Tagged: ComicMix

Place your Bets on the Next Doctor Who

Place your Bets on the Next Doctor Who

The announcement of David Tennant’s withdrawal from Doctor Who overshadowed his win for Outstanding Drama Performance at the National Television Awards this past week.  He beat out costar Catherine Tate although the series won the Most Popular Drama award.

Tate, who collected the Drama series award alongside Executive Producer Russell T. Davies, said "I know it’s won the award for the last three years, but I was sweating that we wouldn’t the year I joined!"

Meantime, the UK press has been in overdrive handicapping who might be the next Doctor, a game ComicMix indulged in not that long back. Tennant himself joined in the fun saying, "I’ve always been a big supporter of Wee Jimmy Krankie and I, you know, if it wasn’t me it was gonna be him, her, him. So the campaign starts here for me, to get wee Jimmy Krankie in the TARDIS and big Ian Krankie as the companion. I think that works."

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Interview: Nate Powell on ‘Swallow Me Whole’

Interview: Nate Powell on ‘Swallow Me Whole’

Nate Powell hits upon some pretty heavy subject matter in his latest graphic novel Swallow Me Whole, now out frolm Top Shelf. We’re talking childhood schizophrenia, obsessive compulsive disorder, family breakdown, animal telepathy, and misguided love, just to name a few. The Indiana-based cartoonist traverses the familiar territory of teen angst and all the growing pains associated with it in his new work, but without the formulaic melodrama that so often saturates the topic. When he isn’t tackling the troubling madness of adolescence as an author and artist, Powell splits his time operating DIY punk label Harlan Records and works with adults with developmental disabilities.

Despite his oh-so busy schedule, ComicMix recently had the chance go catch up with Powell before he hits up the Alternative Press Expo this weekend in San Francisco. Here’s what he had to say about his new work, how he hooked up with publisher Top Shelf and what’s next on his plate:

ComicMix: First off, let’s start with some background material. You’ve lived in a number of locales, that’s for sure. Where have your travels taken you and where are you at now? As for comics, do you remember when you first discovered them and what led you to create your own.

Nate Powell: I’m from North Little Rock, Arkansas, and since early 2004 I’ve lived in Bloomington, Indiana. In between I’ve also lived in Montana, Alabama, DC, New York City, Kansas City, Michigan, western Massachusetts, and Rhode Island.

As for comics — when I was a toddler in Montana I read a lot of Spider-Man, Wonder Woman, and Hulk comics. Apparently I spontaneously began reading out of a Fantastic Four activity book when I was three years old.

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Manga Friday: Bat-Manga!

Manga Friday: Bat-Manga!

Just one book this week, but what a book! How could I mention anything else in the same breath as…

Bat-Manga! The Secret History of Batman in Japan
Compiled, edited and Designed by Chip Kidd
Photography by Geoff Spear
From the Collection of Saul Ferris
Translated by Anne Ishii
Pantheon, October 2008, $29.95 paperback/$60 hardcover

Bat-Manga! is an amazing, bizarre object, the book equivalent of hearing the result of a very long, cross-cultural game of Telephone. You see, the Japanese magazine Shonen King licensed the rights to create new, original Japanese Batman comics in 1966, when the then-new TV show was broadcast in Japan. Those comics ran for about a year, but were never reprinted in Japan, and have never been published in the US in any form before now.

It’s a book with much to admire, wonder at, and complain about. Well, let me get the first of those out of the way first:

Chip Kidd is a fine designer, but I have to admit that it annoys me that he gets top billing on a book made up entirely of someone else’s comics. What’s worse is that the creator of those comics – Jiro Kuwata, who wrote and drew all of the works reprinted in this book, based very, very loosely on concepts and characters from the American Batman comics of the time – isn’t credited officially at all. His name comes up in the introduction, and there is an interview with him in the front matter, but the official credits for Bat-Manga! – reproduced above – don’t mention him at all. We’ve really hit the triumph of design over substance when a book designer, photographer, and collector are billed above – instead of, to be blunt – the person who actually created the stories.

So: Bat-Manga! doesn’t say that it’s a book by Jiro Kuwata, but it is. Those other folks just helped bring it to an American audience.

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My Way, by Michael Davis

My Way, by Michael Davis

And now, the end is near;

And so I face the final curtain.

My friend, I’ll say it clear,

I’ll state my case, of which I’m certain.

I’ve lived a life that’s full.

I’ve traveled each and every highway;

And more, much more than this,

I did it my way.

For whatever reason ComicMix has decided not to continue featured articles from me and our other columnists. Three weeks ago I turned down an offer to write for another site because I’m to busy for another deadline. That’s what I told the site. Truth is I have two things going for me, the first is I’m damn sexy, the second is I’m loyal like a puppy. O.K. I have one thing going for me, I’m loyal like a puppy. No, wait I do have two things going for me: I am damn sexy, even if I do say so myself.

Now I find myself with a bit of free time and you know what?

I don’t want to write for another site.  I like it where I am.

Look, I’m living the goddamn life of Riley here. I’m creating TV shows, I’m writing books, I’m about to run another entertainment company, I’m doing just fine without the weekly drag of coming up with stuff for ComicMix.

But I love this shit.

I have a great life and I have few regrets. One thing I like about me is I put it all out there. Love me or hate me, I put it ALL out there. Won’t you guys miss that? You need a guy like me to love or hate. You need me to piss you off and you need me to make you laugh. Of course I’m speaking of ALL the ComicMix columnists and using myself as an example. You need us. Not just me…really.

If I may take a moment and just talk about me…Asian girls…YOU NEED ME.

Look, I’m trying to be serious here. I’m sorry to get off track. On the serious tip, Asian girls you REALLY need me.

Anywho, I mentioned I was loyal like a puppy and my loyalty makes writing for another site not sit well with me. I mean ComicMix was unlike any other site out there and a great deal of that is because of the columns. You hear that powers that be at ComicMix? We helped build you. We help create the ‘mix’ in ComicMix.

You need us.

Don’t you?

No?

Well then if that’s the case, I’m now officially pissed!!! You motherfuckers think you can just use me? Did you think you COULD STEAL MY IDEAS? DID YOU THINK YOU COULD STEAL FROM MICHAEL DAVIS? FROM BEN SIEGEL? FROM MEYER LANSKY??

Sorry. I was watching Bugsy

I’m just kidding about the pissed part also. I’m not pissed. How could I be?  This was a wild ride and a lot of fun, but really, won’t you miss my rants? Won’t you miss my Death Ray? Won’t you miss how I get all deep and tell you stuff that you never expected from me? Won’t you miss the witty way I connect two seemingly impossible points?  Won’t you miss my annual Comic Con columns? Won’t you miss my tales from the hood? Won’t you miss, is you stupid?

Hey, now that I think of it; powers that be at ComicMix, IS you stupid?

Nah, I know it’s all about the business, guys. Or maybe not. Maybe just maybe the powers that be just hate me and instead of doing away with me (they can’t because of my massive power in the industry. Oh you think I’m kidding about that massive power? You have no idea who the Frank you are dealing with buddy. You try getting 25 rooms at Comic Con the WEEK before the con because some idiot canceled the rooms you had set up. Hell I got those 25 rooms back with ONE phone call. Then get that same idiot who thought she had some juice and canceled the rooms in the first place to apologize to you like the little bitch she was. Tell me how that works out for you. You get Ludacris, yeah THAT Ludacris to host YOUR Comic Con party. Tell me how THAT works out for you) wait a sec, where was I? Oh yeah, maybe just maybe the powers that be just hate me and instead of doing away with me they get rid of all the columnists just so it does not look like it’s all about me. Why would the powers that be go though all this trouble.

Why? WHY you ask?

Because I’m black.

See that? Did you see what I did? In one, way to long paragraph I bragged about my power, dropped some serious knowledge about my reach, insulted some hotel executive and made a joke.

Won’t you miss that? Wait! The one thing missing is a sad story from my childhood; and an Asian girl reference. So insert the following passage in there someplace:

My stepfather came home drunk. This was not rare but this time he had a puppy. Man, I was glad to see that puppy. That puppy meant to me that my stepfather was trying to do the right thing; he was trying to reach me with that puppy. “Is that for me?”  I asked already knowing the answer in my heart. The very same heart that was filled with love for this man at this moment. “IS WHAT FOR YOU?” He answered…loudly. “The puppy.” I said with a smile. “WHAT PUPPY?” He said again, loudly. I started to answer assuming this was his way of playing a game with me when I noticed something strange, my stepfather had tipped his head back and was bringing the puppy to his lips…

He was trying to drink the puppy. 

I found out later that he dropped his beer coming out of a bar and when he went to pick it up, he picked up the puppy instead.

“Ugh.” He said as the puppy (perhaps sensing danger with his puppy sense) peed in his mouth. “Tastes like piss.” He said while pausing…before he tipped the puppy to his mouth again.

Won’t you miss that? I know, I know so will I. Wait; I forgot the Asian girl reference. Here you go:

“Tastes like piss.” He said while pausing…before he tipped the puppy to his mouth again. Years later I would tell that story to an Asian girl hoping for understanding, hoping for love. Hoping she would love me… long time.

SEE? Won’t you miss all of that? Sure you will.

Well this does not have to be goodbye. I’ve gotten a lot of requests over the years (some with $ backing behind it) to write a blog. So that’s what’s I’m gonna do. I love ComicMix so much I’m not going to write for another site I’m going to write for me.

You can find me every Friday (I hope) at michaeldavisworld.com. I may or may not do more than one a week but I like this Friday thing. All this said, if Mike Gold wants me back at ComicMix I’m there. I have nom idea how I will do without the massive amount they were paying me there. I guess it’s back to my paper route; I have to get my milk money somewhere. 

I hope that I have been an interesting read at least. This is the 90th article I have written and I have loved this run. I’m grateful for the time I’ve spent here and look forward to seeing you all at michaeldavisworld.com.

I also wish ComicMix well. It’s still my favorite site on the net and Mike Gold will always be my friend. Regardless of him firing me…because I’m black.

Thanks, to all my follow columnists and to the un-official columnists, Vinnie, Russ, Marc, Reg, Jeremiah and last but not least my boy Shane. I’ll leave you with this:

For what is a man, what has he got?

If not himself, then he has naught.

To say the things he truly feels;

And not the words of one who kneels.

The record shows I took the blows –

And did it my way…

GOBAMA!!  

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The Parting Glass, by John Ostrander

The Parting Glass, by John Ostrander

As I’ve mentioned before, one of my favorite films is a fine Irish delight called Waking Ned Devine. The closing theme is a lovely version of the Irish tune Parting Glass, an appropriate song to come to mind for many different reasons on this, my final column at ComicMix. The refrain of it reads like this:

So fill to me the parting glass / Good night and joy be with you all.

An appropriate lyric in particular since, last week I was at the funeral of my Aunt Helen who died peacefully at the age of 101. If you’ve read the column regularly, then you might recall the column I wrote when Helen reached her 101st birthday earlier this year. She died peacefully in her own apartment in Chicago, sitting on the sofa, the morning paper beside her. The TV set was still on and she had, by all reports, a peaceful expression on her face.

My family was sorry to see Helen go, of course, but I wouldn’t say her wake was a solemn affair – nor would she have wished it to be. The youngest of the great grand nieces and nephews, ages two or so, played in front of the open casket, turning somersaults and squealing. Helen would have adored that – especially the incongruity of it. As my nephew, Fred Ludwig (who has a fine writer’s voice himself) wrote for part of her obituary, Helen “had a laugh that could fill a room.” I think I heard it there that night.

As I mentioned in that other column, at her 90th or 95th birthday, Helen received many a bottle of bourbon, almost all Seagrams 7. Enough whiskey to stock a liquor store. She laughed as she received each gift and said, “Oh, you know my brand.” She continued to have one highball a day, towards dinnertime, in the tradition of her father, who also lived to be 100. Her stash was found in the apartment – there was plenty left – and brought to the wake in a discreet side room where family and friends could repair to lift a parting glass to Helen without disturbing other wakes also being held at the funeral home. Helen would also have appreciated that – and the toasts.

She left bequests and had her funeral all organized – who was going to do what, what songs were to be sung, what readings at the church – the same church she had attended all her life – and who was to do them. My brother and I were both to do the eulogy. I began my part by “blaming” the Chicago Cubs for her death. Helen was such a Cubs’ fan. For the recessional we all sang “Take Me Out To the Ball Game.”

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Review: ‘The Night of Your Life’ by Jessie Reklaw

Review: ‘The Night of Your Life’ by Jessie Reklaw

The Night of Your Life
By Jessie Reklaw
Dark Horse, September 2008, $15.95

For the last thirteen years, Jessie Reklaw has been turning dreams – mostly those of strangers – into comics, on his website and in a growing number of alternative weeklies nationwide. (Not to derail my own train of thought, but are there any non-alternative weeklies, to which those “alternative weeklies” are the actual alternative?)

Each comic is a four panel grid, two over two: distilling a dream to its essential elements and telling however much of a story there is to tell. The stories are all bizarre and strange – they’re all dreams, after all – but, boiled down to four panels, they also have a lot of similarities. There’s a reason people call it “dream logic;” that’s the way the human mind organizes itself, so the same kind of transitions and imagery come up in many different people’s dreams.

[[[The Night of Your Life]]] collects about two hundred and forty of those “[[[Slow Wave]]]” strips, in black and white. The strips are printed one to the page – large enough to be clear and readable, but only slightly larger than on the web, so they don’t look blown up in the book. The strips are divided into ten parts, each part named for the first line of text in the first cartoon in that part…but the strips don’t otherwise seem to be organized. It’s clearly not by theme or imagery, and the strips aren’t dated, so there’s no way to tell if they’re in chronological order.

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Everything Changes, By Dennis O’Neil

Everything Changes, By Dennis O’Neil

When you realize the fact that everything changes and find your composure in it, there you find yourself in nirvana. – Shunryu Suzuki

Because I’m a sorta-kinda Buddhist (without portfolio) and, if that isn’t enough, because I’m an eager believer in evolution, I guess I can’t lament, much, that this is our last visit together. Yeah, sorry, everything does change and eventually go away, and as the Buddha taught, trying to hang on to what’s already disintegrating is a swell way to make yourself miserable.

We had our fun and no harm done…

Had this weekly enterprise continued, we might have discussed how, since modern political campaigns are about touting narratives without regard to whether or not the narratives are true, maybe storytelling is no longer useful to survival; or, with a nod to Ken Wilber, how people get stuck at certain levels of development and how this is pertinent to comics fandom; or why fundamentalism, whether political or religious, always seems allied to violence.

Maybe another time, another place. Or maybe not. (That old man is me, looking for my damn composure, and that lousy nirvana has to be here someplace…)

Final verdict: No regrets. It’s been a pleasurable two years spent in good company and I’m grateful to ComicMix for giving me an opportunity to touch, and be touched by, a world that once meant so much to me.

RECOMMENDED READING: I hereby break one of my own rules – if not now, when? – and recommend two works that I haven’t quite finished reading yet. But I’m close to their ends and feel confident calling them to your attention.

The Wise Heart, by Jack Kornfield.
 
The Scribbler’s Guide to the Land of Myth, by Sarah Beach. (Sarah was kind enough to dedicate this book to me and I’m deeply honored.)

And a final recommendation, not of a book or article but a course: Big History, taught by Professor David Christian and available from The Teaching Company.

Bye.
Review: ‘Aya of Yop City’ by Marguerite Abouet and Clement Oubrerie

Review: ‘Aya of Yop City’ by Marguerite Abouet and Clement Oubrerie

Aya of Yop City
By Marguerite Abouet and Clement Oubrerie
Drawn & Quarterly, September 2008, $19.95

[[[Aya]]] was one of the surprise pleasures of last year, a slice-of-life story about three young women and their families and friends in the neighborhood of Yopougon in late ‘70s Ivory Coast. The title character was actually the least involved in the plot, adding to a slight suspicion that the story was partially autobiographical. (Abouet did grow up in Ivory Coast, though she left in the early ‘80s at the age of twelve – so even Aya’s story couldn’t be directly hers. My personal theory is that Aya is based on an older sister or cousin of Abouet’s, one of her strong connections back to her homeland.)

By the end of Aya, Aya herself hadn’t been much changed, but her friend Adjoua had just given birth to a baby she claimed belonged to Moussa, the unmotivated son of local rich man and business owner Bonaventure Sissoko. But it was also clear that Moussa was not the father of Adjoua’s child, and that Bonaventure strongly suspected that.

[[[Aya of Yop City]]] begins almost immediately after the end of Aya; it’s a continuation of the same story rather than being a new, separate graphic novel. (And so the title is appropriate, like a [[[Babar]]] or [[[Madeleine]]] novel, or a line-extending superhero comic: [[[Aya]]], [[[Aya of Yop City]]], [[[The Adventures of Aya]]], [[[The Amazing Aya]]], [[[Yop Comics Featuring Aya]]], [[[The Spectacular Aya]]], and so on.) So it begins with a full-page close-up of Adjoua’s baby Bobby, who is very cute…but also looks absolutely nothing like Moussa.

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Two-Face Sees ‘Clear and Present Danger?’

Two-Face Sees ‘Clear and Present Danger?’

News about Tom Clancy’s Jack Ryan film franchise has unfolded faster than one of the author’s fictional terrorist plots. First came word that Sam Raimi was dropping out of the planned Ryan relaunch, then a report that the film was still a go ahead despite the director’s departure. Now, Moviehole reports that The Dark Knight star Aaron Eckhart is being tapped to take over the spy franchise.

"Harrison Ford apparently won’t be getting another look in as Jack Ryan," says the site. "We’re told since this is a complete reboot of the series the studio wants someone new to play the literary hero.

"Rumored to be among the names on that wish list is Aaron Eckhart."

Moviehole states that while no offers have been made, Eckhart is "a name that keeps popping up in relation to the part of Ryan, so someone over [at Paramount] obviously likes him."

Things have been good for Aaron Eckart lately. His role as ill-fated District Attorney Harvey Dent in The Dark Knight launched the actor to world renown status. Before that, his performance as tobacco proponent Nick Naylor in Thank You For Smoking gained critical acclaim across the board, as has his work in Bill as a reluctant mentor to a rebellious teen.

Eckhart is not the only name attached to Jack Ryan. In addition to Harrison Ford, who previously played the role but is no longer considered in the running, there’s the oft mentioned Ryan Gosling. Gosling was attached to play Ryan around the same time that Raimi was on board, but no official movement occurred in either direction. Funnily enough, Gosling’s name is listed on the Jack Ryan Wikipedia page.

"It was reported on January 21, 2008, by the Empire official website and Moviehole, that a new reboot of the Jack Ryan franchise will take place in the near future, featuring Ryan Gosling in the title role," reports Wikipedia.

Just goes to show that the only news outlet you can rely on is ComicMix. Boo-yah!

Growing Out Of Comics, by Mike Gold

Growing Out Of Comics, by Mike Gold

It was the very end of summer, I had just turned 11, and – heaven help me – I was just beginning to tire of comic books.

Not that I was considering getting that four-color monkey off of my back. My enthusiasm was waning. The Superman books were beginning to get silly, the Batman titles had already become silly, and Julie Schwartz’s books like The Flash and Green Lantern were beginning to feel repetitious. I had exceeded the five-year point in my comic book reading life, that moment when the publishers felt you were on your way out, trading comics for sports, girls, and/or life. Being a precocious reader, I was at that portal at an age somewhat younger than the norm, but there was no doubt about it, comics weren’t quite as exciting to me as they had been.

At that time, DC had the market on super-hero titles lock, stock and barrel. Few new titles were launched; indeed, DC’s two debut books – Showcase and The Brave and the Bold – often recycled previous unsuccessful attempts like Cave Carson: Inside Earth and the original Suicide Squad to give them another shot at the marketplace. Each run generally consisted of three issues, so at best there would be four debuts each year, and most of those (like Cave Carson and Suicide Squad) were not of the super-hero genre. Today, of course, we get four such debuts a week.

So when it came time to drive my sister to college, my father did something unique. He stopped at a drug store – one of those places that actually had a massive wooden rack plus two comics spinner racks exclusively dedicated to comic books – and told me to pick out a few for the ride, in the hope that I would not be a bother. He then dashed across the street to pick up a dozen bagels at Kaufman’s, the original one on Montrose and Kedzie in Chicago. They boasted the best bagels in the country, and they were right.

When he returned to the drug store, I had nothing. Absolutely nothing. I had read each and every superhero title in the vast expanse of rack space. Even Lois Lane.  Even the war comics, about which I was ambivalent at best, although I was not ambivalent about Joe Kubert’s art.

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