Tagged: film

Eccleston rising in the dark

Eccleston rising in the dark

According to the Manchester Evening News, Christopher Eccleston (Doctor Who, Heroes, The Second Coming) is set to star in a theatrical adaptation of Susan Cooper’s Young Adult novel The Dark Is Rising.

Eccleston will play the main villain, the Rider, who leads the evil forces back and forth through time, in what are described as Harry Potter-style films. The five books in Cooper’s series are optioned and will be produced, depending on the performance of the first film.

Ian McShane (Deadwood) co-stars with Eccleston, for director David L. Cunningham. The Dark Is Rising is set for a September 28th release.

More 300 views

More 300 views

You know something’s become a cultural phenomenon when it’s used as a springboard for humor pieces, on the assumption that viewers and readers will "get it" because the source material has become firmly embedded in our collective consciousness.  So it was with great amusement that I read Dr. PZ Myers’ take on 300 wherein he reveals that the movie is really about "a retelling of the creation-evolution struggle!" Next up, his similar interpretation of Grindhouse!

On a more serious note is artist Chris Weston’s I Hate 300 analysis, in which he pulls no punches in finding the movie "the most racist, homophobic and conservative film that I’ve ever had the misfortune to endure."  Weston later confesses that it took him about a week to get over the experience, so for good or ill the movie seems to be making quite an impact.

Grindhouse Gossip

Grindhouse Gossip

In response to recent inquiries about the production of Grindhouse, a spokesperson for Troublemaker Studios, the production entity co-founded and co-run by Robert Rodriguez and Elizabeth Avellan, released the following statement:

"Elizabeth Avellan and Robert Rodriguez were separated long before the Grindhouse production began. Their separation and subsequent divorce were very amicable and they opted to continue as planned, and to produce the film together — a decision they informed Bob and Harvey Weinstein [co-chairmen of The Weinstein Company, distributor of Grindhouse] about prior to the start of production. Robert and Elizabeth plan to produce Sin City 2 together — with Robert directing — for Dimension Films in the coming months. The hiatus during the production of Grindhouse had nothing to do with Robert’s personal life.

"On April 10th, 2006, after shooting for five weeks, Robert completed principal photography of the first phase of his segment of Grindhouse. He took a hiatus from shooting to assemble the footage he had already shot and determine his next steps in the production, which is the same successful approach he utilized with Sin City when he shot the film in two parts."

On a completely unrelated note, we saw Grindhouse yesterday and think the Tarantino part was awesome.

The Christmas Cottage movie

The Christmas Cottage movie

I never, never, never want to hear another complaint about adapting film from dumb comic books ever again. And if you’re tired of articles with headlines like "Pow! Zap! Wham! Comics movies aren’t just for kids" you don’t either. But now, you have a trump card to play – Hollywood is adapting movies from paintings.

Yes, paintings. Not painted comic books. Paintings.

First Showing shows us that Lions Gate is making a film based on a single painting by Thomas Kinkade, "painter of light" in the same way that Michael Jackson is the "king of pop," called The Christmas Cottage. Peter O’Toole has been cast in it. They note: "The film is partly biographical and based on events that led American painter Kinkade to become an artist." No word on whether they’ll include the FBI investigations or sexual harassment allegations – if Peter O’Toole’s in it, I suppose there’s a chance.

It’s shooting this month for the obvious December release, because this will be the film that gets O’Toole his Oscar.

Edward Gorey Movies

Edward Gorey Movies

According to The Hollywood Reporter, the work of everyone’s favorite creepy cartoonist, Edward Gorey, will be made into a movie. The project is being developed by Walden Media (the people who brought you the Narnia movie), the Jim Henson Company, and Fox 3000. 

Brad Peyton will direct from a script written by Matthew Huffman.

It’s hard to come up with a creature that you’ve never seen before in any medium, and he’s a unique little creation who is very appealing without being cute or cloying," Jim Henson Co. co-CEO Lisa Henson said. "He’s sophisticated yet simple at the same time, but it’s not overly juvenile. Adults can find him cute, too."

No word yet on a cast, or if the film will be live action or animated.

Serenity beats Star Wars

Serenity beats Star Wars

The BBC is reporting that Joss Whedon’s film Serenity topped a poll by SFX magazine as the best science fiction film of all time.  The magazine polled 3,000 fans.

Star Wars came in second, and Blade Runner was third.  Other films that made the list include Planet of the Apes, The Matrix, Alien,  Forbidden Planet, 2001: A Space Odyssey, The Terminator and Back to the Future.

SFX editor Dave Bradley said it was a "massive surprise" to see Serenity beating Star Wars.  "The TV show may have been cancelled, yet the Serenity universe clearly struck a chord with fans, thanks to its likeable characters, witty dialogue and amazing special effects."

Wallace and Gromit Go Sony

Wallace and Gromit Go Sony

Aardman Animation , of Wallace and Gromit fame, signed a three-picture deal with Sony Pictures, it was announced today.  The company, based in England, had been without a Hollywood partner since being dumped by Dreamworks in January. 

"We couldn’t be more excited about working with the entire Aardman team," said Sony co-chairman Amy Pascal.

Aardman co-founder David Sproxton said: "We are delighted to find a partner in Sony that shares our vision.  We are all very excited by the potential and have a number of projects we are keen to bring to fruition with this new relationship."

Wallace & Gromit: The Curse of the Were-Rabbit won an Oscar.  However, it lost money, as did Aardman’s following film, Flushed Away.  These losses were blamed for Dreamworks ending a five-picture deal after only two films.

Spielberg, Lucas announce comics publishing company

Spielberg, Lucas announce comics publishing company

Through a spokesman, filmmakers Steven Spielberg and George Lucas have announced their intention to join with Hugh Hefner, Jack Nicolson, Leonardo DiCaprio, Nicholas Cage, Matt Groening, Jon Voight, and Bill Clinton to form a comics publishing firm known as Studio Comics. Intended to be a Research and Development part of the successful SKG, the new company will gather comics artists and writers from around the world in an effort to create comics material that can be transformed into successful motion pictures.

Comics created for the new company will have small print runs of as few as twenty copies for the purpose of being shown to and commented on by studio executives. DiCaprio, whose father was a successful comics distributor, laughingly told reporters that Studio Comics would be responsible for what he termed "instant collector’s items" that will become a series of Holy Grails" to comics collectors.

Spielberg reportedly came up with the idea for creating comic books within a studio system after a dinner conversation with famed film historian Forrest Ackerman. The one-time editor of Famous Monsters of Filmland complained to the director of Close Encounters that the sales of once-ubiquitous comics were so low that it has become impossible to gauge the success or failure of a new feature by reader reaction. He suggested that filmmakers should go directly to comics creators and cut out of the loop existing publishers and the relative handful of readers from the process of acquiring material that could be transferred to film.

The surprising involvement of former President Clinton is the result of his long-standing desire to see both a comics and movie version of Senator Robert F. Kennedy’s book The Enemy Within. After speaking with Groening about possible artists and writers for the project (and, according to DiCaprio, the shortcomings of Richard Nixon), an agreement was reached wherein Clinton would adapt the Kennedy book to comics form and Groening would do the illustrations.

Similarly, Jack Nicholson has expressed an interest in creating a comics and film biography of the late Mad publisher William M. Gaines. The multiple Academy-award-winning actor wants to direct the resulting movie and to portray psychologist Fredric Wertham, Gaines’s long-time adversary.

Playboy publisher Hugh Hefner, who once produced a highly-praised filmed version of Macbeth directed by Roman Polansky, wants to introduce a series of general interest comics and movies aimed at a family audience.

Acknowledging that the majority of Studio’s "publishing" will involve photocopying pages that will be collated and shown to a small group of people, DiCaprio added that most of the comics will also be distributed to traditional newsstands, comic shops, and even movie theaters as promotional material for the films on which they are based.

Go Speed Racer!

Go Speed Racer!

Emile Hirsch, the relatively unknown actor, has been cast as Speed Racer in Joel Silver’s live-action adaptation of the beloved Japanese anime from the 1960s.

Hirsch has already been seen in Alpha Dog and Lords of Dogtown and will next be seen in Sean Penn’s Into the Wild, opening in September.  He told E!  the film would be “Blade Runner meets Andy Warhol meets pop art.”  No other casting has been confirmed thus far.

Speed Racer is on track for its May 9, 2008 release with filming set for Potsdam, Germany this spring and summer.  Silver has already announced that the film will be intended for all audiences and is aiming at a high octane G-rating.

MATT RAUB loves being a Turtle

MATT RAUB loves being a Turtle

Cowabunga, Dudes! Matt Raub here, back once again for my review of my pick for “Best Flick of 2007” – TMNT!

Now, before I do my business, a little history. I’m a 100% freak when it comes to anything and everything 80’s. From the music to the wacky neon fashion to the movies, and most important, the TV shows. From The Real Ghostbusters to M.A.S.K., I knew just about everything that needed to be known about cartoons in the 80’s. With that said, I was going into TMNT with roughly 50% excitement and 50% skepticism that we would get a repeat of the first three Turtles movies, which included (in no particular order): Vanilla Ice, time travel, and freckles.

With that said, I was nothing short of blown away by this flick. I caught myself jumping with excitement during the actions scenes and cackling obnoxiously at Michelangelo’s quips. Now, there aren’t a whole lot of CGI films that take my breath away, the exception being The Incredibles of course, mostly due to the need to dumb down the script to appeal to the legion of drooling nine-year-olds. But that wasn’t the case with TMNT. Instead of being a comedy with some action, this flick was all action with some comedy, and I loved it. While it did have some slapstick comedy to keep the toddlers at bay, there were so many more serious elements that I know had to have gone over the heads of the younger audience.

For those of you who aren’t sure where this film stands in comparison to the previous three, I’ll spell it out. This movie pulls a Superman Returns formula, but does it right. The story takes place about a year after the second film, erasing the Turtles in Time escapade completely from continuity (thanks!). With this continuity, we still get Casey Jones, April O’Neil, and a dead Shredder, but the characters all get a revamp, some for better and some not so much: April O’Neil is no longer a reporter, but a glorified Indiana Jones-archeologist type. What?? But like I said, this took the Superman formula and made it work. And no, April doesn’t end up having a half-turtle baby with Leonardo.

(more…)