Tagged: Chicago

Marc Alan Fishman: A Tale Of Two Cons

fishman-art-131102-150x151-4660005This past weekend, Unshaven Comics closed its convention year out with Detroit Fanfare. In addition to the posh amenities of Dearborn’s finest hotel, we were also graced with the duty of completing a mitzvah: schlepping John Ostrander. Now, far be it from me to pelt you goyim with so much of the Jew-speak, but I’m finding myself a little verklempt. I’d ask that you talk amongst yourselves, but that would require you to skip to the comment bar before I have a chance to say something inflammatory.

Before we get to the meat and potatoes, I want to take a brief time-out to note just how awesome it was to drive John to and from the convention. Outside the small talk all near-strangers are prone to pelt back and forth, I’d like to think that even with as little as four or five hours in cars, or sharing meals, we Unshaven Lads got to know a hero and industry legend a bit more. Aside from sharing column space with the man and trading a few e-mails back and forth, my only other real experience with Mr. Ostrander was a few years back at Unshaven’s first foray at said Fanfare. We broke bread over the breakfast table one morning, and spent the majority of that ride home still convincing ourselves we’d had a meal with someone who took up significant shelf space in our private collections.

Aside from all the Ostrandering we did, Fanfare this year did as we’d hoped: it gave us an opportunity to see a sales gain from the previous year, meet up with old fans, make new ones, and spend just a little time making with the chit-chat amongst our fellow creators. That being said, I got more than a bit Jewy on the car-ride home, after we’d dropped off John. Matt and I, starving, stopped at a McDonalds on the way back to Chicago. Over fresh-from-the-fryer McNuggets (and screw it, real chicken or not, they are damn tasty when you’re starving), I looked over the hard numbers from the year. Specifically, the cost for our table verses the actual sales numbers we pulled down. And here is where the story gets interesting.

As per my witty title, it’s apropos that I open the lid on the jar of facts and figures for Detroit. Two times this year, Unshaven Comics made the trek to the Motor City. In the spring, we attended the aptly named Motor City Comic Con. Housed in nearby Novi, Michigan, the show boasts a large open convention center floor space and a multitude of celebrity guests. The big draws this year? Norman Reedus and Stan Lee. By the power of those names alone, the show suffered from what was later dubbed a humanity bomb, where fans literally waited hours outside the convention hall to even be able to walk in the doors. As creators, our table cost us $268. This was because the show-runners decided that each artist table would cover a single badge. Unshaven Comics’ trifecta-of-triumph required the purchase of two additional badges. By the end of the show, we’d sold 189 books. In 2012, we sold a scant 94 books. The increase of 101% in book sales was certainly enough to allow us to declare a stupendous victory.

Or so it would seem.

As noted, Detroit Fanfare is smart to wait long enough for fans to be hungry for con-goodness, some six months later. Also smart? The show opts to stay away from Detroit proper. The show takes over much of the Adoba Hotel and Suites. Far different from the Suburban Showplace, the hotel-centric con inhabits multiple ballrooms throughout the main floor. Media guests are also par for the course, with this years’ main delights including Billy West, John DiMaggio, and Tyler Mane, to name a few. Unlike Motor City, Unshaven detected no Humanity Bomb. All we really felt was a Walking Dead feeling to the fandom throughout the weekend. With multiple rooms to meander about, fans simply didn’t coagulate in waves like we’re used to in the big rooms. Instead, we simply saw a slow stream of passersby, many of whom were not in much mood to buy. That being said, we rounded out with 143 book sales, besting last year’s 126. Oh, and the table cost? $170, and that’s with the single extra badge we needed to purchase.

When I calculated the final costs of both shows – including gas, hotel, and meals – the numbers didn’t lie. The shows ended up netting Unshaven Comics nearly identical profit. Where Motor City showcased arguably larger stars and boasted a broader attendance, Fanfare’s more affordable table costs and attached hotel (with generous discount) offset a smaller audience. Motor City’s single-room show makes for better traffic flow, but Fanfare’s lower ticket price means fans more likely apt to purchase. At the end of the day, when Unshaven wants to work smarter, the devil is in the details. Fanfare occurs at the tail end of the year, when no other major shows tend to run. Motor City faces off against larger anime conventions and a few Comic Cons to boot. Now that we know we’ll end up with roughly the same amount of money from either? Well, I guess it’s just the best of times to be a lil’ indie publisher.

SUNDAY: John Ostrander

MONDAY: Mindy Newell

 

Doctor Who “The Day of the Doctor” to be simulcast in 3-D theaters

BBC announced this week details of the theatrical showings of the Doctor Who 50th anniversary special, The Day of the Doctor, with US showings details released today. Fifteen theaters in eleven US cities will be presenting the anniversary episode, starring Matt Smith, David Tennant and John Hurt as The Doctor, with Jenna Coleman and Billie Piper as their companions.

Tickets go on sale at 9AM Eastern Time, October 25th, via Fandango.com and Cinemark.com.  Considering the effect that Doctor Who fans had on the ticket website when the season premiere was to be shown in NYC (think the San Diego or healthcare.gov websites), it is presumed the demand will be heavy indeed.

The complete theater list is:

  • Los Angeles – Cinemark Rave 18 + IMAX (Los Angeles, CA)
  • Los Angeles – Century 20 Bella Terra at Huntington Beach (Huntington Beach, CA)
  • New York – AMC Loews Village 7 (New York, NY)
  • New York – Regal E-Walk Stadium 13 & RPX (New York, NY)
  • Chicago – Century 12 Evanston + XD (Evanston, IL)
  • Chicago – Cinemark @ Seven Bridges + IMAX (Woodridge, IL)
  • Philadelphia – Cinemark Rave Cinemas University City 6 (Philadelphia, PA)
  • Philadelphia – Cinemark 16 (Somerdale, NJ)
  • Dallas-Ft. Worth – Cinemark West Plano + XD (Plano, TX)
  • San Francisco-Oakland-San Jose – Century San Francisco Centre 9 and XD (San Francisco, CA)
  • Washington, DC – Cinemark Rave Cinemas Fairfax Corner 14 + XD (Fairfax, VA)
  • Houston – Cinemark Tinseltown 17 and XD (The Woodlands, TX)
  • Atlanta – Cinemark Tinseltown 17 (Fayetteville, GA)
  • Seattle-Tacoma – Cinemark Lincoln Square Cinemas (Bellevue, WA)
  • Minneapolis – AMC Southdale 16 (Edina, MN)

In addition to the day and date broadcast, Fathom Events will be hosting a rebroadcast the evening of Monday, November 25, in over 300 theaters.  Fathom Events hosts many live and special events simulcast in theaters nationally, including live performances by the RiffTrax team, formerly the cast of Mystery Science Theater 3000.

The Doctor Who tumblr page has posted a FAQ page about the event, including  details for viewing in other countries, and the complete list of theaters participating in the Monday evening event.

The Day of the Doctor is being simulcast globally on November 23rd, the 50th anniversary of the series, so that the fans can enjoy the episode all at once, with no chance of spoilers.  The episode will be be broadcast on BBC America – check your local carrier for channel details.

Gaiman’s Neverwhere Nevermore?

cbldfAccording to the Comic Book Legal Defense Fund, the Alamogordo Public Schools banned Neil Gaiman’s Neverwhere last week after one parent filed a complaint over the book, claiming the content was “rated R” and inappropriate for her 15-year-old daughter.

Gaiman’s classic work has been on the school’s reading list for nine years and this is the first complaint that’s been received. Evidently, the parent did not take issue with the entire novel, just the word “fuck” found twice on page 86. It is not known if the same parent took umbrage with J.D. Salinger’s award-winning 1951 novel Catcher In The Rye, which was assigned reading in this writer’s high school back in 1966. It, too, offers the same word.

The CBLDF has taken on the cause of freeing Neverwhere for 15 year-olds in New Mexico, and Gaiman issued the following response:

I’m obviously disappointed that the parent in question didn’t talk to the teacher or accept the teacher’s offer of an alternative book for her daughter, and has instead worked to stop anyone else’s children reading a book that’s been in the school system successfully for almost a decade. On the other hand I’m impressed that this parent has managed to find sex and violence in Neverwhere that everyone else had somehow missed – including the entire city of Chicago, when they made Neverwhere the book that was read by adults and children alike all through the city Spring 2011’s One Book One Chicago program.

But mostly I feel sorry for anyone excited enough by the banning to go to Neverwhere in search of “R-Rated” action. It’s a fine adventure, I think, with some sensible social points, and perhaps some good jokes and characters — but it’s very gentle stuff.

For more information, check out the CBLDF’s website.

Mike Gold: Tales To Diminish

Gold Art 131016I’ve been going to big-time national comic book conventions for 45 years. This amazes me because I can’t imagine doing anything for 45 years. I’ve got a very short attention span.

The first major shows were run here in New York by Phil Seuling, and they were wonderful. Just about everybody in the industry was there, surrounded by more fans than anybody thought existed. In 1968, attendance was around 300 people – 300 fanboys, virtually all fan boys, virtually all asking themselves the same question: “You mean, there are 299 others who are just like me?”

The following year, Seuling’s comic con grew to over a thousand, and many think twice that. Attendance continued to grow like Hank Pym on crack. Conventions proliferated to the point where, perhaps a decade ago, they started attracting extremely serious “support” from the sundry media industries and running a comic con became big-time business.

So this past weekend, 45 years and three months after Phil’s first, we had the New York Comic Con. Numbers are all over the place, but the show sold out some time ago. Evidently, some 135,000 people showed up – if true (and we’re not counting guests, pros, speakers, and press), then the New York Comic Con attracted a larger audience than the San Diego Comic Con, but, to be fair, both are severely limited by a lack of floor space and a lack of navigable aisles.

That’s not all NYCC has in common with SDCC. If you want to buy a Chevy, you could do it on the convention floor. If you want to insure your new car with Geico, you could do that as well. If you want to find out if you’ll get a parking space anywhere near the convention center the next day, there was a psychic there who might advise you accordingly.

Whereas NYCC had an enormous amount of media attractions and booths and panels, SDCC still has more because, essentially, Hollywood moves down to the border during Con week. Nonetheless, it is clear that NYCC shares at least two things with SDCC.

The first is that the aisles are clogged worse than Chris Christie’s arteries. If you’re trying to go from aisle 100 – where the ComicMix booth lived – to Artist’s Alley, it was a 20-minute walk, with the wind. If the Javits had decent taxi service, I would have considered using it. 135,000 people in the building built to comfortably house half that many at best means “you can’t get there from here.” There are lots of friends I wanted to see but couldn’t get to without borrowing vines from Tarzan.

The second is that neither show has all that much to do with comic books. NYCC still beats SDCC on that front, but only by a very narrow margin. It’s an autograph show, it’s a media frenzy, it’s a celebrity clusterfuck.

I believe I went to six major shows this year. Of those, I personally enjoyed only three, and those are the three I always enjoy. The MoCCA small-press show in Manhattan is always inspiring – it’s a two-day affair full of youth, creativity and energy, and it only requires one day of my life. The Heroes Con show in Charlotte North Carolina is truly about comic books. It’s large but it’s very well managed, and Reed Pop!, the people who put on both the NYCC and Chicago’s C2E2 (and who seem to know very little about comics and clearly care even less) should go out there and take notes.

My favorite show remains the September Baltimore Comic Con. It’s been growing steadily and attracting enough pros and decision-makers to sink the Titanic. It’s all about comics – strictly comics, to repeat myself for the sake of emphasis. The Harvey Awards dinner always is one of the highlights of my year, and it would be even if they didn’t hand out the best swag-bag that one can barely lift, let alone carry.

This year the Reed folks added something to their NYCC. They had chips on all the badges. You had to stand in line until a staffer scanned your badge with an iPad in order to verify your legitimacy. That’s annoying, but it’s even more annoying to leave the place. You had to stand in line for another chip scan in order to get out of the building. If you left at the end of the show day, it could take you a half hour to get from your last roosting place on the floor to the scanning line and then to the door.

I don’t know what would happen if your badge came up invalid when you were leaving. What would they do? Throw you out?

That would have been faster.

THURSDAY MORNING: Dennis O’Neil

THURSDAY AFTERNOON: The Tweeks!

 

Marc Alan Fishman: New York, New York

fishman-art-131012-150x116-6493724After a quick li’l jaunt across the lovely Midwest, Unshaven Comics has arrived in fabulous New York City. Well, technically, we’re in New Jersey. Is it as fabulous? Time will tell. At very least, our swell hosts have shown us nothing but the finest hospitality. Is it New Jersey tradition to spit in your guests faces and declare “Welcome to Jersey, fuck face!”?

So why the long trip? Well, we’re about to embark on the second largest convention in North America. The New York Comic Con boasts an audience five times the size of the largest con we’ve attended to date. While we’ve been conning for over five years now, NYCC will perhaps show us what an audience of serious mass will look like. Our game plan isn’t any different; we stand, we pitch, we smile, we sell. And we’ll be doing it alongside our ComicMix cohorts. Suffice to say, we’re excited.

New York is not just a city. It’s the city. Marvel has built its entire comic continuity around the damned city. Except the West Coast Avengers, and well, who cares about them? They don’t even care about themselves. And why not?

What I saw on our trip, in-between bouts of getting lost on one of the 7,986 turnpikes in the area, is beautiful. The NYC skyline is a thing of beauty. It’s no Chicago mind you, but hey… this is the concrete jungle where dreams are made of. So says Jay Z. Chicago only has R. Kelly and Kanye, and well, I’ll take Hova over them any day. But I digress. (note: I’m taking complete credit for ComicMixers coining this phrase. I stole it from my choir director in high school, and in turn they stole it from me. Nyah nyah boo boo.)

New York’s Comic Con is run by Reed, the same company who brought us (Unshaven that is) to C2E2. That convention, held in downtown Chicago, has been the toast of the town for three years running. While we’ve seen more production on our sales goals at Wizard World, to be frank, C2E2 gives us both decent sales and amazing exposure. Whilst here in the city that never sleeps (which makes sense, since the drivers are far more cranky than we friendly and amazing Chicagoans), we expect to see the best of both worlds. With expected attendance that dwarves R2D2, and a guest list that reads more like the old Wizard Top Ten lists of yesteryear, Unshaven Comics is getting access to the best fans we could ask for; people there to meet their favorite creators, with an open mind to find something new. Given that our east coast exposure has been limited to a pair of Baltimore Comic-Cons, we’re basically brand new to the biggest city in the world. And Unshaven Comics does well with being new.

By the time you read this, we’ll be in the thick of it. A four-day show is a major undertaking. We’ll be behind our table, hurling books left and right. If you’re still in the area, make sure you come out and say hello. Or you know… “Hello, fuck face!”

SUNDAY: John Ostrander

MONDAY: Mindy Newell

 

Live-Action Cinderella Begins Shooting

CINDERELLABurbank, Calif. (September 23, 2013)—Walt Disney Pictures announced today that principal photography has begun at Pinewood Studios in London, on Cinderella, Disney’s first-ever live action feature inspired by the classic fairy tale.

Directed by Academy Award®-nominee Kenneth Branagh (Jack Ryan, Thor), the film stars Lily James (Downton Abbey, Wrath of the Titans) in the title role, Richard Madden (Game of Thrones, Birdsong) as the Prince, Oscar®-winner Cate Blanchett (The Aviator) as the infamous stepmother Lady Tremaine, and Academy Award-nominee Helena Bonham Carter (The King’s Speech, Alice in Wonderland) as the Fairy Godmother. Holliday Grainger (Great Expectations, Anna Karenina) and Sophie McShera (Downton Abbey, Waterloo Road) play Ella’s stepsisters Anastasia and Drisella, respectively. Stellan Skarsgård (The Avengers, The Girl with the Dragon Tattoo) and Nonso Anozie (Game of Thrones, The Grey) play the Arch Grand Duke and the Prince’s loyal friend, the Captain. Tony® Award-winner Derek Jacobi portrays the King.

Cinderella is produced by Simon Kinberg (X-Men: First Class, Elysium), Allison Shearmur (The Hunger Games: Catching Fire), David Barron (Harry Potter and the Deathly Hallows, Jack Ryan), from a screenplay by Chris Weitz (About a Boy, The Golden Compass).

The filmmaking team includes three-time Academy Award-winning production designer Dante Ferretti (The Aviator, Hugo, Sweeney Todd: The Demon Barber of Fleet Street), three-time Oscar-winning costume designer Sandy Powell (The Aviator, The Young Victoria, Shakespeare in Love), director of photography Haris Zambarloukos (Sleuth, Thor) and Academy Award-winning editor Martin Walsh (Chicago, Clash of the Titans).

The timeless story of Cinderella dates back to 1697 when first created by Charles Perrault, although it truly came to life for millions all over the world in 1950 with Walt Disney’s celebrated animated feature.

Director Kenneth Branagh says: “It is impossible to think of Cinderella without thinking of Disney and the timeless images we’ve all grown up watching. And those classic moments are irresistible to a filmmaker. With Lily James we have found our perfect Cinderella. She combines knockout beauty with intelligence, wit, fun and physical grace. Her Prince is being played by Richard Madden, a young actor with incredible power and charisma. He is funny, smart and sexy and a great match for Cinderella.

The story of Cinderella follows the fortunes of young Ella whose merchant father remarries following the tragic death of her mother. Keen to support her loving father, Ella welcomes her new stepmother Lady Tremaine and her daughters Anastasia and Drisella into the family home. But, when Ella’s father suddenly and unexpectedly passes away, she finds herself at the mercy of a jealous and cruel new family. Finally relegated to nothing more than a servant girl covered in ashes, and spitefully renamed Cinderella, Ella could easily begin to lose hope. Yet, despite the cruelty inflicted upon her, Ella is determined to honor her mother’s dying words and to “have courage and be kind.” She will not give in to despair nor despise those who abuse her. And then there is the dashing stranger she meets in the woods. Unaware that he is really a prince, not merely an employee at the Palace, Ella finally feels she has met a kindred soul. It appears as if her fortunes may be about to change when the Palace sends out an open invitation for all maidens to attend a ball, raising Ella’s hopes of once again encountering the charming “Kit.” Alas, her stepmother forbids her to attend and callously rips apart her dress. But, as in all good fairy tales, help is at hand as a kindly beggar woman steps forward and, armed with a pumpkin and a few mice, changes Cinderella’s life forever.

Production on Cinderella will take place at Pinewood Studios and locations throughout England.

Cinderella will be released through Walt Disney Studios Motion Pictures on March 13, 2015.

The Battling Bagman Returns

New Pulp Publisher Airship 27 Productions has released New Pulp Author B.C. Bell‘s The Bagman vs. The World’s Fair.
 
PRESS RELEASE:
 
Airship 27 Productions is delighted to announce the release of its latest pulp title, THE BAGMAN vs THE WORLD’S FAIR by B.C. Bell.

It is the summer of 1933 and the Windy City is hosting the fabulous World’s Fair. The famous Navy Pier along the shores of Lake Michigan is invaded by thousands of tourists from around the nation and the world; all there to marvel at the newest scientific advancements on display.

But within this glittering pleasure park of wonder lurks a devilish fiend set upon causing mass destruction and ruining the Fair; a scientist turned mad employing a bizarre sonic cannon to commit murder and chaos amongst the innocent throngs.  Now it will be up to the unlikeliest hero of them all, the odd, notorious Bagman, to save the day.

Writer B.C. Bell sends his one time petty crook, Frank “Mac” McCullough back into action in this, the Bagman’s first full length adventure.  Along with his loyal buddy, the ace mechanic, Crankshaft, Chicago’s most unusual mystery man must find the lunatic inventor and put an end to his heinous attacks before more people will die.

“The first time I read a Chris Bell Bagman story, I actually chuckled aloud,” says Airship 27 Productions Managing Editor Ron Fortier.  “Bell’s ability to combine both fast paced, pure pulp action with slapstick humor is sheer genius. The Bagman is one of the most original of the new pulp heroes we have today.  His fans will not be disappointed with this new, longer adventure.”
The book features nine interiors illustrations by Andy Fish and sports a truly colorful painting by Laura Givens with book designs by Rob Davis.  As an added bonus, the story also features a very special cameo by Canadian writer Calvin Daniels’ own new pulp hero, the Black Wolf.

So slap another clip in your .45, straighten your tie and put that bag over your head, pulp fans; here comes the Bagman, delivering justice in his own peculiar way. 

AIRSHIP 27 PRODUCTIONS – Pulp Fiction for a New Generation!

Available now from Amazon in paperback.

Learn more about B.C. Bell’s The Bagman here.

 

 

The Battling Bagman Returns

New Pulp Publisher Airship 27 Productions has released New Pulp Author B.C. Bell‘s The Bagman vs. The World’s Fair.
PRESS RELEASE:
Airship 27 Productions is delighted to announce the release of its latest pulp title, THE BAGMAN vs THE WORLD’S FAIR by B.C. Bell.

It is the summer of 1933 and the Windy City is hosting the fabulous World’s Fair. The famous Navy Pier along the shores of Lake Michigan is invaded by thousands of tourists from around the nation and the world; all there to marvel at the newest scientific advancements on display.

But within this glittering pleasure park of wonder lurks a devilish fiend set upon causing mass destruction and ruining the Fair; a scientist turned mad employing a bizarre sonic cannon to commit murder and chaos amongst the innocent throngs.  Now it will be up to the unlikeliest hero of them all, the odd, notorious Bagman, to save the day.

Writer B.C. Bell sends his one time petty crook, Frank “Mac” McCullough back into action in this, the Bagman’s first full length adventure.  Along with his loyal buddy, the ace mechanic, Crankshaft, Chicago’s most unusual mystery man must find the lunatic inventor and put an end to his heinous attacks before more people will die.

“The first time I read a Chris Bell Bagman story, I actually chuckled aloud,” says Airship 27 Productions Managing Editor Ron Fortier.  “Bell’s ability to combine both fast paced, pure pulp action with slapstick humor is sheer genius. The Bagman is one of the most original of the new pulp heroes we have today.  His fans will not be disappointed with this new, longer adventure.”
The book features nine interiors illustrations by Andy Fish and sports a truly colorful painting by Laura Givens with book designs by Rob Davis.  As an added bonus, the story also features a very special cameo by Canadian writer Calvin Daniels’ own new pulp hero, the Black Wolf.

So slap another clip in your .45, straighten your tie and put that bag over your head, pulp fans; here comes the Bagman, delivering justice in his own peculiar way. 

AIRSHIP 27 PRODUCTIONS – Pulp Fiction for a New Generation!

Available now from Amazon in paperback.

Learn more about B.C. Bell’s The Bagman here.

Fight Card Books Premiere’s Barefoot Bones

Fight Fiction Publisher, Fight Card Books has released Fight Card: Barefoot Bones. Fight Card: Barefoot Bones is a written by pulpmeister Bobby Nash, the 2013 Pulp Ark Award winner for Best Author, writing under the Fight Card house name of Jack Tunney. Under a cover by David Foster and edits by Fight Card co-creator Paul Bishop, Barefoot Bones is a knockout!

PRESS RELEASE:

Korea, 1951

Mentored in the hollows of hardscrabble Georgia by mysterious loner Old Man Winter, then in a Chicago orphanage by ex-fighter Father Tim Brophy, James ‘Barefoot Bones’ Mason has relied on his fists to make his way. But it’s a long way from St. Vincent’s Asylum For Boys to the battlefields of Korea where Bones’ fists may not be enough.

Entered in an inter-camp boxing tournament by his commanding officer, Bones finds himself in a war within a war. When a tenuous cease fire is explosively shattered, Bone’s is fighting against the highest odds of all – staying alive.

Can a skinny kid from the north Georgia mountains survive the hell of Korea and still have the guts to climb back into the ring one more time? The one constant in Bones’ life has been fighting – Lucky for him… he’s good at it.

You can purchase Fight Card: Barefoot Bones here.
Learn more about Fight Card: Barefoot Bones here.
Learn more about Fight Card Books here.

Read Author Bobby Nash’s thoughts on crafting Fight Card: Barefoot Bones and see what it was like strapping on Jack Tunney’s gloves here.

Fight Card: Barefoot Bones – Coming Soon in Paperback.

Coming up next week, we have the debut of the first Fight Card Romance novel, Ladies Night, by Carol Malone (writing as Jill Tunney). Carol has pulled off a wonderful romance/fight pulp genre mash up in Fight Card Romance: Ladies Night.

Next month will see the publication of Anthony Venutolo’s noirish wonder, Fight Card: Front Page Palooka (previously Union Of The Snakes).

 

Fight Card: Barefoot Bones Cover Revealed!

Fight Fiction Publisher, Fight Card Books has released the cover to Fight Card: Barefoot Bones. Fight Card: Barefoot Bones is a novella by Pulp Ark Award-Winning Author Bobby Nash writing under the Fight Card house name of Jack Tunney. The cover was designed by David Foster and the book was edited by Paul Bishop, co-creator of Fight Card.

Learn more about Fight Card: Barefoot Bones here.

Read Author Bobby Nash’s thoughts on crafting Fight Card: Barefoot Bones and see what it was like strapping on Jack Tunney’s gloves here.

Fight Card: Barefoot Bones will be available for purchase next week.