stressed out that he scratches himself into one of those over-sized collars.  Naturally, he lives in Manhattan.

There were lots and lots of Asian companies trying to be the next Sanrio (there was also Sanrio, for that matter).  I was especially pleased to discover Aska Studio, a Taiwanese company with lots of properties.  The best, IMO, was the Mouchoir Club, about a box of tissues and a roll of toilet paper that have adventures.  As the handout says, "They bring hapapiness to people; heal them of broken heart.  Moreover, at the same time, they found the meaning of life."  I’d buy a pillowcase that could do that for me.

 

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DENNIS O’NEIL: Continued stories (continued)…

DENNIS O’NEIL: Continued stories (continued)…

(If) you’re…young; you don’t remember a time when continued stories were rare. But until Stan Lee made them standard procedure at Marvel in the 1960s, they were next to unheard-of.

Those words seem familiar to you? Certainly not, unless you read this department’s blather three weeks ago, when I began a discussion of continued stories in comics, where they – the words – appeared in a slightly different form. And in reprinting them, in a column which is – let’s face it – a continuation of a previous one, I’ve tried to deal with a paramount problem writers face when doing continued narratives: clueing in readers who either don’t remember the earlier stuff or are new to the series.

There is a difference between continuing characters and continuing stories. Continuing characters have been with us a very long time. Even if you ignore the many tales of the various gods and goddesses, those rascals, you can find a continuing character as early as 428 BC, give or take a few years, when Sophocles followed up his smash hit Oedipus Rex with a sequel featuring the same poor bastard, Oedipus at Colonus. Then, over the centuries, there have been various adventures of King Arthur’s knights and other heroes. But these were not continued stories, not exactly. An adventure or episode ended and the characters went into Limbo and reappeared to solve new problems and encounter new hassles. That kind of storytelling continued through the invention of high speed printing, which made books relatively cheap and accessible at about the same time that a lot of people were learning to read.

Which brings us to the pulp magazines, a publishing form that began about 1910 and was one with the dinosaurs by the middle 50s. A lot of these cheaply produced entertainments featured continuing heroes. (We’ve discussed perhaps the greatest of them, The Shadow, in this department earlier, and I won’t be surprised if he gets mentioned here again.) Meanwhile, over in another medium, movies were also featuring continuing heroes, ranging from that loveable scamp Andy Hardy to a legion of bad guy quellers, including noble cowpokes and suave detectives. And…in yet another medium, that newfangled radio was presenting weekly dramas about cowboys and detectives and police officers and even federal agents, like the movies only more often. And…here might be an appropriate place to mention comic strips, which began doing stories, as opposed to daily jokes, in 1929 with Burne Hogarth’s comic’s adaptations of Edgar Rice Burroughs Tarzan, and since the introduction of Chester Gould’s Dick Tracy in 1931, were sometimes stretching plots over many weeks.

Those were continued stories featuring, of course, continuing characters. But there were others…Oh my goodness, look! We’re almost at the limit of our allotted word count and we have so much more to discuss. I suppose I could go on for a couple of paragraphs more, but that wouldn’t begin to exhaust the topic, so I guess we’ll just have to – yes! – continue this next week.

RECOMMENDED READING: The Creators, by Daniel J. Boorstin

Dennis O’Neil is an award-winning editor and writer of comic books like Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

Artwork copyright Tribune Media Services. All Rights Reserved.

Surfer to fly solo

Surfer to fly solo

Despite so-so advance buzz and a lack of screening for reviewers, 20th Century-Fox seems to believe in the Fantastic Four franchise.  As reported in the Los Angeles Times on Wednesday, they are already looking to spinoff the Silver Surfer into his own film.

J. Michael Straczynski, already writing a Silver Surfer miniseries, Requiem, for Marvel, has been tapped to script the solo feature.

The Times said, “Well, perhaps the studio has heard the negative static, since it apparently hopes to spin the new Surfer franchise in a darker direction to attract the slightly older demographic of its X-Men films. If so, Straczynski, whose original screenplay The Changeling is on director Clint Eastwood’s slate, is a logical pick for the Surfer story line.” JMS is also the writer of the current Silver Surfer mini-series.

20th has already announced plans for spinoffs from its X-Men film franchise although neither the Wolverine or Magneto features seem any closer to actually being shot.

Next up from Marvel’s production slate will be their first self-produced film, Iron Man, coming in May 2008.

Artwork copyright 2007 Marvel Characters. All Rights Reserved.

DENNIS O’NEIL: A Superman For Our Time

DENNIS O’NEIL: A Superman For Our Time

When we’re in a somber mood, which is an easy kind of mood to be in these days, we hope that Jerry Siegel and Joe Shuster were not prophets. Joe and Jerry were, of course, the creators of Superman, and way back in 1938 they told what’s become known as Superman’s origin story.

Surely you’re familiar with it; it’s been retold and edited and redacted and emended and amended and recast in comics, in movies and books and on television, and probably video games, for these past 68 years, and I wouldn’t be surprised if some earnest young writer is, at this moment, reworking it yet again. But in the event your long-term memory is gebollixed for some reason, I’ll give you the trading card version.

Jor-El, a scientist, tells the poobahs of his civilization on the planet Krypton that their entire world is soon to disintegrate. The poobahs refuse to believe him and – oops – the darn world does blow itself to bits. Jor-El does manage to get his son away in a spacecraft before the final blooey. The kid lands on Earth and becomes a mighty champion of justice, etc. etc.

If I were to rewrite this familiar story, I might consider making Jor-El an environmentalist who’s worried about, let’s say, global warming. And maybe, in this version, the poobahs are politicians who take Jor-El’s carefully reasoned and scientifically unimpeachable work, which Mr. El has presented in the form of a document, and had someone with negligible scientific credentials edit Mr. El’s writing so heavily that it’s meaning is altered.

I mean, my suggested revamp isn’t really too far from the original, is it? What’s scary is that it isn’t far at all from some recent real-life history. And that’s why, despite my great respect for Messrs. Siegel and Shuster, I hope they’re lousy prophets. Remember how their story ended? The poobahs insisted they were right and Jor-El was wrong, despite plenty of contrary evidence, and – Blooey!

If we were to redo, once again, what Joe and Jerry began with, we might consider expanding it to allow a look at the poobahs. The trick in doing this kind of thing is to ask, if these fictional characters were real, what kind of people would they be? Not conventionally “evil;” at least, they wouldn’t think of themselves as “evil;” no one does.

But arrogant, certainly: so sure of their own unchallenged superiority that they feel they don’t have to listen to, much less heed, anyone else. And prisoners of their own egos, which would not allow them to admit ever, being wrong. And not only greedy, but able to rationalize their greed, if there were a profit to be made from their acts.

All that would congeal into deep, impenetrable ignorance. Not lack of education, nor stupidity, but ignorance, which, in this context, we might define as a refusal to acknowledge the truth that’s available to them.

I’d like to read that story. In a comic book, not in a newspaper.

RECOMMENDED READING: The Selfish Gene, by Richard Dawkins.

Dennis O’Neil is an award-winning editor and writer of comic books like Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

Artwork TM and © DC Comics. All Rights Reserved.