Tagged: Glenn Hauman

MICHAEL DAVIS: Shit And The Comic Book Industry

Please take a moment to look at the graphic that accompanies this article. Chances are you seen it before on the net or right here on ComicMix when Glenn posted it a few days ago.

Shit.

I’ll admit it’s clever as shit. It’s interesting as shit. It’s thought provoking as shit.

I came across this on Facebook and I must admit I was mad as shit when I read it. I was even madder when I saw it was a marketing ploy. Don’t get me wrong. It’s a great marketing ploy and I freely admit that shit.

I went to the website and the Facebook page of the person who put it up. After reading some of the stuff on the Facebook page I was disappointed that I was so upset. Why? Because this is the sort of person I should like. We share a great many thing with regards to politics and he seems like a great guy.

Really.

But I know a wee bit about the comic book industry and I know a wee bit more about building franchises and a wee bit more about mentoring talent.

I also know you do not do any of that shit with fear.

In any and I mean any part of the entertainment business you will find incredible success and dismal failure. That’s not the industry’s fault.  The industry was not set up for you to be either an incredible success or a dismal failure.

That shit is on you.

Are there barriers to entry?

Yes. Tell me, what profession does not have barriers to entry? There are barriers to entry for everything.

That’s what school is for. That’s what working on your craft is for. That’s what life experience is for. That’s what you go to comic conventions for.

If you want to work in comics, you go to comic book conventions to learn the industry not to hang out with your 20 friends in one hotel room with the sole intention of going to the Twilight panel to kiss the ass of the movie company so they will give you a glimpse of that bullshit movie which is the same movie as the previous 15 but “this time it’s personal.”

Yeah, I called the Twilight movies bullshit. That’s my opinion.

The Twilight franchise?

Brilliant.

I don’t have to love a thing to respect a thing and I respect the shit out of the Twilight franchise. When it comes to how they run that shit I’m Team Edward all the way.

Instead of going to a portfolio review or a small press panel the young creators who will fall for that “call me” ploy from the comic industry poster spend their time trying to catch a glimpse of Jim Lee at the DC Comics panel. Jim is not there to talk to you about getting into DC he’s there to sell you the books you are already buying.

So, how does any of the above help your career?

It doesn’t.

The graphic depicts the comic book industry as an industry of people who will try and stab you in the back. Really? You think Jim Lee wants to stab you in the back so he can steal your idea? That great idea that you drew with a ballpoint pen, inked with a magic marker, colored with Photoshop 0.1 in tones of nothing but blue?

No.

You know why Jim Lee does not want your great idea, which all your family and friends have convinced you will be bigger than Superman?

I’ll tell you why, because if you have been reading comics and using that as your only education and attending Twilight like and not career oriented panels at comics conventions then most likely your idea is shit.

Why would all your family and friends tell you had created the greatest thing since Star Wars? I’ll tell you why; your family and friends love you. They are bias as shit.

Think of what you say to that fat ass 300-pound girlfriend when she’s asking you if she looks fat in that dress.

Fat 300-pound girlfriend: Do I look fat in this dress?

You: No.

You lie. You lie because you want to tap some of that fat ass. Guess what? She knows you are lying. She’s 300 pounds, dude. She would look fat in stranded in the middle of the ocean.

Your family and friends are your family and friends; they are supposed to lie to you.  Your family and friends they don’t know shit about what makes a concept a good idea.

Secondly, your “bigger than Superman” concept was drawn with a ball point pen, inked with a magic marker, colored with Photoshop 0.1 in tones of nothing but blue and your can’t spell so your lettering sucks also.

Is the comic book industry fair?

No.

Does some projects that suck get published?

Yes.

Is there an “old boy” network at many publishers?

Yes.

Are there people who don’t want you to succeed?

Yes.

Welcome to Earth, motherfucker. Or more specifically, welcome to the real world of grown-up business.

In every single business on the planet there are unfair policies, projects that suck that get green lit, cliques of people who won’t let you in and people who do not want you to succeed.

Fuck that shit and fuck them.

Learn the game before you hook up with somebody who claims he can help you with your “franchise.”

Franchise?

Give me a fucking break. Learn to write, learn to draw. Ask Jim Lee for advice not an autograph. Stand in line to hear Marv Wolfman or Harlan Ellison talk about writing. Stop standing in line to see clips from a movie you are going to see anyway.

Comic creators like giving advice. You will be surprised to see how much you can learn from an conversation about that creators craft.  Set realistic goals for yourself. Seek criticism from people that know what they are talking about.

Here’s a hint. Make appointments with people you would like to talk to. All they can say is “no” but would not a “yes” make your day and help you?

Take classes, go to school make an effort to learn the industry.

Yes, think about your own Franchise!

Yes, build, your own Franchise!

But before you call someone to help you do something that they have not done, do the work that’s needed to achieve your goal. Yours – not someone else’s.

When you do all of that and more, when you have gotten to a place of excellence in your craft and still don’t succeed, try again and again and then again.

Frankly, if you are that good you won’t have to keep trying because you will succeed.

Anything less, anything quick, anything that does not involve the kind of commitment to your the craft is just bullshit.

WEDNESDAY: Mike Gold Gets Sentimental

MIKE GOLD’s Top 10 Comics Of 2011

It’s the end of the year and everybody’s got their Top 10 list, and since I went to journalism school I’m obligated to list mine. I’m looking at titles that were released in 2011 because cover dates are meaningless. I’m not looking at original graphic novels or reprint projects, even though in dollar volume they constitute the majority of my purchases. Besides, original graphic novels are done to very different standards. Finally, some of these titles are done by friends of mine; I refuse to disqualify them because they just might buy me lunch. Having said all that…

#1 – Life With Archie Magazine (Archie)

Top of my list for the second year straight. Two stories – Archie marries Veronica, Archie marries Betty. Parallel worlds which converge, but that’s not why this book is great. There’s very real character development here, layered on personalities that existed for 70 years without it. We watch them grow, not into adults, but as adults. Better still, the most interesting character in both series is Reggie Mantle! Paul Kupperberg writes this, with art from Norm Breyfogle, Fernando Ruiz, Pat and Tim Kennedy and a host of others.

#2 – Tiny Titans (DC)

If you see this as a kid’s comic, that’s great, particularly if you’re a kid. If you see this as a brilliant loving satire of DC Comics and its convoluted universe, that’s great too, particularly if you’re an “adult.” Art Baltazar and Franco are pushing towards 50 issues here, and there ain’t a clunker in the bunch.

#3 – Elric: The Balance Lost (Boom)

Michael Moorcock’s Eternal Champion has been in the hands of a lot of comics creators and a lot of comics publishers, and the output has been… inconsistent. This latest series is among the very best: all of the various shades of Elric are here, and interweaved through the storyline are very contemporary elements and environs. Good stuff from Chris Roberson and Francesco Biagini.

#4 – Daredevil (Marvel)

Once again, Mark Waid does what he does best: he takes a well-established character that, like all well-established comics characters, has been covered in paint about a dozen too many times and strips it back down to the wall, preserving everything that made the character work while imbuing it with a contemporary environment. On this series, he’s going just that – and he’s doing it better than ever. Penciler Marcos Martin ain’t no slouch, neither. This is a real superhero book.

#5 – Justice League Dark (DC)

This one’s my surprise of the year. While very little of DC’s New 52 answers the question “why bother,” this one takes a bunch of characters of a somewhat mystical nature and thrusts them, Justice League like, into a trauma vastly larger than any one of them… and maybe all of them. Sort of like The Defenders, with all the style and John Constantine’s wit. Peter Milligan’s DC work has been inconsistent for me (I tend to prefer his U.K. work), but I’m glad I checked this one out. Mikel Jann draws the series. Very different… and very good.

#6 – Fly (Zenoscope)

I reviewed Raven Gregory and Eric J’s series about a recreational drug that gives kids the power to fly way back here. I liked it then, I like it now. Of course it’s out in trade paperback, so if you blew me off in August, give it a shot now.

#7 – Red Skull (Marvel)

Retrofitting a backstory onto a well-established character is a gambit that is often ill conceived and, worse, boring. Not this one. Greg Pak and Mirko Colak take us back to the villain’s adolescence where we learn – definitively – where his allegiances truly lie… and why. The fact that it’s got the best covers I’ve seen on a mini-series in a long while doesn’t hurt, either.

#8 – Batgirl (DC)

I don’t have a clue about how this series fits into any continuity, current or past. I’m told it does. What I do know is that this is a series about a young woman who’s trying to reestablish herself as a superhero after enduring traumas that shattered her body and soul. She’s not necessarily great at being a superhero, but she’s giving it all she’s got. This is exactly what I expect out of Gail Simone, and that is a very high standard. Adrian Syaf offers solid and exciting storytelling.

#9 – Action Comics (DC)

I went here because of Rags Morales’ art – I’d buy Kellogg’s Frosted Flakes if Rags drew the box – and I stayed for Grant Morrison’s innovative and engrossing script. This is the all-new young Superman, before he figured out what to wear on the job. It’s set well before the all-new older Superman in his eponymous title. I don’t know how this leads up to that, and I don’t care. This is supposed to hold up on its own, and it does. I’ll get over the slap in history’s face with the numbering (if such lasts); this is the best-produced Superman title in a decade-and-a-half.

#10 – To my friends who didn’t make this list: each of you came in tied for #10. Now go fight it out.

Notice how there aren’t any teevee or movie tie-ins? I never warmed up to that stuff. Not even as a kid. Which means it took me a while to realize Steve Ditko actually drew Hogan’s Heroes.

I have no doubt that within weeks at least two of the above-named will start to suck. Like all commercial media, comic books are subject to the whims of the lords and ladies of irony. But as a professional cynic, these titles and perhaps another half-dozen meet and exceed my bizarrely encrusted standards. Your opinions might differ, and that doesn’t necessarily mean you’re wrong.

Of course not.

Extra: Happy birthday wishes to fellow columnist Marc Alan Fishman, who turns 30 today and, therefore, is old enough to know better. His son turns 0 in about a month.

Extra-Extra: Thanks to Gatekeeper Glenn for saving my life this year.

THURSDAY: Dennis O’Neil

Incoming Books: December 1st

Incoming Books: December 1st

  • News
  • December 2, 2011
Midtown Comics

Before I get to the box that came today, I have to thank Glenn Hauman, who was responsible for several big boxes of stuff that showed up semi-mysteriously yesterday, while I was at work. He was trying to get me started on rebuilding the collection that the flood destroyed, and it was one of the nicest things that anyone has ever done for me. (I haven’t really had a chance to see what’s there yet — I’ll probably have to wait until I have shelves again, and unload directly onto them to go through it all.) I’m not sure where all of it came from, so thanks to Glenn, and thanks to anyone else who was responsible.

But today a box came in from Midtown Comics, which used to be my local when I worked in the city, and which has been e-mailing me about their deals incessantly in recent weeks. Just before Thanksgiving, they had a sale that finally got me:

  • 40% off most graphic novels
  • free shipping
  • and no tax, since I’m in New Jersey, where they don’t have a physical presence.

How could I resist? And so here’s what I got: (more…)

Peter David’s New Novel Launches Crazy 8 Press

c8-final-logo1-300x247-3643009Crazy 8 Press exists because the founders — Peter David, Michael Jan Friedman, Bob Greenberger, Glenn Hauman, Aaron Rosenberg, and Howard Weinstein — have found selling their original works to mainstream publishers increasingly difficult. Illogical barriers have been erected and the website was conceived to directly connect the authors with the readers.

The concept was conceived by Friedman at last summer’s Shore Leave convention and now, a year later, the site is officially open for business this afternoon. Its initial offering is an original novel, The Camelot Papers, which is unrelated to David’s previous Camelot trilogy. The novel is available in all eBook formats in addition to Print on Demand.

At a launch panel Saturday at noon, the founders will outline their plans for the future, addressing issues such as frequency, backlist, and if non-member authors will be published through the site.  “It’s not a business,” Greenberger said. “It’s a consortium with a handshake binding friends together. Our goal is to have all our audiences come to one source to find our older and newer original works.”

To bring attention to the new operation and to raise much-needed funds for the Comic Book Legal Defense Fund, the six authors will collaborate on a short story, written in shifts during the convention, based on an opening line supplied by a fan during Friday night’s Meet the Authors event.

Since most of the authors write for ComicMix, we’re particularly proud of their accomplishment.

ComicMMXI: ComicMix Predicts 2011

ComicMMXI: ComicMix Predicts 2011

  • News
  • January 1, 2011

Now that we’ve taken a look back at the year – and boy oh boy, was that an interesting year – we can now look over the rainbow at what’s coming down the pike. Intelligent theories meet best guesses with a dash of wild-eyed visions; crystal ball, there’s so many things I gotta know… what’s coming in the New Year?

We’ve seen what the growth figures have been like for electronic reading, and now we can say there is no sign of slowing down. An estimated 70 different types of e-readers are expected to be on display at the Consumer Electronics Show later this month, and rumors have it that Apple is looking to purchase 65 million screens for iPads in the coming year, where book reading platforms are in the top 5 and two comics reading apps are in the top 20.

With the departure of Paul Levitz, Karen Berger is now the longest serving editorial employee at DC. But she’s on the other end of the country from where the action seems to be moving, and her sales figures haven’t been super-inspiring. Yes, Sandman moves lots of trade paperbacks a year– but what has she done for them lately? How many Big Events can they shove into the ever-narrowing pipeline? What if Green Lantern bombs? How do these new kids on the block respond? More THUNDER Agents? We will be told Wonder Woman is being given a bold new direction by a
new writer. This time the jacket will have fringe on it. The
DCU will get a few steps closer to being right back in the silver age.
Kyle Rayner and Wally West should buy some plots next to Ryan Choi any
day now.

How many Thor miniseries came out last year, in preparation for trade collection in time for the movie release? How about Captain America minis? Will the Spider-Man musical take flight – or will somebody get killed? Spider-Man himself will not die. Marvel’s Fear Itself will tie into Phobos being angry that daddy Ares was killed during Siege. The Avengers line-up will change and a new Avengers title will rise. Then, towards the end of 2011, we’ll have more Avengers mini-series than Richie Rich has tax shelters.

And then there’s the sword of Damocles hanging over the entire print industry. Steve Geppi’s financial problems are still touchy, not noticed as much because everybody’s had a softer year than most. Right now, we get the impression that Diamond’s treading water and has been able to refinance any cash flow problems, but shutting down their West Coast warehouse has to worry some folks about their future viability. But the real problem is with the Borders Book Chain: they closed the year not paying its creditors and returning tons of warehoused product. Sadly, Barnes and Noble and Books-A-Million aren’t doing all that much better.

The Green Lantern movie will be better than Spider-Man Turn On The Dark… we think. The Green Hornet movie will not. Please, please, please prove us wrong.

Beware the FINAL PICKLE. It’s coming.

Dr. Mid-Nite, Dr. Doom, Dr. Who, and Dr. Strange will start a competing talk show to take on the syndicated The Doctors. The show will however fail when Dr. Doom’s “Top Ten Super Health Tips for 2011” begin with SUCCUMB TO DOOM’S WILL!

The JLA line-up will change and spin-off into a new title, and no one will buy that book either. DC will quickly reconsider their no-crossover policy to jump on the Avengers bandwagon. Marvel will laugh.

Reed Dies. Sue Dies. Johnny Dies. Ben Dies. Franklin Dies. …. H.E.R.B.I.E. Dies. His parts will be distributed at random in the “final” bagged edition of Fantastic Four.

With the entire Disney Animated Universe being milked dry by BOOM! (and, increasingly Disney-owned Marvel),
look out for Avatar’s cleaning of the wonderful world of DiC.

Odin will return from the dead in a very angry state of mind. And a new pair of glasses.

Stan Lee’s characters for BOOM! will be forgotten by the summer, but don’t worry… Striperella will hit the shelves in the fall. And get ready to forget Stan’s new Archie titles!

The Walking Dead series will end with a unique twist: It was all a dream. Then Tom Welling shows up.

Marvel’s relaunching of the CrossGen Line will prove once and for all there was a good reason CrossGen went out of business.

Robert Kirkman will release only 17 new IP’s for Image.

And the surprise of the year: that Aunt May is going to outlive Miss Grundy.

How about you? What does your magic 8-ball reveal?

(Marc Alan Fishman, Mike Gold, Glenn Hauman, and Alan Kistler contributed to this piece.)

ComicMix’s Glenn Hauman at PhilCon this weekend

ComicMix’s Glenn Hauman at PhilCon this weekend

  • News
  • November 19, 2010

Yep, on the road again. PhilCon lasts for three days, I’ll be there tonight and Saturday. Here’s my schedule:

Fri 7:00 PM in Plaza V (Five) (1 hour)
UNSTOPPABLE FORCE SUPERHEROES (455)

   [Panelists: Glenn Hauman (mod), Jonathan Maberry, Alexis Gilliland, Andre Lieven]

   The Silver Age Superman could juggle planets. Sufficiently enraged, the Hulk has no upper strength limit. How can such invincible characters be given sufficient challenges and obstacles to make satisfying stories without de-powering them? Is this merely an enlarged version of the eternal ‘how can there be tension if we know the main character will survive’ quandary?

Fri 9:00 PM in Plaza IV (Four) (1 hour)
WEIRD SCIENCE COMICS! (512)

   [Panelists: Bill Spangler (mod), Stephanie Burke, Glenn Hauman, J. Andrew World]

   The Influence of EC Comics on Science Fiction

Sat 11:00 AM in Plaza II (Two) (1 hour)
OFF THE SCREEN: MOVIE/TV TIE-IN COMIC (424)

   [Panelists: Keith R.A. DeCandido (mod), Glenn Hauman, Bill Spangler]

   For years, TV shows and movies have had comic-book adaptations, and sometimes even long-running titles.  These days, however, it’s been taken to a whole other level, with comics like “Buffy” and “Firefly” actually being written or overseen by the show’s creator.  Can comics act as way to tell stories that can’t be told on the screen

Sat 1:00 PM in Plaza III (Three) (1 hour)
BUT THAT’S NOT SCIENCE FICTION (462)

   [Panelists: Michael J. Walsh (mod), Diane Weinstein, Carl Fink, Glenn Hauman, Barbara Barnett]

   Certain types of non-Science Fiction works such as the Sherlock Holmes series, the Regency Romances of Georgette Heyer, much of Kipling and  the Hornblower series are widely read by many science fiction fans and writers. Is there something these works have in common with science Fiction? If so, what is it?

Sat 2:00 PM in Plaza III (Three) (1 hour)
MARVEL/DISNEY: A MATCH MADE IN HOLLYWOOD (419)

   [Panelists: Andre Lieven (mod), Phil Kahn, Glenn Hauman, J. Andrew World]

   Earlier this year, The Walt Disney Company purchased Marvel Comics and Marvel Studios.  What is this going to mean for some of Marvel’s popular characters, like Spiderman, the Xmen, or Capt. America? What about films based on some of Marvel characters?  And what effect, if any, will this have on DC Comics and it’s corporate parent, Time-Warner?

Sat 4:00 PM in Plaza III (Three) (1 hour)
HOW REAL WORLD INVENTIONS HAVE INFLUENCED SCIENCE FICTION (513)

   [Panelists: Glenn Hauman (mod), Tom Purdom, Andre Lieven, Bernie Mojzes, Linda Bushyager]

   Science fiction has not always had a great track record of anticipating technological advances. Sometimes an invention has to show up in the real world before science fiction writers begin to write about it.
   Then what happens?

Sat 6:00 PM in Plaza I (One) (1 hour)
NOT JUST CAPES: THE BEST IN NON-SUPERHERO COMICS (427)

   [Panelists: Tony DiGerolamo (mod), Glenn Hauman, Jared Axelrod, James Chambers]

   Not every comic book features spandex and superpowers.  Some of them are about everyday people.  Some are about… other things.  But what are the best comics out there without superhero characters?
   Come and find out!

Sat 8:00 PM in Plaza VII (Seven) (1 hour)
WHY THE THEME ANTHOLOGY? (517)

   [Panelists: Eric Kotani (mod), Lawrence M. Schoen, Mike McPhail, Glenn Hauman, Danielle Ackley-McPhail]

   Why do we see so many anthologies on pre-chosen subjects?

50 comics facts about the Class of 2013

50 comics facts about the Class of 2013

  • News
  • September 2, 2009

Every year, Beloit College puts together a list of facts regarding the mindset of the class entering college this Fall—the Class of 2013. Their list, as always, is well worth a read, but this is ComicMix, and we’re here to talk about comics, by gum.

So as we get ready to send them off to college, we wondered: what constitutes the comics status quo for them? What’s normal to these kids born in 1991 (he asks, knowing that being born in 1986 puts him in largely the same boat)? So glad you asked.

  1. The guy who did the above strip had already ended his daily strip and retired by the time these freshmen started reading newspapers.
  2. There has never been a Miracleman (or Marvelman) comic published in their lifetime.
  3. They have no idea who Don Thompson or Carol Kalish were.
  4. Gambit has always been on the X-Men.
  5. Spider-Man was always married to Mary Jane… until One More Day.
  6. There wasn’t a DC multiverse until the end of Infinite Crisis.
  7. Wally West was always the Flash, and his first sidekick was Impulse.
  8. Adam West has never been Batman—he’s best known as the mayor on Family Guy.
  9. Wolverine never wore a brown costume, and has always had a solo book.
  10. Barbara Gordon has always been in a wheelchair.
  11. Sandman has always been that pale-skinned goth guy with the hair.
  12. Batman has had three Robins: Tim Drake, Stephanie Brown, and Damian Wayne.
  13. Lex Luthor has always been a businessman.
  14. Image Comics has always existed.
  15. So has Wizard Magazine.
  16. New Mutants was a short-lived series from 2003-2004, until the recent relaunch.
  17. Hank McCoy’s always been blue and furry.
  18. Elektra has always been dead.
  19. Frank Miller is the guy who did Sin City, and he never worked with Klaus Janson.
  20. There’s never been a character named “Streaky the Supercat.”
  21. The only composite Batman-Superman was a giant robot.
  22. The original Dove has always been dead.
  23. Thanos has always been searching for the Infinity Gems, so he can impress Death.
  24. Death has always been a goth chick.
  25. Jim “Rhodey” Rhodes has always been War Machine.
  26. S.H.I.E.L.D. has always stood for Strategic Hazard Intervention, Espionage Logistics Directorate.
  27. Kyle Rayner has always been a Green Lantern.
  28. Starman has always worn goggles and a leather jacket.
  29. John Romita. Jr. has always been known as a regular penciller for Amazing Spider-Man. John Romita, Sr. never was.
  30. Ghost Rider was Danny Ketch.
  31. Jean-Luc Picard was the first captain of the Enterprise.
  32. Cerebus the Aardvark was always a classic.
  33. Grendel has always been a Dark Horse title, except for that DC crossover.
  34. Cassie Sandsmark was the first Wonder Girl.
  35. Roy Harper was only known as Arsenal up until the current volume of Justice League of America.
  36. There’s never been a First or Eclipse Comics. Comico only did some of those soft-core Elementals books.
  37. There were originally four Justice League titles on the stands.
  38. The original Teen Titans were comprised of a de-aged Atom (Ray Palmer), Risk, Argent, Captain Marvel, Jr., Omen, Prysm, Fringe, Arsenal, and Joto.
  39. Julia Carpenter was the original Spider-Woman.
  40. The two Avengers teams were the East Coast and West Coast branches. None of this New, Mighty, Dark, Pet, and Caramel Covered.
  41. There’s always been a comic called Love and Rockets.
  42. The superhero cartoons of choice were Darkwing Duck and Fox’s X-Men. For live action, it was all about the Mighty Morphin’ Power Rangers.
  43. Kraven the Hunter has always been dead.
  44. Northstar has always been out of the closet.
  45. Kevin Conroy has always been the animated voice of Batman.
  46. Jim Shooter was the guy behind Valiant, then Defiant, and then he wrote the Legion for a while. Wait, he was at Marvel, too?
  47. Phoenix is Rachel Summers, not Jean Grey.
  48. Karate Kid was Ralph Macchio, and Ralph Macchio was the guy editing X-Men.
  49. There have always been Pulitzer Prize winning graphic novels.
  50. Disney never had a major successful comic book franchise.

What’s yours?

(Alan Kistler and Glenn Hauman contributed to this list.)

A reply from Imagi about ‘Astro Boy’

A reply from Imagi about ‘Astro Boy’

  • News
  • August 5, 2009

With regards to the recent C&D letter from Imagi’s lawyers, we’ve received the following:

August 4, 2009

Mr. Glenn Hauman
ComicMix.com

Dear Glenn:

Imagi Studios apologizes for any misunderstanding or inconvenience caused by the legal letter of July 29 regarding the image posted with your story about Astro Boy. This letter, which truly resulted from a miscommunication, was sent in error, and is hereby retracted. We thank you in advance for your understanding.

We would only like to point out that the image which appeared on your site is not from the movie as it is early concept art, and therefore we would greatly appreciate it if you could replace this image with one of the new stills from the Astro Boy movie, which are attached herewith.

Imagi Studios prides itself on being collaborative with the media by providing images as well as access to filmmakers and executives, and we hope to further our relationship with you in this way as well. We would also like to express our warm appreciation of your support and that of ComicMix.com to date, and we look forward to sharing updates on Astro Boy and future projects with you and the ComicMix community.

Best regards,

Erin Corbett
President, IMAGI STUDIOS U.S. & Chief Marketing Officer Worldwide

Erin, your apology is accepted. We’ve restored the articles to the site, and while we won’t replace the image, lest we be accused of histroical revisionism, we’re happy to make an annotation to the article indicating it’s early art and share the newer images with the rest of the world– starting with the one above, which I think is one we haven’t seen before.

I-Con 28: ‘Under the Radar: Comics You’re Missing’

  • News
  • April 7, 2009

Among the exciting adventures at I-Con was a panel titled "Under the Radar: Comics You’re Missing." The panelists (Carl Fink, Bob Greenberger, Glenn Hauman, Andy Weir, Bernie Hou, and me) and attendees came up with the following list, which we promised we’d post for reference. You should check them out if you aren’t reading them already:

Webcomics:

Print Comics:

Of course, the real takeaway from the panel was that you should be getting your comics news and reviews from ComicMix.com!

We’re off to I-Con 28

  • News
  • April 3, 2009

We’re on the road again this weekend, this time to I-Con 28, which is all over Suffolk Country this weekend (no, it’s not at Stony Brook Univeristy this year, major repairs going on, don’t ask) and various ComicMix folks will be out in force.

And many many more friendly folks– David Mack, Keith DeCandido, Peter David, Larry Hama, Jeness Crawford, Bob Rozakis, Greg Pak, Jane Yolen, Holly Black, the list goes on and on and on.

I-Con is home to one of the wider spectrums of fans, from anime to science and technology, and generally draws about six thousand people a year and is never the same from year to year. So if you’ve never been there, give it a shot. Tell them we sent you.

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